Mixing different genres (fantasy, police action, horror, thriller) and with an environmental problem as an issue, Invisible City is probably the most encompassing effort to portray in the screen Brazilian rich folklore/mythology ever (perhaps even more than the classic Sítio do Pica-pau Amarelo). We can see Saci-Pererê, the Boto (both had appeared alone in Brazilian movies before), Cuca, Iara, Curupira, Caipora. All characters (not only the cretures but also the policemen, the girl and the citizens from the rural community) were played by actors with convincing performances, in very clever adaptations from the legends. Special effects, obviously simpler than in Hollywood, worked perfectly and were amesome. While Samuel de Assis did a good job in the leading role, and José Dumont is one of the best Brazilian actors, I was particularly amazed by the deepness and strength Fábio Lago, Alessandra Negrini, Jessica Córes and Wesley Guimarães gave to their versions of lovely faeries from Brazil.
Review of Invisible City
