This is a fantasy, black comedy. Jesus Christ's kid sister Ea is living with their dad, God, and their mum, Goddess, in a city apartment in Brussels in the present day. She is sick of God's cruel and violent ways and at age 10, puts an end to it by freezing his computer and fleeing the apartment into the city.
Her last act before sabotaging her evil Dad is to text everyone with their date of death as her father, God, has fated it. This causes first a media storm, then great changes in the world and for individuals now certain of the imminence or otherwise of their mortality.
It is a wild romp as young Ea sets out with a homeless man as a scribe to find another half dozen disciples to add to her big brother's twelve, and write The Brand New Testament based on details of ordinary people's lives.
It is more whimsical and generous than blasphemous, but still, atheists will be as thrilled as believers will be enchanted, by the new apostles.
The storytelling is exquisite; Amelie-esque might be the best description of the style. Elaborately constructed frames of short bursts of gorgeous, surreal elements pepper the action to ensure that this movie is a very rare delight.
Gloriously inventive, coherent, hilarious, metaphysical, philosophical, big-hearted, and satisfying. This is 5 star entertainment for 15 and up.
Andrew Bunney, Let's Go To The Pictures, Three D Radio, Adelaide
Her last act before sabotaging her evil Dad is to text everyone with their date of death as her father, God, has fated it. This causes first a media storm, then great changes in the world and for individuals now certain of the imminence or otherwise of their mortality.
It is a wild romp as young Ea sets out with a homeless man as a scribe to find another half dozen disciples to add to her big brother's twelve, and write The Brand New Testament based on details of ordinary people's lives.
It is more whimsical and generous than blasphemous, but still, atheists will be as thrilled as believers will be enchanted, by the new apostles.
The storytelling is exquisite; Amelie-esque might be the best description of the style. Elaborately constructed frames of short bursts of gorgeous, surreal elements pepper the action to ensure that this movie is a very rare delight.
Gloriously inventive, coherent, hilarious, metaphysical, philosophical, big-hearted, and satisfying. This is 5 star entertainment for 15 and up.
Andrew Bunney, Let's Go To The Pictures, Three D Radio, Adelaide