Kaufman's probing drama which centres around the Russian invasion of Czechoslovakia seems to suggest throughout that our very existence is always shaped, influenced and, to varying degrees, controlled by the dramatic events in our world. In short, we are victims of circumstance.
The story, co-written by Kaufman and Jean-Claude Carriere, is an amoral one concerning the extra-marital activity of Tomas, a doctor married to the young, timid Tereza who struggles to come to terms with his unfaithful lifestyle. Day-Lewis solidified his reputation with this accurate portrayal of pleasure seeking self-indulgence, and together with Binoche's touching portrayal of innocence and dedication, the two keep the audience interested. Lena Olin also turns in a fascinating performance as the third in a love triangle which threatens the young couple's marriage yet provides them both with their strongest friendship.
Kaufman, adapting from Milan Kundera's novel, constantly tries to add a human touch to the turmoil in the world surrounding the players in his film. Mostly he succeeds, though often it is hard to sympathise with a hedonistic, self centred anti-hero.
Art director Pierre Guffroy and Director of Photography Sven Nykvist have combined to grace the film with some splendid visuals and a most convincing look. Four editors conspired to under chop the final product.
Wednesday, October 1, 1997 - Video
The story, co-written by Kaufman and Jean-Claude Carriere, is an amoral one concerning the extra-marital activity of Tomas, a doctor married to the young, timid Tereza who struggles to come to terms with his unfaithful lifestyle. Day-Lewis solidified his reputation with this accurate portrayal of pleasure seeking self-indulgence, and together with Binoche's touching portrayal of innocence and dedication, the two keep the audience interested. Lena Olin also turns in a fascinating performance as the third in a love triangle which threatens the young couple's marriage yet provides them both with their strongest friendship.
Kaufman, adapting from Milan Kundera's novel, constantly tries to add a human touch to the turmoil in the world surrounding the players in his film. Mostly he succeeds, though often it is hard to sympathise with a hedonistic, self centred anti-hero.
Art director Pierre Guffroy and Director of Photography Sven Nykvist have combined to grace the film with some splendid visuals and a most convincing look. Four editors conspired to under chop the final product.
Wednesday, October 1, 1997 - Video