9/10
Unseen in German cinema
2 April 2008
I was living in St. Pauli, Hamburg at the end of 1998 when this movie came to a cinema on the Reeperbahn. Then, one evening, I met Faith Akin and the main characters of the movie on this very street, and I congratulated them. I told them I had watched the movie three times already, which was not true, since I had only seen it twice, but decided to go and watch it for a third time, which I did, even though I had little money. But I had to watch this movie over and over again, because I had not expected to ever see anything similar from a Germany-born director. The direct, vital, unpretentious acting and the authenticity of the settings and the language were something that I could't get enough of. Ralph Herforth has never been so convincing. It is one of these movies that reveal new details every time you watch them. At times, the movie seems to become very "turkish" and even over-sentimental, at other times, it is just world-class, as for an example in the post-office scene with Costa and his "awakening". To me, this is maybe THE best movie of Faith Akin so far.
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