63
Metascore
23 reviews · Provided by Metacritic.com
- 75New York PostSara StewartNew York PostSara StewartDisney, take note: This is how to do a winning live-action update of a cartoon.
- It's so joyful and confident in its own premise that it practically dares you not to walk out of the theater with a smile on your face, strutting like a peacock.
- 75Chicago TribuneKatie WalshChicago TribuneKatie WalshThe action in this live-action adaptation is sanded down and decidedly safe. Bobin loses the geographical thread in the film’s climax in and around Parapata, but it’s never about the visual thrills, it’s about the girl at the center of it all.
- 70VarietyPeter DebrugeVarietyPeter DebrugeThe most endearing quality of Nicholas Stoller and Matthew Robinson’s script — not counting the fact they didn’t try to whitewash their Latina heroine — is the way it permits Dora to remain indefatigably upbeat no matter what the situation, whether navigating treacherous Incan temples or facing an auditorium of jeering teenage peers.
- 70TheWrapYolanda MachadoTheWrapYolanda MachadoThe biggest challenge of an actor in any live-action update of an animated character is to make an audience that is already loyal to the original fall in love with a newer rendition. And that’s exactly what Moner does; her Dora has the DNA of everything that made the original so special while offering a fresh take for newer generations experiencing the character for the first time.
- 67The A.V. ClubJesse HassengerThe A.V. ClubJesse HassengerDora And The Lost City Of Gold, like that Nancy Drew movie, isn’t really for teenagers, any more than High School Musical is; it’s for tweenage-and-younger kids who look toward the high-school horizon with a combination of aspirational awe and chilling fear.
- 63Movie NationRoger MooreMovie NationRoger MooreIt's still as charming as a ham-fisted Hollywood treatment of a kids' cartoon can be. I don't see why any ten year-old wouldn't adore Dora.
- 50The Hollywood ReporterTodd McCarthyThe Hollywood ReporterTodd McCarthyIn essence, every dramatic goal is achieved far too easily, every opponent is ultimately made of straw. The characters are never truly challenged, as if the filmmakers are afraid that any credible peril might prove too frightening for some little kid.
- 40Screen DailyTim GriersonScreen DailyTim GriersonNot very funny and never especially touching, this Dora feels dispiritingly perfunctory — a two-hour babysitting tool that leaves little impression.
- Kids certainly won’t learn anything here, but they’re not likely to mistake it for entertainment, either.