42
Metascore
47 reviews · Provided by Metacritic.com
- 70The Hollywood ReporterLeslie FelperinThe Hollywood ReporterLeslie FelperinAlthough some of the film’s many twists are not that surprising, they’re satisfyingly delivered, and with a strong supporting cast ...plus striking dream imagery, this adds up to arguably the best in the franchise so far.
- 70Screen DailyFionnuala HalliganScreen DailyFionnuala HalliganKoepp has managed a brisk adaptation, although some of the dialogue can feel very forced, particularly when it comes to the clue-solving set-ups. Still, Howard keeps the viewer constantly occupied, Felicity Jones is an engaging sidekick, and there’s clearly a lot more mileage left for Tom Hanks in this franchise’s tank.
- 60Total FilmNeil SmithTotal FilmNeil SmithEarly promise proves misleading in a sequel that should be far better than The Da Vinci Code than it actually is.
- 40EmpireHelen O'HaraEmpireHelen O'HaraIt’s not the worst of the trilogy, but this is less for fans of thrillers and more for people who are pining after last year’s holiday to Florence.
- 40Time Out LondonTom HuddlestonTime Out LondonTom HuddlestonBy the end, even Hanks looks a bit bored.
- 20The GuardianPeter BradshawThe GuardianPeter BradshawOnce upon a time, this wackiness had some novelty value. Now it’s tedious.
- 20The TelegraphRobbie CollinThe TelegraphRobbie CollinWhile the plot’s endless lurches and jinks are designed to hold you in a constant state of pleasurable bafflement, the cumulative effect is desensitisation: no single thread holds long enough to give you anything to cheer for or believe in.