A New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attemptA New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attemptA New York tramp (Jolson) falls in love with the mayor's amnesiac girlfriend after rescuing her from a suicide attempt
Ernie Adams
- Man Thrown out of Apartment Building
- (uncredited)
Vince Barnett
- Assistant
- (uncredited)
Ted Billings
- Bum with Violin
- (uncredited)
Heinie Conklin
- Bum
- (uncredited)
Gino Corrado
- Mayor's Chef
- (uncredited)
John George
- Bum
- (uncredited)
Harold Goodwin
- Len
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBecause "bum" in British slang is a vulgar term for the human rear end, the British Board of Film Censors refused to pass the film unless the title was changed. So the British release was called "Hallelujah, I'm a Tramp," a change which required re-recording and reshooting the opening number.
- GoofsA cameraman's arm is reflected in the partially opened window of the Mayor's limousine when the Mayor meets Bumper at the casino.
- Alternate versionsA re-dubbed and edited version (for UK release) called "Hallelujah, I'm A Tramp" frequently turns up on television. In this version the soundtrack is momentarily erased whenever the word 'bum' is sung!
- ConnectionsFeatured in The All Talking, All Singing, All Dancing Show (1973)
Featured review
hallelujah, thank Jolson for this movie
Slap-happy musical film that tries to use music and images together to meld a new format -- and ends up entertaining and likeable. Many of the songs are "recited" in operatic fashion, as when Jolson, the "Mayor of Central Park" (a famous bum) sings his case in court against a singing tribunal that he's been brought before on chargest of betraying his office by taking a job at a bank. A wonderful tracking shot introduces his job through sucessive levels of importance, beginning with high rollers and ending up with lyricist Lorenz Hart telling a customer he doesn't have a dime to give him. After we see all the varying levels of importance in the bank, we finally come on Jolson and his friend, doing the banking equivalent of peeling potatoes. Wonderful charm of Jolson and Langdon is dulled slightly by Morgan and Evans' stiff leads.
Rodgers music and Hart's lyrics are splendid, making this one of the most original, best written original musicals of all time. It should be noted that in his years later working with Oscar Hammerstein, Rodgers only wrote one original play for film (excluding the televised "Cinderella") -- "State Fair" -- which in my opinion, though charming, has got nothing on "Hallelujah, I'm a Bum!" After the failure of this and several other Rodgers/Hart film projects, the duo returned to Broadway to become almost its only reliably successful writers in the later 30s. They left behind this little Hollywood gem to be rediscovered.
Rodgers music and Hart's lyrics are splendid, making this one of the most original, best written original musicals of all time. It should be noted that in his years later working with Oscar Hammerstein, Rodgers only wrote one original play for film (excluding the televised "Cinderella") -- "State Fair" -- which in my opinion, though charming, has got nothing on "Hallelujah, I'm a Bum!" After the failure of this and several other Rodgers/Hart film projects, the duo returned to Broadway to become almost its only reliably successful writers in the later 30s. They left behind this little Hollywood gem to be rediscovered.
helpful•153
- funkyfry
- Oct 10, 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Happy-Go-Lucky
- Filming locations
- Pacific Palisades, Los Angeles, California, USA(Central Park scenes)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
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