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- Actress
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French actress Léa Seydoux was born in 1985 in Paris, France, to Valérie Schlumberger, a philanthropist, and Henri Seydoux, a businessman. Her grandfather, Jérôme Seydoux, is chairman of Pathé, and her father is a great-grandson of businessman and inventor Marcel Schlumberger (her mother also descends from the Schlumberger family). Her parents are both of mixed French and Alsatian German descent, with more distant Venezuelan (Spanish, Basque) roots on her father's side.
Léa began her acting career in French cinema, appearing in films such as The Last Mistress (2007) and On War (2008). She first came to attention after she received her first César Award nomination for her performance in The Beautiful Person (2008), and won the Trophée Chopard, an award given to promising actors at the Cannes Film Festival. Since then, she has appeared in major Hollywood films including Quentin Tarantino's Inglourious Basterds (2009), Ridley Scott's Robin Hood (2010), Woody Allen's Midnight in Paris (2011), and Brad Bird's Mission: Impossible - Ghost Protocol (2011). In French cinema, she was nominated for the César Award for Most Promising Actress for a second time for her role in Belle Épine (2010) and was nominated for the César Award for Best Actress for the film Farewell, My Queen (2012).
In 2013, Seydoux came to widespread attention when Seydoux and co-star Adèle Exarchopoulos, alongside director Abdellatif Kechiche, were awarded the Palme d'Or at the Cannes Film Festival, for their involvement in the critically acclaimed film Blue Is the Warmest Colour (Blue Is the Warmest Colour (2013)). As a special prize for their roles, Along with Jane Campion, Seydoux and Exarchopoulos are the only women to have ever won a Palme d'Or.
That same year, she also received the Lumières Award for Best Actress for the film Grand Central and, in 2014, she was nominated for the BAFTA Rising Star Award and starred in the films Beauty and the Beast, The Grand Budapest Hotel and Saint Laurent. In 2015 she played Madeleine Swann in the 24th James Bond film Spectre.- Actress
- Soundtrack
Serenay Sarikaya was born 1 July 1992 in Ankara, Turkey. She is a Turkish actress and model. Sarikaya started to study at Antalya Saime Salih Konca High School. But she moved to Istanbul. So, she graduated from theatre department of Fine Arts High School in Istanbul.
At the age of fourteen, she had minor roles in the movie "Saskin" (2006) and the film "Plajda" (2008). Her first leading role is in the fantasy child series Peri Masali (2008). With Kaan Urgancioglu, she played in series Limon Agaci (2008) and english short film "Hoscakal".
Her breakthrough role is "Sofia" in hit comedy crime series Adanali (2008-10). She came to international attention for her roles in series "Lale Devri", "Medcezir" Turkish remake of The O.C, "Fi" based on the novel and fantasy series "Sahmaran".
With Nejat Isler, she continued her movie career in franchise film series "Behzat C. Ankara Yaniyor" and "Ikimizin Yerine". Since 2019, Sarikaya performs in "Alice Müzikali", which a musical adaption based on the Alice in Wonderland. She received critical acclaim and won numerous accolades, including two Golden Butterfly Awards.
At the age of fifteen, she participated in a beauty competition and received a special award from the jury at the European Youth Beauty Competition. Later, Sarikaya became the first runner-up at Miss Turkey 2010. In addition to her acting career, Sarikaya has appeared in many advertising films and is the face of numerous brands. In 2014, she was chosen as the Woman of the Year by GQ Turkey.- Actress
- Producer
- Writer
Actress, Melissa Peterman, is from Minneapolis, Minnesota, USA. After graduating from Minnesota State University with theater as one of her majors, she was cast as "Madeline Monroe" in Hey City Theater's production of "Tony & Tina's Wedding". After more than 600 performances, she went on to work as a writer and performer at the improvisational comedy theater, "The Brave New Workshop". While with "The Brave New Workshop", she also performed at the "Chicago Improv Festival" and the "Big Stink Comedy Festival" in Austin, Texas. She made her film debut, with character role, "Hooker #2" in the Coen brothers' Oscar-winning movie, Fargo (1996). On TV, she appeared in the Oxygen sketch comedy show, Running with Scissors (2000) and guest-starred on Just Shoot Me! (1997). Actress, Melissa Peterman lives in Los Angeles, California, with her husband & actor, John Hayden Brady + their son, Riley David Brady. The duo became parents on Thursday, October 20th, 2005. Their parenthood began 2,329 days, (332 weeks & 5 days), after their matrimony occurred on Saturday, June 5th, 1999.
Melissa Peterman's date of birth, Thursday, July 1st, 1971, & her motherhood date, Thursday, October 20th, 2005, differs 12,600 days, equaling 1,800 weeks exactly.- Actress
- Producer
- Art Director
Hilarie was born and raised in Sterling Park, Virginia. She is the oldest of four children and describes her family as tight-knit. Hilarie developed a passion for acting early in life. Shortly after moving to New York to go to school and pursuing her acting dream, she landed the coveted job of VJ at MTV. She won a guest spot interviewing on the red carpet for MTV and did so well she ended up with a job.- Actress
- Producer
- Soundtrack
Liv Tyler is an actress of international renown and has been a familiar face on our screens for over two decades and counting. She began modelling at the age of fourteen before pursuing a career in acting. After making her film debut in Bruce Beresford's Silent Fall, she was cast by fledgling director James Mangold (who would go on to direct such hits as Girl, Interrupted, Walk the Line and Logan) in his first feature Heavy, a critical and commercial success that went on to gain cult status. This was followed by another indie cult hit, Empire Records, but it was the leading role in Bernardo Bertolucci's Stealing Beauty that catapulted her to stardom at the age of eighteen.
Liv was next seen in Tom Hanks' hugely successful passion project That Thing You Do!, his paean to the glory days of 1960s rock 'n' roll (as the child of a rock 'n' roll background, this was a film whose subject was also dear to Liv's heart). This was followed by Michael Bay's action blockbuster Armageddon, starring alongside Bruce Willis, Ben Affleck and Steve Buscemi, who would later go on to direct Liv in Lonesome Jim.
Liv had come to the attention of director Robert Altman in Stealing Beauty and the late, great auteur went on to cast her in two of his final projects, Cookie's Fortune and Dr T and the Women, describing her as "very serious, very prepared and very professional...I am crazy about her."
In between her work for Altman, Liv starred opposite Ralph Fiennes in Onegin, directed by his sister Martha, from the classic novel by Alexander Pushkin. Ralph Fiennes said of Liv, "We tested a lot of actresses but Liv has an acute sense of emotional truth that's not performed or projected, but just is."
In 2001, Liv portrayed Arwen in the ground-breaking epic The Lord of the Rings trilogy: The Fellowship of the Ring, The Two Towers and The Return of the King.
Nothing if not eclectic, Liv then defied expectations by starring in cult director Kevin Smith's gentle low-budget comedy Jersey Girl, re-uniting her with her Armageddon co-star Ben Affleck, before playing Betty, the female lead to Edward Norton's Bruce Banner in Marvel's The Incredible Hulk.
An actress who consistently refuses to be pigeonholed, Liv's career is one that cuts across genres; she cannot be defined by the roles she has chosen and is led, above all, by what speaks to her on an instinctual and emotional level. "It's very difficult to say no to whatever comes along," Tom Hanks has said of her, "...But she's saying no to all the right things."
In addition to her acting work, Liv has forged a decade-long relationship with Givenchy as the spokesperson for their fragrance and cosmetics line. Liv is also a brand ambassador for Triumph lingerie, developing a capsule collection that celebrates the company's commitment to body confidence, as exemplified by Liv herself, "a modern woman in every sense, a mother and actress with a fierce sense of femininity that women across the world can relate to."
Liv's previous design collaboration was with Belstaff, resulting in two capsule collections for the iconic British heritage brand. Liv has also been the face of commercial campaigns for several global brands, including Visa and Pantene.- Actress
- Producer
- Director
Pamela Denise Anderson was born on July 1, 1967 in Ladysmith, British Columbia, Canada at 4:08 PST, to young newlywed parents, Barry Anderson and Carol Anderson. Her ancestry includes Finnish, English, Irish, and Volga German. During her childhood, she moved to the city of Vancouver. She has a younger brother Gerry, born 1971. As a teenager, Pamela went to Highland Secondary School. She was an acrobat and gymnast ages 7-12 and an athlete throughout school. She waitressed ages 16 to 19. Pamela was first "discovered" at a British Columbia Lions football game, when her image was shown on the stadium screen. The fans cheered her and she was brought down to the football field. Because of her fame in Vancouver, she signed a commercial contract with Labatt's beer to be the Blue Zone girl. More advertising assignments followed, and soon Playboy approached her. In October 1989, Pamela was on the cover of Playboy magazine.
With success from Playboy, Pamela Anderson moved to Los Angeles, California in 1990. In 1991, she made her television debut on Home Improvement (1991), where she starred as Lisa, the Tool Time Girl. Soon, she got attention from viewers nationwide, which got her the role of C.J. Parker on Baywatch (1989). She was on one of the most viewed television series worldwide. She made her big screen debut on Raw Justice (1994). Soon after, Pamela met Mötley Crüe drummer Tommy Lee on New Year's Eve 1994 in New York City. In February 1995, they got married in Cancun, Mexico. They both returned to Los Angeles and stunned the world.
In the spring of 1996, Pamela starred as the title role of Barb Wire (1996). While filming, she suffered a miscarriage. Pamela and Tommy were devastated, but there was hope for the couple when, on June 6, 1996, Brandon Thomas Lee was born. Soon later, a pornographic video of Pamela and Tommy was stolen from their home. Both of them sued an Internet website for stealing the video. Their case was not settled and the video is still on the Internet. Meanwhile, Pamela and Tommy were having a rocky marriage, but, on December 29, 1997, Dylan Jagger Lee was born. Two months later, Pamela filed for divorce when her husband assaulted her. Tommy was sentenced to six months in jail. In late 1998, she starred on a television series called V.I.P. (1998). Soon later, she stunned the world again by removing her breast implants.
In fall 2001, she started to date singer Kid Rock, they announced their engagement in the spring of 2002. Then, Pamela announced that she was infected with hepatitis C. The cause of it was that Pamela shared a needle with her ex-husband Tommy for a tattoo. Immediately, Pamela went into treatment and her series was canceled. In the fall of 2003, she broke up with Kid Rock and starred on a animated series by Stan Lee called Stripperella (2003). A lifelong animal rights advocate, Pamela soon joined PETA, working on many issues, including fur, slaughter of chickens and supporting vegetarians. In 2005, she starred on a FOX comedy series called Stacked (2005). Pamela also teaches at her sons' Sunday school and still poses for magazines.
at BC Lion's football game by the Jumbo-tron camera man. Quickly became known as "The Blue Zone girl" commercial campaign, face of trendsetters Gym. Playboy called (said no- too shy). Phone rang at home during a fight with ex-fiancé, she decided to spontaneously accept an offer to shoot a cover only- Asked mom... She agreed ... The family agreed after speaking with Mr. Hefner. 14 American Playboy covers. Worked with many photographers and artists worldwide. Home Improvement (3 seasons). Baywatch (5 seasons). VIP (5 seasons). Barb Wire, Borat. Theater - Aladdin (Panto) (Wimbledon and Liverpool).
She founded the Pamela Anderson Foundation, is an activist for Animal and Human Rights, NDVH and Environmental Issues, and is on the board of the Sea Shepherd. Pamela loves architecture and is designing Eco-friendly prefab small dwellings. She has a collection of linens, and shares time between the beaches of California and Vancouver Island equally. She is a 2013 New York City Marathon runner.- Actress
- Soundtrack
Sonoya Mizuno's a Japanese-born English actress, model & ballet dancer. She was born on July 1, 1986 in Tokyo, Japan. She graduated from the Royal Ballet School.
She has starred in Ex Machina (2014), Annihilation (2018) & Devs (2020). She had minor roles in La La Land (2016), Beauty and the Beast (2017) & Crazy Rich Asians (2018). She also starred in Maniac (2018) & is set to appear in House of the Dragon (2022).- Actress
- Producer
- Director
Nicholson was born and raised in Medford, Massachusetts (outside Boston), and is the eldest of four siblings. She is the daughter of Kate (Gilday) and James O. Nicholson, Jr., and is of Irish heritage. Nicholson moved to New York which led to a modeling career in Paris. She attended Hunter College as a General Studies Major. She is married to British actor Jonathan Cake. The couple met playing a couple in an HBO pilot "Marriage" directed by Michael Apted.- Writer
- Actor
- Producer
Daniel Edward Aykroyd was born on July 1, 1952 in Ottawa, Ontario, Canada, to Lorraine Hélène (Gougeon), a secretary from a French-Canadian family, and Samuel Cuthbert Peter Hugh Aykroyd, a civil engineer who advised prime minister Pierre Trudeau. Aykroyd attended Carleton University in 1969, where he majored in Criminology and Sociology, but he dropped out before completing his degree. He worked as a comedian in various Canadian nightclubs and managed an after-hours speakeasy, Club 505, in Toronto for several years. He worked with Second City Stage Troupe in Toronto and started his acting career at Carleton University with Sock'n'Buskin, the campus theater/drama club. Married to Donna Dixon since 1983, they have three daughters. His parents are named Peter and Lorraine and his brother Peter Aykroyd is a psychic researcher. Dan received an honorary Doctorate from Carleton University in 1994 and was made a Member of the Order of Canada in 1998.- Actor
- Producer
- Director
Many actors have attempted to crack both genres of drama and comedy. Few have succeeded, among them the genial Andre Braugher (pronounced 'Ahn-drey Braw-ger'). A two-time Emmy Award winner, he is especially remembered for two seminal roles: as the intense, often explosive Detective Frank Pembleton (signature character in the first six seasons of NBC's gritty drama Homicide: Life on the Street (1993)), and, in stark contrast, as droll, deadpan father figure Captain Ray Holt in eight seasons of the hilarious spoof Brooklyn Nine-Nine (2013). The latter got him nominated for another four Primetime Emmys as Outstanding Supporting Actor in a Comedy Series. What made the Holt character special was Braugher's unerringly perfect comic timing, great punchlines and moments of endearing pathos.
A Chicago native, Braugher was an alumnus of Stanford University and a 1988 Juillard graduate with a Master of Fine Arts degree. Originally a Shakespearean actor (noted for his portrayal of Henry V on the New York stage), he debuted on screen in the Civil War drama Glory (1989), as an erudite corporal, the first volunteer to enlist in one of the Union Army's African-American regiments. His inaugural portrayal of a police officer was as Kojak's sidekick, Detective Winston Blake, in a slew of made-for-TV movies. From there, Braugher became a popular casting choice for determined, no-nonsense authority types. To name but a few: Lt. Col. Benjamin O. Davis, commanding officer of The Tuskegee Airmen (1995); Detective Satch de Leon in Frequency (2000); General Hager, who falls victim to arch villain Dr. Doom in Fantastic Four: Rise of the Silver Surfer (2007); Army General George Mancheck in The Andromeda Strain (2008), the miniseries; the Secretary of State in Salt (2010). Then there was, of course, his defining role in Homicide, as the compelling, intense interrogation expert Frank Pembleton.
Braugher had a leading non-military role as an angel named Cassiel (no, not Castiel!) in the romantic fantasy City of Angels (1998), starring Nicolas Cage. He then headlined as the title character in the medical drama Gideon's Crossing (2000), loosely based on the career of a real-life professor of medicine, Jerome Groopman. His performance earned him a Golden Globe nomination. Braugher next co-starred in Hack (2002), another crime drama, in which he played a Philadelphia cop who aids his former partner (David Morse), who, after having left the force under a cloud, has turned into a hero vigilante.
For once on the wrong side of the law, he starred as a master criminal in the acclaimed miniseries Thief (2006) for which he won an Emmy for Outstanding Performance by a Lead Actor. His first major foray into comedy was with Men of a Certain Age (2009), the story of three friends, each experiencing their own mid-life crisis. Braugher's character (Owen) was an angst-ridden diabetic father who hated his job as a car dealer. This was yet another strong performance which resulted in two further Emmy nominations, perhaps because Braugher abandoned his stock-in-trade authoritarian persona by playing someone insecure and vulnerable. He explained in another interview on Today, that he needed new challenges in order to grow as an artist.
It also set the scene for his famous role as Raymond Holt on Brooklyn Nine-Nine. Curiously, the actor remained oddly reticent and self-deprecating about his comedic prowess. He confessed to an interviewer that he considered himself merely "a voyeur at the funny person's table". Yet, some of the show's funniest moments arise from Holt's relationships: those with his team (an excellent ensemble cast led by Andy Samberg (the Halloween specials rock!), with his partner Kevin (played by the very funny Marc Evan Jackson, who also featured memorably in Michael Schur's other off-beat comedy hit, The Good Place (2016)) and with his corgi named Cheddar.
Andre Braugher's unexpected death on December 11, 2023, at the age of 61, was a great loss to the entertainment industry.- Actor
- Soundtrack
Alan Ruck was born on July 1, 1956 in Cleveland, Ohio, and has made over 100 appearances in films and television, and on stage. He is best known for his role as the friend of Matthew Broderick and hopeless hypochondriac Cameron Frye, in John Hughes's Ferris Bueller's Day Off (1986).
During the 1980s he appeared in films such as Class (1983) with Rob Lowe and Andrew McCarthy and Three for the Road (1987) with Charlie Sheen. The 1990s included Young Guns II (1990) with Emilio Estevez and Lou Diamond Phillips, Star Trek: Generations (1994), Speed (1994) with Keanu Reeves and Twister (1996) (the latter two films are directed by Jan de Bont).
Ruck's television appearances include Tales from the Crypt (1989) opposite Lou Diamond Philips, Mad About You (1992) with Helen Hunt (his co-star in Twister), and Spin City (1996) with Michael J. Fox.
Ruck made an appearance in the HBO miniseries From the Earth to the Moon (1998) which reunited him with his Twister co-star Cary Elwes.- Actress
- Additional Crew
- Soundtrack
French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Actress
- Soundtrack
Hannah Murray is an English actress known for portraying Gilly in the HBO series Game of Thrones (2011) and Cassie Ainsworth in the E4 teen drama series Skins (2007), from 2007 to 2008 (and again in 2013). In 2014, Murray starred in God Help the Girl (2014). In 2015, she played Sara in the Danish film Bridgend (2015).
Hannah was born in Bristol, England. Her father is a University professor and her mother is a research technician in the same field. When she was a teenager she began taking drama lessons, and she fell for acting. At the age of sixteen, Hannah decided to pursue acting and she auditioned for Skins (2007), the debut series for new channel E4. She won the role of Cassie Ainsworth, a gentle, "spacey", yet self-destructive teenager with an eating disorder. The role lasted two seasons on the show, when her generation was replaced with a new one. But until today, her character remains one of the greatest icons of the series. Murray can also be seen in Chatroom (2010), Womb (2010), and Dark Shadows (2012).- Actress
- Writer
- Composer
Karen entered Northwestern University at 18 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).
The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven.- Actor
- Writer
- Producer
Jared Keeso is a Canadian actor, screenwriter, and producer. He is best known for creating and starring in the comedy series Letterkenny (2016-present), which won a Canadian Screen Award for Best Comedy Series in 2017. He is also known for his roles as Ben Chartier in the 2014 series 19-2 (2014-2017), for which he won a Canadian Screen Award, and Don Cherry in the television films Keep Your Head Up Kid: The Don Cherry Story (2010) and The Wrath of Grapes: The Don Cherry Story II (2012), for which he won a Leo Award and Gemini Award. He married Magali Brunelle Keeso, a Canadian corporate lawyer, in July 2018.- Actor
- Location Management
- Producer
Jonathan Roumie was born in New York City, New York, USA. He is an actor and producer, known for The Chosen (2017), Jesus Revolution (2023) and Night at the Museum: Kahmunrah Rises Again (2022).- Actress
- Executive
Storm Reid is an Emmy-nominated actress, producer, and current student at USC. With numerous credits to her name, Reid has emerged as one of Hollywood's most sought-after young actors. She recently earned her first Emmy nomination for "Outstanding Guest Actress In A Drama Series" for her work as Riley in the Max hit series THE LAST OF US.
Previous film projects include: TWELVE YEARS A SLAVE (2013), SLEIGHT (2016), A HAPPENING OF MONUMENTAL PROPORTIONS (2017), A WRINKLE IN TIME (2018), DON'T LET GO (2019), THE INVISIBLE MAN (2020), THE SUICIDE SQUAD (2021), ONE WAY (2022), MISSING (2023). Previous television projects include: WHEN THEY SEE US (2019), EUPHORIA (2019-), THE BRAVEST KNIGHT (2019), THE LAST OF US (2023).
In 2013, Reid and her mother, Robyn Simpson launched A SEED & WINGS Productions, an independent multimedia production house rooted in narratives that forge multi-cultural conversations, entertain, educate, and uplift. Their desire is to create authentic storytelling that is impactful, honest, and reflects the perspectives of all people. In 2021, Reid starred in Facebook Watch's "Chop it Up," a conversation series by way of cooking. The series was created and produced by Reid and her mother, Robyn Simpson, through their production company. It was announced that Reid will star and produce, alongside Simpson under their banner, the Paramount feature BECOMING NOBLE.
Additionally, Reid created the brand ArashiBlu, which she continues to expand and now includes her philanthropic endeavor, ArashiBlu 1720. Reid launched ArashiBlu 1720 with the intent to advocate and support the next generation of creators by being of service to her community. Reid recently launched 1720 ONE PARK AT A TIME, a new initiative under ArashiBlu 1720, with the mission to restore parks and playgrounds in underprivileged neighborhoods across the country. The first park being restored is Brownwood Park in Reid's hometown of Atlanta, Georgia. Reid held a groundbreaking event at the park with partners Coco Gauff and New Balance in July 2023.
Reid's next film project, Warner Bros' THE NUN 2, is set to be released in theaters on September 8, 2023.- Actress
- Writer
- Additional Crew
Born in London, Jean Marsh became interested in show business while taking dancing and mime classes as therapy for a childhood illness. After attending a charm school and working as a model, she started acting in repertory and took voice lessons. Her repertory work was supplemented by a number of film appearances as a dancer. She then spent three years in America, appearing in Sir John Gielgud's Broadway production of "Much Ado About Nothing" and numerous TV shows, including an episode of The Twilight Zone (1959). Returning to London, she won roles on stage, film and TV. It was during this period that she appeared in Doctor Who (1963), first as Princess Joanna in "The Crusade" and then as Sara Kingdom in "The Daleks' Master Plan." In the early 1970s she co-created and starred in LWT's Upstairs, Downstairs (1971). Since then she has maintained a very busy career in the theatre, on TV - including a starring role in the US sitcom Nine to Five (1982) and films such as Return to Oz (1985) and Willow (1988). She also co-created another successful series, The House of Eliott (1991).- Actress
- Soundtrack
Olivia Mary de Havilland was born on July 1, 1916 in Tokyo, Japan to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California.
After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland, where she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935. She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935), and Captain Blood (1935), this last with the man with whom her career would be most closely identified: heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Gone with the Wind (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.
After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Hold Back the Dawn (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Suspicion (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she needed to make up the time lost because of the suspension. Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said that not only would Olivia not need to make up the time, but also that all performers would be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision": no longer could studios treat their performers as chattel. Olivia returned to the screen in 1946 and made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her: To Each His Own (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.
In 1948 she turned in another strong showing in The Snake Pit (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for The Heiress (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in The Fifth Musketeer (1979), and her last career appearance was in the TV movie The Woman He Loved (1988).
Her turbulent relationship with her only sibling, Joan Fontaine, was press fodder for many decades; the two were reported as having been permanently estranged since their mother's death in 1975, when Joan claimed that she had not been invited to the memorial service, which she only managed to hold off until she could arrive by threatening to go public. Joan also wrote in her memoir that her elder sister had been physically, psychologically, and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.
Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right--they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press." Joan died in 2013.
During the hoopla surrounding the 50th anniversary of GWTW in 1989, Olivia graciously declined requests for all interviews as the last of the four main stars. She enjoyed a quiet retirement in Paris, France, where she resided for many decades, and where she died on 26 July, 2020, at the age of 104.
As well as being the last surviving major cast member of some of cinema's most beloved pre-war and wartime film classics (including The Adventures of Robin Hood (1938) and Gone with the Wind (1939)), and one of the longest-lived major stars in film history, Olivia de Havilland was unquestionably the last surviving iconic figure from the peak of Hollywood's golden era during the late 1930s, and her passing truly marked the end of an era.- Actor
- Soundtrack
Since graduating from RADA, Kyle Soller has acquired an impressive body of work across stage, screen and film. Kyle's stage work has earned him the Outstanding Newcomer award at the Evening Standard Theatre Awards in 2011 following his three breakout performances in the 2010 revival of Tennessee William's' play The Glass Menagerie at the Young Vic, and in 2011 Gogol's classic comedy The Government Inspector, also at The Young Vic, and The Faith Machine at the Royal Court. The following year he received an Olivier Award nomination for his performance in Anthony Page's 2012 production of Long Day's Journey Into Night. In 2017 Kyle starred in Patrick Marber's Hedda Gabler opposite Ruth Wilson at the National Theatre in Ivo Van Hove's directorial debut for the National Theatre. In 2019 Kyle starred in The Inheritance at The Young Vic which then transferred to the West End and then onto Broadway. Kyle received an Olivier Award for his role, as well as an Evening Standard Nomination.
Kyle made his Broadway debut in 2012 in Jamie Lloyd's revival of Edmond Rostand's Cyrano de Bergerac.
Kyle Soller is best known for Andor, Disney+ , Bodies, Netlfix, Brexit: The Uncivil War, Poldark and Anna Karenina (2012)- Actor
- Soundtrack
Farley Earle Granger was born in 1925 in San Jose, California, to Eva (Hopkins) and Farley Earle Granger, who owned an automobile dealership. Right out of high school, he was brought to the attention of movie producer Samuel Goldwyn, who cast him in a small role in The North Star (1943). He followed it up with a much bigger part in The Purple Heart (1944) and then joined the army. After his release he had to wait until Nicholas Ray cast him in the low-budget RKO classic They Live by Night (1948) with Cathy O'Donnell, and then he was recalled by Goldwyn, who signed him to a five-year contract. He then made Rope (1948) for Alfred Hitchcock and followed up for Goldwyn with Enchantment (1948) with David Niven, Evelyn Keyes and Teresa Wright. Other roles followed, including Roseanna McCoy (1949) with Joan Evans, Our Very Own (1950) with Ann Blyth and Side Street (1949), again with Cathy O'Donnell. He returned to Hitchcock for the best role of his career, as the socialite tennis champ embroiled in a murder plot by psychotic Robert Walker in Strangers on a Train (1951). He then appeared in O. Henry's Full House (1952) with Jeanne Crain, Hans Christian Andersen (1952) with Danny Kaye, The Story of Three Loves (1953) with Leslie Caron and Small Town Girl (1953) with Jane Powell. He went to Italy to make Senso (1954) for Luchino Visconti with Alida Valli, one of his best films. He did a Broadway play in 1955, "The Carefree Tree", and then returned to films in The Naked Street (1955) with Anthony Quinn and Anne Bancroft and The Girl in the Red Velvet Swing (1955) with Joan Collins and Ray Milland. Over the next ten years Granger worked extensively on television and the stage, mainly in stock, and returned to films in Rogue's Gallery (1968) with Dennis Morgan. He then returned to Italy, where he made a series of films, including The Challengers (1970) with 'Anne Baxter (I)', The Man Called Noon (1973) with Richard Crenna and Arnold (1973) with Stella Stevens. More recent films include The Prowler (1981), Death Mask (1984), The Imagemaker (1986) and The Next Big Thing (2001). Since the 1950s he has continued to work frequently on American television and, in 1980, returned to Broadway and appeared in Ira Levin's successful play "Deathtrap". In 2007 he published his autobiography, "Include Me Out: My Life from Goldwyn to Broadway" with Robert Calhoun. A longtime resident of New York, Granger has recently appeared in several documentaries discussing Hollywood and, often, specifically Alfred Hitchcock.- Director
- Producer
- Actor
Sydney Pollack was an Academy Award-winning director, producer, actor, writer and public figure, who directed and produced over 40 films.
Sydney Irwin Pollack was born July 1, 1934 in Lafayette, Indiana, USA, to Rebecca (Miller), a homemaker, and David Pollack, a professional boxer turned pharmacist. All of his grandparents were Russian Jewish immigrants. His parents divorced when he was young. His mother, an alcoholic, died at age 37, when Sydney was 16. He spent his formative years in Indiana, graduating from his HS in 1952, then moved to New York City.
From 1952-1954 young Pollack studied acting with Sanford Meisner at The Neighborhood Playhouse School of the Theatre in New York. He served two years in the army, and then returned to the Neighborhood Playhouse and taught acting. In 1958, Pollack married his former student Claire Griswold. They had three children. Their son, Steven Pollack, died in a plane crash on November 26, 1993, in Santa Monica, California. Their daughter, Rebecca Pollack, served as vice president of film production at United Artists during the 1990s. Their youngest daughter, Rachel Pollack, was born in 1969.
Pollack began his acting career on stage, then made his name as television director in the early 1960s. He made his big screen acting debut in War Hunt (1962), where he met fellow actor Robert Redford, and the two co-stars established a life-long friendship. Pollack called on his good friend Redford to play opposite Natalie Wood in This Property Is Condemned (1966). Pollack and Redford worked together on six more films over the years. His biggest success came with Out of Africa (1985), starring Robert Redford and Meryl Streep. The movie earned eleven Academy Award nominations in all and seven wins, including Pollack's two Oscars: one for Best Direction and one for Best Picture.
Pollack showed his best as a comedy director and actor in Tootsie (1982), where he brought feminist issues to public awareness using his remarkable wit and wisdom, and created a highly entertaining film, which was nominated for ten Academy Awards. Pollack's directing revealed Dustin Hoffman's range and nuanced acting in gender switching from a dominant boyfriend to a nurse in drag, a brilliant collaboration of director and actor that broadened public perception about sex roles. Pollack also made success in producing such films as The Talented Mr. Ripley (1999), The Quiet American (2002) and Cold Mountain (2003). Pollack returned to the director's chair in 2004, when he directed The Interpreter (2005), the first film ever shot on location at the United Nations Headquarters and within the General Assembly in New York City.
In 2000, Sydney Pollack was honored with the John Huston Award from the Directors Guild of America as a "defender of artists' rights." He died from cancer on May 26, 2008, at his home in the Los Angeles suburb of Pacific Palisades, California.- Actor
- Producer
Thomas Sadoski was born on 1st July 1976 in Bethany, Connecticut. In 1980, he moved with his family to College Station, Texas. He has been in numerous plays Off-Broadway, and many regional theaters, including the Williamstown Theatre Festival. Made his Broadway debut in 2004, playing Mary-Louise Parker's husband in the critically acclaimed production of "Reckless".- Actor
- Writer
- Director
One of the most prolific character actors of his time starting with his role of Santini in the Blackboard Jungle (1955). Since then has appeared in iconic shows as the Twilight Zone, the Red Skelton Hour, the Dick Van Dyke Show, the Danny Kaye Show, Hazel, My Three Sons, Ben Casey, The Lucy Show, I Dream of Jeannie, The Andy Griffith Show, My Favorite Martian, F Troop, Get Smart. Gomer Pyle, The Flying Nun, The Blue Knight, Barnaby Jones, The Love Boat, Diagnosis Murder and of course M*A*S*H.- Actor
- Soundtrack
Ritchie Coster was born on 1 July 1967 in London, England, UK. He is an actor, known for The Dark Knight (2008), Let Me In (2010) and The Bounty Hunter (2010).- Actor
- Writer
- Director
One of Spain's best-recognized artistic personalities, Jordi Mollà is an actor, director, painter and a writer.
Jordi Mollà Perales was born in L'Hospitalet de Llobregat, Barcelona, Catalonia, Spain. Jordi was trained as an actor at the Barcelona Institute of Theatre and he also studied in Italy, Hungary and England. As an actor, he has worked in more than fifteen films, with prestigious directors like Bigas Luna, Montxo Armendáriz, Pedro Almodóvar, Ricardo Franco and Fernando Colomo.
Jordi first received in acclaim in Bigas Luna's "Jamón, Jamón", in 1992. Since then Jordi has appeared in "Historias del Kronen" (1994), Director: Montxo Armendáriz; "La Flor de mi secreto" (1994), Director: Pedro Almodóvar; "La Celestina" (1996), Director: Gerardo Vera; "La buena Estrella" (1997), Director: Ricardo Franco (Nominated for the GOYA Awards); "Los años bárbaros" (1998), Director: Fernando Colomo; "Volavérunt" (1999), Director: Bigas Luna; "Nadie conoce a nadie" (1999), Director: Mateo Gil; "Segunda piel" (1999), Director: Gerardo Vera and "Son de Mar", (1999), Director: Bigas Luna.
Critically acclaimed "Blow" with Johnny Depp and Penélope Cruz, was Jordi's debut film in Hollywood.
Jordi has also directed two short films: "Walter Peralta" (Alcalá De Henares Award, Generalitat De Cataluña National Cinematographic Award) and "No me importaria irme contigo". His first feature film as a director, "No somos nadie", produced by Lola Films, will be realised in 2002.
Additionally, Jordi has written two books: "Las primeras veces" and "Agua estancada".
In addition to regularly exhibiting at PicassoMio Galleries, Jordi has exhibited at Sotheby's Gallery, Madrid (2007) and Galeria Carmen DE la Guerra, Madrid. This multi-faceted artist is a self-trained painter, for whom painting is an act of spontaneity. His works often surprise the viewer both with his ability to manage the media and with his power to express himself on canvas or paper.- Actress
- Writer
- Music Department
Genevieve Bujold spent her first twelve school years in Montreal's oppressive Hochelaga Convent, where opportunities for self-expression were limited to making welcoming speeches for visiting clerics. As a child she felt "as if I were in a long dark tunnel trying to convince myself that if I could ever get out there was light ahead." Caught reading a forbidden novel, she was handed her ticket out of the convent and she then enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was trained in classical French drama and shortly before graduation was offered a part in a professional production of Beaumarchais' "The Barber of Seville." In 1965 while on a theatrical tour of Paris with another Montreal company, Rideau Vert, Bujold was recommended to director Alain Resnais (by his mother) who cast her opposite Yves Montand in The War Is Over (1966). She then made two other French films in quick succession, the Philippe de Broca cult classic King of Hearts (1966) and Louis Malle's The Thief of Paris (1967). She was also very active during this time in Canadian television where she met and married director Paul Almond in 1967. They had one child and divorced in 1974. Two remarkable appearances - first as the titular Saint Joan (1967) on television, then as Anne Boleyn in her Hollywood debut Anne of the Thousand Days (1969), co-starring Richard Burton - introduced Bujold to American audiences and yielded Emmy and Oscar nominations respectively. Immediately after "Anne," while under contract with Universal, she opted out of a planned Mary, Queen of Scots (1971) ("it would be the same producer, the same director, the same costumes, the same me") prompting the studio to sue her for $750,000. Rather than pay, she went to Greece to film The Trojan Women (1971) with Katharine Hepburn. Her virtuoso performance as the mad seer Cassandra led critic Pauline Kael to prophesy "prodigies ahead" but to assuage Universal, Bujold eventually returned to Hollywood to make Earthquake (1974), co-starring Charlton Heston, which was a box office hit. A host of other films of varying quality followed, most notably Obsession (1976), Coma (1978), The Last Flight of Noah's Ark (1980), and Tightrope (1984), but she managed nevertheless to transcend the material and deliver performances with her trademark combination of ferocious intensity and childlike vulnerability. In the 1980s she found her way to director Alan Rudolph's nether world and joined his film family for three movies including the memorable Choose Me (1984). Highlights of recent work are her brave performance in the David Cronenberg film Dead Ringers (1988) and a lovely turn in the autumnal romance Les noces de papier (1990).- Actor
- Additional Crew
David "Dave" Prowse was born into a working class family on 1 July, 1935 in Bristol, England, UK. He was raised by his mother and never knew his father. As a child, David was disadvantaged and a poor student, he found a passion for bodybuilding and weight training in his early teens, as a young adult, David often entered weightlifting competitions and contested in the famous Mr. Universe contest. Eventually, David won the British heavyweight weightlifting title and gained status as a highly regarded and respected member of the fitness community. Over this period of competitive weightlifting, David became lifelong friends with actors Arnold Schwarzenegger and Lou Ferrigno, who at the time were not professional actors but rival competitors. After appearing on various broadcast sporting events, David was offered a role in the feature film Casino Royale (1967) as "Frankenstein's Monster". Although the casting was based on David's stature, David developed a strong interest in acting and decided to pursue it further.
From 1967 to 1977, David enjoyed a quiet, but very successful career within film and television starring in such films as A Clockwork Orange (1971), Up Pompeii (1971) and numerous Hammer House of Horror films, gaining a vast and bulky CV. In 1975, David's popularity as a respected fitness guru landed him with the role and duty of the Green Cross Code Man, a superhero designed by the British road safety committee to teach road safety to children. The persona saw David traveling the world to give talks, demonstrations and shoot short television spots based on the hero's message. Proving successful the Green Cross Code Man continued to be a side project throughout David's busy career until the 1990s. He considers this role to be of great importance, and has stated many times that it is possibly the most rewarding job he has held.
It was not until 1977 when David attended an audition for a film entitled Star Wars. The film was not considered to be a big thing at the time and the audition was held by director George Lucas. At the meeting, George offered David either the part of Chewbacca or Darth Vader. Instantly turning away the role of Chewbacca, David insisted he play the lead villain Darth Vader. George asked David why he wanted to play Vader and he replied "Everyone remembers the villain, George." David also had a wealth of experience playing villains in previous films, and was the obvious choice. David played the role of Darth Vader for the entirety of the original Star Wars trilogy: Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). Although David does not voice the character, he is the physical body. Star Wars was perhaps David's most important role and a role that has enlisted him as one of the most memorable character villains of all time.
There have been many rumors, disputes and discussions about David's relationship with Star Wars and its staff. Regarding the apparent misled information David received about Vader's voice, promotional neglect and general mistreatment from Lucasfilm. This feud resulted in David being banned from all official Star Wars events. A statement from George Lucas read "He has burnt too many bridges." David stated that a majority of the rumors in circulation regarding the topic are fabricated and false including those of respectable actors involved, and has openly admitted his support of James Earl Jones as the voice of Vader and claims Lucas film were too concerned with keeping Vader a character than letting David receive deserved credit. The topic is covered in detail, in David's autobiography "Straight from the Force's Mouth". After Star Wars, David continued to work in television and film, making numerous appearances with the legendary Benny Hill. He continued to tour as the Green Cross Code Man and became the personal fitness trainer of many celebrities including Daniel Day-Lewis and Vanessa Redgrave.
David was loyal to Star Wars fans and participated in a number of fan-films as various characters spoofing Star Wars. Towards the end of David's busy acting period, his health declined due to a serious inflammation of arthritis, leaving him unable to stand for long periods of time and inflicting agonizing pain on his knees and hips. Undergoing treatment with hip replacement operations, it was discovered that David had prostate cancer in 2009. After a series of radiotherapy treatments at the Royal Marsden Hospital in London, David made a full recovery in a remarkably short period of time. David was awarded Member of the Order of the British Empire in the 2000 Queen's Millennium Honours List for his contributions to charity and spokesmanship for road safety, the disabled and other various charities. From 2004, David began writing his autobiography entitled "Straight from the Force's Mouth," which covers his career in showbiz and documents an unedited diary account of the Star Wars production. The book was published officially in hardback by Apex Publishing in 2011, and David toured Europe to attend book signings and personal appearances.
Over the course of his career, between acting and touring the world both as the Green Cross Code Man and David Prowse, David trained actors for films including Christopher Reeve for Superman (1978), wrote fitness books "Fitness is Fun", supported charity and even became the head of fitness for superstore Harrods. In the 2000s, David spent his time attending unofficial Star Wars events, conventions and film events where he signed photos, spoke to the fans and was in high demand as a public speaker all over the world.- Actress
- Producer
- Director
Lynsey Bartilson was born in Edina, Minnesota on July 1, 1983, and moved to Los Angeles with her family at four. A dancer from a very young age, Lynsey won her first talent competition at the age of seven, in solo dance. She discovered her love for comedy in a summer drama class, when she was cast as the Wicked Witch in The Wizard of Oz, even though she was the smallest child in the class. With a soon-revealed instinct for comedic timing, Lynsey had 'Dorothy' shaking with fear, and the audience roaring with laughter.
Lynsey began acting professionally at the age of 9, with guest appearances on television and video. At the same time, she was performing in professional musical theater productions across Los Angeles. She played Annie in three different productions; starred as Ramona Quimby, and got great notices as Effie Lou in the world premiere of Amelia Bedelia. She won a Dramalogue Award for her performance as Young Maxine in Situation Tragedy. She also continued dancing professionally, appearing twice in the Joffrey Ballet's annual Nutcracker. All of that musical theater experience paid off when CBS began looking for a young triple-threat to star opposite Angela Lansbury in the Hallmark Christmas musical special, Mrs. Santa Claus. Lynsey was chosen from more than 500 girls who auditioned for the part.
Lynsey enjoys helping others achieve their goals. The director and choreographer for Celebrity Centre's Kids on Stage for a Better World, Lynsey works with 40-50 youngsters to create positive-message benefit concerts for the disadvantaged. Under Lynsey's direction, the group was awarded the Young Artists Awards Michael J. Landon Community Service Award. In addition, Lynsey is currently the International Spokesperson for Youth for Human Rights. The purpose of this group is: "To teach youth around the globe about human rights, thus helping them to become valuable advocates for the promotion of tolerance and peace."- Rhea Durham (born July 1, 1978) is an American model. She has appeared on the cover of several major fashion magazines, including French Vogue, Marie Claire, British and American ELLE. Rhea has also walked in the 2000 and 2001 Victoria's Secret Fashion Show. She guest-starred as herself on the 2001 Spin City episode, "The Wedding Scammer."
Rhea and actor Mark Wahlberg started a relationship in 2001 and have four children: daughters Ella Rae (b. 2003) and Grace Margaret (b. 2010), sons Michael (b. 2006) and Brendan Joseph (b. 2008). In 2009, she converted to Catholicism from Baptist Protestantism, having received the sacraments of initiation. Wahlberg and Durham married on August 1, 2009 in a private Catholic ceremony in Beverly Hills, California. - Actor
- Soundtrack
Terrence Vaughn Mann was born to Charles and Helen Mann in Ashland, Kentucky on July 1, 1951. Terry left Jacksonville University after two years there (1969-1971), and later graduated with honors from the North Carolina School for the Arts (1971-73, 1975-76). During his first summer in Paul Green's outdoor drama, "The Lost Colony", Terry was Ira David Wood III's understudy for the role of Old Tom. Terry eventually took over the role. Terry became the Children's Theatre Director for Raleigh, North Carolina's Theatre In The Park when David Wood broadened the theatre's scope. While at TIP, Terry appeared in a number of main stage productions including "A Christmas Carol", "The Taming of the Shrew" and "Romeo & Juliet". After spending a couple of years performing at the North Carolina Shakespeare Festival, Terry moved to New York and landed a spot in the chorus of "Barnum", directed by Joe Layton (Director of The Lost Colony.) Shortly thereafter, he auditioned for the role of Rum Tum Tugger in "Cats", and a star was born.
Terry spent the rest of the 1980s starring in such films as Critters (1986) and A Chorus Line (1985), making television guest appearances on shows like The Equalizer (1985) and various soap operas, and originating such roles as Saul in "Rags" and Javert in "Les Miserables".
Terry is happily married to his second wife, a fellow Broadway veteran, Charlotte d'Amboise. For the past ten years, he seems to have switched his focus to directing and TV movies, and has honed his talents by starring as the Beast in the Broadway production of "Beauty & the Beast" and Chauvelin in "The Scarlet Pimpernel". For a time, he served as Artistic Director for The North Carolina Theatre, based in Raleigh. Terry is currently working on a rock musical version of William Shakespeare's classic, "Romeo & Juliet". He has served as Director of "The Lost Colony" for the past two summers.- Actress
- Composer
- Producer
Deborah Harry was born Angela Trimble on July 1, 1945 in Miami, Florida. At three months, she was adopted by Catherine (Peters) and Richard Smith Harry, and was raised in Hawthorne, New Jersey. In the 1960s, she worked as a Playboy Bunny and hung out at Max's Kansas City, a famous Warhol-inhabited nightspot. Her professional singing career started in 1968 with a folk band called The Wind in the Willows. She sang backup on their first (and only) album. The band broke up shortly after failing to achieve commercial success or critical acclaim. In 1973, she met Chris Stein, who became her longtime boyfriend. They created Blondie in 1974 after they both were in the Stilletoes, a theatrical "girl group" band. Blondie struggled for a few years, then went on to be one of the most successful bands of the late 1970s and early 1980s, but the group broke up in 1982.
Harry has released five solo albums, acted in several movies and television series and a few commercials (Gloria Vanderbilt Jeans, Sara Lee, Revlon). She has done many benefit shows in support of AIDS charities, a Broadway show ("Teaneck Tanzi"), poetry readings, and been one of the most notorious characters in the New York downtown scene. As of 1995, she was doing shows in the United States and Europe with the Jazz Passengers and Elvis Costello, filming two new movies (Heavy (1995) with Liv Tyler and Evan Dando and Drop Dead Rock (1995) with Adam Ant) and topping the dance charts with two newly remixed Blondie singles ("Rapture" and "Atomic"). Several Blondie tribute albums have been released and a Blondie remix album titled "Remixed, Remade, Remodeled" came out in 1995.- Actor
- Soundtrack
The youngest of four siblings, Brian George was born in Jerusalem to Jewish parents in July 1952. Both of his parents had immigrated to Israel from India. His father was born in Iraq but raised in Bombay and his mother was born and raised in India. When Brian was a year old, the family immigrated to London. Brian attended an all-boys school in London. In 1966, the family moved to Toronto and he attended public high school, followed by the University of Toronto, where he became involved in theater. George left before graduation and formed an unsuccessful theater group. He joined The Second City, where he trained with comedy greats including John Candy, among others. His career in acting and voice-over work has flourished ever since.- Constance Ford began her career in television in the 1950s, performing in live television dramas on Studio One (1948), Armstrong Circle Theatre (1950), Goodyear Playhouse (1951), and other acclaimed series, and playing recurring characters in four afternoon serials; "Rose Peabody" in Search for Tomorrow (1951), "Lynn Sherwood" in Woman with a Past (1954), "Eve Morris" in The Edge of Night (1956) and "Ada Davis Downs Hobson" in Another World (1964).
Ford's assertive style made her a favorite of TV casting directors, and she was often featured in episodes of Ponds Theater (1953), Bat Masterson (1958), Rawhide (1959), Gunsmoke (1955), Alfred Hitchcock Presents (1955), The Twilight Zone (1959), and other series, as tough but sensible career women. - Actor
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- Producer
Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). His first appearance on stage was in 1926. Laughton formed own film company, Mayflower Pictures Corp., with Erich Pommer, in 1937. He became an American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit. Laughton died in Hollywood, California, aged 63.- Actor
- Soundtrack
Laurie Davidson was born on 1 July 1992 in Dulwich, London, England, UK. He is an actor, known for Cats (2019), The Good Liar (2019) and The Last Kingdom: Seven Kings Must Die (2023).- Writer
- Actress
- Producer
Stand-up comedian, writer, and actor, Fortune Feimster, is one of the busiest women working today. She first became known as a writer and panelist on E's hit show Chelsea Lately, and then starred as a series regular on The Mindy Project for Hulu and Champions for NBC. She has gone on to have many guest appearances on TV shows including Claws, 2 Broke Girls, Workaholics, Glee, Dear White People, and Tales of the City, as well as recurring roles on Showtime's The L Word: Generation Q and CBS's Life In Pieces.
She's had memorable roles in the movies Office Christmas Party with Jennifer Aniston, Yes Day with Jennifer Garner, and Lionsgate's Barb and Star Go to Vista Del Mar. Her voiceover work includes Pixar's Soul, The Simpsons, the Cartoon Network's Summer Camp Island and Craig of the Creek, and a series regular on Fox's Bless the Harts.
When not acting, Fortune tours the world doing stand-up. She most recently released a one-hour special on Netflix called "Sweet & Salty," which was nominated for a Critics Choice Award. She's done late night TV sets on Conan and Late Night with Seth Meyers, and she has half hour specials on Comedy Central and as part of Netflix's season one of The Standups.
As a writer, Fortune spent seven years as a professional entertainment journalist while she pursued comedy. She later created and starred in the Tina Fey produced pilot Family Fortune for ABC. Additionally, Amblin, recently acquired two features Fortune wrote, Bad Cop, Bad Cop and Field Trip, both of which she is attached to star.
Fortune can be seen as a recurring guest star on the NBC sitcom, Kenan. She also co-hosts the series, The Netflix Afterparty, alongside David Spade and London Hughes. She can be heard every morning on Netflix is a Joke's radio show, "What a Joke with Papa and Fortune," on Sirius XM, and she hosts the popular podcast, Sincerely Fortune, which features fan favorites; her wife Jax and her mother Ginger.- Actress
- Producer
Lisa Blount was an actress who appeared in numerous films and television shows, most notably as Lynette Pomeroy in An Officer and a Gentleman (1982), for which she was nominated for a Golden Globe Award. Along with her husband, actor Ray McKinnon, she received an Academy Award for the 2002 short film The Accountant (2001).
Lisa Suzanne Blount was born in Fayetteville (Washington County) to Glen Roscoe Blount and Louise Martin Blount, natives of Floral (Independence County); she had one brother, Greg. The family moved to Jacksonville (Pulaski County). Blount graduated from Jacksonville High School in 1975 and attended the University of Arkansas (UA) in Fayetteville, beginning classes there when she was sixteen; she left UA before graduating in order to pursue an acting career.
Blount's movie career began in earnest at age nineteen when she was chosen to play a lead role in September 30, 1955 (1977), which was shot in Conway (Faulkner County) and released in 1977. Written and directed by James Bridges, it starred Richard Thomas, Dennis Quaid, and Tom Hulce. Though surrounded by accomplished actors, Blount's vivid portrayal of a James Dean-obsessed girl named Billie Jean stood out among her more well-known co-stars.
Blount married cinematographer actor Christopher Tufty on March 19, 1982; they later divorced. She married Ray McKinnon in 1998. She had no children.
Blount is best remembered for her 1982 role in An Officer and a Gentleman (1982). The movie won two Academy Awards and was nominated for four others. Her screen character-the ambitious, cynical, and insecure Lynette Pomeroy-is the best friend of Paula Pokrifki (Debra Winger). As a result of her performance in An Officer and a Gentleman (1982), Blount was voted "Favourite Female Newcomer" in 1983 by a US magazine readers' poll.
Blount added television roles to her repertoire. She received critical plaudits for her appearance in the second season of Moonlighting (1985) in the episode Sleep Talkin' Guy (1986). She played a high-class call girl named Toby, whose client talked in his sleep, revealing details of planned murders. Another memorable role was that of Jim Profit's outrageous stepmother Bobbi Stakowski in the short-lived but critically acclaimed Fox series Profit (1996). She appeared in eight episodes in 1996 and 1997.
Blount was given a key role in director John Carpenter's horror film Prince of Darkness (1987), in which she appeared as the love interest to Jameson Parker. As a result of her appearance in this and a few other horror movies, she was sometimes referred to by the press as a "scream queen" star.
Blount and McKinnon received an Academy Award in 2002 for a live-action short film she produced and he directed titled The Accountant, which concerned the plight of American family farms. Many critics believe that Blount's most poignant role was in the 2004 movie Chrystal (2004), which was written, directed, and co-produced by McKinnon, who also played the character Snake in the film. The movie co-starred fellow Arkansan Billy Bob Thornton and was shot in the Eureka Springs (Carroll County) area.
Following the making of Chrystal (2004), Blount and McKinnon moved back to her home state of Arkansas after several years of living in Los Angeles, California. This was in part due to Blount's failing health. She continued to be active and was working on several projects. She shot a pilot for the FX television network series Outlaw Country (2012) with fellow Arkansan Mary Steenburgen, recorded demos for a music project on which she had been working, performed on stage with Eddie Vedder at a rally for the West Memphis Three, and continued the work of designing and remodelling her historic home in Little Rock (Pulaski County). Her last big-screen appearance was as Charlotte Pearson in Randy and the Mob (2007), her husband's crime comedy shot in Atlanta, Georgia.
Blount died at her home in Little Rock after spending seventeen years fighting a chronic illness called idiopathic thrombocytopenic purpura (ITP). She is buried at Cedar Grove Cemetery in Floral. She had been inducted into the Arkansas Entertainers Hall of Fame on September 9, 2010, shortly before her death.- Actress
- Soundtrack
Lorna Patterson was born on 1 July 1956 in Whittier, California, USA. She is an actress, known for Airplane! (1980), Goodtime Girls (1980) and Beane's of Boston (1979). She has been married to Michael Lembeck since 13 April 1990. They have two children. She was previously married to Robert Ginty.- Actress
- Additional Crew
She became interested in acting at the age of 13 and started work at the age of 15 with her first assignment being for a Dr Pepper commercial. Hillary has also been featured in many other, both national and international, advertisements since including Kelloggs, IBM and AT&T. Hillary has many off screen talents including being fluent in American Sign Language (ASL) and is an accomplished Jazz and Modern dancer. Hillary supports the Hands Across Communications Organisation, currently Directed by US Comedian CJ Jones. This Organisation supports deaf and hard of hearing people, especially children, across America. Hands Across Communications is mainly involved in entertaining and communication, and makes videos and TV shows for the deaf. Hillary also spends time working with, and supporting, deaf children.- Actor
- Producer
- Soundtrack
Dale Midkiff attended Edgewood high school and Salisbury University in Salisbury, Maryland, before moving to New York to work as a waiter while pursuing his acting career. His breakthrough role was when he landed the role of Elvis in the made-for-TV movie Elvis and Me (1988). He later starred in Pet Sematary (1989) with Fred Gwynne and Love Potion No. 9 (1992) with Sandra Bullock. He was also the lead in 'Time Trax', which he shot for two years in Surfers Paradise, Australia. Midkiff played Buck Wilmington in the CBS series 'The Magnificent Seven' with Michael Bien, Eric Close and Ron Perlman. He has portrayed Clark Davis in 'Love Comes Softly', winning a Camie award and the Grace award for his performance.
He has a home in Los Angeles and Chance, Maryland.- Actor
- Producer
- Director
Dominic Keating was born on 1 July 1961 in Leicester, Leicestershire, England, UK. He is an actor and producer, known for Beowulf (2007), Epic Mickey 2: The Power of Two (2012) and Star Trek: Enterprise (2001).- Actress
- Writer
- Stunts
Caitlin Thompson was born on 1 July 1987 in Avon Lake, Ohio, USA. She is an actress and writer, known for This Is Us (2016), Christmas Perfection (2018) and 90210 (2008). She has been married to Dan Fogelman since 13 June 2015. They have one child.- Director
- Producer
- Actor
William Wyler was an American filmmaker who, at the time of his death in 1981, was considered by his peers as second only to John Ford as a master craftsman of cinema. The winner of three Best Director Academy Awards, second again only to Ford's four, Wyler's reputation has unfairly suffered as the lack of an obvious "signature" in his diverse body of work denies him the honorific "auteur" that has become a standard measure of greatness in the post-"Cahiers du Cinéma" critical community.
His directorial career spanned 45 years, from silent pictures to the cultural revolution of the 1970s. Nominated a record 12 times for the Academy Award for Best Director, he won three and in 1966, was honored with the Irving Thalberg Award, the Academy of Motion Picture Arts & Sciences' ultimate accolade for a producer. So high was his reputation in his lifetime that he was the fourth recipient of the American Film Institute's Lifetime Achievement Award, after Ford, James Cagney and Welles. Along with Ford and Welles, Wyler ranks with the best and most influential American directors, including Griffith, DeMille, Frank Capra, Howard Hawks, Alfred Hitchcock, Stanley Kubrick and Steven Spielberg.
Born Willi Wyler on July 1, 1902, in Mulhouse, Alsace (then a possession of Germany), to Jewish parents. His Swiss-born father, Leopold, started as a traveling salesman but later became a thriving haberdasher in Mulhouse. His mother, Melanie (née Auerbach; died February 13, 1955, Los Angeles, aged 77), was German-born, and a cousin of Carl Laemmle, founder of Universal Pictures. Melanie Wyler often took him and his older brother Robert to concerts, opera, and the theatre, as well as the early cinema. Sometimes at home his family and their friends would stage amateur theatricals for personal enjoyment.
He used his family connections to establish himself in the film industry. Upon being offered a job by his mother's first cousin, Universal Studios head Carl Laemmle, Wyler emigrated to the US in 1920 at the age of 18. After starting in Universal's New York offices as an errand boy, he moved his way up through the organization, ending up in the California operation in 1922. Wyler was given the opportunity to direct in July 1925, with the two-reel western The Crook Buster (1925). It was on this film that he was first credited as William Wyler, though he never officially changed his name and would be known as "Willi" all his life. For almost five years he performed his apprenticeship in Universal's "B" unit, turning out a score of low-budget silent westerns. In 1929 he made his first "A" picture, Hell's Heroes (1929), Universal's first all-sound movie shot outside a studio. The western, the first version of the "Three Godfathers" story, was a commercial and critical success.
The initial years of the Great Depression brought hard times for the film industry, and Universal went into receivership in 1932, partially due to financial troubles brought about by rampant nepotism and the runaway production costs rung up by producer Carl Laemmle Jr., the son of the boss. There were 70 Laemmle family members on the Universal payroll at one point, including Wyler. In 1935 "Uncle" Carl was forced to sell the studio he had created in 1912 with the 1912 merger of his Independent Motion Picture Co. with several other production companies. Wyler continued to direct for Universal up until the end of the family regime, helming Counsellor at Law (1933), the film version of Elmer Rice's play featuring one of John Barrymore's more restrained performances, and The Good Fairy (1935), a comedy adapted from a Ferenc Molnár play by Preston Sturges and starring Margaret Sullavan, who was Wyler's wife for a short time. Both films were produced by his cousin, "Junior" Laemmle. Emancipated from the Laemmle family, Wyler subsequently established himself as a major director in the mid-1930s, when he began directing films for independent producer Samuel Goldwyn. During this key period, he alternated between adaptations of famous plays and filming versions of classic novels. Willi would soon find his freedom fettered by the man with the fabled "Goldwyn touch," which entailed bullying his directors to recast, rewrite and re-cut their films, and sometimes even replacing them during shooting.
The first of the Wyler-Goldwyn collaborations was These Three (1936), based on Lillian Hellman's lesbian-themed play "The Children's Hour" (the Sapphic theme was jettisoned and sanitized into a conventional heterosexual love triangle due to censorship concerns, but it resurfaced intact when Wyler remade the film a quarter-century later). His first unqualified success for Goldwyn was Dodsworth (1936), an adaptation of Sinclair Lewis' portrait of a disintegrating American marriage, a marvelous film that still resonates with audiences in the 21st century. He received his first Best Director Oscar nomination for this picture. The film was nominated for Best Picture, the first of seven straight years in which a Wyler-directed movie would earn that accolade, culminating with Oscars for both William Wyler and Mrs. Miniver (1942) in 1942.
Wyler's potential greatness can be seen as early as "Hell's Heroes," an early talkie that is not constrained by the restrictions of the new technology. The climax of the picture, with Charles Bickford's dying badman walking into town, is a long tracking shot that focuses not on the actor himself but the detritus that he shucks off to lighten his load as he brings a baby back to a cradle of civilization. The scene is a harbinger of the free-flowing style that would become a hallmark of his work. However, it was with "Dodsworth" that Wyler began to establish his critical reputation. The film features long takes and a probing camera, a style that Wyler would make his own. Now established as Goldwyn's director of choice, Wyler made several films for him, including Dead End (1937) and Wuthering Heights (1939). Essentially an employee of the producer, Wyler clashed with Goldwyn over aesthetic choices and longed for his freedom. Goldwyn had demanded that the ghetto set of "Dead End" be spruced up and that "clean garbage" be used in the water tank representing the East River, over Wyler's objections. Goldwyn prevailed, as he did later with the ending of "Wuthering Heights." After he had finished principal photography on the film, Goldwyn demanded a new ending featuring the ghosts of Heathcliff and Cathy reunited and walking away towards what the audience would assume is heaven and an eternity of conjoined bliss. Wyler opposed the new ending and refused to shoot it. Goldwyn had his ending shot without Wyler and had it tacked onto the final cut. It was an artistic betrayal that rankled Wyler.
Goldwyn loaned out Wyler to other studios, and he made Jezebel (1938) and The Letter (1940) for Warner Bros. Working with Bette Davis in the two masterpieces, as well as in Goldwyn's The Little Foxes (1941), Wyler elicited three of the great diva's finest performances. In these films and his films of the mid-to-late 1930s, Wyler pioneered the use of deep-focus cinematography, most famously with lighting cameraman Gregg Toland. Toland shot seven of the eight films Wyler directed for Goldwyn: "These Three", Come and Get It (1936), "Dead End," "Wuthering Heights" (for which Toland won his only Academy Award), The Westerner (1940), "The Little Foxes" and The Best Years of Our Lives (1946). Compositions in Wyler pictures frequently featured multiple horizontal planes with various characters arranged in diagonals at varying distances from the camera lens. Creating an illusion of depth, these deep-focus shots enhanced the naturalism of the picture while heightening the drama. As the photography of Wyler's films was used to serve the story and create mood rather than call attention to itself, Toland was later mistakenly given credit for creating deep-focus cinematography along with another great director, Orson Welles, in Citizen Kane (1941). His first use of deep-focus cinematography was in 1935, with "The Good Fairy", on which Norbert Brodine was the lighting cameraman. It was the first of his films featuring deep-focus shots and the diagonal compositions that became a Wyler leitmotif. The film also includes a receding mirror shot a half-decade before Toland and Welles created a similar one for "Citizen Kane."
Wyler won his first Oscar as Best Director with "Mrs. Miniver" for MGM, which also won the Oscar for Best Picture, the first of three Wyler films that would be so honored. Made as a propaganda piece for American audiences to prepare them for the sacrifices necessitated by World War II, the movie is set in wartime England and elucidates the hardships suffered by an ordinary, middle-class English family coping with the war. An enthusiastic President Franklin D. Roosevelt, after seeing the film at a White House screening, said, "This has to be shown right away." The film also won Oscars for star Greer Garson and co-star Theresa Wright, for cinematographer Joseph Ruttenberg and for Best Screenplay.
After "Miniver," Wyler went off to war as an officer in the U.S. Army Air Forces. One of his more memorable propaganda films of the period was a documentary about a B-17 bomber, The Memphis Belle: A Story of a Flying Fortress (1944), He also directed the Navy documentary The Fighting Lady (1944), an examination of life aboard an American aircraft carrier. Though the later film won an Oscar as Best Documentary, "The Memphis Belle" is considered a classic of its form. The making of the documentary was even the subject of a 1990 feature film of the same name. "The Memphis Belle" focuses on the eponymous B-17 bomber and its 25th, and last, air raid flown from a base in England. The documentary features aerial battle footage that Wyler and his crew shot over the skies of Germany. One of his photographic crew, flying in another plane, was killed during the filming of the air battles. Wyler himself lost the hearing in one ear and became partially deaf in the other due to the noise and concussion of the flak bursting around his aircraft.
Wyler's first picture upon returning from World War II would prove to be the last movie he made for Goldwyn. A returning veteran like those portrayed in "The Best Years of Our Lives" (1946), this film won Wyler his second Oscar. The movie, which featured a moving performance by real-life veteran and double amputee Harold Russell, struck a universal chord with Americans and was a major box office hit. It was the second Wyler-directed picture to be named Best Picture at the Academy Awards. The film also won Oscars for star Fredric March and co-star Russell (who was also given an honorary award "for bringing hope and courage to his fellow veterans"), film editor Daniel Mandell, composer Hugo Friedhofer and screenwriter Robert E. Sherwood, and was instrumental in garnering the Irving Thalberg Award for Samuel Goldwyn, who also took home the Best Picture Oscar that year as "Best Years" producer.
Though Wyler elicited some of the finest performances preserved on film, ironically he could not communicate what he wanted to an actor. A perfectionist, he became known as "40-Take Wyler", shooting a scene over and over again until the actors played it the way he wanted. With his use of long takes, actors were forced to act within each take as their performances would not be covered in the cutting room. His long takes and lack of cutting slowed down the pacing of his films, providing a greater feeling of continuity within each scene and intimately involving the audience in the development of the drama. The story in a Wyler film was allowed to unfold organically, with no tricky editing to cover up holes in the script or to compensate for an inadequate performance. Wyler typically rehearsed his actors for two weeks before the beginning of principal photography.
While more actors won Academy Awards in Wyler movies, 14 out of a total of 36 nominations (more than any other two directors combined), few actors worked more than once or twice with him. Bette Davis worked on three films with him and won Academy Award nominations for each performance and an Oscar for "Jezebel." On their last collaboration, "The Little Foxes" (1941), Davis walked off the production for two weeks after clashing with Wyler over how her character should be played.
He proved hard on other experienced actors, such as Laurence Olivier in "Wuthering Heights," who gave credit to Willi for turning him from a stage actor into a movie actor. "This isn't the Opera House in Manchester," Wyler told Olivier, his way of conveying that he should tone down his performance. A year earlier, Wyler had forced Henry Fonda through 40 takes on the set of "Jezebel," Wyler's only direction being "Again" after each repeated take. When Fonda demanded some input on what he was doing wrong, Wyler replied only: "It stinks. Do it again." According to Charlton Heston, Wyler approached him early in the shooting of Ben-Hur (1959) and told him that his performance was inadequate. When a dismayed Heston asked him what he should do, "Be better" is all that Wyler could supply. In his autobiography, Elia Kazan, a famed "actor's director", tells how he offered advice to an actor acquaintance of his who was making a Wyler picture as he knew that the great director was inarticulate about acting and would be unable to give advice.
Wyler believed that after many takes, actors got angry and began to shed their preconceived ideas about acting in general and the part in particular. Stripped of these notions, actors were able to play at a truer level. It is a process that Stanley Kubrick would subsequently use on his post-2001: A Space Odyssey (1968) films, though to different results, creating an otherworldly anti-realism rather than the more naturalistic truth of a Wyler movie performance. His methods often meant that his films went over schedule and over budget, but he got results.
Wyler's reputation has suffered as he is not considered an "auteur," or "author" of his films. However, in his postwar career, he definitely was the auteur, or controlling consciousness, behind his films. Although he never took a screenwriting credit (other than for an early horse opera, Ridin' for Love (1926)), he selected his own stories and controlled the screenwriting, hiring his own writers in a development process that could take years. His postwar period films include The Heiress (1949), a fine version of Henry James' novel "Washington Square," with an Oscar-winning performance by Olivia de Havilland; Detective Story (1951), a police drama that takes place on a minimal, controlled set almost as restricted as that of Hitchcock's Rope (1948); and Roman Holiday (1953), which won Audrey Hepburn an Oscar in her first leading role. The other films of this period are Carrie (1952), The Desperate Hours (1955) and Friendly Persuasion (1956).
Wyler returned to the western genre one last time with The Big Country (1958), a picture far removed in scope from his two-reeler origins, featuring Gregory Peck, Heston, and Wyler's old "Hell's Heroes" star Bickford. Burl Ives won a Best Supporting Actor Oscar for his role as the patriarch of an outlaw clan in conflict with Bickford's family. Wyler was next enlisted by producer Sam Zimbalist to helm MGM's high-stakes "Ben-Hur" (1959), a remake of its 1925 classic. It was a high-budget ($15 million, approximately $90 million when factored for inflation), wide-screen (the aspect ratio of the film is 2.76 to 1 when properly shown in 70mm anamorphic prints, the highest ratio ever used for a film) epic that the studio had spent six years preparing. Principal photography required more than six months of shooting on location in Italy, with hundreds of crew members and thousands of extras. Wyler was the overlord of the largest crew and oversaw more extras than any other film had ever used. Wyler's "Ben-Hur" grossed $74 million (approximately $600 million at today's ticket prices, ranking it #13 film in terms of all-time box office performance, when adjusted for inflation), the film was the fourth highest-grossing film of all-time when it was released, surpassed only by Gone with the Wind (1939), DeMille's The Ten Commandments (1956), and Walt Disney's Snow White and the Seven Dwarfs (1937). "Ben-Hur" went on to win 11 Oscars out of 12 nominations, including a third Best Director Academy Award for Wyler. The 11 Oscars set a record since tied by Titanic (1997) and The Lord of the Rings: The Return of the King (2003).
In the last decade of his career, he remade "These Three" as The Children's Hour (1961), a franker version of Hellman's play than his 1936 version. The Collector (1965) was his last artistic triumph, and he had his last hit with Funny Girl (1968), for which Barbra Streisand repeated Audrey Hepburn's success of 15 years earlier, wining an Oscar in her first lead role. Wyler's last film was The Liberation of L.B. Jones (1970), an estimable failure that tackled the theme of racial prejudice, but which came out in the revolutionary time of Easy Rider (1969) and other such films and held little promise for such traditional warhorses as Wyler.
Although he reportedly dreamed of making more pictures, Wyler's failing health kept him from taking on another film. Instead, he and his wife Margaret Tallichet, the mother of his five children, contented themselves with travel. William Wyler died on July 27, 1981, in Beverly Hills, California.- Actress
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Amanda Seales, formerly Amanda Diva, (born July 1, 1981 in Los Angeles, California) is a Comedian, host, DJ, content creator, and more. Moving to Orlando at age 8, she attended Dr. Phillips High School, before going to SUNY Purchase for undergrad then acquiring her master's degree in African American studies with a concentration in hip hop from Columbia University. She began her career on the now cult famous Nickelodeon sitcom, My Brother and Me (1994) in the role of Deonne, later becoming widely known to the public as a VJ Amanda Diva, the face of hip-hop on MTV2 Sucker Free Sundays. Though spending some time as a recording artist and spoken word poet, in 2011, she changed her name from Amanda Diva back to Amanda Seales, also returning to television and soon after adding stand up comedian to her credits. She is the CEO of DivaWorks Inc her production company under which she performs and produces smart funny content for the stage and screen. She is very involved in work targeting the empowerment of young women, the end of racial discrimination, and is the social media ambassador for her mother's home island of Grenada, W.I.- Actor
- Writer
- Director
Ron Masak (MAY-SACK) was born in Chicago, Illinois, the son of a salesman/musician (Floyd Lewis Masak, of Bohemian Czech descent), and a mother (Mildred Alice Rudy, of Irish descent), who was a merchandise buyer. Ron attended Chicago City College, and studied theater at both the CCC and the Drama Guild. He made his acting debut with the Drama Guild in Chicago in Stalag 17 in 1954.
During the course of his career, he starred in 25 feature films and guest starred in some 350 television shows. Perhaps the most beloved character was that of Sheriff Mort Metzger on Murder, She Wrote (1984). He was seen and heard in hundred of television and radio commercials. He was nicknamed the "King of Commercials" by columnist James Bacon.
Trained in the classics, he proved to be equally at home on stage or screen with Shakespeare or slapstick. He played everything from Stanley Kowalski in 'A Streetcar Named Desire' and Sakini in 'Teahouse of the August Moon' to Will Stockdale in 'No Time For Sergeants', and Antony in 'Julius Caesar'. As further proof of his versatility, in one production of 'Mr. Roberts', he played Ensign Pulver, and, in another production, he portrayed the title character himself.
In his hometown of Chicago, he was resident leading man at The Candlelight Dinner Playhouse from 1962 to 1966, never missing a single performance. The U.S. Army provided Masak with a platform from which to display his all-around talents for performing, writing and directing. In 1960-61, he toured the world doing vocal impressions in the all-Army show entitled 'Rolling Along' and never missed a show.
Masak continued to demonstrate his range of talent in such films as Ice Station Zebra, Daddy's Gone A-Hunting, Tora! Tora! Tora!, A Time For Dying, Harper Valley PTA, Cops & Roberts and The Man From Clover Grove. It was during Clover Grove that Ron added credits as a lyric writer, as he wrote and sang the title song. He played his first big screen villain starring in No Code of Conduct. Among his many television roles, he starred as Charley Wilson on Love Thy Neighbor, as Count Dracula on The Monkees, and was submitted for an Emmy nomination for one of his ten appearances on Police Story. He was seen on Magnum P.I., Webster, The Law and Harry McGraw, and Columbo. His movies of the week include The Neighborhood, In the Glitter Palace, Pleasure Cove, Once An Eagle, and Nightmare in Chicago.
His variety work included emceeing hundreds of shows for, among others, Kenny Rogers, Diahann Carroll, Alabama, Billy Crystal, The Steve Garvey Classics, Tony Orlando, The Lennon Sisters, Trini Lopez, Marilyn McCoo, Billy Davis, Connie Stevens, as well as the Michael Landon Classics and the Beau Bridges Classics.
Masak starred in Second Effort (with Vince Lombardi), Time Management (with James Whitmore), How to Control Your Time (with Burgess Meredith), and Ya Gotta Believe (with Tommy Lasorda, which Masak wrote and directed). He was a sought-after motivational speaker. He traveled across the USA as spokesman for a major brewing company and for 15 years was the voice of the Vlasic Pickle stork. Masak played Lou Costello in commercials for Bran News, McDonald's, and Tropicana Orange Juice. Frequently seen on the talk and game show circuit, he was a celebrity panelist on such game shows as Password, Tattletales, Crosswits, Liar's Club, Showoffs and Match Game. He was a regular panelist on To Tell the Truth.
He devoted his time and energy working with many charities. For eight years, he was the LA host for the Jerry Lewis Telethon and recipient of MDA's first Humanitarian of the Year Award. He served as field announcer for the Special Olympics in support of Special needs children, and was named Man of the Year by Volunteers Assisting Cancer Stricken Families. In addition, he contributed time to work with Multiple Sclerosis, Cystic Fibrosis, and Breast Cancer awareness groups and hosted charity golf tournaments for among others, Childhelp USA, for whom he was a worldwide ambassador.
He and his wife Kay had six children and ten grandchildren.- Actress
- Composer
- Director
Chloe Bailey was born on 1 July 1998 in Atlanta, Georgia, USA. She is an actress and composer, known for Last Holiday (2006), Praise This (2023) and A Wrinkle in Time (2018).- Actor
- Producer
- Soundtrack
Trevor Eve was born on 1 July 1951 in Birmingham, England, UK. He is an actor and producer, known for Waking the Dead (2000), Dracula (1979) and She's Out of My League (2010). He has been married to Sharon Maughan since 1 March 1980. They have three children.- Stunts
- Actor
- Additional Crew
Vladimir 'Furdo' Furdik was born on 1 July 1970 in Bratislava, Czechoslovakia [now Slovakia]. He is an actor, known for Skyfall (2012), Game of Thrones (2011) and Robin Hood (2010).- Actor
- Music Department
- Writer
David Gulpilil is a legendary Yolngu actor, a First Nations person of Northern Australia, born around 1953. The local missionaries gave him his birthdate of July 1, 1953, just as they gave him his Christian name David, although he admits he liked that name from the start. His last name, Gulpilil, was a totem, the kingfisher. He'd never seen a white person until he was 8 when he visited the mission school, but he never really allowed them to teach him anything.
In 1969, the British film director Nicolas Roeg, scouting locations in the Outback, appeared at a mission in the north and asked if anyone knew a boy who can throw a spear, who can hunt, and who can dance, and everyone pointed at David.
David's easy smile made him a natural, and it quickly became obvious that he was unlike anyone the white man had met in the outback. He was not reserved or suspicious of strangers, and carried song on his lips and rhythm in his legs. David Gulpilil was fearless.
Looking back over his career, he tells us in the documentary, My Name is Gulpilil (2021), filmed while dying of terminal lung cancer, that he never acted, that acting wasn't something he had to do because it was natural. "I know how to walk across the land in front of a camera, because I belong there," Standing on stage, before a camera, or before the Queen of England, David felt comfortable in his own skin whether it was barely dressed in a loin cloth, or stuffed into the white man's dinner jacket.
Roeg quickly cast the charismatic Gulpilil in Walkabout (1971), a film based upon Donald G Payne's 1959 novel about a boy who cheerfully leads children to safety. Without really knowing it, Roeg broke new ground in Australian cinema, and redefined the way that Indigenous people were represented in Australian cinema. The film was an international success everywhere but in Australia, where First Nation peoples had been previously portrayed only by white people wearing blackface. And to top it off, the film broke cultural barriers, presenting on the wide screen a sexually attractive young Black man.
David Gulpilli was, overnight, hurled in to high society as an instant, international celebrity and presented before Queen Elizabeth, who found him quite charming and humorous. She in turn introduced David to John Lennon and that was just the beginning. Before long he was soon shaking hands with Muhammad Ali, Marlon Brando, Bruce Lee, Jimi Hendrix, and Bob Marley, who would help contribute to David's downfall. David taught Bob Marley to play the didgeridoo. Marley taught David to smoke ganja. But it was while filming Mad Dog Morgan (1976) that he got his crash course in hellraising by Dennis Hopper. Later in his one-man stage show he'd say, "If you're working with people like Dennis Hopper and [John] Meillon, well, you gotta learn all about drinking and drugs."
David enjoyed being in front of the camera, and he well knew the importance of his work because it was history and it would "remember to generation to generation," shining a spotlight on his people who had been murdered, exploited, and corralled into camps. The collective history of his people meant everything to him and these films, he claimed, "Won't rub it out."
He was a dancer, a singer, an artist, and a story teller, and fell lovingly into the role of ambassador of his culture to the white man's world, which ironically would eventually divorce him from his culture, as he took to drink and drugs and wound up in trouble with the law, racking up four drink-driving arrests, and one drunken escapade that landed him in jail again, but this time for assaulting his wife. As he admitted in his biopic, "Left side, my country. Right side, white man's world. This one tiptoe in caviar and champagne, this one in the dirt of my Dreamtime."
When he'd been discovered, he spoke no English, though he knew a few dialects of the First People's language, and he was such a quick learner. He began picking up English while just listening during the making of the film, Walkabout, and afterwards as he travelled about the world.
In his one man show, "Gulpilli," he tells the story of trying to use a knife and fork while sitting next to the queen. He cut and cut but couldn't get any meat as he just moved the plate around the table. He gave up and finally picked it up with his hands. Whether true or not, he tells how the Royal Family joined in, eating their meat as he did.
After his sudden fame in Walkabout, David found his way onto Australian television in episodes of Boney (1972), Homicide (1964), Rush (1974), The Timeless Land (1980), and more, and even got a bit part in The Right Stuff (1983).
He was quickly recognized as the most renowned tribal dancer in Australia, and he choreographed the traditional First People's dance in Crocodile Dundee (1986). His love of dance inspired him to organize dancing troupes and musicians that won the Darwin Australia Day Eisteddfod dance competition four times.
His breakthrough role came in the mid-seventies with Storm Boy (1976), one of David's personal favorites, followed up by a lead role in The Last Wave (1977). In fact, his last appearance as an actor was in the remake of Storm Boy (2019), playing the father of Fingerbone Bill, the character he'd played in the original version.
Despite his fame, his earnings were never substantial and he was subjected to racism from agents and film crews. He was often homeless, sleeping in parks. He wound up living in a corrugated iron hut in the community of Raminginig that had no electricity or running water, where he hunted kangaroos, cooking bush meat over an open fire. "I was brought up in a tin shed. I wandered all over the world - Paris, New York - now I'm back in a tin shed," Gulpilil said.
Rabbit-Proof Fence (2002) is the story of Australia's Lost Generations, in which mixed race First Nation children were removed from their families and placed in church-run missions in order to breed the "black" out of them and integrate them into society. Many of the children ran away from these camps and trackers were sent out after them. David Gulpilil played the formidable tracker in Rabbit-Proof Fence, and that led to a leading role in The Tracker (2002), directed by Rolf de Heer. David referred to this role as the best performance in his career. He won best actor at the Australian Film Institute Awards, the Inside Film Awards, and the Film Critics' Circle Awards.
He teamed up with Rolf de Herr a few more times, but their most unique production was the first film scripted entirely in the Yolngu language, called Ten Canoes (2006). Gulpilil narrated the film and it won a Special Jury Prize at the Cannes Film Festival. It was after this time that David's life took a downhill turn and landed him in prison because of his drinking and assaulting his then partner Miriam Ashley. After his release he went into treatment and got sober.
Clean and sober he went to work again with Rolf de Herr and co-wrote the film Charlie's Country (2013), the true to life story of an ageing man who yearned to return to his cultural roots. Gulpilil gave the performance of his career, winning four best actor awards, including best actor at the Cannes Film Festival. At the Australian Film Critics Association Awards, he shared with Rolf de Heer the best screenplay award.
Released six months before his passing, My Name is Gulpilil (2021) is, as David put it, the story of his story. Though very ill, David gives us insight into his charismatic life and charm as we witness the full spectrum of his talents. We see him dancing, singing, celebrating, and even painting. One of his paintings, "King brown snake with blue tongue lizard at Gulparil waterhole" hangs in The Art Gallery Of South Australia. He spins wool from his hair, something his ancestors handed down that his father taught him. He takes us for a walk through his land, along the rivers, in the shadows of the mountains, and knowing he's dying, he admits he really doesn't yet grasp it, but tells us, "I'm walking like across the desert of the country, a long, long way. Until the time comes . . . for me."