Ranker is a popular place on the Internet where people can rank whatever they want, however, they want, and whenever they want. This is always a fan-focused ranking system, and it is never officially tied to the people behind the projects in question. Recently, a large survey was organized on Ranker, whose goal was to determine the best movies of all time. The list includes more than 3,000 titles, but in our report, we have decided to list the top ten titles from the site to provide you with better insight, combined with our original comments and opinions, which will add flavor to the whole report.
Of course, since this is indeed an important list, we have decided to report on it, so we are going to bring you the results by listing the top 10 movies on this list, from 10th to first place. We hope you’ll enjoy it!
10. The Lord of the Rings: The Fellowship of the Ring...
Of course, since this is indeed an important list, we have decided to report on it, so we are going to bring you the results by listing the top 10 movies on this list, from 10th to first place. We hope you’ll enjoy it!
10. The Lord of the Rings: The Fellowship of the Ring...
- 6/9/2024
- by Arthur S. Poe
- Fiction Horizon
Most discussions of Stanley Kubrick's 1971 sci-fi satire "A Clockwork Orange" eventually allude to the film's copious violence. The film's protagonist, Alex DeLarge (Malcolm McDowell) is an amoral 15-year-old delinquent who sees the world as the kindling to ignite the furnace of his drug-laced, sex-crazed, bloodthirsty appetites. He spends his days skipping school, and his nights leading his street gang, the Droogs, into various brutal misadventures. The Droogs pummel other gangs, beat up homeless people for no reason, and even invade people's homes to commit sexual assault.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
For Alex, there is nothing else in the world besides his capacity to destroy it. When he listens to his favorite piece of music — Beethoven's Ninth Symphony — his mind disappears into a pit of depravity. He imagines himself as a gleeful vampire. Later in the film, when he reads the New Testament, he can most closely relate to the Roman soldiers whipping Christ.
- 6/8/2024
- by Witney Seibold
- Slash Film
The family that slays together stays together in Nigerian director Daniel Oriahi’s “The Weekend,” a bloody thriller about a woman who discovers a shocking secret about her soon-to-be in-laws. Variety has been given exclusive access to a clip from the movie ahead of its world premiere in the Midnight section of the Tribeca Festival, which runs through June 16.
Produced by Uche Okocha of Trino Motion Pictures and executive produced by Babatunwa Aderinokun, “The Weekend” marks the fourth theatrical release from Oriahi and was written by Egbewamei Sammy, Vanessa Kanu and Freddie O. Anyaegbunam, Jr. New York-based The Film Sales Company is repping world sales. Here’s an exclusive first look:
Speaking to Variety from Lagos, Oriahi dished on the evolution of Nigeria’s ragtag Nollywood industry, his crash course in the “Roger Corman film school” and the long journey from Lagos to the starry heights of New York’s premier film fest.
Produced by Uche Okocha of Trino Motion Pictures and executive produced by Babatunwa Aderinokun, “The Weekend” marks the fourth theatrical release from Oriahi and was written by Egbewamei Sammy, Vanessa Kanu and Freddie O. Anyaegbunam, Jr. New York-based The Film Sales Company is repping world sales. Here’s an exclusive first look:
Speaking to Variety from Lagos, Oriahi dished on the evolution of Nigeria’s ragtag Nollywood industry, his crash course in the “Roger Corman film school” and the long journey from Lagos to the starry heights of New York’s premier film fest.
- 6/6/2024
- by Christopher Vourlias
- Variety Film + TV
The year was 1989 when Michael Keaton first donned the cape and cowl for Tim Burton’s Batman, Cher wanted to turn back time, and Marty McFly bungled the most sure-fire get-rich-quick scheme in cinematic history in Robert Zemeckis’ Back to the Future Part II.
After the monumental success of Back to the Future, Univeral Studios approached Robert Zemeckis about creating a sequel to his film that had quickly become a pop culture touchstone. Hesitant about capturing lightning in a bottle twice, Zemeckis said he wouldn’t make the film unless Michael J. Fox and Christopher Lloyd returned as Marty McFly and Doc Brown, respectively. Thankfully, both were game to gas up the DeLorean and push the speedometer to 88mph for another excursion through time. With Fox and Lloyd confirmed, Zemeckis arranged his ceremonial objects to summon his writing partner, Bob Gale, to determine where Marty and Doc would travel next.
After the monumental success of Back to the Future, Univeral Studios approached Robert Zemeckis about creating a sequel to his film that had quickly become a pop culture touchstone. Hesitant about capturing lightning in a bottle twice, Zemeckis said he wouldn’t make the film unless Michael J. Fox and Christopher Lloyd returned as Marty McFly and Doc Brown, respectively. Thankfully, both were game to gas up the DeLorean and push the speedometer to 88mph for another excursion through time. With Fox and Lloyd confirmed, Zemeckis arranged his ceremonial objects to summon his writing partner, Bob Gale, to determine where Marty and Doc would travel next.
- 6/6/2024
- by Steve Seigh
- JoBlo.com
Only the learned can perceive the merit, goes the saying. Among the vast pool of talent in Hollywood, only a few have managed to bring across a resounding impact not only in terms of the box office but also by catapulting into everyday pop culture. The latest entrant to that hallowed fame is the cinematic genius and the 21st-century Dune adaptation’s director, Denis Villeneuve, whose worth has found immense praise from fellow film pioneer, Steven Spielberg.
Denis Villeneuve speaking at the 2017 San Diego Comic-Con International, for Blade Runner 2049 | Gage Skidmore for Wikimedia Commons
In an interactive session, the Jurassic Park director opened his heart out for his Sicario visionary. The duo, whose contributions to modern cinema stay immeasurable, may not seek to compete with one another. However, the latter’s vision has caught the attention of the legendary filmmaker, who felt stunned and in awe of the incredible work...
Denis Villeneuve speaking at the 2017 San Diego Comic-Con International, for Blade Runner 2049 | Gage Skidmore for Wikimedia Commons
In an interactive session, the Jurassic Park director opened his heart out for his Sicario visionary. The duo, whose contributions to modern cinema stay immeasurable, may not seek to compete with one another. However, the latter’s vision has caught the attention of the legendary filmmaker, who felt stunned and in awe of the incredible work...
- 6/5/2024
- by Imteshal Karim
- FandomWire
by Cláudio Alves
Though many thought Nicole Kidman should have been welcomed into the Academy's good graces with 1995's To Die For, it would take six years until that early promise materialized in the actress' first Oscar nomination. Curiously, the path to such success went through a return to down under cinema that started to take shape with The Portrait of a Lady by kiwi auteur Jane Campion. This was also when Kidman began to challenge herself conspicuously by collaborating with true visionaries, picking projects based on who was behind the camera. That line of thinking took the actress into the dark reveries of Kubrick's swan song and, ultimately, the musical riot of Baz Luhrmann's Moulin Rouge!, which started shooting shortly after Eyes Wide Shut hit theaters.
As Satine, the cabaret's star performer, Nicole Kidman is at the height of her powers, delivering a feat of such off-the-charts...
Though many thought Nicole Kidman should have been welcomed into the Academy's good graces with 1995's To Die For, it would take six years until that early promise materialized in the actress' first Oscar nomination. Curiously, the path to such success went through a return to down under cinema that started to take shape with The Portrait of a Lady by kiwi auteur Jane Campion. This was also when Kidman began to challenge herself conspicuously by collaborating with true visionaries, picking projects based on who was behind the camera. That line of thinking took the actress into the dark reveries of Kubrick's swan song and, ultimately, the musical riot of Baz Luhrmann's Moulin Rouge!, which started shooting shortly after Eyes Wide Shut hit theaters.
As Satine, the cabaret's star performer, Nicole Kidman is at the height of her powers, delivering a feat of such off-the-charts...
- 6/4/2024
- by Cláudio Alves
- FilmExperience
Before Universal Pictures even spent a single penny on producing its planned "Exorcist" trilogy, the studio had already shelled out an eye-watering $400 million for the rights to make the trilogy. So, when David Gordon Green's "The Exorcist: Believer" was widely panned in reviews and grossed $136.2 million worldwide, there was a change of plans.
We already knew that Green wouldn't be returning to direct the next sequel, and we recently learned that beloved modern horror maestro Mike Flanagan ("The Haunting of Hill House") had been recruited to replace him. Now, Morgan Creek and Blumhouse have put out a press release to emphasize that the trilogy concept is caput. Flanagan's movie will not be a sequel to "The Exorcist: Believer," but a "radical new take" on the source material.
By the sounds of it, Flanagan came in with a strong pitch. "I immediately responded to Mike's new take on the world...
We already knew that Green wouldn't be returning to direct the next sequel, and we recently learned that beloved modern horror maestro Mike Flanagan ("The Haunting of Hill House") had been recruited to replace him. Now, Morgan Creek and Blumhouse have put out a press release to emphasize that the trilogy concept is caput. Flanagan's movie will not be a sequel to "The Exorcist: Believer," but a "radical new take" on the source material.
By the sounds of it, Flanagan came in with a strong pitch. "I immediately responded to Mike's new take on the world...
- 5/29/2024
- by Hannah Shaw-Williams
- Slash Film
It’s Monday so you know what that means, it’s time for our weekly review of Aew: Rampage! This week’s show aired straight after Collision on Saturday night and, like that show, emanated from the Mechanics Bank Arena in Bakersfield, California. This show featured Excalibur, Tony Schiavone and Chris Jericho on commentary. Now let’s get to the review…
Match #1: Pac def. Rocky Romero The following is courtesy of allelitewrestling.com:
Rocky took Pac down with a hurracanrana. Pac stunned Rocky out of nowhere with a moonsault to the outside. Pac wore down Rocky with a side headlock. Rocky got to his feet and he and Pac exchanged strikes, both guys going for broke. Rocky hit a back heel kick and then the Sliced Bread for a near fall on Pac. Rocky stuck Pac with a Ddt, nearly bending Pac in half! Rocky rocketed outside the ring with a tope.
Match #1: Pac def. Rocky Romero The following is courtesy of allelitewrestling.com:
Rocky took Pac down with a hurracanrana. Pac stunned Rocky out of nowhere with a moonsault to the outside. Pac wore down Rocky with a side headlock. Rocky got to his feet and he and Pac exchanged strikes, both guys going for broke. Rocky hit a back heel kick and then the Sliced Bread for a near fall on Pac. Rocky stuck Pac with a Ddt, nearly bending Pac in half! Rocky rocketed outside the ring with a tope.
- 5/27/2024
- by Phil Wheat
- Nerdly
This year, acclaimed British filmmaker Christopher Nolan has finally received his first Oscar for his work on Oppenheimer and everyone agreed that it was deserved, but also that it should not have been his first Oscar, seeing how many masterful movies Nolan had made before Oppenheimer. In that aspect, the filmmaker officially became a part of history and it shouldn’t come as a surprise that many of his colleagues speak very highly of him and his achievements over the years.
Although modern cinema is much more diverse than it was decades ago, and there are several equally innovative and important approaches to filmmaking, we cannot deny that Nolan definitely changed cinema. His visionary approach, as well as his unshakeable stance in defending his own approach to his craft, make Nolan one of the most important filmmakers in history.
This is also something that many other filmmakers have noticed, as...
Although modern cinema is much more diverse than it was decades ago, and there are several equally innovative and important approaches to filmmaking, we cannot deny that Nolan definitely changed cinema. His visionary approach, as well as his unshakeable stance in defending his own approach to his craft, make Nolan one of the most important filmmakers in history.
This is also something that many other filmmakers have noticed, as...
- 5/26/2024
- by Arthur S. Poe
- Fiction Horizon
When it comes to the horror genre, few films have been as iconic and chilling as Stanley Kubrick’s The Shining. Based on Stephen King’s novel of the same name, it has become one of the best horror films of all time, since its initial release in 1980.
A still from The Shining | Credit: Warner Bros.
However, long before his visionary adaptation of King’s novel graced the silver screen, his audacious and bold advertising plans in his quest to make the world’s scariest movie, almost cost him the iconic psychological horror film.
Stanley Kubrick’s Risky Pitch For Making World’s Scariest Film
After exploring several genres in the early stages of his career, Stanley Kubrick became intrigued by the idea of delving into horror with an ambition to make the ultimate spine-chilling experience for audiences, a film so terrifying it would send them fleeing from theaters in fear.
A still from The Shining | Credit: Warner Bros.
However, long before his visionary adaptation of King’s novel graced the silver screen, his audacious and bold advertising plans in his quest to make the world’s scariest movie, almost cost him the iconic psychological horror film.
Stanley Kubrick’s Risky Pitch For Making World’s Scariest Film
After exploring several genres in the early stages of his career, Stanley Kubrick became intrigued by the idea of delving into horror with an ambition to make the ultimate spine-chilling experience for audiences, a film so terrifying it would send them fleeing from theaters in fear.
- 5/25/2024
- by Laxmi Rajput
- FandomWire
Stephen King had a very public dislike towards Stanley Kubrick’s adaptation of his novel The Shining. He believed that Kubrick’s version had no real heart in it as he changed some of the fundamental elements in the book. The difference in their adaptation came from King and Kubrick’s view of good and evil. King believed in the Biblical demarcations of good and evil, while Kubrick did not believe in hell.
Jack Nicholson in a still from The Shining | The Producer Circle Company
The character Jack Torrance, played by Jack Nicholson, had psychopathic tendencies which made him a terrifying character in the movie. However, King’s novel suggests that external evil forces played a crucial role in the insanity of the character.
Stephen King v. Stanley Kubrick Over The Shining Had One Deep Reason Stephen King (credits: Stephanie Lawton | Wikimedia Commons)
Stanley Kubrick and Stephen King had two...
Jack Nicholson in a still from The Shining | The Producer Circle Company
The character Jack Torrance, played by Jack Nicholson, had psychopathic tendencies which made him a terrifying character in the movie. However, King’s novel suggests that external evil forces played a crucial role in the insanity of the character.
Stephen King v. Stanley Kubrick Over The Shining Had One Deep Reason Stephen King (credits: Stephanie Lawton | Wikimedia Commons)
Stanley Kubrick and Stephen King had two...
- 5/25/2024
- by Hashim Asraff
- FandomWire
‘If you see one movie this summer, see Star Wars. If you see a second, see Austin Powers.’ Thus spake trailer-man, in the teaser for Mike Myers’s upcoming comedy sequel, and to a great extent, that’s exactly what happened in the summer of 1999. Well, almost.
The 20th century was running out of time and that summer was impatiently filled with as many tantalising prospects as any big movie season in recent memory. It appeared to be the summer of comebacks. Following Terrence Malick’s long-awaited return to directing in the recently-released The Thin Red Line, Summer ’99 would see not only George Lucas but Stanley Kubrick making their much-delayed encores – though we knew by then that this was actually Kubrick’s swan song.
An exercise in peak-nostalgia seemed inevitable, but the season proved to be full of surprises. None more so than the success of that second Austin Powers film,...
The 20th century was running out of time and that summer was impatiently filled with as many tantalising prospects as any big movie season in recent memory. It appeared to be the summer of comebacks. Following Terrence Malick’s long-awaited return to directing in the recently-released The Thin Red Line, Summer ’99 would see not only George Lucas but Stanley Kubrick making their much-delayed encores – though we knew by then that this was actually Kubrick’s swan song.
An exercise in peak-nostalgia seemed inevitable, but the season proved to be full of surprises. None more so than the success of that second Austin Powers film,...
- 5/24/2024
- by Cai Ross
- HeyUGuys.co.uk
"One-Eyed Jacks" might have been Marlon Brando's sole directing stint, but the 1961 western comes as close to perfection as possible within the confines of the genre. A high-stakes robbery acts as a catalyst for the dramatic ebb and flow that defines the unforgettable story, where a man contends with the heinous betrayal by his mentor, the father figure who has shaped him into the person he is today. This brooding, brokenhearted man, Rio (Brando) flits between vengeance and forgiveness, with a budding romance complicating the instinctual need to settle scores the old-fashioned way. The film is also stunning to behold, its gaze lingering on beautiful landscapes that blend the romanticism of Westerns with the naturalistic impulses within its complicated characters.
The making of such an intense, kinetic drama was filled with roadblocks, and Brando was not involved with it from the get-go. "One-Eyed Jacks" was initially intended to function...
The making of such an intense, kinetic drama was filled with roadblocks, and Brando was not involved with it from the get-go. "One-Eyed Jacks" was initially intended to function...
- 5/24/2024
- by Debopriyaa Dutta
- Slash Film
Artificial Intelligence is taking over the world slowly but surely. Many people have started losing their jobs because they are being replaced left and right by AI systems which seem to do hours of work in a few seconds. Needless to say, AI is as much a bane as it is a boon. Steven Spielberg was one of the first to give an insight into a world with advanced AI in his 2001 film A.I. Artificial Intelligence.
Steven Spielberg’s A.I. Artificial Intelligence (2001) | DreamWorks Pictures
In a recent interview, Malcolm X colleagues Spike Lee and Giancarlo Esposito opened up about artificial intelligence and the danger it poses to both the film industry and the world. While Spike Lee admitted that A.I. Artificial Intelligence was his introduction to AI, Giancarlo Esposito was firm in his belief that no matter how much technology advances, you will never be able to replace the “soulfulness” of human beings.
Steven Spielberg’s A.I. Artificial Intelligence (2001) | DreamWorks Pictures
In a recent interview, Malcolm X colleagues Spike Lee and Giancarlo Esposito opened up about artificial intelligence and the danger it poses to both the film industry and the world. While Spike Lee admitted that A.I. Artificial Intelligence was his introduction to AI, Giancarlo Esposito was firm in his belief that no matter how much technology advances, you will never be able to replace the “soulfulness” of human beings.
- 5/22/2024
- by Mishkaat Khan
- FandomWire
The Empire Strikes Back remains one of the most iconic films of all time and arguably the best Star Wars film. As a result, many fans might be surprised to learn that the film was shot simultaneously with another iconic horror film the Stanley Kubrick directed The Shining. However, the latter was responsible for adversely affecting The Empire Strikes Back.
The Empire Strikes Back shared studio space with The Shining (Image credit: Lucasfilm).
The Empire Strikes Back and The Shining were shot at the same studio, where they shared some studio space. However, after an unforeseen accident caused the decimation of the Kubrick film’s sets, George Lucas had to give up some of the studio space reserved for the production of his much-awaited Star Wars sequel. Here is how The Shining led to troubles for The Empire Strikes Back‘s production.
Stanley Kubrick’s The Shining Messed Up George...
The Empire Strikes Back shared studio space with The Shining (Image credit: Lucasfilm).
The Empire Strikes Back and The Shining were shot at the same studio, where they shared some studio space. However, after an unforeseen accident caused the decimation of the Kubrick film’s sets, George Lucas had to give up some of the studio space reserved for the production of his much-awaited Star Wars sequel. Here is how The Shining led to troubles for The Empire Strikes Back‘s production.
Stanley Kubrick’s The Shining Messed Up George...
- 5/22/2024
- by Pratik Handore
- FandomWire
Prior to directing "National Lampoon's Christmas Vacation" in 1989, Jeremiah S. Chechik had overseen many, many TV commercials, as well as the music videos for Van Halen's "When It's Love" and Hall & Oates' "Downtown Life." Chechik knew the commercial world well, having begun his career as a fashion photographer for Vogue, and having worked as a designer. After "Christmas Vacation," his career flourished, and he turned out many notable, high-profile films like "Benny & Joon," "Tall Tale: The Unbelievable Adventures of Pecos Bill," the English-language remake of "Diabolique," and the sexy film adaptation of "The Avengers." After that, he moved mostly into TV, and has directed dozens of episodes of many, many acclaimed shows.
His movement from music videos into feature films, however, began in an unlikely way, and Chechik credits his big break on a flippant, sarcastic comment made by master director Stanley Kubrick. It seems that Kubrick, when...
His movement from music videos into feature films, however, began in an unlikely way, and Chechik credits his big break on a flippant, sarcastic comment made by master director Stanley Kubrick. It seems that Kubrick, when...
- 5/22/2024
- by Witney Seibold
- Slash Film
The Substance: Demi Moore body horror film earns 11 minute standing ovation and rave first reactions
Seven years have gone by since director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at This Link. Now Fargeat is back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). The film had its premiere at the Cannes Film Festival over the weekend, earning rave first reactions and an 11-minute standing ovation from the audience. (While also catching media attention with its scenes of Moore and Qualley displaying full frontal nudity.) We have assembled some of the reactions here:
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
- 5/20/2024
- by Cody Hamman
- JoBlo.com
The episode of Wtf Happened to This Horror Movie? covering The Vanishing was Written and Narrated by Mike Holtz, Edited by Juan Jimenez, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
Expectations can be a funny thing when it comes to movies. Go into a theater with absolutely no inhibitions about what you’re about to witness and you’re likely to have a far better time than if you were watching a sequel you’ve built up expectations for in your mind. Remakes? Forget it. One would wager that the likelihood of you enjoying a remake of a film that you already enjoyed in its original packaging is a considerable amount lower than had you never seen the original. For obvious reasons. This brings me to today’s topic: a 1993 American remake of the French-Dutch film Spoorlos that was attacked by many for being...
Expectations can be a funny thing when it comes to movies. Go into a theater with absolutely no inhibitions about what you’re about to witness and you’re likely to have a far better time than if you were watching a sequel you’ve built up expectations for in your mind. Remakes? Forget it. One would wager that the likelihood of you enjoying a remake of a film that you already enjoyed in its original packaging is a considerable amount lower than had you never seen the original. For obvious reasons. This brings me to today’s topic: a 1993 American remake of the French-Dutch film Spoorlos that was attacked by many for being...
- 5/20/2024
- by Cody Hamman
- JoBlo.com
German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward.
“It has gotten much better,” Managing Director Simone Baumann told Variety at the event.
“We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.”
At Cannes, 14 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.”
As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.
“It has gotten much better,” Managing Director Simone Baumann told Variety at the event.
“We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.”
At Cannes, 14 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.”
As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.
- 5/20/2024
- by Marta Balaga
- Variety Film + TV
Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme. She draws on much of the hyperbolic flamboyance that’s come to define megaplex horror. But unlike 90 percent of those movies, “The Substance” is the work of a filmmaker with a vision. She’s got something primal to say to us.
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
- 5/19/2024
- by Owen Gleiberman
- Variety Film + TV
Tim Blake Nelson, the talented actor known for his roles in The Ballad of Buster Scruggs, who is also set to appear in the upcoming Captain America: Brave New World, has opened up about his experience being cut from Denis Villeneuve’s Dune: Part Two. Appearing on the Inside of You podcast, Nelson recalled being heartbroken when his role was ultimately cut from the final version of Dune 2.
Tim Blake Nelson in The Ballad of Buster Scruggs | Annapurna Television/Netflix
However, while addressing his heartbreaking cut from Dune: Part Two, Tim Blake Nelson mentioned how his experience bears a striking resemblance to the legendary story of Stanley Kubrick’s compassionate firing of a mystery actor. Nelson discussed how his story runs parallel with Kubrick’s incident of firing an unnamed actor from Tom Cruise and Nicole Kidman’s 1999 film, Eyes Wide Shut.
Stanley Kubrick’s Unusual Approach to Firing...
Tim Blake Nelson in The Ballad of Buster Scruggs | Annapurna Television/Netflix
However, while addressing his heartbreaking cut from Dune: Part Two, Tim Blake Nelson mentioned how his experience bears a striking resemblance to the legendary story of Stanley Kubrick’s compassionate firing of a mystery actor. Nelson discussed how his story runs parallel with Kubrick’s incident of firing an unnamed actor from Tom Cruise and Nicole Kidman’s 1999 film, Eyes Wide Shut.
Stanley Kubrick’s Unusual Approach to Firing...
- 5/18/2024
- by Krittika Mukherjee
- FandomWire
Ryan J. Sloan’s “Gazer” is a classic thriller that will surely have Cannes audiences on the edge of their seats when it world premieres in competition in Directors’ Fortnight at this year’s festival.
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
- 5/16/2024
- by Jamie Lang and Elsa Keslassy
- Variety Film + TV
Someone loves “Love Me.” The indie romance starring Kristen Stewart and Steven Yeun that made its premiere in competition at this year’s Sundance Film Festival will be released theatrically in the U.S. by Bleecker Street and ShivHans Pictures. The film will open in theaters in 2025.
“Love Me” from directors Sam and Andy Zuchero is the story of a buoy and a satellite who meet online long after humanity’s extinction. Stewart and Yeun play human manifestations of the two animatronic lovers who have evolved after billions of years of love and romance. The film explores what it means to be alive and be in love all as they learn about what life was like on Earth before humanity’s extinction.
Bleecker is co-distributing “Love Me” alongside ShivHans, which also produced the film. Both entities have financial skin in the game in terms of handling its theatrical release strategy.
“Love Me” from directors Sam and Andy Zuchero is the story of a buoy and a satellite who meet online long after humanity’s extinction. Stewart and Yeun play human manifestations of the two animatronic lovers who have evolved after billions of years of love and romance. The film explores what it means to be alive and be in love all as they learn about what life was like on Earth before humanity’s extinction.
Bleecker is co-distributing “Love Me” alongside ShivHans, which also produced the film. Both entities have financial skin in the game in terms of handling its theatrical release strategy.
- 5/14/2024
- by Brian Welk
- Indiewire
The Cannes Film Festival officially kicks off today with the latest from Quentin Dupieux, but Francis Ford Coppola has decided to truly begin the festivities with a bang. After a brief, enticing tease earlier this month, he’s now debuted the epic first trailer for Megalopolis, chock full of jaw-dropping images that has us counting down the hours until Thursday’s world premiere. “Our new film Megalopolis is the best work I’ve ever had the privilege to preside over,” notes Coppola with the trailer.
Along with French distribution from Le Pacte, the film was also picked up by Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; and Entertainment Film Distributors Limited for the U.K., per Deadline. A U.S. deal has yet to be announced, but here’s hoping it comes during the festival.
“My first goal...
Along with French distribution from Le Pacte, the film was also picked up by Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; and Entertainment Film Distributors Limited for the U.K., per Deadline. A U.S. deal has yet to be announced, but here’s hoping it comes during the festival.
“My first goal...
- 5/14/2024
- by Jordan Raup
- The Film Stage
The most notorious unmade Stanley Kubrick project is probably his "Napoleon," a massive biopic that the director infamously researched for years. In 2012, the Los Angeles County Museum of Art hosted a Kubrick exhibit, and guests were permitted to see Kubrick's filing cabinet where he stored thousands of hand-written notecards, each one detailing a single day in Napoleon Bonaparte's life. Kubrick worked on "Napoleon" in the 1970s, and claimed he wanted Jack Nicholson to play the part. Kubrick wrote a screenplay, secured filming locations in Romania, and was all ready to go. The 1970 film "Waterloo" bombed, however, and the then-recent film version of "War and Peace" threatened to flood the market with too much Napoleon. A lot of Kubrick's "Napoleon" research went into the production of 1975's "Barry Lyndon."
Kubrick's unrealized projects are plentiful. Audiences may also know all about Kubrick's plans to make "A.I.: Artificial Intelligence" near the end of his life,...
Kubrick's unrealized projects are plentiful. Audiences may also know all about Kubrick's plans to make "A.I.: Artificial Intelligence" near the end of his life,...
- 5/14/2024
- by Witney Seibold
- Slash Film
Stanley Kubrick's 1971 dystopian sci-fi film "A Clockwork Orange" points out that a modern British society -- so devoted to stuffy manners, politeness, and keeping evil out of sight -- won't know how to deal with legitimate sociopaths. Alex DeLarge (Malcolm McDowell) is a violent little punk who regularly leads his teen gang -- the Droogs -- into fights, into bars that serve drug-laced milk, and into the locked homes of their victims. Alex beats and assaults people without a scrap of conscience, and sees the world as something to consume, use up, and have sex with. Kubrick toys with the audience a little, presenting Alex as charismatic and funny, even though he's a monster.
When Alex is finally apprehended for his many crimes, the juvenile delinquent is thrown into prison and subjected to a new kind of rehabilitation technique ... involving movies. Alex has his eyes clamped open and he...
When Alex is finally apprehended for his many crimes, the juvenile delinquent is thrown into prison and subjected to a new kind of rehabilitation technique ... involving movies. Alex has his eyes clamped open and he...
- 5/13/2024
- by Witney Seibold
- Slash Film
Have you ever looked up at the night sky and wondered if any film could capture the awe-inspiring vastness of the cosmos? Many directors have soared through the stars in science fiction, but one visionary’s belief is as enduring as the galaxy itself. George Lucas, the renowned creator of the epic Star Wars, has a deep appreciation for a cinematic masterpiece that even his own galactic saga cannot match: Stanley Kubrick’s 2001: A Space Odyssey.
George Lucas [Photo: Joey Gannon/Wikimedia Commons]Lucas made cinematic history in 1977 with Star Wars: Episode IV – A New Hope, an instant classic that catapulted science fiction to the forefront of popular culture. Despite his phenomenal success, he remains convinced that Kubrick’s 1968 magnum opus is an unmatched masterpiece, a celestial pinnacle that no filmmaker in the near future can hope to surpass.
The film starred Keir Dullea and Gary Lockwood in the leading roles.
George Lucas [Photo: Joey Gannon/Wikimedia Commons]Lucas made cinematic history in 1977 with Star Wars: Episode IV – A New Hope, an instant classic that catapulted science fiction to the forefront of popular culture. Despite his phenomenal success, he remains convinced that Kubrick’s 1968 magnum opus is an unmatched masterpiece, a celestial pinnacle that no filmmaker in the near future can hope to surpass.
The film starred Keir Dullea and Gary Lockwood in the leading roles.
- 5/10/2024
- by Siddhika Prajapati
- FandomWire
There are numerous lists of the movies you need to watch at least once in your life, and you can already imagine features that are always present in them. However, what if we try to make such a list, but only with horror features? The result will surprise you.
Here are 10 of the most worth-watching horrors, ranked by Redditors.
The Thing (1982)
First comes John Carpenter’s classic film, telling a story about a scientific research team in Antarctica who is tormented by a terrifying alien, which became influential for the whole subgenre of the science fiction horror features.
The Shining (1980)
“Stephen King's book is better, but the movie is still a masterpiece that everyone needs to watch at least once in their lives,” says Redditor @No-Professor-8680 about it. Indeed, Kubrick’s timeless horror is a must-watch for all people interested in cinema.
The Texas Chainsaw Massacre (1974)
The next Reddit...
Here are 10 of the most worth-watching horrors, ranked by Redditors.
The Thing (1982)
First comes John Carpenter’s classic film, telling a story about a scientific research team in Antarctica who is tormented by a terrifying alien, which became influential for the whole subgenre of the science fiction horror features.
The Shining (1980)
“Stephen King's book is better, but the movie is still a masterpiece that everyone needs to watch at least once in their lives,” says Redditor @No-Professor-8680 about it. Indeed, Kubrick’s timeless horror is a must-watch for all people interested in cinema.
The Texas Chainsaw Massacre (1974)
The next Reddit...
- 5/9/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
You can’t turn on the television or open a podcast these days without being assailed by true crime in its many forms and director Jimmy Goldblum, after working on one of those shows, made the decision to take a particular trope from the genre and flip it on its head. Jude, an extract from a novel and made as a proof of concept short, doesn’t follow the typical trajectory of a young girl gone missing narrative but instead dives into the crevices of what is left behind and in particular, that empty void where a child once sat, cherished and loved. Seeking a better reality, 14 year old Appalachian local Cindy Stoat cuckoos herself into that hole left by loss and the tragedy is suddenly seen from different eyes. The mysteries and unspoken truths in Jude ooze out of every scene, the dark and brooding house where our young...
- 5/9/2024
- by Sarah Smith
- Directors Notes
One of the greatest visionary directors that Hollywood had the privilege of hosting, Stanley Kubrick revolutionized the process of filmmaking for the foreseeable future. The director of such instant classics as 2001: A Space Odyssey, A Clockwork Orange, and The Shining got around to claiming Tom Cruise, the biggest movie star in the world, in one of his movies shortly before his death.
Eyes Wide Shut [Credit: Warner Bros.]
Although the collaboration was short-lived and tragically bookended, their project was anything but less than glorious. Their 1999 film, Eyes Wide Shut, categorized as an erotic mystery thriller, marked the end of an era – both for Kubrick and the deteriorating relationship between the lead glamorous couple, Tom Cruise and Nicole Kidman.
Nicole Kidman Recalls Her Great Stanley Kubrick Regret
At the advent of her career, the Australian model Nicole Kidman, with her wild red mane and tall lanky figure, was considered a far...
Eyes Wide Shut [Credit: Warner Bros.]
Although the collaboration was short-lived and tragically bookended, their project was anything but less than glorious. Their 1999 film, Eyes Wide Shut, categorized as an erotic mystery thriller, marked the end of an era – both for Kubrick and the deteriorating relationship between the lead glamorous couple, Tom Cruise and Nicole Kidman.
Nicole Kidman Recalls Her Great Stanley Kubrick Regret
At the advent of her career, the Australian model Nicole Kidman, with her wild red mane and tall lanky figure, was considered a far...
- 5/7/2024
- by Diya Majumdar
- FandomWire
Spike Lee credits Steven Spielberg for having a “crystal ball” when it comes to the dangers of artificial intelligence.
During an interview alongside actor Giancarlo Esposito for The Hollywood Reporter, Lee pointed to Spielberg’s 2001 film “A.I. Artificial Intelligence.” Stanley Kubrick had been developing the sci-fi feature for two decades before Spielberg took over writing and directing after Kubrick’s death.
According to Lee, Spielberg’s film was one of the first mainstream portrayals of artificial intelligence, and served as an early warning for what the world is facing now in 2024.
“The danger that A.I. could do to cinemas is nothing compared to what it could do to the world,” Lee said when asked about the effects of A.I. on filmmaking. “It’s bigger than cinema. It’s bigger than music. I got to give it to my brother, Steven Spielberg, who peeped this many years ago when...
During an interview alongside actor Giancarlo Esposito for The Hollywood Reporter, Lee pointed to Spielberg’s 2001 film “A.I. Artificial Intelligence.” Stanley Kubrick had been developing the sci-fi feature for two decades before Spielberg took over writing and directing after Kubrick’s death.
According to Lee, Spielberg’s film was one of the first mainstream portrayals of artificial intelligence, and served as an early warning for what the world is facing now in 2024.
“The danger that A.I. could do to cinemas is nothing compared to what it could do to the world,” Lee said when asked about the effects of A.I. on filmmaking. “It’s bigger than cinema. It’s bigger than music. I got to give it to my brother, Steven Spielberg, who peeped this many years ago when...
- 5/6/2024
- by Samantha Bergeson
- Indiewire
For over a decade, Nicole Kidman and Tom Cruise were the dream Hollywood couple. The actors who had a fairytale romance on the sets of their film Days of Thunder, tied the knot in 1990 and seemed to have the perfect life until their shocking divorce in 2001. During this period, the ex-couple also starred in Stanley Kubrick’s bold erotic drama, Eyes Wide Shut.
Nicole Kidman and Tom Cruise in Days Of Thunder (image credit: Paramount Pictures)
The director who pushed the boundaries of s*xual intimacy in various ways through his very specific conditions, was incidentally rumored to have been the cause for the rift between Kidman and Cruise which ultimately led to their separation. But the Oscar winner confirmed in clear terms that the film and Kubrick had nothing to do with her divorce.
Nicole Kidman Shut Down Speculations About Her Divorce With Tom Cruise
For over 11 years, Nicole...
Nicole Kidman and Tom Cruise in Days Of Thunder (image credit: Paramount Pictures)
The director who pushed the boundaries of s*xual intimacy in various ways through his very specific conditions, was incidentally rumored to have been the cause for the rift between Kidman and Cruise which ultimately led to their separation. But the Oscar winner confirmed in clear terms that the film and Kubrick had nothing to do with her divorce.
Nicole Kidman Shut Down Speculations About Her Divorce With Tom Cruise
For over 11 years, Nicole...
- 5/6/2024
- by Sharanya Sankar
- FandomWire
The Golden Raspberry is one of the most important industry anti-prizes. Every year, the worst movies of the season are nominated for it: from failed blockbusters to dramas that look more like comedies. But often the winners are simply misunderstood masterpieces.
Some of these underrated films were chosen by Reddit users.
1. The Blair Witch Project, 1999
Can you believe it? The movie that changed the horror industry was nominated for the Golden Raspberry Anti-Award in the category Worst Picture. Maybe, from a certain point of view, even this kind of PR benefits the movie, but to be honest, The Blair Witch Project had no chance to "win" that year – it was up against Adam Sandler's Big Daddy, The Haunting, and Will Smith's Wild Wild West.
2. The Bodyguard, 1992
It is safe to say that the cult melodrama has become Kevin Costner's acting calling card. His unforgettable screen duet with...
Some of these underrated films were chosen by Reddit users.
1. The Blair Witch Project, 1999
Can you believe it? The movie that changed the horror industry was nominated for the Golden Raspberry Anti-Award in the category Worst Picture. Maybe, from a certain point of view, even this kind of PR benefits the movie, but to be honest, The Blair Witch Project had no chance to "win" that year – it was up against Adam Sandler's Big Daddy, The Haunting, and Will Smith's Wild Wild West.
2. The Bodyguard, 1992
It is safe to say that the cult melodrama has become Kevin Costner's acting calling card. His unforgettable screen duet with...
- 5/5/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Director Stanley Kubrick is known for his perfectionist tendencies while on set. His commitment to getting the shot technically and artistically right has resulted in some of the best films of all time such as 2001: A Space Odyssey, Barry Lyndon, Paths of Glory, Full Metal Jacket, and The Shining among others.
Kubrick passed away before the release of his final film Eyes Wide Shut, which starred Tom Cruise and Nicole Kidman, who were then married. While the psychological thriller drama has been regarded as one of Kubrick’s best and is considered to be one of the greats, the filmmaker himself reportedly did not like the film and especially hated working with Cruise and Kidman.
Stanley Kubrick Reportedly Hated Working With Tom Cruise And Nicole Kidman A still from Stanley Kubrick’s Eyes Wide Shut
After working with newcomers and unknown actors for a long time, Stanley Kubrick reportedly...
Kubrick passed away before the release of his final film Eyes Wide Shut, which starred Tom Cruise and Nicole Kidman, who were then married. While the psychological thriller drama has been regarded as one of Kubrick’s best and is considered to be one of the greats, the filmmaker himself reportedly did not like the film and especially hated working with Cruise and Kidman.
Stanley Kubrick Reportedly Hated Working With Tom Cruise And Nicole Kidman A still from Stanley Kubrick’s Eyes Wide Shut
After working with newcomers and unknown actors for a long time, Stanley Kubrick reportedly...
- 5/5/2024
- by Nishanth A
- FandomWire
I’ve predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see “another film by the director of The Godfather” and those who appreciate “something that looks and sounds like a Star Wars prequel.” I am very firmly in the latter, was duly excited by the first image, and can only be pleased with the time-stopping debut teaser, arriving today via Le Pacte.
It comes with a sad addenedum. Coppola, sharing the teaser on Instagram, noted:
Megalopolis has always been a film dedicated to my dear wife Eleanor. I really had hoped to celebrate her birthday together this May 4th. But sadly that was not to be, so let me share with everyone a gift on her behalf.
As Coppola recently told Vanity Fair, “I wouldn’t have been able to make it without standing as I do on the shoulders of G.B. Shaw,...
It comes with a sad addenedum. Coppola, sharing the teaser on Instagram, noted:
Megalopolis has always been a film dedicated to my dear wife Eleanor. I really had hoped to celebrate her birthday together this May 4th. But sadly that was not to be, so let me share with everyone a gift on her behalf.
As Coppola recently told Vanity Fair, “I wouldn’t have been able to make it without standing as I do on the shoulders of G.B. Shaw,...
- 5/4/2024
- by Nick Newman
- The Film Stage
Science fiction was one of the first genres in the history of cinema, and it has undergone the most dramatic changes in its more than one hundred years of existence.
By making the leap from literature to film in the 1900s, sci-fi was able to greatly expand its reach. What began as a flight of fancy on paper blossomed in front of the camera, and the genre began to explore new, exciting subgenres on the screen. Dozens of popular novels were adapted and given visual substance.
But it wasn't just adaptations that pushed directors to new horizons – many of their stories reflected everyday life through a futuristic prism. Films like Planet of the Apes and Blade Runner influenced the development of science fiction as a genre with its own tropes, traits, and cinematic language.
But neither Blade Runner, nor Planet of the Apes, nor even Kubrick's cult classic 2001:...
By making the leap from literature to film in the 1900s, sci-fi was able to greatly expand its reach. What began as a flight of fancy on paper blossomed in front of the camera, and the genre began to explore new, exciting subgenres on the screen. Dozens of popular novels were adapted and given visual substance.
But it wasn't just adaptations that pushed directors to new horizons – many of their stories reflected everyday life through a futuristic prism. Films like Planet of the Apes and Blade Runner influenced the development of science fiction as a genre with its own tropes, traits, and cinematic language.
But neither Blade Runner, nor Planet of the Apes, nor even Kubrick's cult classic 2001:...
- 5/2/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Now that Francis Ford Coppola has unveiled his long-in-the-works epic Megalopolis to buyers and the industry, we’re just a few weeks away from its official premiere at the Cannes Film Festival. As he hopefully secures U.S. distribution soon, the first look has finally arrived.
Featuring Adam Driver and Nathalie Emmanuel towering above the metropolis, the first image comes courtesy from Vanity Fair, who also share a few new quotes from Coppola himself. “My first goal always is to make a film with all my heart, so I began to realize it would be about love and loyalty in every aspect of human life,” said the director. “Megalopolis echoed these sentiments, in which love was expressed in almost crystalline complexity, our planet in danger and our human family almost in an act of suicide, until becoming a very optimistic film that has faith in the human being to possess...
Featuring Adam Driver and Nathalie Emmanuel towering above the metropolis, the first image comes courtesy from Vanity Fair, who also share a few new quotes from Coppola himself. “My first goal always is to make a film with all my heart, so I began to realize it would be about love and loyalty in every aspect of human life,” said the director. “Megalopolis echoed these sentiments, in which love was expressed in almost crystalline complexity, our planet in danger and our human family almost in an act of suicide, until becoming a very optimistic film that has faith in the human being to possess...
- 4/30/2024
- by Jordan Raup
- The Film Stage
With films like The Shining and 2001: A Space Odyssey, Stanley Kubrick’s legacy will live on for centuries to come. During his life and even after his death in 1999, he’s widely considered one of the greatest filmmakers to have ever graced the film industry with his talent. But even a man of his caliber had to have been a fan of someone, and that “someone” for Stanley Kubrick was none other than James Cameron.
Stanley Kubrick’s The Shining (1980)
James Cameron has been responsible for helming some of the most unforgettable and successful films in Hollywood. Therefore, it makes sense that Stanley Kubrick would be in awe of some of his work, and the feeling was mutual between the directors. When James Cameron decided to give himself a birthday present by meeting Stanley Kubrick, he was shocked to learn just how much of a True Lies fan he was.
Stanley Kubrick’s The Shining (1980)
James Cameron has been responsible for helming some of the most unforgettable and successful films in Hollywood. Therefore, it makes sense that Stanley Kubrick would be in awe of some of his work, and the feeling was mutual between the directors. When James Cameron decided to give himself a birthday present by meeting Stanley Kubrick, he was shocked to learn just how much of a True Lies fan he was.
- 4/29/2024
- by Mishkaat Khan
- FandomWire
Nicole Kidman Shredded the ‘Eyes Wide Shut’ Script After Production Wrapped: ‘It Feels Like Baggage’
Nicole Kidman doesn’t take it with her. The stress of the characters she’s played. The panic, both subtle and glorious. The screams. All of that goes into the waste bin following the martini shot, along with her scripts apparently too. Ahead of her AFI Life Achievement Award gala, Kidman recently spoke with The Los Angeles Times and admitted to shredding all her scripts, including for “Eyes Wide Shut”.
“Well, it feels like baggage,” said Kidman. “It’s all just going to go sit in an attic or down in a basement. I’m a traveling actor and can live out of a suitcase. That’s how I approach life because I’ve always had to shove everything in a suitcase and move on.”
Impermanence seems to be a common thread in many of the roles she’s played throughout her career. Even her AMC ads aim to capture...
“Well, it feels like baggage,” said Kidman. “It’s all just going to go sit in an attic or down in a basement. I’m a traveling actor and can live out of a suitcase. That’s how I approach life because I’ve always had to shove everything in a suitcase and move on.”
Impermanence seems to be a common thread in many of the roles she’s played throughout her career. Even her AMC ads aim to capture...
- 4/28/2024
- by Harrison Richlin
- Indiewire
Stanley Kubrick was a peculiar man and so it’s really no wonder that his list of favorite films is so diverse. There are works by Welles and Chaplin and Bergman, but he also dug White Men Can’t Jump and The Jerk. Kubrick, too, apparently took to True Lies – so much so that he sat director James Cameron down and asked just how he pulled it off.
Back in the ‘90s, James Cameron decided to give himself a special 40th birthday present: the chance to meet Stanley Kubrick. And so after he gave him a call, he finally did so, encountering the legendary director between Full Metal Jacket and what would be his final film a few years later, Eyes Wide Shut. But Cameron was in for a surprise, as Kubrick was less interested in expounding on the depths of 2001: A Space Odyssey or playing chess but rather...
Back in the ‘90s, James Cameron decided to give himself a special 40th birthday present: the chance to meet Stanley Kubrick. And so after he gave him a call, he finally did so, encountering the legendary director between Full Metal Jacket and what would be his final film a few years later, Eyes Wide Shut. But Cameron was in for a surprise, as Kubrick was less interested in expounding on the depths of 2001: A Space Odyssey or playing chess but rather...
- 4/27/2024
- by Mathew Plale
- JoBlo.com
Doctor Strange director, Scott Derrickson, is known for two things: horror and Marvel. His epic vision and style shine through in films like Sinister and The Day the Earth Stood Still. And yet, fans weep over the scandal-ridden production of Doctor Strange in the Multiverse Of Madness.
An IP that should have remained in the hands of Derrickson, the changing of the old guard to bring in Sam Raimi was a decision praised by many. However, with time, regrets surface, and missed opportunities are realized as fans grasp the true scale of Scott Derrickson’s vision.
Doctor Strange (2016) [Credit: Marvel Studios]
Doctor Strange Was Always Destined for Greatness
There are truly one or two things in this world that are worthy of being called the stuff of legends. Among monuments, it’s the Giza Necropolis; in literature, Homer’s Iliad; and, of course, Stanley Kubrick’s 2001: A Space Odyssey when it comes to film.
An IP that should have remained in the hands of Derrickson, the changing of the old guard to bring in Sam Raimi was a decision praised by many. However, with time, regrets surface, and missed opportunities are realized as fans grasp the true scale of Scott Derrickson’s vision.
Doctor Strange (2016) [Credit: Marvel Studios]
Doctor Strange Was Always Destined for Greatness
There are truly one or two things in this world that are worthy of being called the stuff of legends. Among monuments, it’s the Giza Necropolis; in literature, Homer’s Iliad; and, of course, Stanley Kubrick’s 2001: A Space Odyssey when it comes to film.
- 4/27/2024
- by Diya Majumdar
- FandomWire
Debating the horror genre’s artistic value is tacky. Measuring its success by the box office can be just as boring. But I’d bet you a head-start in a chase sequence that those metrics still steer how Hollywood talks about its longest-surviving obsession at many prestige events.
Not so at The Overlook Film Festival: a community-minded summit that fundamentally reinforced my belief in scary movies and the types of people who make, critique, promote, and protect them.
Co-founded by Landon Zakheim and Michael Lerman in 2013, the annual event started out of Colorado as The Stanley Film Festival, honoring Kubrick before expanding to encompass the horror genre more generally. After a brief stint in Oregon The Overlook Film Festival made its permanent home in New Orleans, Louisiana. That’s “the most haunted city in America” if you ask event organizers, but only the third most haunted if you’re going...
Not so at The Overlook Film Festival: a community-minded summit that fundamentally reinforced my belief in scary movies and the types of people who make, critique, promote, and protect them.
Co-founded by Landon Zakheim and Michael Lerman in 2013, the annual event started out of Colorado as The Stanley Film Festival, honoring Kubrick before expanding to encompass the horror genre more generally. After a brief stint in Oregon The Overlook Film Festival made its permanent home in New Orleans, Louisiana. That’s “the most haunted city in America” if you ask event organizers, but only the third most haunted if you’re going...
- 4/27/2024
- by Alison Foreman
- Indiewire
There is something about the period of the Napoleonic Wars and the personality of Napoleon Bonaparte himself that keeps world-renowned filmmakers returning to the subject. Maybe it's the aesthetics of the early 19th century and the epic battles of the time. Maybe it's the fascination of the life of the great French general and emperor that ambitious filmmakers are drawn to.
Whatever the reason, each of these films either failed commercially or received mixed reviews from critics. Abel Gance's Napoleon, Sergei Bondarchuk's War and Peace and Waterloo, Peter Weir's Master and Commander, and of course Ridley Scott's recent Napoleon – despite epic scales, a talented cast and crew, and sometimes even a great script, all of the above films failed in one way or another.
Ridley Scott's new feature, starring Joaquin Phoenix, is both commercially and critically underwhelming. Despite its grandeur, its Rotten Tomatoes score was a...
Whatever the reason, each of these films either failed commercially or received mixed reviews from critics. Abel Gance's Napoleon, Sergei Bondarchuk's War and Peace and Waterloo, Peter Weir's Master and Commander, and of course Ridley Scott's recent Napoleon – despite epic scales, a talented cast and crew, and sometimes even a great script, all of the above films failed in one way or another.
Ridley Scott's new feature, starring Joaquin Phoenix, is both commercially and critically underwhelming. Despite its grandeur, its Rotten Tomatoes score was a...
- 4/26/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
Shelley Duvall has been through the ringer. Once a staple in the works of Robert Altman – she didn’t work with another director between her 1970’s Brewster McCloud and 1977’s 3 Women – Duvall then had parts working for Woody Allen in Annie Hall and Stanley Kubrick in The Shining. But things sort of just fell apart and Duvall became a punchline, eventually retreating from the movie business entirely, spending the bulk of her time in Texas. Now, with her first movie in 20+ years, The Forest Hills, under her belt, she has some thoughts about the industry.
In a terrific new piece in The New York Times, Shelley Duvall said she was more or less betrayed by Hollywood. “I was a star; I had leading roles…People think it’s just aging, but it’s not. It’s violence.” Duvall doesn’t mean physical violence, however, adding, “How would you feel if people were really nice,...
In a terrific new piece in The New York Times, Shelley Duvall said she was more or less betrayed by Hollywood. “I was a star; I had leading roles…People think it’s just aging, but it’s not. It’s violence.” Duvall doesn’t mean physical violence, however, adding, “How would you feel if people were really nice,...
- 4/26/2024
- by Mathew Plale
- JoBlo.com
The provocative thrillers involving sexually explicit scenes and raising the themes of deviations were particularly popular in the 1990s, with Sharon Stone’s cultish Basic Instinct (1992) and Kubrick-directed Eyes Wide Shut (1999). However, there is one forgotten gem of the genre, which became a controversial sensation back in 1996.
Shockingly, it’s even more explicit and debatable than the mentioned 90’s thrillers, as the fetish featured in it seems to be the craziest one. The point is that this movie follows a film producer James, who, after surviving a car accident, becomes involved with a perverse group of people who are aroused by car collisions, worshiping them.
As the plot progresses, we see how James becomes more and more into this fetish and tries to rekindle his failed relationship with his wife by introducing her to the cult. Besides, be sure there will be loud engine roars and a bunch of devastating fatalities.
Shockingly, it’s even more explicit and debatable than the mentioned 90’s thrillers, as the fetish featured in it seems to be the craziest one. The point is that this movie follows a film producer James, who, after surviving a car accident, becomes involved with a perverse group of people who are aroused by car collisions, worshiping them.
As the plot progresses, we see how James becomes more and more into this fetish and tries to rekindle his failed relationship with his wife by introducing her to the cult. Besides, be sure there will be loud engine roars and a bunch of devastating fatalities.
- 4/25/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
Having directed the brilliant Arrival (2015), Blade Runner 2049 (2017) and the two Dune movies (2021 and 2024), Denis Villeneuve has already inscribed his name in cinematic history as the acclaimed sci-fi filmmaker.
Here are 7 movies, recommended by the director and available for watching on Prime Video, that guarantee a superior sci-fi experience.
1. 2001: A Space Odyssey (1968)
It comes as no surprise that this iconic Old Hollywood masterpiece is in Villeneuve’s list. According to his own admission, Kubrick’s epic space opera was his first "cinematic shock" that became his most favorite movie, inspiring him for his own science fiction works.
2. Close Encounters of the Third Kind (1977)
Steven Spielberg’s classic drama movie affected not only the 1980’s genre’s features, but also the Dune director’s cinema taste, entering him the world of the French New Wave by assembling Francois Truffaut in its cast, and, obviously, his love for sci-fi films.
3. Blade Runner...
Here are 7 movies, recommended by the director and available for watching on Prime Video, that guarantee a superior sci-fi experience.
1. 2001: A Space Odyssey (1968)
It comes as no surprise that this iconic Old Hollywood masterpiece is in Villeneuve’s list. According to his own admission, Kubrick’s epic space opera was his first "cinematic shock" that became his most favorite movie, inspiring him for his own science fiction works.
2. Close Encounters of the Third Kind (1977)
Steven Spielberg’s classic drama movie affected not only the 1980’s genre’s features, but also the Dune director’s cinema taste, entering him the world of the French New Wave by assembling Francois Truffaut in its cast, and, obviously, his love for sci-fi films.
3. Blade Runner...
- 4/21/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
There are not many movies that earn the status of all-time golden gems. It's the movies like The Godfather, Citizen Kane, Jaws and a few others that you've definitely seen not once, but many times over the years.
It seems that every genre has its own staple films that are considered the best to this day. And it's no wonder that when it comes to horror, it's Stephen King and the movies based on his novels that we celebrate the most.
One of such is definitely 1980 The Shining, Stanley Kubrick‘s movie featuring Jack Nicholson as a recovering alcoholic who loses his mind. The movie is one of the most valued in the industry, both for the gripping story it tells and for the excellent performance from all the cast members.
The movie revolves around Nicholson’s character, Jack Torrance, and his family, as they end up together in a...
It seems that every genre has its own staple films that are considered the best to this day. And it's no wonder that when it comes to horror, it's Stephen King and the movies based on his novels that we celebrate the most.
One of such is definitely 1980 The Shining, Stanley Kubrick‘s movie featuring Jack Nicholson as a recovering alcoholic who loses his mind. The movie is one of the most valued in the industry, both for the gripping story it tells and for the excellent performance from all the cast members.
The movie revolves around Nicholson’s character, Jack Torrance, and his family, as they end up together in a...
- 4/21/2024
- by info@startefacts.com (Rachel Bailey)
- STartefacts.com
Firefighters responded to a call Thursday night at the Oregon hotel that was featured in director Stanley Kubrick’s 1980 horror classic, The Shining.
The film used aerial shots of the Timberline Lodge on Mount Hood in Oregon as part of its opening scene, and for exterior establishing shots.
The Oregonian reported a portion of the Lodge caught on fire at around 9:30 p.m. on Thursday. The Clackamas Fire Department shared that the fire was declared under control at about 11:12 Pm.
“The fire was kept to the roof & part of the attic, & didn’t spread any further. Crews are clearing the scene. The U.S. Forest Service will be conducting the investigation with the help of federal resources,” the firefighter account wrote, adding several photos of the scene.
No injuries were reported.
Timberline Lodge was built in 1937. It continues to operate as a hotel even after becoming a National...
The film used aerial shots of the Timberline Lodge on Mount Hood in Oregon as part of its opening scene, and for exterior establishing shots.
The Oregonian reported a portion of the Lodge caught on fire at around 9:30 p.m. on Thursday. The Clackamas Fire Department shared that the fire was declared under control at about 11:12 Pm.
“The fire was kept to the roof & part of the attic, & didn’t spread any further. Crews are clearing the scene. The U.S. Forest Service will be conducting the investigation with the help of federal resources,” the firefighter account wrote, adding several photos of the scene.
No injuries were reported.
Timberline Lodge was built in 1937. It continues to operate as a hotel even after becoming a National...
- 4/19/2024
- by Bruce Haring
- Deadline Film + TV
British special effects artist Roger Dicken, best known for his work on Ridley Scott’s Alien and the 1970s sci-fi thriller When Dinosaurs Ruled The Earth has died. He was 84.
Dicken died on February 18 at his home in North Wales. His career began in the mid-60s when he accepted a freelance effects role on a sprawling sci-fi feature helmed by an ambitious American filmmaker named Stanley Kubrick. The project would end up being the seminal 2001: A Space Odyssey. Dicken created miniature moon terrains for the pic. His work would ultimately go uncredited.
Following his sojourn in space with Kubrick, Dicken found work on the Michael Reeves feature Witchfinder General before lending his hand to When Dinosaurs Ruled The Earth by Val Guest. Dicken and Jim Danforth shared a Best Special Visual Effects Oscar nomination for their work on the film.
Dicken went on to work on Ridley Scott’s Alien.
Dicken died on February 18 at his home in North Wales. His career began in the mid-60s when he accepted a freelance effects role on a sprawling sci-fi feature helmed by an ambitious American filmmaker named Stanley Kubrick. The project would end up being the seminal 2001: A Space Odyssey. Dicken created miniature moon terrains for the pic. His work would ultimately go uncredited.
Following his sojourn in space with Kubrick, Dicken found work on the Michael Reeves feature Witchfinder General before lending his hand to When Dinosaurs Ruled The Earth by Val Guest. Dicken and Jim Danforth shared a Best Special Visual Effects Oscar nomination for their work on the film.
Dicken went on to work on Ridley Scott’s Alien.
- 4/18/2024
- by Zac Ntim
- Deadline Film + TV
Updated with the TV spot above and the “homage poster” that can be found at the bottom of this article.
The original article follows:
2024 marks the 45th anniversary of the release of the sci-fi horror classic Alien, and to mark the occasion the film is getting a theatrical re-release on April 26th. Tickets are available for purchase through Fandango – and they have also informed us that screenings of Alien during this re-release will be preceded by Alien: A Conversation with Ridley Scott & Fede Alvarez – Scott being the director of Alien (not to mention Prometheus and Alien: Covenant) and Alvarez the director of the new film, Alien: Romulus, which is set to reach theatres on August 16th.
A clip from the Scott and Alvarez interview has been released online, and you can check it out in the embed below. In this clip, the filmmakers discuss the chestburster scene and a call Scott received from Stanley Kubrick.
The original article follows:
2024 marks the 45th anniversary of the release of the sci-fi horror classic Alien, and to mark the occasion the film is getting a theatrical re-release on April 26th. Tickets are available for purchase through Fandango – and they have also informed us that screenings of Alien during this re-release will be preceded by Alien: A Conversation with Ridley Scott & Fede Alvarez – Scott being the director of Alien (not to mention Prometheus and Alien: Covenant) and Alvarez the director of the new film, Alien: Romulus, which is set to reach theatres on August 16th.
A clip from the Scott and Alvarez interview has been released online, and you can check it out in the embed below. In this clip, the filmmakers discuss the chestburster scene and a call Scott received from Stanley Kubrick.
- 4/16/2024
- by Cody Hamman
- JoBlo.com
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