Okay I'll just add a few thoughts since others have already reviewed this movie well.
1. it shows a Western woman (Finnish specifically) falling for a guy from a poor country. The guy has no culture or intelligence whatsoever. BUT he has high energy. In this, the movie is close to Ruben Östlund's "The Square" (2017) and "Force Majeure" (2014). The idea is that Western men have become too feminine, weak, unreliable, and thus Western women have to search for mates in cultures outside the West. The movie also shows how this guy actually makes stuff happen for the woman he loves: while everyone keeps saying it's "impossible" to get to those petroglyphs, he just keeps fighting and eventually wins
2. Russia's poverty is a bit exaggerated, and the ugliness of the train and the people, too. Even for the 1990s. To me as a guy who is from Russia originally, it was a somewhat painful movie to watch at first
3. There is a common theme that "Russians look bad when you first meet them but turn out to be good people if you give them some slack". E.g. The Russian guy is an ugly drunk at first but then it's the friendly Finnish dude who turns out to be a thief. So, the movie compares the "lies of the West" to the "directness or Russia"
4. There is a theme that a woman may have been a lesbian simply because she couldn't find a proper man. But after she sees a primal male she becomes "normal" and falls in love with that man. I think it's this and not that she's bisexual
Overall, it's a Western (Finnish) movie that attempts to go against the current "demonization of Russia" trend and instead takes a somewhat sentimental pro-Russia stance. Which in 2021 certainly could win it awards and praise among Western intellectuals who did not like the official anti-Russia "propaganda" of the Western media.
Yet the movie apparently "didn't age well"! After 2022 the "Russians are good people" narrative would be harder to accept for a Westerner. And also for those Russians who fled Russia in 2022-2023.
Also, since lived in Russia for 20 years, I would note that the image or a "primal male" which the Russian guy here represents is not typical for Russia. Russians are NOT an entrepreneurial people. Russian men are actually quite weak and irresponsible. It's not in the Russian national character to "make things happen". So, to me as a Russian, this movie looks more like a fairy tale that a pro-Russian Westerner may have. So as to feel themselves an original thinker by being pro-Russian and be against the mainstream media in the West.
Hope this all makes sense. Still, it turns out a pleasant movie in the end.
1. it shows a Western woman (Finnish specifically) falling for a guy from a poor country. The guy has no culture or intelligence whatsoever. BUT he has high energy. In this, the movie is close to Ruben Östlund's "The Square" (2017) and "Force Majeure" (2014). The idea is that Western men have become too feminine, weak, unreliable, and thus Western women have to search for mates in cultures outside the West. The movie also shows how this guy actually makes stuff happen for the woman he loves: while everyone keeps saying it's "impossible" to get to those petroglyphs, he just keeps fighting and eventually wins
2. Russia's poverty is a bit exaggerated, and the ugliness of the train and the people, too. Even for the 1990s. To me as a guy who is from Russia originally, it was a somewhat painful movie to watch at first
3. There is a common theme that "Russians look bad when you first meet them but turn out to be good people if you give them some slack". E.g. The Russian guy is an ugly drunk at first but then it's the friendly Finnish dude who turns out to be a thief. So, the movie compares the "lies of the West" to the "directness or Russia"
4. There is a theme that a woman may have been a lesbian simply because she couldn't find a proper man. But after she sees a primal male she becomes "normal" and falls in love with that man. I think it's this and not that she's bisexual
Overall, it's a Western (Finnish) movie that attempts to go against the current "demonization of Russia" trend and instead takes a somewhat sentimental pro-Russia stance. Which in 2021 certainly could win it awards and praise among Western intellectuals who did not like the official anti-Russia "propaganda" of the Western media.
Yet the movie apparently "didn't age well"! After 2022 the "Russians are good people" narrative would be harder to accept for a Westerner. And also for those Russians who fled Russia in 2022-2023.
Also, since lived in Russia for 20 years, I would note that the image or a "primal male" which the Russian guy here represents is not typical for Russia. Russians are NOT an entrepreneurial people. Russian men are actually quite weak and irresponsible. It's not in the Russian national character to "make things happen". So, to me as a Russian, this movie looks more like a fairy tale that a pro-Russian Westerner may have. So as to feel themselves an original thinker by being pro-Russian and be against the mainstream media in the West.
Hope this all makes sense. Still, it turns out a pleasant movie in the end.
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