On awards day, there is what they call le reprise des films de la Compétition – essentially each film in the comp receives one extra screening for those who might have missed the film, and while our top three films didn’t move, some scores did become official. Rasoulof’s The Seed of the Sacred Fig edged out Kapadia’s All We Iagine as Light but one point, while Schrader’s Oh, Canada technically edged out Arnold’s Bird and Jia Zhangke’s Caught by the Tides if we take into consideration the decimal point differences. Here is the final grades and last chart.
The top 5:
Mohammad Rasoulof’ 3.6
Payal Kapadia’s All We Imagine as Light 3.5
Jacques Audiard’s Emilia Pérez 3.4
Sean Baker’s Anora 3.4
Paul Schrader’s Oh, Canada 3.0
Andrea Arnold’s Bird, 3.0
Jia Zhangke’s Caught by the Tides 3.0
Middle of the pack:
Miguel Gomes’ Grand Tour 2.9
Michel...
The top 5:
Mohammad Rasoulof’ 3.6
Payal Kapadia’s All We Imagine as Light 3.5
Jacques Audiard’s Emilia Pérez 3.4
Sean Baker’s Anora 3.4
Paul Schrader’s Oh, Canada 3.0
Andrea Arnold’s Bird, 3.0
Jia Zhangke’s Caught by the Tides 3.0
Middle of the pack:
Miguel Gomes’ Grand Tour 2.9
Michel...
- 5/27/2024
- by Eric Lavallée
- IONCINEMA.com
In our critics survey of the best movies at the Cannes Film Festival each year, it’s common to have the critics IndieWire’s polled disagree with the awards given by the festival jury itself. That is not the case for Cannes 2024. The best movies of the festival, picked by 55 critics, representing five continents, were topped by Sean Baker’s “Anora” in our poll, which, of course also won the Palme d’Or.
Last year, Jonathan Glazer’s “The Zone of Interest” topped our poll, differing from the Palme d’Or result, which went to Justine Triet’s “Anatomy of a Fall.” It must be said that voter enthusiasm in our poll for “The Zone of Interest” was even that much stronger: It received nearly half of all votes for best film. “Anora,” which stars Mikey Madison, received about a quarter of the overall votes for best film this time...
Last year, Jonathan Glazer’s “The Zone of Interest” topped our poll, differing from the Palme d’Or result, which went to Justine Triet’s “Anatomy of a Fall.” It must be said that voter enthusiasm in our poll for “The Zone of Interest” was even that much stronger: It received nearly half of all votes for best film. “Anora,” which stars Mikey Madison, received about a quarter of the overall votes for best film this time...
- 5/27/2024
- by Christian Blauvelt
- Indiewire
Cannes Film Festival 2024: Read All Of Deadline’s Movie Reviews, Including Palme d’Or Winner ‘Anora’
Read all of Deadline’s Cannes Film Festival reviews below, including Palme d’Or winner Anora.
The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official Competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored a 10-minute ovation earlier this week. It was one of a number of critically praised films this edition. Check out all our reviews below.
All We Imagine as Light ‘All We Imagine as Light’
Section: Competition
Director: Payal Kapadia
Cast: Kani Kusruti, Divya Prabha, Chhaya KAdam, Hridhu Haroon
Deadline’s takeaway: And at a time when so much attention is being paid to the lives of the haves and the have-nots amid such financial imbalance worldwide, it’s refreshing to see the spotlight...
The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official Competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored a 10-minute ovation earlier this week. It was one of a number of critically praised films this edition. Check out all our reviews below.
All We Imagine as Light ‘All We Imagine as Light’
Section: Competition
Director: Payal Kapadia
Cast: Kani Kusruti, Divya Prabha, Chhaya KAdam, Hridhu Haroon
Deadline’s takeaway: And at a time when so much attention is being paid to the lives of the haves and the have-nots amid such financial imbalance worldwide, it’s refreshing to see the spotlight...
- 5/27/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Donald Trump’s team hits the Cannes biopic “The Apprentice” with Cease & Desist Demand, Here’s why ( Photo Credit – Facebook )
The Grand Theatre Lumiere on Monday premiered The Apprentice, a film chronicling the early years of 45th US President Donald Trump as a real estate developer. Amidst the eight-minute standing ovation that followed the film’s premiere, the producers faced pressure from the political group of the former US President to cease and desist.
“Malicious defamation”, said Trump, while threatening to take legal action.
What is “The Apprentice” about?
The film, which was written and directed by Gabriel Sherman and Ali Abbasi, stars Sebastian Stan as Trump. It depicts Trump’s rise to prominence in the real estate industry, assisted by attorney Roy Cohn (Jeremy Strong), the husband of fashion model Ivana Zelnickova (Marina Bakalova). The movie demonstrates how Trump’s tactics were influenced by Cohn’s ideas, which included “admit nothing,...
The Grand Theatre Lumiere on Monday premiered The Apprentice, a film chronicling the early years of 45th US President Donald Trump as a real estate developer. Amidst the eight-minute standing ovation that followed the film’s premiere, the producers faced pressure from the political group of the former US President to cease and desist.
“Malicious defamation”, said Trump, while threatening to take legal action.
What is “The Apprentice” about?
The film, which was written and directed by Gabriel Sherman and Ali Abbasi, stars Sebastian Stan as Trump. It depicts Trump’s rise to prominence in the real estate industry, assisted by attorney Roy Cohn (Jeremy Strong), the husband of fashion model Ivana Zelnickova (Marina Bakalova). The movie demonstrates how Trump’s tactics were influenced by Cohn’s ideas, which included “admit nothing,...
- 5/27/2024
- by Aastha Soni
- KoiMoi
The 2024 Cannes Film Festival concluded on Saturday, May 25 following two weeks packed with screenings, stars, press and parties. With the prizes having been handed out for the festival’s 77th anniversary, we can now start looking at what contenders might be in the best spot to get into the upcoming Oscar race. Let’s examine the winners from this year’s festival and see the history that each category has when it comes to the Oscars.
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
- 5/25/2024
- by Charles Bright
- Gold Derby
Often, the juries at the Cannes Film Festival will try to make a political statement in their choices for the winners of the world’s most famous film festival. Not this year. At least, not in the way they might have.
I rather thought that director Mohammad Rasoulof would take the Palme d’Or for his stirring The Seed Of The Sacred Fig. It deals with the oppressive regime in Iran and the crisis in one family, where the daughters rise up to protest against the wishes of their father, a judge handing out death sentences for those who make their voices heard.
Plus, the back story of Rasoulof’s own daring escape from his home country after making this movie in secrecy and also being handed an eight-year prison sentence, is also a strong one.
He made his way to Cannes, where his film deservedly received a rapturous welcome...
I rather thought that director Mohammad Rasoulof would take the Palme d’Or for his stirring The Seed Of The Sacred Fig. It deals with the oppressive regime in Iran and the crisis in one family, where the daughters rise up to protest against the wishes of their father, a judge handing out death sentences for those who make their voices heard.
Plus, the back story of Rasoulof’s own daring escape from his home country after making this movie in secrecy and also being handed an eight-year prison sentence, is also a strong one.
He made his way to Cannes, where his film deservedly received a rapturous welcome...
- 5/25/2024
- by Pete Hammond
- Deadline Film + TV
After two weeks of nonstop cinema, the moment of truth finally arrived. The winners of the 77th Cannes Film Festival were announced at a gala ceremony on Saturday night.
The Palme d’Or, the fest’s top honor, went to Sean Baker’s sex worker screwball comedy Anora. A nervous and shaking Baker took the stage and thanked the jury, saying he still “couldn’t believe it.” Baker said winning Cannes’ top prize has been “my singular goal as a filmmaker for the past 30 years.”
Baker also singled out Francis Ford Coppola and David Cronenberg, two veteran directors with films in Cannes competition this year, as major inspirations. Baker has come far, going from shooting his 2015 feature Tangerine on an iPhone5s to winning the Palme d’Or. He is the first American director to win the Palme since Terrence Malick for The Tree of Life in 2011.
Commenting on the jury’s decision,...
The Palme d’Or, the fest’s top honor, went to Sean Baker’s sex worker screwball comedy Anora. A nervous and shaking Baker took the stage and thanked the jury, saying he still “couldn’t believe it.” Baker said winning Cannes’ top prize has been “my singular goal as a filmmaker for the past 30 years.”
Baker also singled out Francis Ford Coppola and David Cronenberg, two veteran directors with films in Cannes competition this year, as major inspirations. Baker has come far, going from shooting his 2015 feature Tangerine on an iPhone5s to winning the Palme d’Or. He is the first American director to win the Palme since Terrence Malick for The Tree of Life in 2011.
Commenting on the jury’s decision,...
- 5/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
- 5/25/2024
- by Steve Pond
- The Wrap
Producers of Cannes competition entry The Apprentice have said the film is “a fair and balanced portrait” of Donald Trump after after getting a cease and desist letter from lawyers for the former US president.
The letter, first reported by Variety and apparently geared towards blocking a US release of the biographical drama, comes a few days after Trump’s presidential election campaign threatened legal action against the filmmakers.
Producers of the film, directed by Ali Abbasi, responded to the cease and desist letter on Friday (May 24) with a statement that said: “The film is a fair and balanced portrait of the former president.
The letter, first reported by Variety and apparently geared towards blocking a US release of the biographical drama, comes a few days after Trump’s presidential election campaign threatened legal action against the filmmakers.
Producers of the film, directed by Ali Abbasi, responded to the cease and desist letter on Friday (May 24) with a statement that said: “The film is a fair and balanced portrait of the former president.
- 5/24/2024
- ScreenDaily
Lawyers for Donald Trump have sent a cease-and-desist letter to the producers of the biopic The Apprentice in an effort to prevent the sale and distribution of the film.
After the movie — which stars Sebastian Stan as the then-young real estate scion alongside Jeremy Strong as infamous Trump lawyer Roy Cohn — debuted earlier this week at the Cannes Film Festival, Team Trump threatened to file a lawsuit against The Apprentice for its unsavory and “pure fiction” portrayal of the mogul-turned-president.
With the film festival wrapping up and producers looking at distribution deals,...
After the movie — which stars Sebastian Stan as the then-young real estate scion alongside Jeremy Strong as infamous Trump lawyer Roy Cohn — debuted earlier this week at the Cannes Film Festival, Team Trump threatened to file a lawsuit against The Apprentice for its unsavory and “pure fiction” portrayal of the mogul-turned-president.
With the film festival wrapping up and producers looking at distribution deals,...
- 5/24/2024
- by Daniel Kreps
- Rollingstone.com
Donald Trump’s lawyers are attempting to head off a U.S. sale of The Apprentice coming out of Cannes by slapping the filmmakers with a cease and desist letter, The Hollywood Reporter has confirmed.
Still, the filmmakers behind the Trump movie look like they will not be swayed from seeking distribution for the movie stateside. “The film is a fair and balanced portrait of the former president. We want everyone to see it and then decide,” a representative for the film’s producers said in a statement obtained by The Hollywood Reporter on Friday.
The legal move by Trump’s legal team follows director Ali Abbasi’s movie receiving a Cannes world premiere, and an eight-minute standing ovation, earlier this week.
Abbasi has already shrugged off a threat from Trump’fs presidential campaign to bring a lawsuit against the project. “Everybody talks about him suing a lot of people...
Still, the filmmakers behind the Trump movie look like they will not be swayed from seeking distribution for the movie stateside. “The film is a fair and balanced portrait of the former president. We want everyone to see it and then decide,” a representative for the film’s producers said in a statement obtained by The Hollywood Reporter on Friday.
The legal move by Trump’s legal team follows director Ali Abbasi’s movie receiving a Cannes world premiere, and an eight-minute standing ovation, earlier this week.
Abbasi has already shrugged off a threat from Trump’fs presidential campaign to bring a lawsuit against the project. “Everybody talks about him suing a lot of people...
- 5/24/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Donald Trump’s campaign said earlier this week they would take legal action against the filmmakers behind Cannes hit The Apprentice, and now the former Celebrity Apprentice host’s team has made their first jab.
As the Ali Abbasi-directed film seeks a distribution deal to get on U.S. screens, lawyers for the former president have sent an adjective filled cease and desist letter to the producers to stop The Apprentice being seen by anyone Stateside.
“The Movie presents itself as a factual biography of Mr. Trump, yet nothing could be further from the truth,” the May 22 letter to Abbasi and screenwriter Gabriel Sherman states.
“It is a concoction of lies that repeatedly defames President Trump and constitutes direct foreign interference in America’s elections,” the three-page correspondence adds, with a...
As the Ali Abbasi-directed film seeks a distribution deal to get on U.S. screens, lawyers for the former president have sent an adjective filled cease and desist letter to the producers to stop The Apprentice being seen by anyone Stateside.
“The Movie presents itself as a factual biography of Mr. Trump, yet nothing could be further from the truth,” the May 22 letter to Abbasi and screenwriter Gabriel Sherman states.
“It is a concoction of lies that repeatedly defames President Trump and constitutes direct foreign interference in America’s elections,” the three-page correspondence adds, with a...
- 5/24/2024
- by Dominic Patten and Andreas Wiseman
- Deadline Film + TV
Bella Hadid joined The Hollywood Reporter for an exclusive photoshoot before the Beating Hearts premiere at Cannes.
The 27-year-old looked stunning in a Versace ensemble with Chopard Haute Joaillerie pieces. Hadid opted for a glimmering archival look, wearing a black halter-neck Atelier Versace gown from the Spring-Summer 2001 collection. The dress was crafted using layered silk tulle for the cinched bustier top that seamlessly shifted into a floor-length skirt embroidered with paillettes.
Bella Hadid attends the Beating Hearts Red Carpet in Versace and Chopard.
The model decided to forgo a necklace, instead drawing focus to her elegant 18-carat white gold earrings that feature 24.12 carats of diamonds. Rounding out her Chopard look were two 18-carat white gold diamond-adorned rings — one with a cushion-shaped spinel and another which with an oval-shaped diamond.
Hadid, the founder of the newly launched fragrance line Orebella, recently opened up about her decision to take a step back from modeling.
The 27-year-old looked stunning in a Versace ensemble with Chopard Haute Joaillerie pieces. Hadid opted for a glimmering archival look, wearing a black halter-neck Atelier Versace gown from the Spring-Summer 2001 collection. The dress was crafted using layered silk tulle for the cinched bustier top that seamlessly shifted into a floor-length skirt embroidered with paillettes.
Bella Hadid attends the Beating Hearts Red Carpet in Versace and Chopard.
The model decided to forgo a necklace, instead drawing focus to her elegant 18-carat white gold earrings that feature 24.12 carats of diamonds. Rounding out her Chopard look were two 18-carat white gold diamond-adorned rings — one with a cushion-shaped spinel and another which with an oval-shaped diamond.
Hadid, the founder of the newly launched fragrance line Orebella, recently opened up about her decision to take a step back from modeling.
- 5/24/2024
- by Nicole Fell
- The Hollywood Reporter - Movie News
Attorneys for Donald Trump have sent a cease and desist letter to the filmmakers behind “The Apprentice” in an effort to block its U.S. sale and release. It warns the team behind the film not to pursue a distribution deal, according to two people who have read the letter. “The Apprentice,” which looks at Trump’s early years as a real estate developer and his relationship with Roy Cohn, premiered at the Cannes Film Festival this week.
“The film is a fair and balanced portrait of the former president,” the producers of the film said in a statement regarding the cease-and-desist letter. “We want everyone to see it and then decide.”
The movie, which was independently produced, stars Sebastian Stan as Trump and Jeremy Strong as Cohn. It presents a damning portrait of the former president as an ethically compromised, philanderer who stiffs contractors and cuts deals with the...
“The film is a fair and balanced portrait of the former president,” the producers of the film said in a statement regarding the cease-and-desist letter. “We want everyone to see it and then decide.”
The movie, which was independently produced, stars Sebastian Stan as Trump and Jeremy Strong as Cohn. It presents a damning portrait of the former president as an ethically compromised, philanderer who stiffs contractors and cuts deals with the...
- 5/24/2024
- by Brent Lang and Katcy Stephan
- Variety Film + TV
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
“The Seed of the Sacred Fig,” Mohammad Rasoulof’s latest film that he received an eight-year prison sentence from Iranian authorities for making, earned a rapturous 12-minute standing ovation at its Cannes Film Festival premiere on Friday. Rasoulof risked his life by appearing at the premiere as he fled Iran for Europe on May 13 to avoid going to prison.
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
- 5/24/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
From politics to buzz films, star appearances and deal making, there was – as always – plenty to talk about at this year’s Cannes Film Festival. Screen gathers together the major discussion points of this year’s festival.
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
- 5/24/2024
- ScreenDaily
Editors note: Running until the final general election results come in, the Deadline ElectionLine podcast spotlights the 2024 campaign and the blurred lines between politics and entertainment in modern America. Hosted by Deadline’s political editor Ted Johnson and executive editor Dominic Patten, the podcast features commentary and interviews with top lawmakers and entertainment figures. At the same time, you can follow all the news in the Biden & Trump rematch and more on the ElectionLine hub on Deadline.
“What surprised me is how good it is,” says Deadline’s Anthony D’Alessandro of the Cannes-debuting Donald Trump biopic The Apprentice. “You know, there are some people that have tried to ding it and say, ‘Oh, it’s an HBO movie,’” Deadline’s editorial director states from the South of France on today’s ElectionLine podcast. “But let me say this: it’s a very good HBO movie.”
“I just think it’s very well crafted.
“What surprised me is how good it is,” says Deadline’s Anthony D’Alessandro of the Cannes-debuting Donald Trump biopic The Apprentice. “You know, there are some people that have tried to ding it and say, ‘Oh, it’s an HBO movie,’” Deadline’s editorial director states from the South of France on today’s ElectionLine podcast. “But let me say this: it’s a very good HBO movie.”
“I just think it’s very well crafted.
- 5/24/2024
- by Dominic Patten and Ted Johnson
- Deadline Film + TV
Is Messi’s reign as cinema’s current top dog over?
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
- 5/24/2024
- by Alex Ritman
- Variety Film + TV
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Bella Hadid, often hailed as the “queen of Cannes,” has returned!
Since at least 2015, she has consistently been the star of the Cannes Film Festival, gracing the event with her presence and stunning fashion choices year after year.
The 27-year-old American fashion icon knows how to dominate the red carpet; this year is no exception.
Bold and Beautiful in Sheer Brown Saint Laurent Midi Dress
On Monday, May 20, Bella Hadid made her grand return to the spotlight, marking her first significant appearance since 2022. She had taken a break from modeling to continue her treatment for Lyme disease.
Though Bella did not attend the 2024 Met Gala, she made a noteworthy comeback on the red carpet at the 77th annual Cannes Film Festival in France for the premiere of Sebastian Stan’s The Apprentice.
After a hiatus due to health reasons, Bella Hadid returns to the spotlight in a sheer brown Saint Laurent midi dress,...
Since at least 2015, she has consistently been the star of the Cannes Film Festival, gracing the event with her presence and stunning fashion choices year after year.
The 27-year-old American fashion icon knows how to dominate the red carpet; this year is no exception.
Bold and Beautiful in Sheer Brown Saint Laurent Midi Dress
On Monday, May 20, Bella Hadid made her grand return to the spotlight, marking her first significant appearance since 2022. She had taken a break from modeling to continue her treatment for Lyme disease.
Though Bella did not attend the 2024 Met Gala, she made a noteworthy comeback on the red carpet at the 77th annual Cannes Film Festival in France for the premiere of Sebastian Stan’s The Apprentice.
After a hiatus due to health reasons, Bella Hadid returns to the spotlight in a sheer brown Saint Laurent midi dress,...
- 5/24/2024
- by Florie Mae Malapit
- Your Next Shoes
The 77th annual Cannes Film Festival witnessed a dazzling display of glamour as supermodel Candice Swanepoel graced the red carpet for the premiere of The Apprentice.
The South African beauty turned heads at the Palais des Festivals in a plunging-neckline gown by Vivienne Westwood with intricate floral embroidery accents. She accessorized her glam look with a statement necklace from Messika.
As cameras flashed and fans clamored for a glimpse of the renowned model, Swanepoel confidently walked the red carpet. She graciously interacted with her enthusiastic fans, signing autographs and posing for photographs.
The Apprentice, a highly anticipated film directed by Ali Abbasi, explores the early career of Donald Trump and includes a rape scene. The former president has already threatened to sue the film’s producers.
The red carpet appearance marked Swanepoel’s return to the Cannes Film Festival after a two-year hiatus. Swanepoel has become an icon in the...
The South African beauty turned heads at the Palais des Festivals in a plunging-neckline gown by Vivienne Westwood with intricate floral embroidery accents. She accessorized her glam look with a statement necklace from Messika.
As cameras flashed and fans clamored for a glimpse of the renowned model, Swanepoel confidently walked the red carpet. She graciously interacted with her enthusiastic fans, signing autographs and posing for photographs.
The Apprentice, a highly anticipated film directed by Ali Abbasi, explores the early career of Donald Trump and includes a rape scene. The former president has already threatened to sue the film’s producers.
The red carpet appearance marked Swanepoel’s return to the Cannes Film Festival after a two-year hiatus. Swanepoel has become an icon in the...
- 5/24/2024
- by Lauren Ramsey
- Uinterview
A scene depicting a rape by former President Donald Trump in a biopic, The Apprentice, inspired controversy during its world premiere at the 2024 Cannes Film Festival.
In the movie, which premiered at Cannes on Monday night, Ivana Trump (Maria Bakalova) shows a young Trump (Sebastian Stan) a book about the female orgasm. In the scene, the former president tells his late ex-wife he is not attracted to her. He then throws her on the ground and angrily penetrates her as she asks him to stop.
“Is that your G-spot,” he asked her while sexually assaulting her. “Did I find it?” The scene inspired gasps from the audience. Ivana accused Trump of rape in a divorce deposition back in 1990. He denied the allegation, and his wife later said the incident had left her feeling “violated” but not raped “in a literal or criminal sense.”
Trump was accused by 23 women of various acts of sexual misconduct,...
In the movie, which premiered at Cannes on Monday night, Ivana Trump (Maria Bakalova) shows a young Trump (Sebastian Stan) a book about the female orgasm. In the scene, the former president tells his late ex-wife he is not attracted to her. He then throws her on the ground and angrily penetrates her as she asks him to stop.
“Is that your G-spot,” he asked her while sexually assaulting her. “Did I find it?” The scene inspired gasps from the audience. Ivana accused Trump of rape in a divorce deposition back in 1990. He denied the allegation, and his wife later said the incident had left her feeling “violated” but not raped “in a literal or criminal sense.”
Trump was accused by 23 women of various acts of sexual misconduct,...
- 5/23/2024
- by Alessio Atria
- Uinterview
Jeremy Strong and Sebastian Stan in The ApprenticeImage: Premier
In many ways Roy Cohn is one of the linchpins of the 20th century, a man whose influence on global political and social life resonates to this day. He was the prosecuting attorney who sent convicted spies Julius and Ethel Rosenberg...
In many ways Roy Cohn is one of the linchpins of the 20th century, a man whose influence on global political and social life resonates to this day. He was the prosecuting attorney who sent convicted spies Julius and Ethel Rosenberg...
- 5/23/2024
- by Jason Gorber
- avclub.com
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
Model and actress Brande Roderick was a Playboy Playmate, played Leigh Dyer on the Baywatch TV series, and competed on a couple seasons of The Apprentice. Now she has made her feature directorial debut with the horror film Wineville, which she also stars in, and while making the movie she was drawing inspirations from ’70s genre classics like The Texas Chainsaw Massacre and The Last House on the Left.
Written by Richard Schenkman (Mischief Night), who also produced the film with Roderick, Robin DeMartino, and Todd Slater, Wineville is a 1970s-set thriller that sees Roderick taking on the role of Tess Lott, a woman who escaped her abusive father as a teen. Now she returns as a single mother to her family’s vineyard after her father’s death to sort out her inheritance, only to discover the dark secrets and painful memories she left behind return as a murderous legacy sparking violence and death.
Written by Richard Schenkman (Mischief Night), who also produced the film with Roderick, Robin DeMartino, and Todd Slater, Wineville is a 1970s-set thriller that sees Roderick taking on the role of Tess Lott, a woman who escaped her abusive father as a teen. Now she returns as a single mother to her family’s vineyard after her father’s death to sort out her inheritance, only to discover the dark secrets and painful memories she left behind return as a murderous legacy sparking violence and death.
- 5/23/2024
- by Cody Hamman
- JoBlo.com
With the release of “Kingdom of the Planet of the Apes” on May 10, this year’s Best Visual Effects Oscar race just got a lot more interesting. That’s because we’re almost guaranteed to get three, possibly even four, movies in the race that are follow-ups to previous Visual Effects nominees. “Apes” is likely to be the fourth movie in its franchise nominated for the innovative performance capture used to help create the film’s photo-realistic apes. Three previous films, starring Andy Serkis, were nominated for Oscars in the category in 2011, 2014, and 2017, but none of them won.
The work done by director Wes Ball and his team has made “Kingdom of the Planet of the Apes” a serious contender in multiple below-the-line categories, not just visual effects. Its production design and sound are equally impressive. But the academy branch that’s most likely to be impressed will be the...
The work done by director Wes Ball and his team has made “Kingdom of the Planet of the Apes” a serious contender in multiple below-the-line categories, not just visual effects. Its production design and sound are equally impressive. But the academy branch that’s most likely to be impressed will be the...
- 5/22/2024
- by Edward Douglas
- Gold Derby
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Little Mermaid.A generative AI start-up has been accused of stealing the voices of actors for its subscription service.IATSE expects to schedule additional days of bargaining with AMPTP in June, but has vowed not to extend its contract past July 31.With Incaa defunded by Argentine president Javier Milei, Ventana Sur is in talks to relocate from Buenos Aires to Uruguay for its sixteenth edition.As the Italian film industry continues to wait on a divided government to make production tax credits available, anticipating modest cuts, a new law in the Czech Parliament would more than double the existing cap on their incentives. Meanwhile, industry insiders in Poland urge a newly elected government to increase their rebate...
- 5/22/2024
- MUBI
Maria Bakalova doesn't consider 'The Apprentice' to be a Donald Trump "biopic".The 27-year-old actress plays the former US president's first wife Ivana Trump in the movie about his business career during the 1970s and 80s and insists that Ali Abbasi's film is about more than just the controversial politician - who is portrayed by Sebastian Stan in the flick.Maria told Deadline's Breaking Baz column at the Cannes Film Festival: "This is not a biopic. I don't see this as a biopic, because not every single detail of Trump's life exists in this movie."And I don't want to say this is a Trump movie. I think this is a bigger movie than just focused on one person that is not completely the same story. And it's inspired by him, but it's not a biopic for me."'The Apprentice' implies that Ivana, who died...
- 5/22/2024
- by Joe Graber
- Bang Showbiz
Trump has spoken out against The Apprentice, but he’s not the first celebrity to attack an unflattering big-screen portrait
More than any film at this year’s Cannes film festival – more than Megalopolis or that film where Demi Moore pushes Margaret Qualley’s face out of her spine – Ali Abbasi’s new film The Apprentice has dominated the news cycle.
This is because The Apprentice is a Donald Trump biopic, and one that has aggressively chosen not to pull a single punch. Played by Sebastian Stan, the Trump of The Apprentice is seen receiving liposuction and hair transplants, and more seriously, raping his wife Ivana. Although reaction has been mixed – Peter Bradshaw called the film “obtuse and irrelevant” in his two-star review this week – it may yet prove to cause damage to Trump’s election chances this year.
More than any film at this year’s Cannes film festival – more than Megalopolis or that film where Demi Moore pushes Margaret Qualley’s face out of her spine – Ali Abbasi’s new film The Apprentice has dominated the news cycle.
This is because The Apprentice is a Donald Trump biopic, and one that has aggressively chosen not to pull a single punch. Played by Sebastian Stan, the Trump of The Apprentice is seen receiving liposuction and hair transplants, and more seriously, raping his wife Ivana. Although reaction has been mixed – Peter Bradshaw called the film “obtuse and irrelevant” in his two-star review this week – it may yet prove to cause damage to Trump’s election chances this year.
- 5/22/2024
- by Stuart Heritage
- The Guardian - Film News
Making it three features in a row that’ll have premiered on the Croisette, Iranian-Danish filmmaker Ali Abbasi saw his sophomore feature Border play like gangbusters in the Un Certain Regard section (winning the top prize via the Benicio Del Toro-led jury). Four years later in 2022, he presented Holy Spider (read review) and that won Zar Amir Ebrahimi the Best Actress Palme. The film scored an average of 3.0 with our jury. Jumping into production in late 2023 in Toronto, The Apprentice features Silver Bear Winner Sebastian Stan plays a younger Donald Trump in this piece of satire.
Gist: Written by Gabe Sherman, taking place in 70s and 80s NYC, this charts a young Donald Trump’s ascent to power through a Faustian deal with the influential right-wing lawyer and political fixer Roy Cohn.…...
Gist: Written by Gabe Sherman, taking place in 70s and 80s NYC, this charts a young Donald Trump’s ascent to power through a Faustian deal with the influential right-wing lawyer and political fixer Roy Cohn.…...
- 5/22/2024
- by Eric Lavallée
- IONCINEMA.com
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics and programmers to share their thoughts on one moment from a film they've seen at the festival so far.Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Miriam BaleElizabeth Taylor: The Lost Tapes by Nanette Burstein (co-director of The Kid Stays in the Picture) is in some ways a straightforward chronological documentary of the movie star's fascinating, tabloid-centric life. What makes the film formally interesting, though, is the separation of voice and image. Burstein’s reliance on audio recordings of Taylor made in 1964 and 1985 foregrounds her remarkable voice over her blinding beauty, seen in stills and film clips. Taylor's voice, even at ages 32 and 53, can range from girlish and flirtatious to bawdy and shrill, sometimes within the same statement. When she describes how the AIDS crisis led...
- 5/21/2024
- MUBI
Exclusive: Dahlings, Oscar-nominated Maria Bakalova is channeling an essence of Ivana Trump, who she praises as a “boss lady,” when we meet on a terrace at the Palais to natter about her slyly sublime portrait of Donald Trump’s first wife in filmmaker Ali Abbasi’s Cannes hit The Apprentice.
Bulgarian-born Bakalova plays Czechoslovakian-American Ivana Trump opposite Romanian-born Sebstian Stan’s astute portrayal of Donald Trump.
They married in 1977 when, perhaps, excess and bad taste weren’t as frowned upon it is today.
Bakalova is wearing a bespoke navy blue short-sleeved jacket with white cuffs that match a white skirt created for her by London-based Han Chong’s Self-Portrait label.
“Yes, it was made as an inspiration for Ivana,” says Bakalova, “because we didn’t want it to be exactly the same, but a nod to Ivana, like a power dressing, power style.”
Ivana Trump at the 1988 Council of Fashion...
Bulgarian-born Bakalova plays Czechoslovakian-American Ivana Trump opposite Romanian-born Sebstian Stan’s astute portrayal of Donald Trump.
They married in 1977 when, perhaps, excess and bad taste weren’t as frowned upon it is today.
Bakalova is wearing a bespoke navy blue short-sleeved jacket with white cuffs that match a white skirt created for her by London-based Han Chong’s Self-Portrait label.
“Yes, it was made as an inspiration for Ivana,” says Bakalova, “because we didn’t want it to be exactly the same, but a nod to Ivana, like a power dressing, power style.”
Ivana Trump at the 1988 Council of Fashion...
- 5/21/2024
- by Baz Bamigboye
- Deadline Film + TV
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity around every corner, a familiar historical intrigue firmly planted in a tonal shock. The shock comes from its subtlety and perspective, the latter of which has a unique bent for a film about an ex-President debuting in an election year that spotlights his third campaign.
As you can imagine, there’s no shortage of American directors looking to cinematically take down Trump. But, for now, none of them get to. At least not as blatantly as Ali Abbasi, the international director who won the job to tell the story of the debased mogul from the early ’70s to the mid-80s.
The Apprentice––aptly named after both the reality TV show Trump (Sebastian Stan) created and young Trump’s relationship with Roy Cohn––marks...
As you can imagine, there’s no shortage of American directors looking to cinematically take down Trump. But, for now, none of them get to. At least not as blatantly as Ali Abbasi, the international director who won the job to tell the story of the debased mogul from the early ’70s to the mid-80s.
The Apprentice––aptly named after both the reality TV show Trump (Sebastian Stan) created and young Trump’s relationship with Roy Cohn––marks...
- 5/21/2024
- by Luke Hicks
- The Film Stage
The first reviews for Donald Trump movie The Apprentice are in, following its world premiere at Cannes.
Directed by Ali Abbasi and written by Gabriel Sherman, the film follows Sebastian Stan’s Trump during his rise to power in 1980s America, as he’s mentored by firebrand right-wing attorney Roy Cohn, played by Succession star Jeremy Strong.
The cast also includes Borat Subsequent Moviefilm star Maria Bakalova as Ivana Trump and Martin Donavan as the former president’s father Fred Trump Sr.
The movie, which currently doesn’t have a U.S. distributor, holds a 69 percent freshness rating on Rotten Tomatoes as of Tuesday.
Though the Trump campaign has threatened to sue over the film, Abbasi offered to screen the movie for the former president and talk about it with him, saying, “I don’t necessarily think that this is a movie he would dislike.”
“Everybody talks about him suing a lot of people,...
Directed by Ali Abbasi and written by Gabriel Sherman, the film follows Sebastian Stan’s Trump during his rise to power in 1980s America, as he’s mentored by firebrand right-wing attorney Roy Cohn, played by Succession star Jeremy Strong.
The cast also includes Borat Subsequent Moviefilm star Maria Bakalova as Ivana Trump and Martin Donavan as the former president’s father Fred Trump Sr.
The movie, which currently doesn’t have a U.S. distributor, holds a 69 percent freshness rating on Rotten Tomatoes as of Tuesday.
Though the Trump campaign has threatened to sue over the film, Abbasi offered to screen the movie for the former president and talk about it with him, saying, “I don’t necessarily think that this is a movie he would dislike.”
“Everybody talks about him suing a lot of people,...
- 5/21/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
So this is what economizing looks like in Cannes.
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
- 5/21/2024
- by Brent Lang and Matt Donnelly
- Variety Film + TV
The first time Donna Langley came to the Cannes Film Festival she was a junior executive working on 1999’s “Austin Powers: The Spy Who Shagged Me.”
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
The ongoing conflict in Palestine between Israel and Hamas is one of the major global events that threatens the security of the whole world. And while we are going to leave the politics out of this article, we cannot escape from the fact that the conflict has also influenced the entertainment industry as well. We know how the Palestine crisis influenced the production of Scream 7, and we also know that many famous actors and actresses have expressed their desire for the conflict to end, as well as their support for one side or the other.
As of the time of writing, the Cannes Film Festival is the biggest cinematic event currently taking place, and many famous names are currently in France, either to promote their own works or to show support for their colleagues. We have reported on the events from Cannes as well, but a recent red-carpet moment...
As of the time of writing, the Cannes Film Festival is the biggest cinematic event currently taking place, and many famous names are currently in France, either to promote their own works or to show support for their colleagues. We have reported on the events from Cannes as well, but a recent red-carpet moment...
- 5/21/2024
- by Arthur S. Poe
- Fiction Horizon
Ali Abbasi’s film The Apprentice premiered at Cannes Film Festival on Monday evening and no sooner than the run time could reach its conclusion was the Trump Campaign already threatening to file a lawsuit. In response, Abbasi is extending the offer for Donald Trump to see the film for himself and draw his own conclusions, confident that the ex-president would be “surprised.”
“I don’t necessarily think that this is a movie he would dislike,” Abbasi shared in response to the threat of legal action, according to Variety. “I...
“I don’t necessarily think that this is a movie he would dislike,” Abbasi shared in response to the threat of legal action, according to Variety. “I...
- 5/21/2024
- by Larisha Paul
- Rollingstone.com
Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7.
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
- 5/21/2024
- ScreenDaily
Donald Trump’s presidential campaign is threatening legal action against The Apprentice, a new film from director Ali Abbasi charting Trump’s early years and his relationship with mentor Roy Cohn.
Update — May 24th: Trump’s attorneys have formally sent a cease and desist letter to the team behind the film in an attempt to block its release in the US, reports Variety.
The film, which stars Sebastian Stan as Trump, Jeremy Strong as Cohn, and Maria Bakalova as Ivana Trump, debuted this week at the Cannes Film Festival. According to Variety, there are several scenes which paint Trump in a particularly unflattering light, including an instance in which he throws his then-wife Ivana to the ground and sexually assaults her. (Ivana described such an assault in a 1990 sworn deposition related to the couple’s divorce.)
Elsewhere in The Apprentice, Trump is depicted using amphetamine pills and getting liposuction and a hair transplant.
Update — May 24th: Trump’s attorneys have formally sent a cease and desist letter to the team behind the film in an attempt to block its release in the US, reports Variety.
The film, which stars Sebastian Stan as Trump, Jeremy Strong as Cohn, and Maria Bakalova as Ivana Trump, debuted this week at the Cannes Film Festival. According to Variety, there are several scenes which paint Trump in a particularly unflattering light, including an instance in which he throws his then-wife Ivana to the ground and sexually assaults her. (Ivana described such an assault in a 1990 sworn deposition related to the couple’s divorce.)
Elsewhere in The Apprentice, Trump is depicted using amphetamine pills and getting liposuction and a hair transplant.
- 5/21/2024
- by Scoop Harrison
- Consequence - Film News
Every superhero gets an origin story. So, for that matter, do most supervillains. The Apprentice drops viewers into New York circa 1973, when a 34-year-old resident of Queens walked in to the upper-crust establishment on the Upper West Side known as Le Club. He went there in an attempt to impress a young woman. He’d leave having met a well-known lawyer and well-connected member of New York’s elite, who would end up changing his life. The legal eagle was the notorious Roy Cohn. The outer-borough wannabe was Donald Trump.
- 5/21/2024
- by David Fear
- Rollingstone.com
Ali Abbasi spoke at Cannes about his controversial new film, which the Trump campaign has said ‘belongs in a dumpster fire’
The protagonist of The Apprentice is a bully and a liar, a conman and a rapist. He rejects his sick brother, sexually assaults his doting wife and cuts a deal with the mafia in order to build a skyscraper. It’s safe to assume that followers of Donald Trump won’t relish the portrayal of their hero in Ali Abbasi’s new film. As for Trump himself, though, the director suspects that he might quite enjoy it.
“I don’t think it is a movie he would dislike,” said Abbasi after The Apprentice premiered at the Cannes film festival. “I don’t necessarily think he would like it, but I think he’d be surprised. So I’m happy to meet him, have a screening and then we can discuss it afterwards.
The protagonist of The Apprentice is a bully and a liar, a conman and a rapist. He rejects his sick brother, sexually assaults his doting wife and cuts a deal with the mafia in order to build a skyscraper. It’s safe to assume that followers of Donald Trump won’t relish the portrayal of their hero in Ali Abbasi’s new film. As for Trump himself, though, the director suspects that he might quite enjoy it.
“I don’t think it is a movie he would dislike,” said Abbasi after The Apprentice premiered at the Cannes film festival. “I don’t necessarily think he would like it, but I think he’d be surprised. So I’m happy to meet him, have a screening and then we can discuss it afterwards.
- 5/21/2024
- by Xan Brooks
- The Guardian - Film News
He may be on trial for fraud in New York City, but Donald J. Trump has made his presence felt at the 77th annual Cannes Film Festival.
The Iranian-born, Denmark-based film director Ali Abbasi debuted his newest movie “The Apprentice” in competition this week, and its number one critic is the former President of the United States and current Republican candidate for this year’s election. In “The Apprentice,” Sebastian Stan stars as the young Trump, with Emmy-winner and current Tony-nominee Jeremy Strong as his mentor, the notorious litigator Roy Cohn. (You can watch the successful Sundance-launched documentary “Where’s My Roy Cohn?” for more about this relationship.)
Following the film’s bow Trump’s legal representative Steven Cheung released a Trump-style statement: “We will be filing a lawsuit to address the blatantly false assertions from these pretend filmmakers. This garbage is pure fiction which sensationalizes lies that have been long debunked.
The Iranian-born, Denmark-based film director Ali Abbasi debuted his newest movie “The Apprentice” in competition this week, and its number one critic is the former President of the United States and current Republican candidate for this year’s election. In “The Apprentice,” Sebastian Stan stars as the young Trump, with Emmy-winner and current Tony-nominee Jeremy Strong as his mentor, the notorious litigator Roy Cohn. (You can watch the successful Sundance-launched documentary “Where’s My Roy Cohn?” for more about this relationship.)
Following the film’s bow Trump’s legal representative Steven Cheung released a Trump-style statement: “We will be filing a lawsuit to address the blatantly false assertions from these pretend filmmakers. This garbage is pure fiction which sensationalizes lies that have been long debunked.
- 5/21/2024
- by Jordan Hoffman
- Gold Derby
Jeremy Strong in The Apprentice Rumored to Have 'Oscars Potential' after Cannes Premiere - Main Image
Shortly after Donald Trump biopic The Apprentice premiered at the 2024 Cannes Film Festival, rumors began circulating that Jeremy Strong's performance as Roy Cohn could have real Oscars potential.
Starring McU's Sebastian Stan as the former US President and Succession's Jeremy Strong as the mysterious US lawyer who helped Trump rise to power, The Apprentice has been one of the most highly anticipated Cannes releases this year.
Jeremy Strong Plays the Man Who Shaped Trump
Directed by Iranian-Danish filmmaker Ali Abbasi, The Apprentice tells the fictionalized story of former US President Donald Trump's real estate career in the 1970s and 1980s.
Jeremy Strong, best known for his long-running role as Kendall Roy in the critically-lauded drama Succession, depicts Roy Cohn, a much more cunning mentor than the likes of Kendall in the HBO series.
Cohn...
Shortly after Donald Trump biopic The Apprentice premiered at the 2024 Cannes Film Festival, rumors began circulating that Jeremy Strong's performance as Roy Cohn could have real Oscars potential.
Starring McU's Sebastian Stan as the former US President and Succession's Jeremy Strong as the mysterious US lawyer who helped Trump rise to power, The Apprentice has been one of the most highly anticipated Cannes releases this year.
Jeremy Strong Plays the Man Who Shaped Trump
Directed by Iranian-Danish filmmaker Ali Abbasi, The Apprentice tells the fictionalized story of former US President Donald Trump's real estate career in the 1970s and 1980s.
Jeremy Strong, best known for his long-running role as Kendall Roy in the critically-lauded drama Succession, depicts Roy Cohn, a much more cunning mentor than the likes of Kendall in the HBO series.
Cohn...
- 5/21/2024
- EpicStream
Filmmaker Ali Abbasi has responded to the Trump campaign’s threat to sue over his movie The Apprentice, which premiered at the Cannes Film Festival on Monday night to an eight-minute standing ovation.
“Everybody talks about him suing a lot of people — they don’t talk about his success rate though, you know?” Abbasi said Monday morning in France, drawing laughs from the crowd at the first press conference for The Apprentice.
The director acknowledged Trump’s likely assumptions around the movie, saying, “If I was him, I would be sitting in New Jersey, Florida or wherever he is now — or New York — and I would be thinking, ‘Oh, this crazy Iranian guy and some, like, liberal c—- in Cannes, they gathered and they did this movie and it’s fucked up.'”
“But I don’t necessarily think that this is a movie he would dislike,” Abbasi added,...
“Everybody talks about him suing a lot of people — they don’t talk about his success rate though, you know?” Abbasi said Monday morning in France, drawing laughs from the crowd at the first press conference for The Apprentice.
The director acknowledged Trump’s likely assumptions around the movie, saying, “If I was him, I would be sitting in New Jersey, Florida or wherever he is now — or New York — and I would be thinking, ‘Oh, this crazy Iranian guy and some, like, liberal c—- in Cannes, they gathered and they did this movie and it’s fucked up.'”
“But I don’t necessarily think that this is a movie he would dislike,” Abbasi added,...
- 5/21/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
“The Apprentice” director Ali Abbasi has responded to the Trump campaign’s threat to sue over the movie, which premiered at Cannes Film Festival on Monday night.
“Everybody talks about him suing a lot of people — they don’t talk about his success rate though, you know?” Abbasi said. He even offered to meet with Trump and screen the movie for him, saying, “I don’t necessarily think that this is a movie he would dislike.”
Abbasi continued, “I don’t necessarily think he would like it. I think he would be surprised, you know? And like I’ve said before, I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign.”
Trump’s 2024 campaign put out a lengthy statement Monday night calling the film “garbage” and “pure fiction.
“Everybody talks about him suing a lot of people — they don’t talk about his success rate though, you know?” Abbasi said. He even offered to meet with Trump and screen the movie for him, saying, “I don’t necessarily think that this is a movie he would dislike.”
Abbasi continued, “I don’t necessarily think he would like it. I think he would be surprised, you know? And like I’ve said before, I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign.”
Trump’s 2024 campaign put out a lengthy statement Monday night calling the film “garbage” and “pure fiction.
- 5/21/2024
- by Ellise Shafer and Matt Donnelly
- Variety Film + TV
The Apprentice filmmaker Ali Abbasi was asked Tuesday at the film’s Cannes Film Festival press conference about Donald Trump’s legal threats against the movie following its world premiere here the night before.
“Everybody talks about him suing a lot of people, they don’t talk about his success rate [with those lawsuits],” the filmmaker told the press today.
Following the movie’s premiere, where it received an 11-minute standing ovation at the Grand Theatre Lumiere, Trump campaign advisor Steven Cheung back in the U.S. declared, “We will be filing a lawsuit to address the blatantly false assertions from these pretend filmmakers.”
The movie follows the rise of a young 1980s Donald J. Trump, played by Marvel Studios movie icon Sebastian Stan, as a real estate baron and how he became inspired to wheel and deal from ruthless attorney Roy Cohn (Jeremy Strong).
Related: ‘The Apprentice’ Cannes Film Festival Premiere Photos: Sebastian Stan,...
“Everybody talks about him suing a lot of people, they don’t talk about his success rate [with those lawsuits],” the filmmaker told the press today.
Following the movie’s premiere, where it received an 11-minute standing ovation at the Grand Theatre Lumiere, Trump campaign advisor Steven Cheung back in the U.S. declared, “We will be filing a lawsuit to address the blatantly false assertions from these pretend filmmakers.”
The movie follows the rise of a young 1980s Donald J. Trump, played by Marvel Studios movie icon Sebastian Stan, as a real estate baron and how he became inspired to wheel and deal from ruthless attorney Roy Cohn (Jeremy Strong).
Related: ‘The Apprentice’ Cannes Film Festival Premiere Photos: Sebastian Stan,...
- 5/21/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Following its Cannes Film Festival premiere, The Apprentice – a drama allegedly based on Donald Trump’s antics – might be heading to court.
Usually, er, an absolute stranger to courtrooms and legalities, Donald Trump is currently facing an abundance of charges and legal battles that’d fill up the server space powering this website were we to list them. Still, always room for one more, and Trump’s campaign team is reportedly not very happy about the new movie The Apprentice.
It’s debuted at Cannes, and stars Sebastian Stan as Trump, with Jeremy Strong playing his ‘fixer’, Roy Cohn. Ali Abbasi has directed the movie, which Gabriel Sherman has written. Reviews have been positive, and Studiocanal just picked up the UK release rights to the movie.
In the film, there’s reportedly a nonconsensual sex scene, the taking of numerous pills, insecurity over a bald spot and things that do...
Usually, er, an absolute stranger to courtrooms and legalities, Donald Trump is currently facing an abundance of charges and legal battles that’d fill up the server space powering this website were we to list them. Still, always room for one more, and Trump’s campaign team is reportedly not very happy about the new movie The Apprentice.
It’s debuted at Cannes, and stars Sebastian Stan as Trump, with Jeremy Strong playing his ‘fixer’, Roy Cohn. Ali Abbasi has directed the movie, which Gabriel Sherman has written. Reviews have been positive, and Studiocanal just picked up the UK release rights to the movie.
In the film, there’s reportedly a nonconsensual sex scene, the taking of numerous pills, insecurity over a bald spot and things that do...
- 5/21/2024
- by Simon Brew
- Film Stories
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