David Sanborn, the multi-genre saxophonist who performed with David Bowie, Stevie Wonder, James Brown, Carly Simon, James Taylor, and many more, has died. He was 78 years old.
Sanborn’s passing was confirmed on Monday via a post on his social media. “It is with sad and heavy hearts that we convey to you the loss of internationally renowned, six-time Grammy Award-winning, saxophonist, David Sanborn,” the post read. “Mr. Sanborn passed Sunday afternoon, May 12th, after an extended battle with prostate cancer with complications.”
Born in 1945, Sanbron was introduced to the saxophone during his childhood as a means of recovering from polio. By the time he was 14, he had the opportunity to perform with blues legends like Albert King and Little Milton, the first of his many, many collaborations.
In 1967, he joined The Paul Butterfield Blues Band, whom he played with at Woodstock two years later. In the early ‘70s, he began performing with more artists,...
Sanborn’s passing was confirmed on Monday via a post on his social media. “It is with sad and heavy hearts that we convey to you the loss of internationally renowned, six-time Grammy Award-winning, saxophonist, David Sanborn,” the post read. “Mr. Sanborn passed Sunday afternoon, May 12th, after an extended battle with prostate cancer with complications.”
Born in 1945, Sanbron was introduced to the saxophone during his childhood as a means of recovering from polio. By the time he was 14, he had the opportunity to perform with blues legends like Albert King and Little Milton, the first of his many, many collaborations.
In 1967, he joined The Paul Butterfield Blues Band, whom he played with at Woodstock two years later. In the early ‘70s, he began performing with more artists,...
- 5/14/2024
- by Jo Vito
- Consequence - Music
David Sanborn, beloved jazz saxophonist who is credited on songs for Stevie Wonder, David Bowie and many more, died Sunday. He was 78.
A message posted to the musician’s social media page confirmed the news, noting that Sanborn had been battling prostate cancer for the past few years. “Mr. Sanborn had been dealing with prostate cancer since 2018, but had been able to maintain his normal schedule of concerts until just recently. Indeed he already had concerts scheduled into 2025,” the message reads. “David Sanborn was a seminal figure in contemporary pop and jazz music. It has been said that he ‘put the saxophone back into Rock ’n Roll.’”
It is with sad and heavy hearts that we convey to you the loss of internationally renowned, 6 time Grammy Award-winning, saxophonist, David Sanborn. Mr. Sanborn passed Sunday afternoon, May 12th, after an extended battle with prostate cancer with complications. pic.twitter.com/VyW...
A message posted to the musician’s social media page confirmed the news, noting that Sanborn had been battling prostate cancer for the past few years. “Mr. Sanborn had been dealing with prostate cancer since 2018, but had been able to maintain his normal schedule of concerts until just recently. Indeed he already had concerts scheduled into 2025,” the message reads. “David Sanborn was a seminal figure in contemporary pop and jazz music. It has been said that he ‘put the saxophone back into Rock ’n Roll.’”
It is with sad and heavy hearts that we convey to you the loss of internationally renowned, 6 time Grammy Award-winning, saxophonist, David Sanborn. Mr. Sanborn passed Sunday afternoon, May 12th, after an extended battle with prostate cancer with complications. pic.twitter.com/VyW...
- 5/13/2024
- by Rania Aniftos, Billboard
- The Hollywood Reporter - Movie News
Smooth jazz saxophonist David Sanborn, who played on recordings by Stevie Wonder, James Brown, and Carly Simon and performed live with David Bowie and the Rolling Stones, died in Tarrytown, New York, on Sunday afternoon. A rep confirmed the news to Rolling Stone. A message on Sanborn’s social media cited complications after an extended battle with prostate cancer. He was 78.
“Mr. Sanborn had been dealing with prostate cancer since 2018 but had been able to maintain his normal schedule of concerts until just recently,” the message said. “Indeed he already...
“Mr. Sanborn had been dealing with prostate cancer since 2018 but had been able to maintain his normal schedule of concerts until just recently,” the message said. “Indeed he already...
- 5/13/2024
- by Kory Grow
- Rollingstone.com
In compelling documentary As We Speak, a controversial legal practice that uses rap lyrics to secure convictions is explored
In September 2001, McKinley Phipps Jr, also known as the rapper Mac, was sentenced to 30 years in prison for manslaughter. It had been a year and a half since gunfire erupted outside a club where he was slated to perform in Slidell, Louisiana, resulting in the death of 19-year-old Barron Victor Jr. Phipps, then 22, maintained his innocence, and the case against him was weak – there was no gun linking him to the crime, several witnesses recanted their testimony and another person confessed to pulling the trigger. And yet, prosecutors had their trump card: Mac, a former New Orleans rap prodigy who began releasing music at the age of 13, had rapped about murder.
“Murder, murder, kill, kill”, Phipps recites in As We Speak: Rap Music on Trial, a new documentary on the criminalization of rap lyrics.
In September 2001, McKinley Phipps Jr, also known as the rapper Mac, was sentenced to 30 years in prison for manslaughter. It had been a year and a half since gunfire erupted outside a club where he was slated to perform in Slidell, Louisiana, resulting in the death of 19-year-old Barron Victor Jr. Phipps, then 22, maintained his innocence, and the case against him was weak – there was no gun linking him to the crime, several witnesses recanted their testimony and another person confessed to pulling the trigger. And yet, prosecutors had their trump card: Mac, a former New Orleans rap prodigy who began releasing music at the age of 13, had rapped about murder.
“Murder, murder, kill, kill”, Phipps recites in As We Speak: Rap Music on Trial, a new documentary on the criminalization of rap lyrics.
- 2/27/2024
- by Adrian Horton
- The Guardian - Film News
Yeat is from the future. Yeat is not from this planet. According to the Yeat mythology, this is all the biographical detail you need to know about the 23-year-old Portland rapper who currently has a stranglehold over children and young men aged 12-30, and whose new album 2093 does little to expand upon those already sparse details. Yeat’s fans will tell you this is part of the point. One does not listen to Yeat expecting lyrical brilliance or even coherence. Like Playboi Carti before him, he traffics almost exclusively in vibes,...
- 2/21/2024
- by Jeff Ihaza
- Rollingstone.com
Marble-mouthed “meme rapper” Yeat defies expectations on his fourth studio album, 2093, which serves as a departure from his quirky beginnings as a Young Thug clone. The album also solidifies the industrial, electronic-heavy sound he’s been developing over the past few years while unveiling a bold aesthetic vision that, while not always successful, is as ambitious as it is captivating.
This development is a relief, as Yeat’s recent wheel-spinning projects were slight variations on familiar lyrical themes and sonic concepts. On 2093, though, the rapper largely strays away from the psychedelic production palette of longtime collaborator Bynx. Instead, he appears more inclined toward beats that are louder and far more avant garde. For one, the high-octane “Breath”—which, compositionally speaking, has more in common with Edm than rap—is propelled by its deafening house bassline and a series of breathy ad-libs.
Perhaps more indicative of Yeat’s daring are the...
This development is a relief, as Yeat’s recent wheel-spinning projects were slight variations on familiar lyrical themes and sonic concepts. On 2093, though, the rapper largely strays away from the psychedelic production palette of longtime collaborator Bynx. Instead, he appears more inclined toward beats that are louder and far more avant garde. For one, the high-octane “Breath”—which, compositionally speaking, has more in common with Edm than rap—is propelled by its deafening house bassline and a series of breathy ad-libs.
Perhaps more indicative of Yeat’s daring are the...
- 2/20/2024
- by Paul Attard
- Slant Magazine
"We can criminalize rap all we want, but that's not going to resolve the issue." Paramount+ has revealed the official trailer for a fsacinating documentary film titled As We Speak: Rap Music on Trial, arriving for streaming in February. This just premiered at the 2024 Sundance Film Festival to some great reviews, and P+ already has it set to launch in only a few more weeks. Directed by filmmaker J.M. Harper, As We Speak features Bronx rap artist Kemba who explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad - revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades. Journeying through meccas of hip-hop, building the case for rap lyrics & Black artist protection via intimate conversations with rappers, academics, politicians, legal experts, and industry execs. Sundance adds that, "Harper's sophisticated and immersive journey merges style and substance,...
- 1/29/2024
- by Alex Billington
- firstshowing.net
With its academic interviewees and mini-histories, J.M. Harper’s directorial debut “As We Speak,” about the weaponizing of rap lyrics in the courts, has the trappings of rigor. But not unlike its subject, the documentary’s power, beauty and complexity lie in Harper’s use of rhetoric and lyricism. The film editor of the Emmy-nominated series “Jeen-Yuhs: A Kanye Trilogy” has made a willfully creative work that mimics the ways rap can be intimately observational, seemingly confessional even, but is also a feat of artistic expression.
The hip-hop artist and Bronx native Kemba acts as a guide and a character for “As We Speak,” which debuted at the Sundance Film Festival. Utilizing Erik Nielson and Andrea Dennis’s book “Rap on Trial: Race, Lyrics and Guilt in America,” the film follows Kemba as he crisscrosses the nation to speak with fellow artists and then leaps the Atlantic to the U.
The hip-hop artist and Bronx native Kemba acts as a guide and a character for “As We Speak,” which debuted at the Sundance Film Festival. Utilizing Erik Nielson and Andrea Dennis’s book “Rap on Trial: Race, Lyrics and Guilt in America,” the film follows Kemba as he crisscrosses the nation to speak with fellow artists and then leaps the Atlantic to the U.
- 1/28/2024
- by Lisa Kennedy
- Variety Film + TV
Paramount+ will release J.M. Harper’s documentary “As We Speak: Rap Music on Trial,” which debuted at Sundance, on its streaming platform on Tuesday, February 27 in the U.S. and Canada, IndieWire exclusively shares.
“As We Speak” made its premiere on Monday, January 22 in Park City in the U.S. Documentary competition. As the film is a competition title, it will be available on Sundance’s online streaming platform beginning January 25 for the digital portion of the festival. The film will also be available on February 28 in the UK, Australia, Latin America, Brazil, Italy, France, Germany, Switzerland, and Austria.
While “As We Speak” was not a sales title at the fest, Paramount+’s involvement was kept quiet to the general public until its premiere on Monday, January 22. IndieWire, along with the release date, shares new stills from the film, its official key art, and the first trailer, all of which you can see below.
“As We Speak” made its premiere on Monday, January 22 in Park City in the U.S. Documentary competition. As the film is a competition title, it will be available on Sundance’s online streaming platform beginning January 25 for the digital portion of the festival. The film will also be available on February 28 in the UK, Australia, Latin America, Brazil, Italy, France, Germany, Switzerland, and Austria.
While “As We Speak” was not a sales title at the fest, Paramount+’s involvement was kept quiet to the general public until its premiere on Monday, January 22. IndieWire, along with the release date, shares new stills from the film, its official key art, and the first trailer, all of which you can see below.
- 1/24/2024
- by Brian Welk
- Indiewire
The double standard is almost as old as hip-hop itself. A decorated filmmaker gets laurels for his or her latest bullet-laden gangster movie. A rock or country star is proclaimed a songwriting genius for violent tales of man’s inhumanity to man. But rappers are held to a different standard, their every line held up as some kind of documentary evidence of an artist’s criminal intent. Sometimes, those lyrics are even used in courtrooms by prosecutors eager to take advantage of the public’s built-in prejudices and ignorance of...
- 1/23/2024
- by Chris Vognar
- Rollingstone.com
Born and raised in the Bronx, rapper Kemba guides viewers through some of the largest issues involving rap lyrics, freedom of speech and the First Amendment in As We Speak, the directorial debut of J.M. Harper. Looking at cases both in the U.S. and internationally, Harper’s documentary poses insightful questions about who is protected, or perhaps left vulnerable, by these legislative battles. Emma Backman, who previously collaborated with Harper on a series of commercials, discusses her experience cutting the film, which served as one of her first major feature-length projects as an editor. See all responses to our annual Sundance […]
The post “The Ending Was Always Clear for Us”: Editor Emma Backman on As We Speak first appeared on Filmmaker Magazine.
The post “The Ending Was Always Clear for Us”: Editor Emma Backman on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Born and raised in the Bronx, rapper Kemba guides viewers through some of the largest issues involving rap lyrics, freedom of speech and the First Amendment in As We Speak, the directorial debut of J.M. Harper. Looking at cases both in the U.S. and internationally, Harper’s documentary poses insightful questions about who is protected, or perhaps left vulnerable, by these legislative battles. Emma Backman, who previously collaborated with Harper on a series of commercials, discusses her experience cutting the film, which served as one of her first major feature-length projects as an editor. See all responses to our annual Sundance […]
The post “The Ending Was Always Clear for Us”: Editor Emma Backman on As We Speak first appeared on Filmmaker Magazine.
The post “The Ending Was Always Clear for Us”: Editor Emma Backman on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Issues concerning freedom of speech and the First Amendment intersect with the world of rap music in As We Speak, the directorial debut from J.M. Harper. The documentary follows Bronx-based rapper Kemba as he unpacks how legal battles involving rap lyrics, both in the U.S. and abroad, might shape the the future of his craft. Married cinematographer duo Logan Triplett and Allison Anderson Triplett discuss the challenges and rewards of collaborating on this project as a unit—the first time they’ve done so on a feature film—with Logan penning answers for both parties. See all responses to our annual Sundance cinematographer […]
The post “A Balance Between Look and Ergonomics”: Cinematographers Logan Triplett and Allison Anderson Triplett on As We Speak first appeared on Filmmaker Magazine.
The post “A Balance Between Look and Ergonomics”: Cinematographers Logan Triplett and Allison Anderson Triplett on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Issues concerning freedom of speech and the First Amendment intersect with the world of rap music in As We Speak, the directorial debut from J.M. Harper. The documentary follows Bronx-based rapper Kemba as he unpacks how legal battles involving rap lyrics, both in the U.S. and abroad, might shape the the future of his craft. Married cinematographer duo Logan Triplett and Allison Anderson Triplett discuss the challenges and rewards of collaborating on this project as a unit—the first time they’ve done so on a feature film—with Logan penning answers for both parties. See all responses to our annual Sundance cinematographer […]
The post “A Balance Between Look and Ergonomics”: Cinematographers Logan Triplett and Allison Anderson Triplett on As We Speak first appeared on Filmmaker Magazine.
The post “A Balance Between Look and Ergonomics”: Cinematographers Logan Triplett and Allison Anderson Triplett on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
As We Speak, the directorial debut from J.M. Harper, follows the growing phenomenon of rap lyrics being used during legal battles both in the U.S. and abroad. Rapper Kemba acts as a guide through the murky waters of the First Amendment, investigating who it protects—or doesn’t—when musicians and their art stand trial. First-time producer Sam Widdoes, who currently works as an attorney and was formerly a journalist, chronicles how he came aboard As We Speak and the myriad ways that his career background acted as a boon during the development of this documentary. See all responses to our questionnaire for […]
The post “A Level of Determination That Can Border On Insane”: Producer Sam Widdoes on As We Speak first appeared on Filmmaker Magazine.
The post “A Level of Determination That Can Border On Insane”: Producer Sam Widdoes on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
As We Speak, the directorial debut from J.M. Harper, follows the growing phenomenon of rap lyrics being used during legal battles both in the U.S. and abroad. Rapper Kemba acts as a guide through the murky waters of the First Amendment, investigating who it protects—or doesn’t—when musicians and their art stand trial. First-time producer Sam Widdoes, who currently works as an attorney and was formerly a journalist, chronicles how he came aboard As We Speak and the myriad ways that his career background acted as a boon during the development of this documentary. See all responses to our questionnaire for […]
The post “A Level of Determination That Can Border On Insane”: Producer Sam Widdoes on As We Speak first appeared on Filmmaker Magazine.
The post “A Level of Determination That Can Border On Insane”: Producer Sam Widdoes on As We Speak first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
This isn’t a meteorology blog. We’re under no obligation to inform you that–despite a historically slow ski season start–the snow now falling across Northern Utah’s Wasatch Valley is voluminous and omnipresent. All the better excuse for sequestering oneself inside the weatherproofed walls of Park City’s myriad Sundance screening venues. And whether you’re a Sundance programmer, filmmaker, critic, industry wonk or civilian attendee, one thing is certain: there are currently a lot of granola bars getting smushed in a lot of people’s pockets.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
- 1/20/2024
- by Film Independent
- Film Independent News & More
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