The actor, who became the first transgender woman to win the best actress prize at Cannes, had earlier dedicated her award to ‘all the trans people who are suffering’
The first transgender woman to be awarded the best actress prize at the Cannes film festival filed a legal complaint on Wednesday over a “sexist insult” from a far-right politician after her win.
Karla Sofía Gascón and co-stars jointly received the accolade on Saturday for their performances in French auteur Jacques Audiard’s Mexico-set narco musical Emilia Perez.
The first transgender woman to be awarded the best actress prize at the Cannes film festival filed a legal complaint on Wednesday over a “sexist insult” from a far-right politician after her win.
Karla Sofía Gascón and co-stars jointly received the accolade on Saturday for their performances in French auteur Jacques Audiard’s Mexico-set narco musical Emilia Perez.
- 5/29/2024
- by AFP
- The Guardian - Film News
“Emilia Pérez” breakout star Karla Sofía Gascón, who won the best actress prize at Cannes Film Festival alongside Zoe Saldaña, Selena Gomez and Adriana Paz, has filed a complaint against French far-right politician Marion Marechal alleging “sexist insult due to one’s gender identity.”
The charges stem from a post on X in which Marechal, who is currently campaigning in European elections for the far-right Reconquête party, wrote upon Gascón’s win at Cannes that “it is therefore a man who receives in Cannes the prize for… best actress. The progress for the left wing is the erasing of women and mothers.”
The vitriolic social post sparked outrage within the LGBTQ community and beyond. Gascón’s lawsuit follows a complaint lodged by six LGBTQ groups on Monday for “transphobic insult.”
Speaking to Variety, Etienne Deshoulières, the lawyer who represents both Gascón and the LGBTQ organizations, said Gascón took legal action...
The charges stem from a post on X in which Marechal, who is currently campaigning in European elections for the far-right Reconquête party, wrote upon Gascón’s win at Cannes that “it is therefore a man who receives in Cannes the prize for… best actress. The progress for the left wing is the erasing of women and mothers.”
The vitriolic social post sparked outrage within the LGBTQ community and beyond. Gascón’s lawsuit follows a complaint lodged by six LGBTQ groups on Monday for “transphobic insult.”
Speaking to Variety, Etienne Deshoulières, the lawyer who represents both Gascón and the LGBTQ organizations, said Gascón took legal action...
- 5/29/2024
- by Elsa Keslassy
- Variety Film + TV
Karla Sofia Gascón has filed a complaint with the Paris Public Prosecutor against French far-right leader Marion Maréchal-Le Pen for transphobic comments the politician posted on social media following her Best Actress win at the Cannes Film Festival over the weekend.
Gascón made history on Saturday as the first transgender actress to win the Cannes Best Actress prize alongside co-stars Zoe Saldaña, Selena Gomez and Adriana Paz for their performances in Jacques Audiard’s gangster musical Emilia Perez.
Responding to the win on X, Maréchal Le Pen wrote: “So a man has won the Best Actress prize… progress for the left is the erasure of women and mothers.”
Gascón’s complaint is for “sexist contempt related to gender identity”. The offence carries a $4,066 fine.
In a statement, Gascón’s lawyer Etienne Deshoulières explained the offence had been introduced into France’s Criminal Code in April 2023 to combat “offensive and...
Gascón made history on Saturday as the first transgender actress to win the Cannes Best Actress prize alongside co-stars Zoe Saldaña, Selena Gomez and Adriana Paz for their performances in Jacques Audiard’s gangster musical Emilia Perez.
Responding to the win on X, Maréchal Le Pen wrote: “So a man has won the Best Actress prize… progress for the left is the erasure of women and mothers.”
Gascón’s complaint is for “sexist contempt related to gender identity”. The offence carries a $4,066 fine.
In a statement, Gascón’s lawyer Etienne Deshoulières explained the offence had been introduced into France’s Criminal Code in April 2023 to combat “offensive and...
- 5/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Selena Gomez exuded Hollywood glamour when she graced the photocall for her upcoming film, Emilia Pérez, during the 77th annual Cannes Film Festival at the Palais des Festivals in Cannes, France, on Sunday, May 19.
Attending alongside lead cast member Karla Sofía Gascón and supporting actors Zoe Saldana and Édgar Ramírez, the 31-year-old American singer and actress shone brightly among her peers.
Selena Gomez, Édgar Ramírez, Zoe Saldana, Jacques Audiard, Karla Sofía Gascón, and Adriana Paz attend the “Emilia Perez” Photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 19, 2024 in Cannes, France (Credit: Ipa / INSTARimages)
Directed by Jacques Audiard, the musical crime comedy follows Zoe’s character as she receives an unexpected offer concerning a feared cartel boss’ retirement.
In this film, Selena portrays the unsuspecting wife of drug cartel leader Manitas, who hires the overqualified and undervalued lawyer Rita to assist him in undergoing a sex change operation,...
Attending alongside lead cast member Karla Sofía Gascón and supporting actors Zoe Saldana and Édgar Ramírez, the 31-year-old American singer and actress shone brightly among her peers.
Selena Gomez, Édgar Ramírez, Zoe Saldana, Jacques Audiard, Karla Sofía Gascón, and Adriana Paz attend the “Emilia Perez” Photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 19, 2024 in Cannes, France (Credit: Ipa / INSTARimages)
Directed by Jacques Audiard, the musical crime comedy follows Zoe’s character as she receives an unexpected offer concerning a feared cartel boss’ retirement.
In this film, Selena portrays the unsuspecting wife of drug cartel leader Manitas, who hires the overqualified and undervalued lawyer Rita to assist him in undergoing a sex change operation,...
- 5/29/2024
- by Florie Mae Malapit
- Your Next Shoes
The big winners out of the 2024 Cannes Film Festival suggest bright times ahead for indie and international moviegoing. Sean Baker’s “Anora” winning the Palme was a kind of apotheosis for the self-made indie filmmaker. And Neon already has the movie for U.S. distribution — the company’s fifth Palme d’Or winner in a row. Meanwhile, other Cannes winners like “Emilia Pérez” (Netflix), “All We Imagine as Light” (Sideshow/Janus), and “The Seed of the Sacred Fig” (Neon) have homes awaiting them on the other side of their journeys out of Cannes and into the world.
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
- 5/28/2024
- by Ryan Lattanzio and David Ehrlich
- Indiewire
Selena Gomez Movie Emilia Perez Director Makes Startling Confession ( Photo Credit – Instagram )
Emilia Perez director Jacques Audiard made a stunning confession about Global superstar Selena Gomez. The singer and actress, who boasts over 400 million followers on Instagram, is arguably one of the biggest stars in the world.
However, Selena Gomez’s Global fame somehow failed to penetrate Jacques Audiard’s world, who recently confessed he was unaware of her heightened popularity when casting her in the critically acclaimed crime musical film Emilia Perez.
According to Money Control, the ‘Rust and Bone’ director said, “I was completely unaware of it. I’m not familiar at all with this social network, Instagram, or TikTok generation. I have no access to all of that.”
Trending James Blunt Calls Out Disney Star Wars Producers Over Carrie Fisher’s Drug Relapse; Says Studio Put “Pressure On Her To Be Thin” Before Death Brandt Is Back?...
Emilia Perez director Jacques Audiard made a stunning confession about Global superstar Selena Gomez. The singer and actress, who boasts over 400 million followers on Instagram, is arguably one of the biggest stars in the world.
However, Selena Gomez’s Global fame somehow failed to penetrate Jacques Audiard’s world, who recently confessed he was unaware of her heightened popularity when casting her in the critically acclaimed crime musical film Emilia Perez.
According to Money Control, the ‘Rust and Bone’ director said, “I was completely unaware of it. I’m not familiar at all with this social network, Instagram, or TikTok generation. I have no access to all of that.”
Trending James Blunt Calls Out Disney Star Wars Producers Over Carrie Fisher’s Drug Relapse; Says Studio Put “Pressure On Her To Be Thin” Before Death Brandt Is Back?...
- 5/28/2024
- by Anushree Madappa
- KoiMoi
Banned At Cannes, The Brattt Finds Home In India: What Got This Russian Love Story Banned In France?
Russian Love Story ‘The Brattt’ To Release India After Controversy ( Photo Credit – PR Image )
The Cannes Film Festival has been quite a ride, with surprising wins and Indian domination across categories. It was the year of resilient stories, love, heartland, and hard-hitting reality. Amongst all of this, the Russian film The Brattt faced a lot of conflicts when, after a lot of back and forth, the movie was selected for the official competition. But given the state of the Ukraine & Russia conflict, the movie’s selection faced a lot of pushback. But the film was screened at the festival amidst conflict. And the movie The Brattt will soon be hitting Indian theaters.
‘The Brattt’ was officially selected for the Cannes Film Festival’s competition section, but the film was removed because the production house is Russian. Due to the Russia-Ukraine war, some perceptions or guidelines made globally for the Russians impacted this screening at Cannes.
The Cannes Film Festival has been quite a ride, with surprising wins and Indian domination across categories. It was the year of resilient stories, love, heartland, and hard-hitting reality. Amongst all of this, the Russian film The Brattt faced a lot of conflicts when, after a lot of back and forth, the movie was selected for the official competition. But given the state of the Ukraine & Russia conflict, the movie’s selection faced a lot of pushback. But the film was screened at the festival amidst conflict. And the movie The Brattt will soon be hitting Indian theaters.
‘The Brattt’ was officially selected for the Cannes Film Festival’s competition section, but the film was removed because the production house is Russian. Due to the Russia-Ukraine war, some perceptions or guidelines made globally for the Russians impacted this screening at Cannes.
- 5/28/2024
- by Aayushi Hemnani
- KoiMoi
French LGBT+ groups have filed a complaint with the Paris Public Prosecutor against far-right politician Marion Maréchal-Le Pen accusing her of “transphobic insult” for comments she made about Karla Sofía Gascón’s Best Actress win at the Cannes Film Festival over the weekend.
Gascón made history as the first transgender actress to win the Cannes Best Actress prize alongside co-stars Zoe Saldaña, Selena Gomez and Adriana Paz for their performances in Jacques Audiard gangster musical Emilia Perez.
In response to the win, Maréchal Le Pen posted on X: “So a man has won the Best Actress prize… progress for the left is the erasure of women and mothers.”
Spanish actress Gascón, who plays a Mexican drug lord undergoing a sex change, dedicated the prize to “all trans people who suffer every day” and evoked the struggles of trans people in the face of prejudice.
French LGBT+ orgs Mousse, LGBT Families,...
Gascón made history as the first transgender actress to win the Cannes Best Actress prize alongside co-stars Zoe Saldaña, Selena Gomez and Adriana Paz for their performances in Jacques Audiard gangster musical Emilia Perez.
In response to the win, Maréchal Le Pen posted on X: “So a man has won the Best Actress prize… progress for the left is the erasure of women and mothers.”
Spanish actress Gascón, who plays a Mexican drug lord undergoing a sex change, dedicated the prize to “all trans people who suffer every day” and evoked the struggles of trans people in the face of prejudice.
French LGBT+ orgs Mousse, LGBT Families,...
- 5/28/2024
- by Melanie Goodfellow
- Deadline Film + TV
In our critics survey of the best movies at the Cannes Film Festival each year, it’s common to have the critics IndieWire’s polled disagree with the awards given by the festival jury itself. That is not the case for Cannes 2024. The best movies of the festival, picked by 55 critics, representing five continents, were topped by Sean Baker’s “Anora” in our poll, which, of course also won the Palme d’Or.
Last year, Jonathan Glazer’s “The Zone of Interest” topped our poll, differing from the Palme d’Or result, which went to Justine Triet’s “Anatomy of a Fall.” It must be said that voter enthusiasm in our poll for “The Zone of Interest” was even that much stronger: It received nearly half of all votes for best film. “Anora,” which stars Mikey Madison, received about a quarter of the overall votes for best film this time...
Last year, Jonathan Glazer’s “The Zone of Interest” topped our poll, differing from the Palme d’Or result, which went to Justine Triet’s “Anatomy of a Fall.” It must be said that voter enthusiasm in our poll for “The Zone of Interest” was even that much stronger: It received nearly half of all votes for best film. “Anora,” which stars Mikey Madison, received about a quarter of the overall votes for best film this time...
- 5/27/2024
- by Christian Blauvelt
- Indiewire
Cannes awards have become hugely influential in subsequent awards races, especially the Oscars. The top honor, the Palme d’Or, confers prestige and a stamp of approval — this year from the Competition jury led by multi hyphenate Greta Gerwig — that awards voters take seriously.
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
- 5/26/2024
- by Anne Thompson
- Indiewire
El director de ‘The Florida Project’ se lleva la prestigiosa Palma de Oro.
La 77ª edición del prestigiosísimo festival de Cannes ha concluido. En esta edición, la Palma de Oro, el máximo galardón del festival al que aspira todo cineasta que pasa por la Croisette, ha sido para la película de Neon, “Anora”, dirigida por Sean Baker, más conocido por la película “The Florida Project”. Con este triunfo, la distribuidora Neon ha conseguido la prestigiosa Palma de Oro por quinta vez consecutiva, algo que se dice muy rápido: “Anora” en 2024, “Anatomía de una Caída” en 2023, “El Triángulo de la Tristeza” en 2022, “Titane” en 2021 y “Parásitos” en 2019. De esta forma, “Anora” se convierte en una muy fuerte candidata para la próxima temporada de premios. No solo la película, mucho ojo, porque la actuación de su protagonista, Mikey Madison, ha dado mucho que hablar.
La gala de clausura del festival ha estado...
La 77ª edición del prestigiosísimo festival de Cannes ha concluido. En esta edición, la Palma de Oro, el máximo galardón del festival al que aspira todo cineasta que pasa por la Croisette, ha sido para la película de Neon, “Anora”, dirigida por Sean Baker, más conocido por la película “The Florida Project”. Con este triunfo, la distribuidora Neon ha conseguido la prestigiosa Palma de Oro por quinta vez consecutiva, algo que se dice muy rápido: “Anora” en 2024, “Anatomía de una Caída” en 2023, “El Triángulo de la Tristeza” en 2022, “Titane” en 2021 y “Parásitos” en 2019. De esta forma, “Anora” se convierte en una muy fuerte candidata para la próxima temporada de premios. No solo la película, mucho ojo, porque la actuación de su protagonista, Mikey Madison, ha dado mucho que hablar.
La gala de clausura del festival ha estado...
- 5/26/2024
- by Marta Medina
- mundoCine
The 2024 Cannes Film Festival concluded on Saturday, May 25 following two weeks packed with screenings, stars, press and parties. With the prizes having been handed out for the festival’s 77th anniversary, we can now start looking at what contenders might be in the best spot to get into the upcoming Oscar race. Let’s examine the winners from this year’s festival and see the history that each category has when it comes to the Oscars.
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
In recent years, we’ve seen the festival serve as a huge springboard for major players in the Oscar derby. Three of the last four winners of the festival’s top prize, the Palme d’Or, have nabbed Best Picture nominations: “Parasite” (2019), “Triangle of Sadness” (2022) and “Anatomy of a Fall” (2023). Other big winners at recent festivals that became big Oscar players include “Drive My Car,” “The Zone of Interest” and “BlacKkKlansman.” This year’s...
- 5/25/2024
- by Charles Bright
- Gold Derby
Often, the juries at the Cannes Film Festival will try to make a political statement in their choices for the winners of the world’s most famous film festival. Not this year. At least, not in the way they might have.
I rather thought that director Mohammad Rasoulof would take the Palme d’Or for his stirring The Seed Of The Sacred Fig. It deals with the oppressive regime in Iran and the crisis in one family, where the daughters rise up to protest against the wishes of their father, a judge handing out death sentences for those who make their voices heard.
Plus, the back story of Rasoulof’s own daring escape from his home country after making this movie in secrecy and also being handed an eight-year prison sentence, is also a strong one.
He made his way to Cannes, where his film deservedly received a rapturous welcome...
I rather thought that director Mohammad Rasoulof would take the Palme d’Or for his stirring The Seed Of The Sacred Fig. It deals with the oppressive regime in Iran and the crisis in one family, where the daughters rise up to protest against the wishes of their father, a judge handing out death sentences for those who make their voices heard.
Plus, the back story of Rasoulof’s own daring escape from his home country after making this movie in secrecy and also being handed an eight-year prison sentence, is also a strong one.
He made his way to Cannes, where his film deservedly received a rapturous welcome...
- 5/25/2024
- by Pete Hammond
- Deadline Film + TV
The 77th edition of the Cannes Film Festival concludes today with the Closing Ceremony and presentation of the coveted award, the Palme d’Or which was awarded to Sean Baker’s Anora, on Saturday, May 25.
The Jury, chaired by director Greta Gerwig was tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: Cannes Film Festival: ‘Anora’ Wins Palme D’Or; ‘All We Imagine As Light’ Takes Grand Prize; ‘Emilia Perez’ Jury Prize & Best Actresses
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu, and French actor and producer Omar Sy.
Related: ‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Hu Guan’s drama Black Dog...
The Jury, chaired by director Greta Gerwig was tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: Cannes Film Festival: ‘Anora’ Wins Palme D’Or; ‘All We Imagine As Light’ Takes Grand Prize; ‘Emilia Perez’ Jury Prize & Best Actresses
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino, Japanese director Kore-eda Hirokazu, and French actor and producer Omar Sy.
Related: ‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Hu Guan’s drama Black Dog...
- 5/25/2024
- by Robert Lang
- Deadline Film + TV
Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
- 5/25/2024
- by Steve Pond
- The Wrap
Cannes — Nine years after being named one of Variety’s Directors to Watch, Sean Baker won the Palme d’Or for “Anora,” a rowdy whirlwind romance between an exotic dancer (Mikey Madison) and the obscenely rich son of a Russian oligarch (played by Mark Eydelshteyn). Baker is the first American filmmaker to cinch the festival’s top prize since Terrence Malick earned the Palme for “The Tree of Life” in 2011.
“Anora” is Baker’s third film to debut at Cannes, following “The Florida Project” and “Red Rocket.” He accepted the award from two-time Palme d’Or winner Francis Ford Coppola, whose “Megalopolis” went home empty-handed. Coppola also presented an honorary Palme d’Or to his friend and fellow legend George Lucas, whom he called his “own kid brother.”
Baker dedicated the award to “all sex workers, past, present and future,” underscoring the importance of “making films intended for theatrical exhibition.
“Anora” is Baker’s third film to debut at Cannes, following “The Florida Project” and “Red Rocket.” He accepted the award from two-time Palme d’Or winner Francis Ford Coppola, whose “Megalopolis” went home empty-handed. Coppola also presented an honorary Palme d’Or to his friend and fellow legend George Lucas, whom he called his “own kid brother.”
Baker dedicated the award to “all sex workers, past, present and future,” underscoring the importance of “making films intended for theatrical exhibition.
- 5/25/2024
- by Peter Debruge
- Variety Film + TV
The hype out of the 2024 Cannes Film Festival, for those far-flung and on the ground, tells one story: This was among the weaker lineups in recent memory.
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
- 5/25/2024
- by Harrison Richlin
- Indiewire
The Cannes Film Festival will crown its Competition winners tomorrow night and the consensus seems to be building around a few titles.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
- 5/24/2024
- by Andreas Wiseman
- Deadline Film + TV
The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.”
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
- 5/24/2024
- by Clayton Davis
- Variety Film + TV
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
House of The Dragon Season 2 Creator Ryan Condal(Photo Credit –Wikimedia/YouTube)
We are just a few weeks away from the first episode of House of the Dragon Season 2. The period fantasy drama is a prequel to Game of Thrones (2011-2019). The HBO series was created by George Rr Martin and Ryan Condal and is based on Martin’s Fire and Blood book. The story takes place 200 years before the events of GoT.
House of The Dragon stars Matt Smith, Paddy Considine, Emma D’Arcy, Rhys Ifans, Olivia Cooke, Eve Best, Tom Glynn-Carny, Ewan Mitchell, and others. The first season received a tremendous reaction and ended on a high note as we saw the bloodshed and wars. The season 2 trailers have hinted that things will only get uglier for the show’s characters. With the dragons having so much power this time, it is definitely going to be a fiery season!
We are just a few weeks away from the first episode of House of the Dragon Season 2. The period fantasy drama is a prequel to Game of Thrones (2011-2019). The HBO series was created by George Rr Martin and Ryan Condal and is based on Martin’s Fire and Blood book. The story takes place 200 years before the events of GoT.
House of The Dragon stars Matt Smith, Paddy Considine, Emma D’Arcy, Rhys Ifans, Olivia Cooke, Eve Best, Tom Glynn-Carny, Ewan Mitchell, and others. The first season received a tremendous reaction and ended on a high note as we saw the bloodshed and wars. The season 2 trailers have hinted that things will only get uglier for the show’s characters. With the dragons having so much power this time, it is definitely going to be a fiery season!
- 5/24/2024
- by Pooja Darade
- KoiMoi
Die mit einer elfminütigen Standing Ovation bedachte Musical-Sensation „Emilia Pérez“ steht in Cannes kurz vor einem großen Netflix-Deal im britischen und nordamerikanischen Markt.
Jacques Audiards „Emilia Pérez“ (Credit: Shanna Besson)
Die spanischsprachige Musical-Crime-Komödie „Emilia Pérez“ gilt jetzt schon als eine der Gewinnerinnen von Cannes, auch wenn die Preise im Wettbewerb noch vergeben werden. Das neueste Werk von Jacques Audiard mit Selena Gomez, Zoe Saldaña und Édgar Ramirez in den Hauptrollen steht kurz davor, in die wichtigsten Schlüsselmärkte verkauft zu sein.
Für Nordamerika und Großbritannien wird wohl gesichert Netflix den Zuschlag bekommen. Dabei soll es laut US-Berichten um eine hohe siebenstellige Summe gehen. CDC United Network wird demnach die Rechte für Lateinamerika kaufen. Pathé kaufte sich die Rechte für die französischsprachigen Länder und Territorien im Vorfeld des Festivals. Französischer Kinostart ist am 28. August.
Für den deutschen Markt ist bislang noch kein Käufer öffentlich in Erscheinung getreten.
In „Emilia Pérez“ (Spot-Review...
Jacques Audiards „Emilia Pérez“ (Credit: Shanna Besson)
Die spanischsprachige Musical-Crime-Komödie „Emilia Pérez“ gilt jetzt schon als eine der Gewinnerinnen von Cannes, auch wenn die Preise im Wettbewerb noch vergeben werden. Das neueste Werk von Jacques Audiard mit Selena Gomez, Zoe Saldaña und Édgar Ramirez in den Hauptrollen steht kurz davor, in die wichtigsten Schlüsselmärkte verkauft zu sein.
Für Nordamerika und Großbritannien wird wohl gesichert Netflix den Zuschlag bekommen. Dabei soll es laut US-Berichten um eine hohe siebenstellige Summe gehen. CDC United Network wird demnach die Rechte für Lateinamerika kaufen. Pathé kaufte sich die Rechte für die französischsprachigen Länder und Territorien im Vorfeld des Festivals. Französischer Kinostart ist am 28. August.
Für den deutschen Markt ist bislang noch kein Käufer öffentlich in Erscheinung getreten.
In „Emilia Pérez“ (Spot-Review...
- 5/24/2024
- by Michael Müller
- Spot - Media & Film
Netflix is in talks to acquire one of the most talked about titles at this year’s Cannes Film Festival: Emilia Pérez.
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
- 5/23/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
“Emilia Pérez,” the Spanish-language musical drama starring Zoe Saldaña, Selena Gomez and Karla Sofía Gascón which scored enthusiastic reviews after its Cannes premiere, is nearing a deal for U.S. and U.K. rights with Netflix.
Sources said the deal, which could also include additional territories, is for approximately $12 million, and there’s still the possibility that the ongoing negotiations could fall apart.
Saldaña stars as Rita, an undervalued lawyer whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to become the woman he’s always wanted to be. Gomez plays his unsuspecting wife. In an exclusive interview with Variety, Audiard described the movie as an “opera libretto in four acts,” as the actors break out into original songs to advance the plot.
Sources said the deal, which could also include additional territories, is for approximately $12 million, and there’s still the possibility that the ongoing negotiations could fall apart.
Saldaña stars as Rita, an undervalued lawyer whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to become the woman he’s always wanted to be. Gomez plays his unsuspecting wife. In an exclusive interview with Variety, Audiard described the movie as an “opera libretto in four acts,” as the actors break out into original songs to advance the plot.
- 5/23/2024
- by Elsa Keslassy
- Variety Film + TV
The 77th annual Cannes Film Festival continued to dazzle with star-studded appearances, including a notable photocall for the highly anticipated film Emilia Perez on Sunday. Among the attendees were Selena Gomez, Zoe Saldana and French director Jacques Audiard.
Gomez, known for her roles in Only Murders in the Building and her successful music career, stunned in an elegant ensemble, radiating Hollywood glamour. Saldana, known for performing in the Guardians of the Galaxy series and Avatar, exuded confidence and style, complementing Gomez’s chic look. Audiard, the celebrated French director known for his work on Dheepan and A Prophet, brought a touch of sophistication to the event.
Audiard’s latest film, Emilia Perez, has been one of the most anticipated titles at this year’s festival. The movie blends drama and dark comedy and explores complex themes of identity and transformation, showcasing the director’s signature storytelling skills. Gomez and Saldana play pivotal roles,...
Gomez, known for her roles in Only Murders in the Building and her successful music career, stunned in an elegant ensemble, radiating Hollywood glamour. Saldana, known for performing in the Guardians of the Galaxy series and Avatar, exuded confidence and style, complementing Gomez’s chic look. Audiard, the celebrated French director known for his work on Dheepan and A Prophet, brought a touch of sophistication to the event.
Audiard’s latest film, Emilia Perez, has been one of the most anticipated titles at this year’s festival. The movie blends drama and dark comedy and explores complex themes of identity and transformation, showcasing the director’s signature storytelling skills. Gomez and Saldana play pivotal roles,...
- 5/21/2024
- by Lauren Ramsey
- Uinterview
The first time Donna Langley came to the Cannes Film Festival she was a junior executive working on 1999’s “Austin Powers: The Spy Who Shagged Me.”
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
Zoe Saldaña says the future of female representation in the film industry is dependent on women continuing to shatter the glass ceiling. And those who do cannot get complacent.
“We need more female CEOs. We need more women sitting on boards. Because those are the gatekeepers,” she said. “We need the keys that unlock those doors. And once those women are there, don’t just be happy and feel so lucky that you’re the only woman sitting at the table. Get three men to get up.”
Speaking as part of Kering’s Women in Motion program at the Cannes Film Festival, the “Avatar” star covered a broad swath of subjects, from her breakout moment working with James Cameron to her latest starring role in Jacques Audiard’s operatic crime drama “Emilia Pérez” — which debuted to some of the loudest buzz at the festival.
“I’m like a little girl from Queens,...
“We need more female CEOs. We need more women sitting on boards. Because those are the gatekeepers,” she said. “We need the keys that unlock those doors. And once those women are there, don’t just be happy and feel so lucky that you’re the only woman sitting at the table. Get three men to get up.”
Speaking as part of Kering’s Women in Motion program at the Cannes Film Festival, the “Avatar” star covered a broad swath of subjects, from her breakout moment working with James Cameron to her latest starring role in Jacques Audiard’s operatic crime drama “Emilia Pérez” — which debuted to some of the loudest buzz at the festival.
“I’m like a little girl from Queens,...
- 5/20/2024
- by Tatiana Siegel
- Variety Film + TV
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
Imagine a world in which Stephen Sondheim made Sicario. Yes, that Stephen Sondheim; yes, that 2015 thriller about the world of Mexican drug cartels. Got that? Good. Now add in Selena Gomez as the wife of a narco who, in a moment of deep grief and remembrance, utters the line, “My pussy still hurts when I think of you” — which, to be fair, sounds a lot more poetic in Spanish. She believes her husband, a major drug lord for the Los Globales cartel, had been murdered. This is not true. Rather,...
- 5/19/2024
- by David Fear
- Rollingstone.com
The Cannes Film Festival keeps on chugging, with more acquisitions, more premieres and an honorary Palme d’Or awarded to a studio for the first time.
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
- 5/19/2024
- by Drew Taylor
- The Wrap
You know a movie has left a big impression at Cannes when the applause explodes in the press room as the cast files in. Such was the case Sunday morning for Emila Pérez.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
- 5/19/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Cannes 2024: Selena Gomez Starrer Emilia Pérez Gets The Longest Standing Ovation ( Photo Credit – IMDb )
Selena Gomez, Zoe Saldana, and Karla Sofia Gascon’s musical drama Emilia Pérez received a warm reception at the 2024 Cannes Film Festival. The team was overwhelmed by the standing ovation at the film’s premiere, the biggest so far at the prestigious film festival. Scroll below for more.
Selena attended the premiere in a custom black and cream-colored Yves Saint Laurent dress and a gorgeous choker neckpiece from Bulgari. She looked chic and classy in her attire. She kept her hair tied up in a ponytail, with a pair of locks framing her face.
According to Variety’s report, the Spanish-language movie Emilia Pérez, starring Zoe Saldana, Selena Gomez, and Karla Sofia Gascon, received a nine-minute long standing ovation. Additionally, the audience hooted, whistled, and cheered a lot. It is so far the longest-standing ovation at the 2024 Cannes Film Festival.
Selena Gomez, Zoe Saldana, and Karla Sofia Gascon’s musical drama Emilia Pérez received a warm reception at the 2024 Cannes Film Festival. The team was overwhelmed by the standing ovation at the film’s premiere, the biggest so far at the prestigious film festival. Scroll below for more.
Selena attended the premiere in a custom black and cream-colored Yves Saint Laurent dress and a gorgeous choker neckpiece from Bulgari. She looked chic and classy in her attire. She kept her hair tied up in a ponytail, with a pair of locks framing her face.
According to Variety’s report, the Spanish-language movie Emilia Pérez, starring Zoe Saldana, Selena Gomez, and Karla Sofia Gascon, received a nine-minute long standing ovation. Additionally, the audience hooted, whistled, and cheered a lot. It is so far the longest-standing ovation at the 2024 Cannes Film Festival.
- 5/19/2024
- by Esita Mallik
- KoiMoi
Jacques Audiard’s latest movie, the Spanish-language musical crime comedy Emilia Pérez, had its competition world premiere Saturday in Cannes, where it received a an ovation that lasted more than 11 minutes.
Stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez were all in attendance for the first big premiere of Cannes’ first weekend, after a festival that has already seen the likes of Megalopolis and Furiosa: A Mad Max Saga among the big Hollywood movies playing here.
The ovation came as the credits rolled on the pic. At some point Audiard took the microphone to thank the audience at the Palais. After he finished, the applause resumed for two-minutes-plus more, with Saldaña, Gascón and Gomez coming to tears.
A bashful Selena Gomez basks in the applause after the premiere of ‘Emilia Perez’ #Cannes2024 pic.twitter.com/zjWlDvtqOe
— Deadline Hollywood (@Deadline) May 18, 2024
Star of ‘Emilia Perez’ Zoe Saldana gets...
Stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez were all in attendance for the first big premiere of Cannes’ first weekend, after a festival that has already seen the likes of Megalopolis and Furiosa: A Mad Max Saga among the big Hollywood movies playing here.
The ovation came as the credits rolled on the pic. At some point Audiard took the microphone to thank the audience at the Palais. After he finished, the applause resumed for two-minutes-plus more, with Saldaña, Gascón and Gomez coming to tears.
A bashful Selena Gomez basks in the applause after the premiere of ‘Emilia Perez’ #Cannes2024 pic.twitter.com/zjWlDvtqOe
— Deadline Hollywood (@Deadline) May 18, 2024
Star of ‘Emilia Perez’ Zoe Saldana gets...
- 5/18/2024
- by Nancy Tartaglione and Anna Smith
- Deadline Film + TV
“Emilia Pérez,” a Spanish-language musical drama starring Zoe Saldaña, Selena Gomez and Karla Sofía Gascón, has earned the biggest standing ovation of this year’s Cannes Film Festival so far.
Gomez wiped away tears as the Palais clapped for a full nine minutes, accompanied by plenty of hooting, whistling and cheering. During the standing ovation, director Jacques Audiard waved his hat at the balcony as stars Saldaña and Édgar Ramírez shared an emotional hug. There was huge applause for Gascón, who stars in the film as a drug cartel leader who seeks gender-affirming surgery.
In the film, from Palme d’Or winner Audiard, Saldaña stars as Rita, an “overqualified and undervalued” lawyer, whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to...
Gomez wiped away tears as the Palais clapped for a full nine minutes, accompanied by plenty of hooting, whistling and cheering. During the standing ovation, director Jacques Audiard waved his hat at the balcony as stars Saldaña and Édgar Ramírez shared an emotional hug. There was huge applause for Gascón, who stars in the film as a drug cartel leader who seeks gender-affirming surgery.
In the film, from Palme d’Or winner Audiard, Saldaña stars as Rita, an “overqualified and undervalued” lawyer, whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to...
- 5/18/2024
- by Ramin Setoodeh and Angelique Jackson
- Variety Film + TV
Going into this year’s Cannes Film Festival, expectations soared around a certain go-for-broke, no-guts-no-glory, swing from a Palme d’Or winning auteur, and on Saturday — two days after Francis Ford Coppola’s “Megalopolis” fizzled — festivalgoers got all they wanted and more in Jacques Audiard’s gonzo telenovela musical “Emilia Perez.” Turns out we had been looking at the wrong Palme d’Or winner all along.
If for nothing else, the French director’s previous Grand Prize and Palme d’Or wins for tough-guy films “A Prophet” and “Dheepan” feel especially pertinent given the startling (and delightful) swerve he offers with “Emilia Perez,” an Almodóvar-aping melodrama about a cartel kingpin’s transition to the more benevolent woman she was always hiding from the world.
That the Spanish-language film is also a full-blown musical, chock-full of deliriously choreographed numbers and ear-catching ditties about vaginoplasties and tracheal shaves would also reflect Audiard’s high perch.
If for nothing else, the French director’s previous Grand Prize and Palme d’Or wins for tough-guy films “A Prophet” and “Dheepan” feel especially pertinent given the startling (and delightful) swerve he offers with “Emilia Perez,” an Almodóvar-aping melodrama about a cartel kingpin’s transition to the more benevolent woman she was always hiding from the world.
That the Spanish-language film is also a full-blown musical, chock-full of deliriously choreographed numbers and ear-catching ditties about vaginoplasties and tracheal shaves would also reflect Audiard’s high perch.
- 5/18/2024
- by Ben Croll
- The Wrap
Movies that take their title from a female protagonist’s name — from Mildred Pierce and Stella Dallas through Norma Rae to Vera Drake and Jackie Brown — instantly claim that woman’s rightful place at the heart of a story, often depicting struggle and sacrifice but also resilience and strength of character. The same applies to Jacques Audiard’s bracingly original crime musical Emilia Pérez, even if the woman herself doesn’t show up until some way in, when she emerges from the unlikeliest of cocoons.
The French director has always shown an adventurous spirit, switching genres with nimble assurance, and he continues to surprise in his ballsy tenth feature. Very loosely adapted by Audiard from journalist and author Boris Razon’s 2018 novel Écoute, the film dexterously spans many styles. The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama,...
The French director has always shown an adventurous spirit, switching genres with nimble assurance, and he continues to surprise in his ballsy tenth feature. Very loosely adapted by Audiard from journalist and author Boris Razon’s 2018 novel Écoute, the film dexterously spans many styles. The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama,...
- 5/18/2024
- by David Rooney
- The Hollywood Reporter - Movie News
You haven’t lived until you’ve seen a movie musical where the words “mammoplasty, vaginoplasty, rhinoplasty” play out in song. Nor have you lived until you’ve seen that same movie musical in which Selena Gomez says the words “My pussy still hurts when I think of you.” And you’ve never seen a movie musical at all about transness that takes as bold of swings as Jacques Audiard‘s “Emilia Pérez,” which is stylistically unforgettable while missing the crucial element that makes any movie musical work: Actually good, memorable songs.
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
Cannes – You have to give Jacques Audiard credit. The famed French filmmaker has proven time and time again he isn’t afraid to take big swings. And with “Emilia Perez,” he’s attempting to hit one all the way across the Atlantic. Debuting at the 2024 Cannes Film Festival in competition, “Perez” is a Mexican-set musical melodrama with a narrative that seemingly knows no bounds. And yet, even at its most unwieldy, Audiard’s cinematic skill and Zoe Saldana‘s at times dazzling performance make it hard to ignore.
Continue reading ‘Emilia Perez’ Review: Zoe Saldana Sings In Jacques Audiard’s Audacious Movie Musical [Cannes] at The Playlist.
Continue reading ‘Emilia Perez’ Review: Zoe Saldana Sings In Jacques Audiard’s Audacious Movie Musical [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
Spoiler Alert: The following review contains some spoilers.
Like a rose blooming amid a minefield, it’s a miracle that Jacques Audiard’s “Emilia Pérez” exists: a south-of-the-border pop opera about a most unlikely metamorphosis and the personal redemption it awakens in a stone-cold criminal.
With a Palme d’Or to his name and the cojones to tackle his third movie in a culture and language that are not his own (after “Dheepan” and “The Sisters Brothers”), the director of “A Prophet” takes audiences into the macho realm of Mexican cartels, where Manitas del Monte — a fearsome drug lord with a silver grill and a voice like gravel — wants out, not because he’s had a crisis of conscience, but because he’s decided to embrace his true self … as a woman.
Pardon me if I’ve mixed up the pronouns there. Audiard’s dazzling and instantly divisive film — which...
Like a rose blooming amid a minefield, it’s a miracle that Jacques Audiard’s “Emilia Pérez” exists: a south-of-the-border pop opera about a most unlikely metamorphosis and the personal redemption it awakens in a stone-cold criminal.
With a Palme d’Or to his name and the cojones to tackle his third movie in a culture and language that are not his own (after “Dheepan” and “The Sisters Brothers”), the director of “A Prophet” takes audiences into the macho realm of Mexican cartels, where Manitas del Monte — a fearsome drug lord with a silver grill and a voice like gravel — wants out, not because he’s had a crisis of conscience, but because he’s decided to embrace his true self … as a woman.
Pardon me if I’ve mixed up the pronouns there. Audiard’s dazzling and instantly divisive film — which...
- 5/18/2024
- by Peter Debruge
- Variety Film + TV
‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Cannes Film Festival hosted the world premiere of Emilia Pérez, a musical crime comedy film written and directed by Jacques Audiard. It stars Karla Sofía Gascón in the title role, with Selena Gomez, Zoe Saldaña, and Édgar Ramírez.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
Guests at the premiere included Clement Ducol, Adriana Paz, Mark Ivanir, Justine Triet, Ron Howard, Salma Hayek, Sarocha Chankimha, Charlotte Gainsbourg, Renate Reinsve, Pierfrancesco Favino, Omar Sy, Eva Green, Rossy de Palma, and Eva Longoria who all walked the red carpet at the Grand Théâtre Lumière, on Saturday, May 18.
Related: ‘Emilia Pérez’ Review: Jacques Audiard’s Musical Is Crazy, But Also A Marvel – Cannes Film Festival
The film’s plot follows Rita, a talented lawyer, disillusioned by her firm’s focus on winning cases for any client, who gets an unexpected chance at escape. Notorious cartel leader Manitas hires her for a seemingly outlandish...
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
Guests at the premiere included Clement Ducol, Adriana Paz, Mark Ivanir, Justine Triet, Ron Howard, Salma Hayek, Sarocha Chankimha, Charlotte Gainsbourg, Renate Reinsve, Pierfrancesco Favino, Omar Sy, Eva Green, Rossy de Palma, and Eva Longoria who all walked the red carpet at the Grand Théâtre Lumière, on Saturday, May 18.
Related: ‘Emilia Pérez’ Review: Jacques Audiard’s Musical Is Crazy, But Also A Marvel – Cannes Film Festival
The film’s plot follows Rita, a talented lawyer, disillusioned by her firm’s focus on winning cases for any client, who gets an unexpected chance at escape. Notorious cartel leader Manitas hires her for a seemingly outlandish...
- 5/18/2024
- by Robert Lang
- Deadline Film + TV
The stars are out on the Croisette for the 77th Cannes Film Festival, sporting their best looks on the red carpet. Already donning her resort wear best at the first Jury Call photo shoot was Hollywood icon Meryl Streep, who will receive the honorary Palme d’Or on the opening night of the Cannes Film Festival.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
- 5/14/2024
- by Meredith Woerner
- Variety Film + TV
The overriding message this market? “There’s a lot”.
“A few weeks ago we thought there would a decent amount but, wow, there’s a lot”, one packaging agent told us.
They continued: “After a busy EFM, once again it feels like a healthy market in terms of product. The early responses from the sellers and indie buyers has been good. Those international distributors have re-stabilised their business somewhat, more so than the streamers. We’ll know more in a week but at the moment there are plenty of decently priced projects with meaningful actors, directors and scripts, and there is a good spread of projects.”
There’s Kristen Stewart returning on a vampire movie, Dwayne Johnson in a big-budget A24 wrestling movie, Mahershalah Ali in a gritty big-canvas crime movie, a couple of Jason Statham projects for those who want brawn, historical drama with Russell Crowe, a YA empowerment pic with Chris Pratt,...
“A few weeks ago we thought there would a decent amount but, wow, there’s a lot”, one packaging agent told us.
They continued: “After a busy EFM, once again it feels like a healthy market in terms of product. The early responses from the sellers and indie buyers has been good. Those international distributors have re-stabilised their business somewhat, more so than the streamers. We’ll know more in a week but at the moment there are plenty of decently priced projects with meaningful actors, directors and scripts, and there is a good spread of projects.”
There’s Kristen Stewart returning on a vampire movie, Dwayne Johnson in a big-budget A24 wrestling movie, Mahershalah Ali in a gritty big-canvas crime movie, a couple of Jason Statham projects for those who want brawn, historical drama with Russell Crowe, a YA empowerment pic with Chris Pratt,...
- 5/14/2024
- by Andreas Wiseman and Zac Ntim
- Deadline Film + TV
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 5/9/2024
- ScreenDaily
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
Selena Gomez’s Rare Beauty Sees A Fantastic Turnover Within Five Years Of Its Launch. (Photo Credit – Instagram)
Selena Gomez is one of the most famous music artists across the globe and has millions of fans on social media. Like Rihanna and many others, Selena too ventured into entrepreneurship and launched her makeup brand, Rare Beauty. It has reportedly achieved an amazing milestone in a considerably shorter time. Scroll below for more.
Selena is one of the most followed female celebrities on Instagram. She has more than 429 million followers. Gomez is a multifaceted woman, and besides being a singer and businesswoman, she is also an actress. She was nominated for the Emmys for the series Only Murders in the Building‘s Executive Producer. Selena will also be seen in the musical crime comedy Emilia Perez, starring Karla Sofía Gascón, Zoe Saldaña, and Edgar Ramirez.
Speaking of Selena Gomez’s Rare Beauty,...
Selena Gomez is one of the most famous music artists across the globe and has millions of fans on social media. Like Rihanna and many others, Selena too ventured into entrepreneurship and launched her makeup brand, Rare Beauty. It has reportedly achieved an amazing milestone in a considerably shorter time. Scroll below for more.
Selena is one of the most followed female celebrities on Instagram. She has more than 429 million followers. Gomez is a multifaceted woman, and besides being a singer and businesswoman, she is also an actress. She was nominated for the Emmys for the series Only Murders in the Building‘s Executive Producer. Selena will also be seen in the musical crime comedy Emilia Perez, starring Karla Sofía Gascón, Zoe Saldaña, and Edgar Ramirez.
Speaking of Selena Gomez’s Rare Beauty,...
- 4/16/2024
- by Esita Mallik
- KoiMoi
Reviews will have to wait till the Cannes Film Festival kicks off on May 14, but it’s not too early for a critic to weigh in on this year’s lineup — or how it looks on paper, at least, and what the selection might say about the state of things.
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
- 4/12/2024
- by Peter Debruge
- Variety Film + TV
The Cannes Film Festival has just revealed (another) a dazzling lineup for its 77th edition.
Studio movies such as George Miller’s Furiosa and Kevin Costner’s Horizon: An American Saga mingle with new films from arthouse darlings such as Paolo Sorrentino, Yorgos Lanthimos, Jacques Audiard and Andrea Arnold. Discoveries will include first-time filmmaker Agathe Riedinger, who will play in Competition.
Question marks and anticipation abound after Thursday’s lineup reveal, not least in the shape of Francis Ford Coppola epic Megalopolis, which will play in Competition. Coppola is one of the rare two-time Palme d’Or winners.
Below, we run down five key talking points from the lineup announcement this morning.
Why so many English-language movies in Competition?
There are a whopping 10 English-language movies in Competition. That’s more than half the Competition.
Studio movies such as George Miller’s Furiosa and Kevin Costner’s Horizon: An American Saga mingle with new films from arthouse darlings such as Paolo Sorrentino, Yorgos Lanthimos, Jacques Audiard and Andrea Arnold. Discoveries will include first-time filmmaker Agathe Riedinger, who will play in Competition.
Question marks and anticipation abound after Thursday’s lineup reveal, not least in the shape of Francis Ford Coppola epic Megalopolis, which will play in Competition. Coppola is one of the rare two-time Palme d’Or winners.
Below, we run down five key talking points from the lineup announcement this morning.
Why so many English-language movies in Competition?
There are a whopping 10 English-language movies in Competition. That’s more than half the Competition.
- 4/11/2024
- by Andreas Wiseman
- Deadline Film + TV
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