Directed by
| Anthony Hickox | ... | (directed by) |
Writing Credits
| Peter Atkins | ... | (original story by) and |
| Tony Randel | ... | (original story by) |
| Clive Barker | ... | (based on characters created by) |
| Peter Atkins | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Clive Barker | ... | executive producer |
| Paul Coleman | ... | assistant producer (as Paul Vincent Coleman) |
| Christopher Figg | ... | co-producer |
| Olive McQueen | ... | associate producer / producer: second unit |
| Lawrence Mortorff | ... | producer (produced by) |
Music by
| Randy Miller | ... | (music composed by) |
Cinematography by
| Gerry Lively | ... | director of photography |
Editing by
| Christopher Cibelli | ... | supervising film editor |
| James D.R. Hickox | ||
Casting By
| Paul Coleman | ... | (uncredited) |
Production Design by
| Steve Hardie | ||
Art Direction by
| Tim Eckel | ||
Set Decoration by
| David A. Koneff | ... | (as David Allen Koneff) |
Costume Design by
| Leonard Pollack | ||
Makeup Department
| Martin Astles | ... | technician |
| Doug Bradley | ... | intern (as Bill Bradley) |
| Paul Catlin | ... | head sculptor |
| Dave Chagouri | ... | foam technician |
| Mark Coulier | ... | makeup special effects supervisor |
| Dave Elsey | ... | technician |
| Shaune Harrison | ... | technician |
| Herita Jones | ... | assistant makeup artist |
| Paul Jones | ... | special makeup effects coordinator |
| Dave Keen | ... | makeup special effects supervisor |
| Fiona Leech | ... | technician (as Fiona Leach) |
| Martin L. Mercer | ... | technician (as Martin Mercer) |
| Steven Painter | ... | makeup effects: Los Angeles and New York (as Steve Painter) / makeup special effects supervisor (as Steve Painter) |
| William Petty | ... | technician (as Will Petty) |
| Simon Quinn | ... | foam technician |
| Joseph Schultz | ... | effects crew: Los Angeles and New York |
| Traci E. Smithe | ... | makeup/hair: Los Angeles and New York (as Traci Smithe) |
| Rudy Sotomayor | ... | key makeup/hair |
| Paul Spateri | ... | technician |
| Jeff Swan | ... | intern |
| Gary J. Tunnicliffe | ... | makeup effects: Los Angeles and New York (as Gary Tunnicliffe) / workshop supervisor (as Gary Tunnicliffe) |
| Brian Bailey | ... | special makeup effects intern (uncredited) |
| Gary Bunn | ... | prosthetics artist (uncredited) |
| Richard Glass | ... | standby contact lens optician (uncredited) |
Production Management
| Sherwood Jones | ... | post-production supervisor |
| Paul Martin | ... | unit production manager: Los Angeles and New York |
| Phil Smoot | ... | unit production manager |
| Greg Spence | ... | production supervisor: Miramax, Los Angeles and New York |
Second Unit Director or Assistant Director
| Ty Arnold | ... | second assistant director |
| Paula M. Bass | ... | second assistant director: Los Angeles and New York (as Paula Hammerel) / second second assistant director (as Paula M. Hammerel) |
| Cari Frankson | ... | second second assistant director: Los Angeles and New York |
| Bob Keen | ... | second unit director |
| Matt Maiellaro | ... | first assistant director: second unit (as Matthew Maiellaro) |
| Paul Martin | ... | first assistant director / first assistant director: Los Angeles and New York |
| Joseph Schultz | ... | assistant director: Los Angeles (uncredited) |
Art Department
| Marc Baird | ... | storyboard artist: Los Angeles and New York |
| Dana Browne | ... | construction crew: Los Angeles and New York |
| Richard Colwell | ... | lead scenic painter |
| Mitch Compton | ... | assistant carpenter |
| Mark Day | ... | art department production assistant |
| David Edwards | ... | construction crew: Los Angeles and New York |
| Donna Fewell | ... | property master |
| John Floyd | ... | storyboard artist |
| Mark Franklin | ... | swing gang |
| Melissa Frye | ... | scenic painter |
| Karen E. Ghant | ... | art department production assistant (as Karen Ghant) |
| James Henry Hayden | ... | assistant carpenter |
| Maria Jaramillo | ... | construction crew: Los Angeles and New York (as Maria M. Jaramillo) |
| David A. Koneff | ... | art director: Los Angeles and New York (as David Allen Koneff) |
| Robert Scott Kyker | ... | props: Los Angeles and New York (as Rob Kyker) |
| Steve Lee | ... | assistant carpenter |
| Thomas J. Lockhart | ... | assistant carpenter |
| Allen Mansfield | ... | scenic painter (as Allen 'Boolaka' Mansfield) |
| Tommy Marshall | ... | swing man: second unit |
| Carey Meyer | ... | set designer: Los Angeles and New York |
| 'Jungle Jim' Shaughnessy | ... | set dresser (as 'Jungle' Jim Shaughnessy) |
| Steve Summer | ... | assistant carpenter |
| Jayne-Ann Tenggren | ... | assistant property master / set decorator: Los Angeles and New York |
| Verner Ver Hulst | ... | assistant carpenter |
| Adolfo Vergara | ... | construction crew: Los Angeles and New York |
| Bill Wagner | ... | lead man |
| Jeremy L. Wakefield | ... | construction crew: Los Angeles and New York |
| Calvin Workman | ... | construction coordinator (as Calvin 'Rusty' Workman) |
| Sandra Workman | ... | assistant to construction coordinator |
| Jody Bergmann | ... | set dresser (uncredited) |
| Jerry Miscevich | ... | set painter (uncredited) |
| Rick Perryman | ... | carpenter (uncredited) |
| Michele Spadaro | ... | painter (uncredited) |
Sound Department
| Gregg Barbanell | ... | foley artist (as Greg Barbanell) |
| Benjamin Beardwood | ... | assistant dialogue editor (as Ben Beardwood) |
| Jim Brookshire | ... | dialogue editor |
| Steve Earnhart | ... | creative sound designer (as Stephen Earnhart) |
| Marc Fishman | ... | re-recording assistant |
| William Freesh | ... | re-recording mixer (as Bill Freesh) |
| Jonathan Fuh | ... | boom operator: Los Angeles and New York |
| Tim Gedemer | ... | digital sound designer / sound effects editor |
| Brian Geer | ... | foley artist |
| Kate Hopkins | ... | creative sound designer |
| John A. Larsen | ... | special sound effects |
| Peter J. Lehman | ... | sound effects editor (as Pete Lehman) |
| Austin McKinney | ... | production sound mixer |
| Jonathan Miller | ... | creative sound designer |
| Vince Nicastro | ... | foley artist |
| Kim H. Ornitz | ... | production sound mixer: Los Angeles and New York (as Kim Ornitz) |
| Paul Rodriguez | ... | director of sound services |
| R. Russell Smith | ... | post sound supervisor / re-recording mixer |
| John Joseph Thomas | ... | special sound effects |
| Jeff Vaughn | ... | adr editor / post sound supervisor |
| David Weisman | ... | boom operator |
Special Effects by
| Larry Dean Bivins | ... | special effects crew (as Larry Bivins) |
| Ray Bivins | ... | mechanical special effects coordinator |
| Joel Bowman | ... | special effects crew |
| Robert H. Canipe Jr. | ... | special effects crew (as Bob Canipe Jr.) |
| Tony Cooke | ... | special effects assistant |
| Richard Darwin | ... | technician |
| Nikolai Galitzine | ... | effects crew: Los Angeles and New York (as Nik Galitzine) |
| Joe Goins | ... | special effects crew |
| Eric Good | ... | effects crew: Los Angeles and New York |
| Bob Keen | ... | special effects coordinator / special makeup effects coordinator: Los Angeles and New York |
| Ed Kotero | ... | effects intern: Los Angeles and New York |
| Mason Linker | ... | mechanical special effects intern |
| Kevin McCarthy | ... | physical effects: Los Angeles and New York |
| Keith Montero | ... | special effects crew |
| John Wells | ... | physical effects: Los Angeles and New York |
| Dave Whisnant | ... | special effects crew |
| Gregory Rae Stone | ... | special effects technician (uncredited) |
Visual Effects by
| Cliff Culley | ... | matte painter: Westbury Design & Optical |
| Neil Culley | ... | matte photography |
| C. Marie Davis | ... | visual effects editor: Cinema Research Corporation |
| Eugene Eyerly | ... | optical camera: Cinema Research Corporation |
| Dion Hatch | ... | optical supervisor: Cinema Research Corporation |
| Erica Heider | ... | visual effects coordinator: Cinema Research Corporation |
| Joni Jacobson | ... | paintbox artist: Cinema Research Corporation |
| Jay Johnson | ... | visual effects animator: Cinema Research Corporation |
| Steve Mayer | ... | optical camera: Cinema Research Corporation |
| Ernest Miller | ... | optical camera: Cinema Research Corporation |
| Reid Paul | ... | visual effects camera: Cinema Research Corporation |
| Steve Rundell | ... | visual effects producer: Cinema Research Corporation / visual effects supervisor: Cinema Research Corporation |
| Steve Wright | ... | animation supervisor: Sidley Wright |
| Joan Collins Carey | ... | digital effects producer: Sidley Wright (uncredited) |
| Dave Gregory | ... | optical supervisor: Title House (uncredited) |
| Tom Martinek | ... | film scanner: component video (uncredited) |
Stunts
| Bob Bragg | ... | stunt driver |
| Bobby Bragg | ... | stunts |
| Joe Murphy | ... | stunts |
| Ron Norris | ... | stunts |
| Shanna Peare | ... | stunts |
| Allen Penney | ... | stunts |
| Bob Stephens | ... | stunt coordinator / stunts |
| Paul Coleman | ... | stunts (uncredited) |
Camera and Electrical Department
| Alex Berliner | ... | still photographer: Los Angeles and New York |
| Russ Brandt | ... | director of photography: second unit / gaffer / gaffer: Los Angeles and New York |
| Rusty Burrell | ... | second assistant camera |
| Richard Clabaugh | ... | camera operator / camera operator: Los Angeles and New York |
| Kris Conde | ... | loader: Los Angeles and New York |
| Barry Davis | ... | electrician |
| Warren Eig | ... | electrician: Los Angeles and New York |
| Neal Mills Forney III | ... | steadicam operator (as Neal Forney) |
| Chris Godfrey | ... | key grip/dolly: Los Angeles and New York |
| Andy Graham | ... | first assistant camera / first assistant camera: Los Angeles & New York |
| Ellis James | ... | grip: Los Angeles and New York |
| Eric Jones | ... | grip |
| Gerry Lively | ... | director of photography: Los Angeles and New York |
| Gerald McDougal | ... | grip (as Gerald McDougall) |
| Chris Milani | ... | electrician: Los Angeles and New York |
| Thomas C. Nisbet | ... | best boy electric: second unit (as Tommy 'Love' Nisbet) / electrician (as Tom Nisbet) |
| Carlo Papica | ... | best boy electric |
| Keith Payne | ... | still photographer |
| Talmadge Peace | ... | key grip |
| Alan Pickelsimer | ... | grip |
| Andrew Rawson | ... | electrician (as Andy Rawson) |
| George Reasner | ... | grip |
| Bill H. Roberts Jr. | ... | first assistant camera: second unit (as Bill Roberts) / second assistant camera: Los Angeles and New York (as Bill Roberts) |
| David Ray Robinson | ... | loader (as David Robinson) |
| Tony Robinson | ... | grip |
| Adam Santelli | ... | best boy electric: Los Angeles and New York / gaffer |
| Michael Satrazemis Jr. | ... | second assistant camera: second unit |
| Michael E. Satrazemis | ... | best boy grip (as Michael Satrazemis) / blue screen coordinator: second unit (as Michael Satrazemis Sr.) |
| Tim Spencer | ... | dolly grip |
| Duane Journey | ... | key grip (uncredited) |
Casting Department
| Kathy Butler | ... | casting intern |
| Jo Heather Christenbury | ... | casting production assistant |
| Jill Fagaley | ... | casting production assistant |
| Leonard Finger | ... | casting: New York |
| Geno Havens | ... | casting: Los Angeles |
| Clayton Hill | ... | casting director: North Carolina (as Clayton D. Hill) |
| Sharon Hill | ... | casting associate (as Sharon A. Hill) |
| Veronica Royer | ... | casting intern |
| Sheila Lussier | ... | casting assistant: Los Angeles (uncredited) |
Costume and Wardrobe Department
| Kristen Carper | ... | wardrobe intern |
| Logan James | ... | wardrobe production assistant |
| Hilary Momberger-Powers | ... | wardrobe: Los Angeles and New York (as Hilary Momberger) |
| Michael Nations | ... | assistant wardrobe |
| Jennifer Sanguiliano | ... | wardrobe intern |
| Pauline White-Kassulke | ... | associate costume designer (as Pauline White) |
Editorial Department
| Syd Cole | ... | negative cutting |
| Marie Hélène Desbiens | ... | negative cutting (as Marie-Hèléne Desbiens) |
| Daniel J. Simmons | ... | first assistant editor |
| Robert Sullivan | ... | additional assistant editor |
| Jim J. Williams | ... | color timer (as Jim Williams) |
| Trudy Yee | ... | additional assistant editor |
| Mato | ... | color timer (uncredited) |
Location Management
| Jim Goodman | ... | location manager |
| Scott McRae | ... | intern |
| Lisa Napoli | ... | location assistant |
| Jerry Whittington | ... | location scouting (uncredited) |
Music Department
| Carol Sue Baker | ... | music supervisor |
| Xavier Du Bois | ... | soundtrack coordinator (as Xavier DuBois) |
| Jon Kull | ... | orchestrator |
| Douglas M. Lackey | ... | music editor (as Doug Lackey) |
| Randy Miller | ... | orchestrator |
| Gregg Nestor | ... | music preparation |
| Sergei Scripka | ... | conductor: The Symphony Orchestra and Choir of Mosfilm Studios |
| Carl Swartz | ... | music editor |
| Peter Tomashek | ... | orchestrator |
| Vladimir Vinogradov | ... | recording engineer (as Vladimir V. Vinogradov) |
| Christopher Young | ... | additional music by: from "Hellraiser" |
Script and Continuity Department
| Hilary Momberger-Powers | ... | script supervisor (as Hilary Momberger) / script supervisor: Los Angeles and New York (as Hilary Momberger) |
Transportation Department
| Russell Atherton | ... | driver |
| Donnie Boswell Sr. | ... | driver |
| Todd Charmont | ... | driver |
| Richard Cox | ... | transportation coordinator |
| Mark Gilmer | ... | assistant captain |
| Lane Kraft | ... | transportation captain |
| David Whitsell | ... | honeywagon operator |
| Derek Whittington | ... | driver (uncredited) |
Additional Crew
| Susie Baker | ... | caterer |
| Ron Bonaparte | ... | immigration counsel |
| Debra E. Clark | ... | assistant production accountant |
| Paul Coleman | ... | assistant: Mr. Mortorff |
| David Diliberto | ... | set production assistant |
| Mike Duffield | ... | set production assistant |
| Mark Dukes | ... | asst. production coordinator |
| K.T. Dunphy | ... | production assistant: second unit |
| Norma Fink | ... | production counsel |
| Deanna Gallier | ... | key set production assistant |
| Cynthia Greenhill | ... | craft service |
| Bradley Greer | ... | set production assistant |
| Kevin Helms | ... | stand-in |
| Martin Hyman | ... | optometrist: Los Angeles and New York |
| Stephen Jennings | ... | set production assistant |
| Nicci Johnston | ... | stand-in |
| Steve Jones | ... | unit publicist (as Stephen Jones) |
| Rob Lebreque | ... | accounting consultant |
| Philip Lenger | ... | office production assistant |
| Steve Lonano | ... | office production assistant |
| Katie McDonald | ... | intern |
| Dickson McMurray | ... | main title designer: Title House (as Dickson Charles McMurray) |
| Ian McQueen | ... | product placement coordinator |
| Dana Middleton | ... | production coordinator: second unit |
| Robert Scott Moss | ... | production assistant: Los Angeles and New York (as Scott Moss) |
| Debbie Muller | ... | production secretary |
| Sharon Percival | ... | assistant: Mr. Mortorff, Los Angeles and New York |
| Penny Pridemore | ... | key set production assistant |
| Tricia Riordan | ... | production coordinator: Los Angeles and New York |
| Caroline Sandlin Fullerton | ... | dialogue coach |
| Bob Sheehan | ... | labor counsel |
| Eden Slotchiver | ... | assistant: Mr. Hickox |
| Jonathan Vital | ... | intern |
| Bill Walker | ... | optometrist (as Dr. Bill Walker) |
| Gary Weddington | ... | production accountant |
| Jerry Whittington | ... | studio manager |
| Dale Williams | ... | production coordinator |
| Brad Stephens | ... | publicist (uncredited) |
| Jerry Whittington | ... | projectionist (uncredited) |
