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- In the 1980s almost no one was tattooed in Polynesia. With the cultural renaissance in general, and also political demands at different levels, tattooing has once again become a form of expression and also a certain attitude, sometimes described as maohitude. Today we no longer live in traditional societies. Tavana Salmon tattoos Chimé when he was fourteen years old. Chimé liked drawing and painting, and in addition his cousin Laurent Purotu began to learn engraving and sculpture at the arts and crafts center. And every time he left school, he showed his cousin what he had learned. Chimé introduces himself as Tahua Tatau. A tattoo artist from Moorea, he has been living in Europe for over twenty years. Today his salon is located in Bordeaux. Roonui Anania, Chimé and Purotu started tattooing themselves and tattooing in the street, by snatch, that means with sewing needles attached to match sticks, then electric razors. Indian ink in a beer cap and off we went. Then Tavana Salmon brought back the first pig tooth combs, which they were not able to use for long due to hygiene. Impossible to sterilize. We had to go back to the electric razor, look for solutions. This film tells the story of the rebirth of Polynesian tattooing, then its expansion, told by the three greatest masters of Polynesian tattooing.
- On August 27, 2011, the Billabong Pro Tahiti event on surfing's World Tour was placed on hold due to a massive swell bearing down on the famed big-wave spot, Teahupoo. With forecasts calling for unprecedented surf, some of the greatest surfers in the world descended on the island to be in the water, despite a "Code Red" called by the Tahitian Coast Guard, which sought to keep everyone on shore. See the historic day through the eyes of two surfers -- the young gun Laurie Towner and the veteran Dylan Longbottom -- as they catch some of the biggest, most dangerous surf ever recorded, much of it captured with the super slow motion Phantom Camera for never-before-seen imagery
- Tatak ng apat na alon tribe, is better known in English as Mark of the four wawes tribe. Made up of just over 150 members, this collective based in Los Angeles popularizes traditional Filipino tattooing around the world. At its head for more than twenty years, we find the famous artist Elle Festin and his wife, Zelle Festin.
- Better known as Sampaguita Jay, Jade is one of the black and gray tattoo specialists in France. With the Mark of the Four Wawes Tribe collective, she helps popularize traditional Filipino tattooing, where she is from. In Moorea in French Polynesia she experienced one of the happiest days of her life during the Tatau i Moorea festival.
- In the eulogy she wrote to her, Amelie tells her sister's story, from her rebirth as a woman to the assault that will lead to her death.
- Unanimously considered the greatest choreographer Polynesia has known, Coco Hotahota is a dance master. He is one of the rare group leaders, if not the only one, to actually take care of the entire production chain of a show, whether it is writing the theme, writing the songs, composing. , costume creation, choreography. In 1962 he created his troupe, Te Maeva, which in 55 years of existence will have been the most successful troupe in the history of Heiva i Tahiti, and also the largest troupe in terms of number, more than 150 dancers in peak, in the 80s. Today we have the impression that Coco, who has long represented modernity, has become a bit of a reference for tradition. It's the whole contradiction of the character that we also admire for that. This film is the sequel to the film Coco Hotahota Te Maeva. It chronicles the exchanges between Coco Hotahota and the San Francisco troupe Hui Tarava, from the last Farereiraa organized in Tahiti to the first Farereiraa in San Francisco. A film dedicated to the memory of Coco Hotahota, the major choreographer of Tahitian dance.
- Laurent Delahousse welcomes a guest for a major interview in "8:30 pm Le Dimanche." A live musical performance follows.
- Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
- Conceptualised, filmed, edited, and screened in 7 days, Belle Phaeton is the story of two Tahitian women and their experiences being transgender. Belle Phaeton was created in 1 week during The 20th Festival International du Film Documentaire Océanien (FIFO), as a co-production between Tahitian and Australian workshop members.
- A life changing event sends Tane back to Tahiti where he will have to reconnect to his self and and love again.
- Cyril, a young soldier of mixed race, returns to Tahiti after a long mission. He sees his family and friends again, but nothing is the same. An indefinable suffering begins to grow in him...
- Created in 2010, the Putahi or Kotahitanga is a gathering of artists and art students from the Pacific (Tahiti, Aotearoa, Tonga, New-Caledonia, Hawaii, Fiji) which goal is to promote the sharing of knowledge and skills in order to inscribe the Oceania's cultures on the international artistic scene and counter the European's idea that Oceania's don't have a word to designate the art like in the western world. Shot in New-Zealand in 2016, this documentary dives into the artistic creation and community life of the fourth edition of the Putahi. The artists reveal through questions and reflections, their practices, their doubts and their creative process.
- From the Sun, sounds like a postcard and allows us to discover the heritage of French Polynesia from the sky, through a tour of the archipelagos.
- There's a feeling where every action and movement flows from the previous one. A focus found by immersing yourself in something you love that creates an effortless melody of being fully alive. It's called flow state.
- Teva, a young Tahitian with a passion for filmmaking, was compelled to leave his homeland to fulfill his ambitions. Having become a director, he returns to Tahiti and is once again confronted with the same painful choice that he had to make ten years before; should he stay or go? Did he make the right choice the last time?
- When the name Hikueru is mentioned, all the other surrounding islands shudder with fear. Because in the story, when someone from Hikueru says anything it comes true. In Hikueru speech is sacred. Tapu was born in Hikueru. Until the age of nine, he grew up with his grandfather in Reka Reka. There is no better place in the universe than the Tuamotus, Tapu tells us. Tapu Bonnet descends from the great names of French Polynesia. He can recite his genealogy over several centuries. Forty years ago he was one of the seeds, one of those who renovated and restored this culture which was prohibited: walking on fire, tattooing... Incredible the flowering that there has been since that time of eighties.
- This film focuses on the links between Maori tattoo artists from New Zealand (James Webster, Juliee Paama Penguely, Moko de la Terre) and those from French Polynesia (Roonui Anania, Chimé, Laurent Purotu). With interventions by specialists Sébastien Galliot and Michael Koch.
- Unanimously considered the greatest choreographer Polynesia has known, Coco Hotahota is a dance master. He is one of the rare group leaders, if not the only one, to actually take care of the entire production chain of a show, whether it is writing the theme, writing the songs, composing. , costume creation, choreography. In 1962 he created his troupe, Te Maeva, which in 55 years of existence will have been the most successful troupe in the history of Heiva i Tahiti, and also the largest troupe in terms of number, more than 150 dancers in peak, in the 80s. Today we have the impression that Coco, who has long represented modernity, has become a bit of a reference for tradition. It's the whole contradiction of the character that we also admire for that. This film traces the long history of Te Maeva.
- Chronicle of the first tattoo festival which was held at the end of March and beginning of April 2017 at the town hall of Faa'a in Tahiti. With Moana Heitaa, Pai Aritai, Patu, Tuatini Tamata, Tana Tokoragi, Estelle Anania miss Ink Girl France 2017 godmother of the festival and around fifteen young tattoo artists for whom it was the first festival.
- Portrait of Sanson, a young Tahitian artist passionate about roosters. Cockfighting was introduced to Polynesia by early Chinese immigrants. It took place everywhere, on all the islands. Wherever there was a Chinese trader he organized a cockfight, to the extent that he had fighting cocks. But this is not a particularly Chinese cultural trait. It doesn't come from China. Cockfighting is extremely old in the Mediterranean and throughout southern Asia, and in particular the Philippines where it was very organized.
- Through Maori poet, filmmaker and activist Henri Hiro's life and work, Tahitians struggle to safeguard their own identity in the face of colonial invasion and nuclear tests in Mururoa.
- What is the daily life of Turkish Sultan Kosen, the tallest man in the world, like in Bruno Loyale's Magic Circus of Samoa, for a month on the Apogoti site in New Caledonia? Some accuse the circus of exploiting it, what is it really? Sultan has been making a living performing in the Pacific Islands for years.
- Portrait of a silent old man, with a life full of drama. Moussake comes from the remote Tuamotu archipelago in French Polynesia. He makes a living from picking Tahitian tiaras and performing musical events at the Papeete market. The film follows him along the congested roads of the Tahitian capital, then into the cabin where he makes flower crowns and receives visits from his children.
- Charne Potgieter Salgueiroza is a South African contortionist and acrobat who performs primarily in Dubai, South America and the Pacific. We get to know her within Bruno Loyale's Magic Circus of Samoa, the only circus in the Pacific. Every evening she presents two different numbers. Sometimes there are several performances per day.
- Homai. Be it with a Tahitian, a Native American or a Nepalese Sadhu, the spirit of rhythm lies in every tradition around the world: the beating of the earth.
- Poet John Mairai accepted the role of leader of the Nuna'a e Hau troupe. He was inspired by a legend recorded in the book Tahiti in Ancient Times to write a metaphorical libretto on the theme of revolt. Nuna'a e Hau tells the story of Terehe, a young girl who does as she pleases when the gods have imposed rationing on her island of Raiatea. To punish her for going swimming when even the wind was forbidden to blow, the gods sent her an eel and struck her with epilepsy. The director followed John Mairai from the first rehearsals to the final triumph: Nuna'a e Hau was the most successful Heiva i Tahiti troupe for more than twenty years, winning six awards.
- A couple leave their inner city lives to explore the non-colonised section of Tahiti. A new life is born amidst the jungle overlooking the Pacific Ocean. They immerse themselves in the culture and assist with the annual tourist attraction, The Billabong Pro.
- This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.
- Coming from a long line of singers, since his father, his grandfather and even his great-grandfather were known for their musical talents, Barthélémy Arakino was born in 1956. He grew up among the Tuamotu and its district of Outumaoro, in Tahiti. The boy learned to write songs from his father, in the Paumotu language of Hao. At nineteen, he went to France for the first time with the army. The success of his first song recorded in the studio, On my return from metropolis, opened the world to him. He was thus able to travel in Europe and the United States, performing on various stages. Barthélémy has long been the only singer to make a decent living from his royalties in French Polynesia. Filmed just before his death in 2015, this film is the only documentary dedicated to this sacred monster.
- The first time Patu joined a tattoo shop was in 2004 with Tavae Norbert. Wanting to deepen his knowledge of Polynesian history and culture, which he did not know at all, he then joined the Tahiti Art Craft Center. At the Center Patu is lucky to have Philippe Aukara as a sculpture teacher. This new guide teaches him a lot about composition and patterns. The legends, the traditional songs, the design of the nasal flutes, the canoes, the instruments, the percussion. The language too. Today Patu has his own salon and makes a living from tattooing. He dances and fully lives what he loves to do. When you love what you do, you can only be smiling and feel good about yourself... For the young people who know him in his neighborhood and who see him evolve today, he is a very good example.
- Makau Foster is a Tahitian dance choreographer and founder of the famous Tamariki Poerani troupe. On January 30, 2016, 2,950 dancers gathered in Makau on the island of Tahiti to beat the ori Tahiti world record held by Mexico. It happened on the Atimaono golf course.
- The "Globe of Death" is a sensational, very dangerous circus act, which was popularized in the United States by Douglas Mac Valley. Mac Valley ended his days in Samoa, and he passed the baton to Bruno Loyale who has been presenting the "Globe of Death" in his Magic Circus of Samoa for thirty years. Within the Magic Circus of Samoa, three motorcycles compete in the metal globe. In 2019, for the first time a woman is at the helm: Yudy Serna Rodriguez is Colombian. In his family, all his brothers fly around the globe. She is the only girl. Her husband Sébastien Moreno Delgado is her partner in the globe. The third man is Brazilian. Together Yudy and Sébastien open and close the Magic Circus show, first with an aerial acrobatics number, then in the globe. They also rehearse a spectacular new number.