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- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Producer
- Writer
- Director
One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Actress
- Producer
- Writer
Her mother, Anna Griffiths, is an art consultant. Her uncle is a Jesuit priest. Has two older brothers. One brother, Ben, is a ski instructor. Lived on the Gold Coast, Queensland until age five, then moved to Melbourne. Attended Star of the Sea Catholic Girls' College, did well at school and learned ballet. When she was 11, her father left home with an 18 year old woman. She hasn't seen him for years. Her mother was an art teacher at the time and raised the children alone. Has an Education Degree in dance and drama. Worked for the theatre company The Woolly Jumpers, in Geelong. Made famous by Muriel's Wedding (1994).- Actor
- Producer
- Soundtrack
Intense was the word for Ray Liotta. He specialized in psychopathic characters who hide behind a cultivated charm. Even in his nice-guy roles in Field of Dreams (1989) and Operation Dumbo Drop (1995), you get the impression that something is smoldering inside of him. He was born in Newark, New Jersey, and was adopted by Mary (Edgar), a township clerk, and Alfred Liotta, an auto parts store owner. He studied acting at the University of Miami, where he became friends with Steven Bauer (Scarface (1983), Thief of Hearts (1984)). He spent his first years acting in TV: Another World (1964), a TV movie and several short-lived series. He broke into movies with the black comedy Something Wild (1986), which garnered him rave reviews. Originally unable to get a reading, he was recommended for the part by Melanie Griffith (then married to Bauer).
Following the success Something Wild (1986), he received more offers in the "psycho" vein, but refused them to avoid being typecast. Instead, he made "little movies" like Dominick and Eugene (1988), which earned him standing as an actor's actor, and Field of Dreams (1989), whose success always surprised him. When he heard Martin Scorsese was casting Goodfellas (1990), he lobbied hard for the part of Henry Hill. The film's huge success brought him wide popularity and garnered him star billing in future films such as Article 99 (1992), Unlawful Entry (1992), and Unforgettable (1996).
Liotta died on May 26, 2022, aged 67, in his sleep while filming on location in Santo Domingo, Dominican Republic.- Actor
- Producer
- Director
Casper Van Dien's breakthrough role was as the lead in Paul Verhoeven's sci-fi film Starship Troopers (1997). Still one of the most talked about films of 1997 that has one of the largest cult followings in film history. He was also in Tim Burton's critically acclaimed film Sleepy Hollow (1999), as Brom Van Brunt. He was the 20th Tarzan and the only one to ever film in Africa and ride an African elephant in the Warner Bros. film Tarzan and the Lost City (1998).
Other film credits include The Pact (2012), which was well received at Sundance. Casper played a down and out alcoholic detective opposite Caity Lotz. A Post Apocalyptic survivor in Beyond The Wave (2015) shot entirely in China. Starring opposite Sean Maher as part of a two man crew on a mission to the end of the universe in the much anticipated independent film ISRA 88 (2016) .
Television credits include "Monk" (2008) Playing a Navy Doctor for the season finale, and "Beverly Hills, 90210" (1994).
Casper has tackled the web recently playing Johnny Cage in the insanely popular Machinima web-series "Mortal Kombat Legacy" seasons 2 and 3. He won best actor for his comedic chops in the series. He stars as "Hawk Guy" in the upcoming Avengers spoof "Interns of F.I.E.L.D." produced by Screen Junkies. You can also check him out as the hunky bartender in the popular series "Conman" starring Alan Tudyk and Nathan Fillion. He played the perfect version of himself in the comedy series "Crunchtime".
His most recent victory has been behind the camera as a Director. He has directed three films in which he also starred in. His second film Patient Killer won best film and best director awards and was bought and aired on Lifetime.- Actress
- Producer
- Director
Born two months premature at four pounds, Kate Noelle Holmes made her first appearance on December 18, 1978, in Toledo, Ohio. She is the daughter of Kathleen Ann (Craft), a philanthropist, and Martin Joseph Holmes, Sr., a lawyer. She is of German, Irish, and English ancestry. Her parents have said that her strong-willed personality is probably due to her early birth. Being the youngest in the Holmes clan, completing the family of three other sisters and one brother, Katie was always the baby.
As a teenager, she began attending modeling school. When she was sixteen, her teacher invited her to go to a modeling competition with other girls from her class. She competed in the International Modeling and Talent Association by singing, dancing, and reciting a monologue from To Kill a Mockingbird (1962). By the end of that time in New York, Katie won many awards. But she said she didn't want to model because it wasn't challenging enough. So when she was seventeen, Katie went to Los Angeles to audition for movies. Luckily, on her second audition, she was cast in the movie, The Ice Storm (1997), directed by Ang Lee. Katie's character was Libbets Casey, a rich New Yorker, who is pursued by two of the main characters. It was a small part, but it marked the beginning of her professional acting career.
After the excitement of her first movie, Katie began sending in audition tapes for pilot shows. During that time, she was also starring in her all-girls Catholic high school musical, Damn Yankees, as Lola. After Kevin Williamson received her audition tape for his new show, Dawson's Creek (1998), the producers wanted her to come to Hollywood right away and read live for them. But because they wanted her to come on the opening night for Damn Yankees, Katie had to tell them she couldn't make it. Fortunately, the show's producers wanted her so much for that role, they rescheduled her callback and the result was she got the part as Joey Potter. During her first year with Dawson's Creek (1998), Katie was able to do two movies, Disturbing Behavior (1998) and Go (1999), and, for the former, she won Best Breakthrough Female Performance at the 1999 MTV Movie Awards.
The following year, she starred next to Michael Douglas in Wonder Boys (2000), playing Hannah Green, a published author and a boarder at her teacher's (Douglas) house, who has a crush on him, and tries to seduce him. Her first leading role came in 2002, with Abandon (2002). She played a college student named Katie Burke, who is haunted by the mysterious disappearance of her boyfriend who vanished two years prior. With Dawson's Creek (1998) coming to a close after six years in May of 2003, it was a bittersweet moment for all the cast. Accustomed to being in North Carolina filming ten months out of a year, the cast members now had the opportunity to make more movies.
Katie demonstrated this in October, when she had two new movies, Pieces of April (2003) and The Singing Detective (2003), coming out in that month alone. Pieces of April (2003) is a charming Thanksgiving movie about April (Holmes), the black sheep of her family, who wants to give her family the perfect dinner before her mother passes on. The Singing Detective (2003) is a dark musical where the main character (Robert Downey Jr.) was a writer in a hospital for skin conditions who writes a dark world of seduction and murder in his mind. Katie Holmes played the kind Nurse Mills who tends to his every need. She also gets to lip sync and dance in this movie. In 2004, she starred in the romantic movie First Daughter (2004), in which she played the President's (Michael Keaton) daughter, Samantha, who wants to go to college without any Secret Service tagging along. In 2005, Holmes co-starred in Batman Begins (2005), where she played Rachel Dawes, a childhood sweetheart and love interest to Batman/Bruce Wayne.
Katie has a daughter with her ex-husband, Tom Cruise.- Actress
- Producer
- Soundtrack
Ashley Victoria Benson was born on December 18, 1989 in Anaheim Hills, California, to Shannon (Harte) and Jeff Benson. She has Irish, English, and German ancestry. She has been dancing competitively since she was 2 with hip hop, jazz, ballet, tap and lyrical. She has been singing since she was about 5 and she hopes to pursue that, along with her acting. Ashley started modeling at the age of 5 for dance catalogs. Ashley was then pursued by The Ford Modeling Agency at the age of 8. She worked steadily in print and is still with the Agency. At the age of 10, she wanted to pursue acting. Ashley went on to do 35 commercials, and then on to theatrical roles. Acting was now Ashley's passion. Ashley put all her focus into acting, which left little time for modeling and dancing, anymore. Ashley's most recent role is "Hanna Marin" on ABC Family's Pretty Little Liars (2010). Ashley also had a cameo in Romeo Miller (aka Lil Romeo) and Solange's music video for the song "True Love". She did a photo shoot with Britney Spears for Vogue Magazine. She is in NLT's music video, "That Girl".- Adelayo Adedayo was born on 18 December 1988 in Dagenham, Essex, England, UK. She is an actress, known for Some Girls (2012), Timewasters (2017) and Origin (2018).
- Emily Rebecca Swallow was born in Washington, DC and grew up in Sterling, VA and Jacksonville, FL.
She earned a BA in Middle Eastern Studies at the University of Virginia and interned at the State Department, but an acting teacher at UVA noticed her passion and talent for acting and singing and encouraged her to pursue further training. She auditioned for the prestigious NYU Tisch Graduate Acting Program and was accepted into their MFA Program.
On television, Emily is best known for Supernatural (2005), The Mentalist (2008), How to Get Away with Murder (2014), Monday Mornings (2013), and the highly anticipated Disney+ Series The Mandalorian (2019). She can also be heard as the voice of Dracula's ill-fated true love, Lisa Tepes, in the Netflix series Castlevania (2017).
Emily continues to act on stage whenever she can, starring in world premieres of Donald Margulies play The Country House at LA's Geffen Playhouse, opposite Mark Rylance in Louis Jenkins' play Nice Fish at the Guthrie Theatre, in John Patrick Shanley's musical Romantic Poetry at Manhattan Theater Club and in High Fidelity on Broadway. In summer of 2018 she played a lady AND a charlatan opposite Tom Hanks' Falstaff in the Shakespeare Center Los Angeles production of Henry IV Parts 1&2. She was part of the LA Drama Critics' Circle Award-Winning 2016 production of Disgraced at the Mark Taper Forum in LA and she won the Falstaff Award for best Female Performer in 2010 for her performance as Kate in The Taming of the Shrew at the Old Globe in San Diego.
Emily is a gifted singer; she has done her share of musicals and rock concerts. In 2012, Emily and fellow singer/comedienne Jac Huberman created a stage show called Jac N Swallow, which they perform in New York at the Laurie Beechman Theater and Joe's Pub. They would like to do the show again; will someone please babysit Jac's kids? - Actor
- Producer
- Writer
Jason Mantzoukas is an American actor, comedian, writer and podcaster. He is best known for his recurring role as Rafi in the FX comedy series The League, and as one of the three co-hosts of the podcast How Did This Get Made? alongside Paul Scheer and June Diane Raphael. After beginning his career as an improv comedian, he has played several comedic roles in film and television. He appeared in the films The Dictator, The Long Dumb Road, Sleeping with Other People, They Came Together, Conception, and John Wick: Chapter 3. He has had recurring roles on three TV series created by Michael Schur: Parks and Recreation (as Dennis Feinstein), Brooklyn Nine-Nine (as Adrian Pimento), and The Good Place (as Derek Hofstetler). He voices the characters Jay Bilzerian in the Netflix animated series Big Mouth, Alex Dorpenberger in the HBO Max animated series Close Enough, Rex Splode in the Amazon Prime animated action series Invincible, and Jankom Pog in the Paramount+ animated series Star Trek: Prodigy.- Anna Walton was born on 18 December 1980 in London, England, UK. She is an actress, known for Hellboy II: The Golden Army (2008), Mutant Chronicles (2008) and Vampire Diary (2006).
- Actress
- Producer
- Director
Richa began her career as a model and then she moved to theater. She has performed plays touring in India and Pakistan. Later, she also received her training under Barry John
Richa acted in the critically acclaimed movie Oye Lucky! Lucky Oye! as the character of Dolly, both the movie and her role were well appreciated. She was cast by Anurag Kashyap for his movies Gangs of Wasseypur - Part 1 and Gangs of Wasseypur - Part 2 wherein she plays the pivotal character of Nagma Khatoon in the narrative. In the movie, she matured from 16 to 60 years of age. She got the name "Ms. Fire" for her spirited portrayal in the epic movie. This performance was well appreciated by the Critics. The movie was premiered at the Cannes Film Festival in 2012 and the entire cast was present at the event.- Actor
- Writer
- Art Department
Jeff Kober was born in Billings, Montana on December 18, 1953. Not satisfied with being a rancher, Kober relocated to the L.A. area in his twenties with the desire to become an actor. His first appearance on the small screen was a non-billed role in the 1980s series V (1984). Kober went on to supporting roles in the highly acclaimed Vietnam War drama China Beach (1988) and the short-lived, but now-cult horror series Kindred: The Embraced (1996). Following these series, Kober has guested on some of the most popular television series of the day. They include Law & Order: Special Victims Unit (1999), CSI: Crime Scene Investigation (2000), ER (1994), 24 (2001), The Closer (2005) and Criminal Minds (2005).
Kober's big screen career began with the film Out of Bounds (1986), in which he played the first of his signature nefarious characters - "Roy Gaddis", a small-time drug dealer with murderous inclinations. This role led to more film opportunities in The First Power (1990), Tank Girl (1995) (a comedic turn), Defining Maggie (2002), World Without Waves (2004), and the remake of The Hills Have Eyes 2 (2007), among others. Never one to balk at taking a chance in the acting field, Kober has also appeared in several short independent films - the Academy Award-winning Session Man (1991) and, most recently, Lucid (2006), another film that has garnered a number of awards at independent film festivals across the country. He has done extensive stage work, most prominently, as "the father" in Jenny Sullivan's autobiographical work "J For J" and "Defying Gravity". Being a creature of diverse talents, Kober is also a noted artist (he was responsible for the paintings attributed to his character "Daedalus" on Kindred: The Embraced (1996) and is the c/o author of "Art That Pays: The Emerging Artist's Guide to Making a Living" along with Adele Slaughter. On the personal front, Kober is twice divorced (Rhonda Talbot, Kelly Cutrone) and the father of one son. He has, at present, finished work on The Hills Have Eyes 2 (2007) (set for release in March 2007)-in the role of "Col. Lincoln Redding". Kober's next film was Multiple (2008).- Actor
- Soundtrack
- Director
Josh Dallas was born in Louisville Kentucky. At the age of sixteen, Josh received the Sarah Exley Scholarship, a full ride scholarship given to one American student every three years to study acting at the prestigious "Mountview Conservatoire for the Performing Arts" in London, England. As an actor, Josh has performed with the Royal Shakespeare Company, Royal National Theatre, The English National Opera, The New Shakespeare Company, The Young Vic, to name a few.- Music Artist
- Composer
- Actress
Billie Eilish Pirate Baird O'Connell is an American musician, singer and actress from Los Angeles. She performed hit songs such as "Bad Guy" and "No Time to Die," which was used in the James Bond film of the same name. She provided ADR for Ramona and Beezus, Diary of a Wimpy Kid: Rodrick Rules and X-Men: Apocalypse.- Actress
- Music Department
- Composer
Bridgit Claire Mendler was born in Washington DC, and lived there until she was eight years old. Her family moved to the west coast, just outside of San Francisco, California. This is when she first expressed an interest in acting and began booking local jobs. In 2004, she landed her first role in the animated film, The Legend of Buddha (2004), as "Lucy". When she was 13, she landed her first acting role, as a guest star on General Hospital (1963). In 2008, she landed a role, as "Kristen Gregory", in the film, The Clique (2008). In 2009, Mendler became a recurring character on the Disney channel sitcom, Wizards of Waverly Place (2007), as "Juliet Van Heusen", until the series finale in 2012. Also in 2009, Mendler auditioned for the role of "Sonny Monroe" in Sonny with a Chance (2009). But the part was won by Demi Lovato. In 2010, Mendler won the role of "Teddy Duncan" on Good Luck Charlie (2010). In 2011, she starred as "Olivia White", the lead role in the Disney Channel original movie, Lemonade Mouth (2011). Also in 2011, Mendler had the role of "Appoline" in the film, Beverly Hills Chihuahua 2 (2011). Mendler later co-wrote and sang the Disney's "Friends for Change Games" anthem, called "We Can Change the World". In 2012, she guest-starred on the television series, House (2004), as "Callie Rogers". She later voiced the lead role of "Arrietty" in The Secret World of Arrietty (2010). Mendler's debut album, "Hello, My Name Is...", was released on October 22, 2012, by Hollywood Records. On February 12, 2013, her second single, "Hurricane", was released for radio airplay. The song peaked at number 1 Billboard Bubbling Under Hot 100, in United States, and sold over 300,000 digital copies.- Music Artist
- Actress
- Composer
Christina Maria Aguilera was born on December 18, 1980 in Staten Island, New York City, New York to musician Shelly Loraine Fidler Kearns and U.S. Army sergeant Fausto Wagner Xavier Aguilera Monge. Her father is Ecuadorian and her mother, who is American-born, has Welsh, Dutch and German ancestry. Her parents divorced when she was young and she lived with her mother, although they moved around a lot. Her goal almost since birth was to be a singer, and at age 12 she was invited to audition for The All New Mickey Mouse Club (1989). She won the part and stayed until the show ended. In 1999 she had her breakthrough hit, "Genie in a Bottle." Since then she's made millions of fans, sold millions of records, and won many awards, including a Grammy for Best New Female Artist. She has even made a Latin album and released a Christmas album.
Aguilera is a bilingual singer. She has received many honors including Grammy Nominations and a win for Best New Artist. 2 MTV Video Music Awards, a Radio Music Awards, 2 VH1 Awards, and a Teen Choice Award with 'Lil' Kim', Mya and Pink and the smash hit "Lady Maramalade". She was on The All New Mickey Mouse Club (1989) with *NSYNC's Justin Timberlake and JC Chasez, Britney Spears, Ryan Gosling, and Keri Russell. Her musical influences include Mariah Carey, Whitney Houston, and Janet Jackson.- Actress
- Additional Crew
She graduated summa cum laude from York University in Toronto and went on to work at the University in its Human Performance Lab, testing such elite professional athletes as the Toronto Maple Leafs and Winnipeg Jets and San Jose Sharks. She was also offered a scholarship to the master's program in physiotherapy at the University of Toronto but declined. She has writen a book on fitness and bodybuilding with one of her former university professors. Robert Kennedy (publisher of MuscleMag - whom she used to write for) convinced her to study acting and she began taking classes at the Actors Network in Toronto. Victoria is a blue belt in Shotokan karate and her favorite form of exercise is kickboxing. Victoria splits her time between Toronto, Los Angeles and New Zealand.- Actor
- Producer
- Writer
'Stone Cold' Steve Austin was born in Victoria, Texas, as Steven James Anderson, on December 18, 1964, the youngest of five children. His mother, Beverly Jane (Harrison), remarried to Kenneth Williams, and he took his stepfather's surname. He played football at the North Texas State University. He was worthy of achieving a free education because of his football skills in school. Williams then began training at Chris Adams's wrestling school as a rookie near the end of 1988, and made his professional wrestling debut at the end of 1989. He then moved over to minor wrestling companies to wrestle for money, and later entered WCW under the name of 'Stunning Steve Austin'. He didn't make a large name for himself in the company, as he only held an embarrassing two TV titles. Austin was fired by WCW and joined the WWF (now known as WWE) in December 1995. Austin left after a while to go to ECW but only stayed for a couple of weeks before he came back to the WWF as 'Stone Cold Steve Austin'. Austin then disposed of his old finishing move the 'Million Dollar Dream', which was the trademark of 'Million Dollar Man' Ted Dibiase, and began racking up the victories with his Stone Cold Stunner (kick to the gut followed by a jawbreaker).
Austin then had a good winning streak going by 1996 and wrestled to become the 1996 King Of The Ring. Austin cut his lip open during one match, and had to get it stitched up in between matches. In the grand final of the KOTR he defeated Jake 'The Snake' Roberts with a Stone Cold Stunner, and invented his famous motto as 'Austin 3:16'. As 1997 rolled around Austin's career soared to new heights. WCW realized Austin's popularity, and tried to make a 'clone' when they invited 'Bill Goldberg' to compete for them. During that year, Austin won the WWF Intercontinental Championship twice and the Tag Team Championships. When Austin successfully defended the IC title against Rocky Maivia (now known as The Rock, real name Dwayne Johnson) on a taping of RAW, he was ordered to defend it again because he drove his pickup truck to the ring and delivered a Stunner to D'Lo Brown ('A.C. Conner') on the roof, which Vince McMahon saw as weapon usage. Austin refused to defend the title again and dumped the old belt in a river, and therefore McMahon crowned Rocky Maivia as the new champion. However, Austin said he didn't care about that title, and set his sights on the Heavyweight Championship. Although Austin had won the 1997 Royal Rumble to qualify as the Number 1 Contender for the championship at WrestleMania XIII, he didn't get the place because he was eliminated but referees didn't notice, so instead, Austin fought Bret Hart in an Iron Man match which Hart won when Austin passed out from blood loss when he was trapped in a Sharpshooter. However, Austin successfully won the 1998 Royal Rumble when he eliminated Rocky Maivia. A stipulation was made for the main event at WrestleMania XIV (Austin vs. Shawn Michaels): the special guest referee would be Iron Mike Tyson! Austin had made a friendship with Tyson, but all though Tyson betrayed him when he joined DX! However, Tyson shocked the world when Austin hit Michaels with a Stone Cold Stunner and covered him while Tyson made the count, to win his first heavyweight title! Austin then went on to enjoy three months as champion when he lost the title to Kane (Glenn Jacobs)in a First Blood match on June 28, 1998, at King Of The Ring. However, Austin regained the title a day later, and was forced to compete for it in a tournament at the 1998 Survivor Series. He was defeated by Mankind ('Mick Foley'), and later that night, The Rock won the championship and joined the Corporation.
As 1999 came around, Austin became embroiled in a feud with The Rock when Vince McMahon eliminated him from the Royal Rumble while The Rock had him distracted. However, Austin still got the place in the main event at WrestleMania XV, and he won his third championship from The Rock with a Stone Cold Stunner. He retained the title against The Rock in a Boiler Room Brawl at Backlash 1999. Austin lost the title to The Undertaker ('Mark Callaway'), but regained it in July 1999. Later that year, at the 1999 Survivor Series Austin was ran over by a car and had to have spinal surgery, and was out of action for the next 11 months. However, Austin returned to the wrestling scene at Backlash 2000 when he helped The Rock win his fourth WWF Championship from Triple H ('Michael Paul LeVesque'). Austin was then welcomed back to wrestle in October 2000 at No Mercy, when he fought Rikishi ('Solofa Fatu') in a No Holds Barred match which had to be stopped when Austin was about to run Rikishi over but was arrested by the police. The mystery was revealed that it was Triple H who had Rikishi run Austin over, and Austin battled Triple H at Survivor Series 2000, and won the match. Steve had a chance to win the WWF title from Kurt Angle, who was reigning at the time, at Armaggedon 2000, in a Six-Man Hell In A Cell Match, which also had Kurt Angle, The Rock, Triple H, Rikishi, and The Undertaker. Austin had the title in his grasp when he hit The Rock with a Stone Cold Stunner, but Angle snuck up and covered The Rock to retain the title.
Austin's hopes raised yet again when he eliminated Kane from the 2001 Royal Rumble, therefore becoming the first and only ever three-time Royal Rumble winner, and the Number One Contender for the WWF Championship. At No Way Out 2001, Austin lost a 2-Out-Of-3 Falls match to Triple H, when they both knocked each other out, but Triple H fell on top of Austin. Later that night, The Rock defeated Kurt Angle to become the first-ever six-time WWF World Champion, therefore deciding that the main event at WrestleMania X7 would be The Rock vs. Stone Cold Steve Austin. Austin defeated The Rock on April 1, 2001, for his fifth WWF title, but turned heel when he joined forces with Vince McMahon. The Rock was suspended from the WWF for almost four months. Austin's reign as Champion lasted for 5 months and 22 days, which was the longest championship reign in several years. Austin won the Tag Team Championship with Triple H at Backlash 2001, but they lost them again on May 21, on a taping of RAW to Chris Jericho and Chris Benoit. In that same match, Triple H tore his quadricep muscle and had to go to hospital for eight months of surgery. At King Of The Ring 2001 on June 24 Austin retained the title successfully from both Jericho and Benoit in a Triple Threat match.
Austin shocked the world by turning heel again on July 22, 2001 when he joined the WCW/ECW Alliance, helping them win the Inaugural Brawl against the WWF, and also invented the catchphrase of 2001, which was "What?". However, Vince McMahon reinstated The Rock on July 30. In August, Kurt Angle started feuding with Austin and was determined to take the championship back from him at Summerslam. Austin disqualified himself to remain the champion, however, Angle won the title back from him at Unforgiven on September 23, 2001. Austin then regained the title from Angle on RAW in October, when William Regal came to his aid. In November, Austin narrowly escaped losing the title to The Rock at Rebellion, with a little help from Kurt Angle. Later that month, The Rock put the WCW/ECW Alliance out of business in the Winner Take All match, which was also Austin's first loss to The Rock. However, Austin returned to the federation, still as the heavyweight champion the night after, but lost it to Chris Jericho on December 9, 2001, when Jericho became the first-ever Undisputed Champion when Austin was defeated in the grand finals. Austin then challenged Jericho for the Undisputed title at No Way Out 2002 in February, and would have won the match, but the nWo interfered and attacked Austin, helping Jericho retain the title. Austin then feuded with the nWo's Scott Hall and faced him in a match at WrestleMania X8, which Austin won, even putting away the difficulty that was made by the constant interfering of Kevin Nash. At Backlash 2002 Austin faced the Undertaker in a Number 1 Contender match for the Undisputed Championship, but Austin was screwed out of the decision when The Undertaker booted a steel chair into his face and covered him for the pinfall. Austin had his foot on the rope, but special referee Ric Flair didn't notice. Austin began feuding with Flair and faced him in a 2-On-1 Handicap match at Judgment Day 2002 - Flair's partner was Big Show Paul Wight. That would be Austin's last PPV match, as early in June, he did not show up for a taping of RAW. Austin has not been seen since. He is 6'2", and when he first entered the federation he weighed 241 pounds, but boosted up to 252 later on in his career. He says that his weight "depends on how much beer I drink".- Leila Arcieri was born on 18 December 1973 in San Francisco, California, USA. She is an actress, known for Son of the Beach (2000), Daddy Day Care (2003) and Untitled Kanye West HBO Project (2008).
- Actress
- Soundtrack
Gladys Cooper was the daughter of journalist William Frederick Cooper and his wife Mabel Barnett. As a child she was very striking and was used as a photographic model beginning at six years old. She wanted to become an actress and started on that road in 1905 after being discovered by Seymour Hicks to tour with his company in "Bluebell in Fairyland". She came to the London stage in 1906 in "The Belle of Mayfair", and in 1907 took a departure from the legitimate stage to become a member of Frank Curzon's famous Gaiety Girls chorus entertainments at The Gaiety theater. Her more concerted stage work began in 1911 in a production of Oscar Wilde's comedy "The Importance of Being Earnest" which was followed quickly with other roles. From the craze for post cards with photos of actors - that ensued between about 1890 and 1914 - Cooper became a popular subject of maidenly beauty with scenes as Juliet and many others. During World War I her popularity grew into something of pin-up fad for the British military.
In the meantime she sampled the early British silent film industry starting in 1913 with The Eleventh Commandment (1913). She had roles in a few other movies in 1916 and 1917. But in the latter year she joined Frank Curzon to co-manage the Playhouse Theatre. This was a decidedly new direction for a woman of the period. She took sole control from 1927 until other stage commitments in 1933. She was also doing plays, some producing of her own, and a few more films in the early 1920s. It was actually about this time that she achieved major stage actress success. She appeared in W. Somerset Maugham's "Home and Beauty" in London in 1919 and triumphed in her 1922 appearance in Arthur Wing Pinero's "The Second Mrs. Tanqueray". It was ironic that writer Aldous Huxley criticized her performance in "Home and Beauty" as "too impassive, too statuesque, playing all the time as if she were Galatea, newly unpetrified and still unused to the ways of the living world." On the other hand, Maugham himself applauded her for "turning herself from an indifferent actress (at the start of her career) to an extremely competent one". She also debuted the role of Leslie Crosbie (the Bette Davis role in the 1940 film) in Maugham's "The Letter" in 1927.
In 1934 Cooper made her first sound picture in the UK and came to Broadway with "The Shining Hour" which she had been doing in London. She and it were a success, and she followed it with several plays through 1938, including "Macbeth". About this time Hollywood scouts caught wind of her, and she began her 30 odd years in American film. That first film was also Alfred Hitchcock's first Hollywood directorial effort, Rebecca (1940). Hers was a small and light role as Laurence Olivier's gregarious sister, but she stood out all the same. Two years later she bit into the much more substantial role as Bette Davis' domineering and repressive mother in the classic Now, Voyager (1942) for which she received an Oscar nomination for Best Supporting Actress - the first of three. Though aristocratic elderly ladies were roles she revisited in various guises, Cooper was busy through 1940s Hollywood.
She returned to London stage work from 1947 and stayed for some early episodic British TV into 1950 before once again returning to the US, but was busy on both sides of the Atlantic until her death. Through the 1950s and into the 1960s Cooper did a few films but was an especially familiar face on American TV in teleplays, a wide range of prime-time episodic shows, and popular weird/sci-fi series: several Alfred Hitchcock Presents, Twilight Zone, and Outer Limits. When Enid Bagnold's "The Chalk Garden" opened in London in 1955, Cooper debuted as Mrs. St. Maugham and brought it to Broadway in October of that year where it ran through March of 1956. Her last major film was My Fair Lady (1964) as Henry Higgins' mother. The year before she had played the part on TV. In the film, the portrait prop of a fine lady over Higgins' fireplace is that of Cooper painted in 1922. She wrote an autobiography (1931) followed by two biographies (1953 and 1979). In 1967 she was honored as a Dame Commander of the Order of British Empire (DBE) for her great accomplishments in furthering acting.- Actress
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She rose to fame in the drama Kimi wa petto (2003) with Jun Matsumoto and gained huge popularity.
Her first international film was The Last Samurai (2003) where she played Taka, wife of a Samurai slain by the character Nathan Algren, portrayed by Tom Cruise, Koyuki was well-known in Japan for years before that. She first caught the attention of the public in 1997 by winning an exclusive modelling contract with the magazine Non-no, but quickly grew beyond modelling and has earned acclaim as an actress through her many roles on Japanese television and in several Japanese films.
She has been appeared in many commercials, including Coca-Cola Japan's Sokenbicha, P&G Max Factor SK-II, and Suntory Kakubin.- Actress
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Isabella Crovetti began her acting career in the fall of 2010. As both her parents have careers in the industry, Isabella is no stranger to the world of film and television.
It wasn't long before Isabella was signed with the Osbrink talent agency, one of the top children's talent agencies in Los Angeles. Within a month's time Isabella was fortunate enough to be booking commercials, voice-overs, television shows and meeting with film directors such as Cameron Crowe, Shawn Levy, Chris Koch, Juan José Campanella and David O Russell.
Isabella's first pilot season landed her a starring role in the FOX comedy pilot Family Album, directed by Shawn Levy. By her first summer, Isabella booked a starring role in her first TV movie, Possessing Piper Rose, opposite Rebecca Romijn.
For her second pilot season, Isabella landed starring roles in both the ABC pilot The Neighbors as well as the Disney pilot Crash and Bernstein. Some of the shows she has worked on include Mike and Molly, In Plain Sight, Jessie, CSI, Enlightened, Happy Endings, It's Always Sunny in Philadelphia and Scorpion.
Isabella is now starring in the Carlton Cuse television show Colony on USA Network as well as lending her voice for the lead role in the Nickelodean show Shimmer and Shine. Isabella also played a young Jennifer Lawrence in David O Russell's film Joy, starring Jennifer Lawrence, Bradley Cooper and Robert De Niro. In the winter of 2016, Isabella began shooting a Disney film entitled Magic Camp starring Adam Devine, Jillian Jacobs and Jeffrey Tambor. Isabella is also the lead voice and singing vocals for Disney's Vampirina.
Isabella comes from a creative family as both her parents work in the industry and her twin brothers are also actors. Cameron and Nicholas Crovetti can be seen as Nicole Kidman's twin boys on Big Little Lies (2017) . Besides acting, Isabella enjoys playing with her three siblings, sings and plays the guitar and enjoys a variety of sports. She is also a competitive gymnast and track runner.- Begoña Vargas was born on 18 December 1999 in Madrid, Spain. She is an actress, known for The Laws of the Border (2021), Berlin (2023) and Welcome to Eden (2022).
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Claudia Gerini was born in Rome, where she did classical studies and dance training. Her acting career began when an advertising agency cast her in several commercials.
Claudia Gerini has had a long movie career in Italy and abroad, working with actors and directors like Sergio Castellito, Giuseppe Tornatore, Mel Gibson, acting both in comedic and dramatic roles. Her first star-making role was in "Viaggi di nozze" with comedian Carlo Verdone, with whom she will still works from time to time.
In theater, Claudia Gerini appeared in the show "Angelo e Beatrice" by Francesco Apolloni. She recently returned to the stage with the one-woman show "Storie di Claudia," written and directed by Giampiero Solari, a musical which highlights all her skills: dance, singing and acting.
She has acted in some of the most interesting projects of contemporary Italian cinema, such as "La Sconosciuta" by Giuseppe Tornatore, "Non ti muovere" by Sergio Castellitto, "Una famiglia perfetta" by Paolo Genovese, "Diverso da chi" by Umberto Carteni and many others.
Claudia Gerini has two daughters (Rosa and Linda ) and never stops studying and training. In addition to Italian, she fluently speaks English, French and Spanish.- Actress
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Hyunri LEE (well known as "Hyunri" in Japan and Korea )is born in Tokyo, Japan of Korean descent. She is completely bilingual in Japanese and Korean. She lived in Oxford, England when she was a teenager. And she moved to study acting in Shin-Yong Wook Acting academy in Korea at the same time as an exchange student at Yonsei University from Aoyama Gakuin University majoring in law. After college she returned to Japan and landed acting jobs in many Japanese films as well as top TV shows. In 2016, Her first starring role, she played a Japanese Korean girl living in Tokyo, in "The Voice of Water" which was officially invited to the 65th Berlin International Film Festival. This film received numerous awards including the Rising Star Award in the 29th Takasaki Film Festival. She also received People choices Asian Star award in Seoul international drama awards 2017. In 2020, she appearing as the support role Hiroko Kusakabe in the movie "Wife of a Spy" directed by Kiyoshi Kurosawa won the Silver lion prize in Venice International Film Festival. Also in 2021, the role of Tsugumi in the movie "The wheel of fortune and fantasy" directed by Ryusuke Hamaguchi won the prize of Silver Bear Grand July prize in Berlin International Film Festival. The best well known her role in Japan is Saeko Harada in "Mistresses" based on BBC's TV series and the role of Yoon Jian in "Love you as the world ends" on Hulu(2021). Hyunri also hosted her own radio show for one of the largest radio stations J-WAVE in Tokyo from 2017 until 2022. She speaks fluent Japanese, Korean and English.- Actress
- Producer
Kari Byron was born on 18 December 1974 in Santa Clara County, California, USA. She is an actress and producer, known for MythBusters (2003), Creature Features (2016) and White Rabbit Project (2016). She was previously married to Paul Urich.- Actress
- Soundtrack
Elizabeth Ruth Grable was born on December 18, 1916 in St. Louis, Missouri, to Lillian Rose (Hofmann) and John Conn Grable, a stockbroker. She had German, English, Irish, and Dutch ancestry. Her mother was a stubborn and materialistic woman determined to make her daughter a star. Elizabeth, who later became Betty, was enrolled in Clark's Dancing School at the age of three. With her mother's guidance, Betty studied ballet and tap dancing.
Betty and her mother set out for California with the hopes of stardom. She attended the Hollywood Professional school but Lillian lied about her daughter's age and Betty (real age 13), landed several minor parts as a chorus girl in early musicals (Whoopee! (1930), New Movietone Follies of 1930 (1930), Happy Days (1929) and Let's Go Places (1930)), initially billed as 'Frances Dean'. In 1932 (real age 15), she signed with RKO Radio Pictures and began to use the moniker 'Betty Grable'. The bit parts continued for the next three years. Betty finally landed a substantial part in By Your Leave (1934). One of her big roles was in College Swing (1938). Unfortunately, the public did not seem to take notice.
The following year, she married former child star Jackie Coogan. They briefly toured on vaudeville and his success boosted hers, but they divorced in 1940. When she landed the role of Glenda Crawford in Down Argentine Way (1940), the public finally took notice of this shining bright star. Stardom came in such comedies as Coney Island (1943) and Sweet Rosie O'Grady (1943).
The public was enchanted with Betty. Her famous pin-up pose during World War II adorned barracks all around the world. With that pin-up and as the star of lavish musicals, Betty became the highest-paid star in Hollywood. After the war, her star continued to rise. In 1947, the United States Treasury Department noted that she was the highest paid star in America, earning about $300,000 a year - a phenomenal sum even by today's standards. Later, 20th Century-Fox, who had her under contract, insured her legs with Lloyds of London for a million dollars. She continued to be popular until the mid-1950s, when musicals went into a decline. Her last film was How to Be Very, Very Popular (1955).
She then concentrated on Broadway and nightclubs. In 1965, she divorced band leader Harry James, whom she had wed in 1943. Her life was an active one, devoid of the scandals that plagued many stars in one way or another. She cared more for her family than stardom.
Betty Grable died at age 56 of lung cancer on July 2, 1973 in Santa Monica, California, five days before Veronica Lake's death. She was interred at Inglewood Park Cemetery.- Actor
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Robson Golightly Green was born on 18 December 1964 in Hexham, Northumberland, England, to Robson and Ann Green. He has two sisters, Dawn and Joanna; a wife, Vanya Seager; and a son (born in 2000). He began his TV/film career on Casualty (1986) as hospital porter Jimmy Powell. He then appeared in Soldier Soldier (1991) as Fusilier Dave Tucker. He and Soldier Soldier (1991) co-star Jerome Flynn's record "Unchained Melody/White Cliffs of Dover" sold more than 1.9 million copies in the UK; the duo won Top Album & Top Single at the 1996 Music Week Awards in England. They formed Clapp Trapp Productions & starred in "Ain't Misbehavin." Green and his business partner, Sandra Jobling, formed Coastal Productions. His nephew Daymon Britton is also an actor. Green's intro to US audiences came in the Masterpiece (1971) presentation of Reckless (1997). He is a fan of Newcastle United Football team, long-distance running, & Italian & Thai foods.- Allan Kayser was born on 18 December 1963 in Littleton, Colorado, USA. He is an actor, known for Night of the Creeps (1986), Mama's Family (1983) and House of Forbidden Secrets (2013). He has been married to Sara Kayser since 23 August 2014. They have two children. He was previously married to Lori Kayser.
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Ravi Patel was born on 18 December 1978 in Freeport, Illinois, USA. He is an actor and producer, known for Transformers (2007), Meet the Patels (2014) and Master of None (2015). He has been married to Mahaley Patel since 8 November 2015. They have one child.- Actress
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- Camera and Electrical Department
Actress Emily Atack was born December 18, 1989, in Luton, Bedfordshire, England, UK. Best known for comedy, she has appeared in numerous projects for TV, stage, and screen. In 2016, Emily played Daphne in the movie reprise of Dad's Army (2016) alongside Bill Nighy and Toby Jones. In 2017 Emily starred in Lies We Tell (2017) starring Gabriel Byrne and Harvey Keitel. She was series regular Charlotte Hinchcliffe in all three series of the multiple award winning The Inbetweeners (2008); other TV credits include HBO/BBC's Tracey Ullman's Show (2016), Sky One's Little Crackers (2010), and BBC One's Father Brown (2013).- Actor
- Producer
Robert Wahlberg was born on 18 December 1967 in Boston, Massachusetts, USA. He is an actor and producer, known for The Equalizer (2014), The Departed (2006) and Mystic River (2003). He has been married to Gina Santangelo since 25 September 1994. They have two children.- Actress
- Soundtrack
A curvaceous, dark-haired WWII pin-up beauty (aka "The Woo Woo Girl" and "The Girl with the Million Dollar Figure"), "B" film star Lynn Bari had the requisite looks and talent but few of the lucky breaks needed to penetrate the "A" rankings during her extensive Hollywood career. Nevertheless, some worthy performances of hers stand out in late-night viewings.
She was born with the elite-sounding name of Marjorie Schuyler Fisher on December 18, 1919 (various sources also list 1913, 1915 and 1917), in Roanoke, Virginia. She and her elder brother, John, moved with their mother to Boston following the death of their father in 1927. Her mother remarried, this time to a minister, and the family relocated once again when her stepfather was assigned a ministry in California (the Institute of Religious Science in Los Angeles).
Paying her dues for years as a snappy bit-part chorine, secretary, party girl and/or glorified extra while being groomed as a starlet under contract to MGM and Fox, her first released film was the MGM comedy Meet the Baron (1933), in which she provided typical window dressing as a collegian. For the next few years there was little growth at either studio, as she was usually standing amidst others in crowd scenes and looking excited. Finally in Lancer Spy (1937), she received her first billing on screen for a minor part as "Miss Fenwick". Though more bit parts were to dribble in, the year 1938 proved to be her breakthrough year. She finally gained some ground playing the "other woman" role in glossy soaps and musicals, first giving Barbara Stanwyck some trouble in Always Goodbye (1938).
Fox Studios finally handed her some smart co-leads and top supports in such second-tier films as The Return of the Cisco Kid (1939), Pack Up Your Troubles (1939), Hotel for Women (1939), and Hollywood Cavalcade (1939). Anxiously waiting for "the big one", she made do with her strong looks, tending toward unsympathetic parts. She enjoyed the attention she received playing disparaging society ladies, divas, villainesses, and even a strong-willed prairie flower in such films as Pier 13 (1940), Earthbound (1940), Kit Carson (1940), and Sun Valley Serenade (1941), but they did little to advance her in the ranks.
The very best role of her frisky career came with the grade "A" comedy The Magnificent Dope (1942), in which she shared top billing with Henry Fonda and Don Ameche. But good roles were hard to find in Lynn's case, and she good-naturedly took whatever was given her. Other above-average movies (she appeared in well over 150) of this period came with China Girl (1942), Hello Frisco, Hello (1943), The Bridge of San Luis Rey (1944), and Nocturne (1946).
With diminishing offers for film parts by the 1950s, she started leaning heavily towards stage and TV work. She continued her career until the late '60s and then retired. Her last work included the film The Young Runaways (1968) and TV episodes of "The Girl from U.N.C.L.E." and "The F.B.I." Divorced three times in all, husband #2 was volatile manager/producer Sidney Luft, better known as Judy Garland's hubby years later, who was the father of her only child. Her third husband was a doctor/psychiatrist, and she worked as his nurse for quite some time. They divorced in 1972. Plagued by arthritis in later years, Bari passed away from heart problems on November 20, 1989. Although she may have been labeled a "B" leading lady, she definitely was in the "A" ranks when it came to class and beauty.- Music Artist
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Earl Simmons (December 18, 1970 - April 9, 2021), known by his stage name DMX ("Dark Man X"), was an American rapper and actor. He began rapping in the early 1990s and released his debut album It's Dark and Hell Is Hot in 1998, to both critical acclaim and commercial success, selling 251,000 copies within its first week of release. DMX released his best-selling album, ... And Then There Was X, in 1999, which included the hit single "Party Up (Up in Here)". His 2003 singles "Where the Hood At?" and "X Gon' Give It to Ya" were also commercially successful. He was the first artist to debut an album at No. 1 five times in a row on the Billboard 200 charts. Overall, DMX sold over 74 million records worldwide.- Music Artist
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- Music Department
Keith Richards is an internationally recognized iconic figure in contemporary culture and popular music as a singer, guitar player, songwriter, film actor, and public figure. He was voted 10th greatest guitarist of all time by Rolling Stone Magazine, and was elected to the Rock and Roll Hall of Fame in 1989, as founding member of the legendary rock band The Rolling Stones. Together with his song-writing partner, Mick Jagger, he wrote and recorded hundreds of songs, including their monster hit 'Satisfaction', one of the defining songs of the era.
He was born on December 18, 1943, in Dartford, Kent, England, UK. His father, Bert Richards, a factory worker, was injured during the WWII. His mother, Doris (Dupree), introduced him to music of jazz, and also encouraged his singing performances with a choir in Westminster Abbey. Keith Richards met Mick Jagger when he attended primary school during the 1950s, albeit when they went into secondary schools they lost touch for a while. But one day in 1960 they accidentally met on a train and talked about starting up a band. Eventually, Richards and Jagger made their dream come true. They established one of the most legendary life-long songwriting partnerships, following the example of John Lennon and Paul McCartney's songwriting for The Beatles. Besides their main success in popular music and entertainment, Richards and Jagger had carried on their early image of unkempt and surly youth that many others would emulate, and spread their influence across traditional boundaries of genres and styles into filmmaking, art, fashion, and contemporary lifestyle, thus turning Jagger and Richards into cross-cultural trend-setters.
Since The Rolling Stones were formed in 1962, Richards and Jagger were continuously absorbing from many musical styles and assimilated various genres and artistic influences, ultimately creating their very own inimitable style. Together they undergone transformation from semi-amateur local musicians to the leading international superstars. Both Richards and Jagger became poster boys for excess, however, they had survived ups and downs in their careers and personal lives, and remained the core of the band. Initially they shared a flat with the late Brian Jones in London, in 1962. The first lineup of the Stones consisted of Mick Jagger on lead vocal and harmonica Keith Richards on guitar, Bill Wyman on bass, Charlie Watts on drums and Brian Jones on guitar. In 1964 they released their first album titled "The Rolling Stones." In 1965 Richards and Jagger wrote their single, "The Last Time," that became their first number 1 hit in the UK. Then came "Satisfaction" (1965), which was composed by Keith Richards in his sleep, and with the addition of provocative lyrics by Mick Jagger it became the greatest hit and their calling card on each and every show.
In 1966, after The Beatles stopped giving live performances, The Rolling Stones took over as the unofficial "biggest touring band in the world" for the next few years. During 1966-1969 they toured the world, and constantly updated their song-list with many great hits like "Lets Spend the night together" (1967), "Sympathy for the Devil" (1968) and "Honky tonk woman" (1969). The incredible international success of the Stones came with a sad side, caused by Brian's drug and alcohol abuse that impaired his speech and appearance, so the band-mates had to replace him. In July 1969, Brian Jones died of drowning in his swimming pool while having signs of drug overdose. Upon Richards's and Jagger's approval, guitarist Mick Taylor took Brian's place. Brian's death at age 27 made him one of the first members of the infamous "27 Club" of rock stars who died at that age. Although Brian's estrangement from his band-mates, and his numerous arrests were caused by his personal problems with drugs, both Richards and Jagger were blamed at the time for Brian's death. The loss of one of their founding members was a painful moment for the Stones. However, at the end of the 1960s their creativity reached the new highs. Their albums "Beggars Banquet" (1968) and "Sticky Fingers" (1971) were among the most popular albums they ever made, having such hits as "Wild Horses" and "Brown Sugar."
During the 1970s The Rolling Stones remained the biggest band in the world, albeit they were rivaled by the Led Zeppelin. The Stones made thousands of live performances and multi-million record sales with hits like "Angie" (1973), "It's Only Rock and Roll" (1974), "Hot Stuff" (1976) and "Respectable" (1978). At that time both Keith Richards and Mick Jagger had individual ambitions, and applied their untamed creativity in various projects outside the Stones. Keith released his own single. In 1974 Ron Wood had replaced Mick Taylor on guitar and Keith and Ron both played lead guitars. During the decade Keith Richards had a family crisis on his hands, and suffered through emotional pain and drug abuse, albeit it didn't stop him from being himself. In 1980 the group released "Emotional Rescue" which Keith Richards didn't care for, and the group didn't even tour to promote the album. In 1981 with the release of 'Tattoo You', the group went on a major world tour filling stadiums in the US and in Europe. In 1983 the Stones recorded the album "Undercover" at the Compass Point in Nassau and during this time Mick and Keith were having arguments over rights of the group. After having created tens of albums and over a hundred popular songs together, their legendary song-writing partnership was undergoing the most painful test: the bitter rivalry between two enormously talented and equally ambitious superstars.
Outside of The Rolling Stones, Richards toured with The New Barbarians, and also was the front-man of the X-Pensive Winos in the 1980s. In 1985 Keith Richards took part in the "Artists United Against Apartheid" charity project, and has been a participant in many more charitable concerts ever since. In 1992 he released his solo album titled 'Main Offender', which got him back on the road with a promotional tour. Also during the tour he continued singing a few Stones songs. But individual career and solo performances did not bring Richards as much satisfaction as he experienced together with his writing partner. Eventually, Jagger and Richards got together in Barbados and started to write new songs for the album "Steel Wheels." After the Stones recorded it they went back on the road. It was the first tour of The Rolling Stones in 7 years. But in 1992 Bill Wyman announced that he was going to leave the group. In 1993 Keith Richards and his band released an album and toured for a few months. However, his artistic and personal connection with the Stones had eventually prevailed, and Richards reunited with his former band-mates.
In 1994 The Rolling Stones got back together again and recorded the album "Voodoo Lounge" and toured the world extensively. In 1995 an album of their warm up gig in a pub in Denmark was released. It was an acoustic live album called "Stripped". In 1997 they released the album "Bridges to Babylon" and started a new tour promoting the album. In 1998 a live album "No Security" was released. Their 1999 the tour ended and the group hasn't performed together until 2002. At that time Keith Richards continued playing guitar for various projects and artists, such as Norah Jones, and Aretha Franklin among others. Richards has been good friends with Johnny Depp, who modeled the character of Capt. Jack Sparrow after him, including his voice, his mannerisms, his personality, and aspects of his appearance. In return, Johnny Depp invited Keith Richards to play his father, Captain Teague, in the third installment of the "Pirates" franchise, Pirates of the Caribbean: At World's End (2007).
The Rolling Stones have released 55 albums of original work and compilations, and sold over 200 million records word-wide during their career spanning over 45 years. "The Stones" played in all kinds of spaces from small clubs to big stadium arenas, they remained one of the biggest entertainment acts touring the world with a retinue of jet-set hangers-on. Their inimitable shows, no matter the best, or the worst, has been played with fire and emotion, giving their audiences the kind of music they do best - it's only rock'n roll. In 2007 they even rocked the Tsar's Winter Palace with fifty thousand fans in St. Petersburg, Russia, where the communist revolution took place. They gave more large-scale shows internationally than any other existing band in the world, culminating in their 2005-2007 "A Bigger Band" tour with 147 concerts, the highest grossing tour of all time with $559 million earned. At their shows, even if you don't shake your hips like Mick Jagger, just hold on to your hat as tears go by, and they can start you up and get you rocking. You can make it if you try.
Since 1962, during the career spanning over 45 years, Keith Richards has been the lead guitarist and primary musical force behind The Rolling Stones, as well as songwriter for the band. He also continues making numerous guest performances as guitarist, as well as actor and producer active in various other projects. Besides his favorite Telecaster and Gibson guitars, Keith Richards owns a valuable collection of about one thousand vintage guitars of various brands, many of which he takes along on concert tours and studio gigs.
Since Richards wrote the signature "Satisfaction" guitar riff, that was called by Newsweek "five notes that took the world," his influence on popular music had never stopped. In his own words, Keith Richards has been dedicated to "grow this music up" beyond the theatrics of the rock's past and "keep it fresh."- Actor
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Roger E. Mosley was born on 18 December 1938 in Los Angeles, California, USA. He was an actor and director, known for Magnum, P.I. (1980), A Thin Line Between Love and Hate (1996) and Terminal Island (1973). He was married to Antoinette 'Toni' Laudermilk and Saundra J Locke. He died on 7 August 2022 in Los Angeles, California, USA.- Actor
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Shawn can most recently be seen in Magnum PI on CBS and Chicago Med on NBC. Prior to that, he was featured in ABC's The Rookie and recurred in Freeform's Famous In Love starring Bella Thorne. He co-created and starred in the film Love In The Sun for Hallmark. He also stars in the film Savannah Surprise on Netflix and the independent feature Last Seen In Idaho.- Actress
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Patricia Anne Stratigeas, better known as Trish Stratus, is marketed as a former wrestler for World Wrestling Entertainment (WWE). Before she became a mainstay in professional wrestling, she was a student at York University in Toronto, Canada. She majored in Biology and Kinesiology, but when the professors went on strike she took a job as receptionist at a local fitness club. There she was soon discovered by an agent who landed her a job as a fitness model.
Her success as a fitness model eventually caught the attention of a WWE talent official who sent her a letter offering her a contract. Other wrestling promotions had also offered her similar contracts, but she decided to sign with the WWE. She then made her WWE debut in March 19, 2000 on WWF Sunday Night Heat #86 (2000), where she formed the tag team of T & A with Test (Andrew Martin) and Albert (Matt Bloom). She also became the manager of then-WWE Intercontinental Champion Val Venis (Sean Morley).
Trish Stratus is highly regarded as a self-proclaimed WWE Diva. Among her accomplishments: she was voted Internet Babe of the Year for three consecutive years in 2001, 2002 and 2003, along with winning the "Diva of the Decade" award for the Raw Tenth Anniversary (2003); she graced the cover of the annual WWE Divas Magazine four times--in 2000, 2002, 2003, and 2006; and she holds the record for being the only woman in WWE history to win the WWE Women's Championship seven times. On September 17, 2006, she officially retired from professional wrestling after an amazing 7-year career; she'll be remembered for the legacy she left during her time with the WWE.
Following her retirement from WWE, she made occasional appearances on WWE Raw (1993) in 2007, 2008, 2009, 2011, and 2012, either for a special anniversary episode (Raw 15th Anniversary (2007) and Raw 1000 (2012)- Raw 1000), to wrestle, to guest-host, or make a televised appearance in a gimmick style segment. She participated in WrestleMania XXVII (2011) in 2011 with Snooki (Nicole Polizzi) and John Morrison (John Hennigan) in an intergender tag team match against Laycool (Layla El and Michelle McCool) and Dolph Ziggler (Nic Nemeth) in which her team proved victorious. She was later inducted in the WWE Hall of Fame 2013 (2013) in 2013 by Stephanie McMahon and the following year she inducted her bestie Lita (Amy Dumas) in the WWE Hall of Fame (2014) in 2014.
During that time, she toured with Lita (Amy Dumas) on convention tours to meet and greet fans who enjoyed their 2000-2006 friendship/rivalry. In 2018, they made their return to WWE when they individually participated in the main event all women's WWE Royal Rumble (2018), then wrestled in a tag-team match against Alicia Fox (Victoria Crawford) and Mickie James at the all female pay-per-view WWE Evolution (2018). Trish Stratus continues to split her time between making appearances at conventions, doing autograph signings for special WWE events, and taking care of her children Maximus (born September 30, 2013) and Madison (born January 14, 2017). She also made her mark in the feature films Bounty Hunters (2011) as Jules and Gridlocked (2015) as Gina.- Actress
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Botswana-born and Canadian-raised, Malia Baker became most recognizable for her standout performance as Mary Anne Spier in Netflix's award-winning series, The Baby-Sitter's Club, which debuted in 2020 and earned her a Family Emmy nomination for Best Youth Performance. Baker has also starred in Nickelodeon's reimagined horror anthology classic, Are You Afraid of The Dark? Both credits earned her a nomination for Favorite Female TV Star at the 2022 Kids Choice Awards.
Previous credits also include appearances on The Flash, A Million Little Things and as lead on the Lifetime movie Caught in His Web, executive produced by Whoopi Goldberg. Baker's upcoming projects include the Independent Feature, Spider & Jesse, where she joins Jesse Williams, McKenna Grace and Dacre Montgomery; Miramax's dramedy Harvest Moon, where she stars alongside industry titans Paul Bettany, Carmen Ejogo, and Candice Bergen, with Mark Waters directing; and, the Disney+ movie The Descendants: The Rise Of Red, which has her sharing a bill with Brandy and Rita Ora.
Most recently Baker joined as producer on the award-winning script, 12 Hours, as well as executive producer and star in Hair of the Bear, an indie survival drama marking the narrative feature debut of co-directors Alexandre Trudeau and James McLellan.
Named one of Seventeen magazine's Voices of the Year and Refinery29 Canada's Powerhouses, Malia Baker has utilized every opportunity to dedicate her platform, and free time, to speak up - and show up - for social justice issues, with a particular focus on girls' and women's rights. In this capacity Baker has contributed to conversations and publications for girls around the world on their rights, equality, girlhood, mental health, violence prevention and being a changemaker. Baker currently serves as a Champion for the UN initiative, GirlUp, and as the first ever youth Global Ambassador for the organization, She's the First.- Actor
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Ossie Davis was born on 18 December 1917 in Cogdell, Georgia, USA. He was an actor and writer, known for Do the Right Thing (1989), Bubba Ho-Tep (2002) and Grumpy Old Men (1993). He was married to Ruby Dee. He died on 4 February 2005 in Miami Beach, Florida, USA.- Lucy Helyn Deakins is an American attorney and former actress best known for starring as Milly in The Boy Who Could Fly and originating the role of Lily Walsh on As the World Turns. Deakins was born in New York City, the daughter of Alice, a professor at Columbia University, and Roger, a professor at New York University. She graduated from Stuyvesant High School and enrolled in Harvard University in 1988. She graduated in 1994 with a degree in comparative religion. She took time off from acting to backpack across Europe. In 2007, she graduated from University of Washington School of Law and is now a practicing attorney in Denver, Colorado, specializing in the energy industry. She is a partner in the Denver law firm, Dunsing, Deakins & Galera.
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Sia Kate Isobelle Furler (born 18 December 1975) is an Australian singer, songwriter, record producer and music video director. She started her career as a singer in the acid jazz band Crisp in the mid-1990s in Adelaide. In 1997, when Crisp disbanded, she released her debut studio album titled OnlySee in Australia, but it did not sell well. She moved to London, England, and provided lead vocals for the British duo Zero 7.
In 2000, Sia released her second studio album, Healing Is Difficult, the following year but was displeased with the promotion of the record. She released her next studio album, Colour the Small One, in 2004, but it struggled to connect with a mainstream audience. Sia relocated to New York City in 2005 and toured in the United States. Her fourth and fifth studio albums, Some People Have Real Problems and We Are Born, were released in 2008 and 2010, respectively. She took a hiatus from performing, during which she focused on songwriting for other artists, producing successful collaborations "Titanium" (with David Guetta), "Diamonds" (with Rihanna) and "Wild Ones" (with Flo Rida).
In 2014, Sia finally broke through as a solo recording artist when her sixth studio album, 1000 Forms of Fear, debuted at No 1 in the U.S. Billboard 200 and generated the top-ten single "Chandelier" and a trilogy of music videos starring child dancer Maddie Ziegler. In 2016, she released her seventh studio album This Is Acting, which spawned her first Hot 100 number one single, "Cheap Thrills". The same year, Sia gave her Nostalgic for the Present Tour, which incorporated performance art elements. Sia has received accolades, including ARIA Awards and an MTV Video Music Award.
In 2007, Sia released a live album entitled Lady Croissant, which included eight live songs from her April 2006 performance at the Bowery Ballroom in New York and one new studio recording-"Pictures". A year later, she left Zero 7 on friendly terms, replaced by Eska Mtungwazi as the band's frontwoman. Sia released her fourth studio album, Some People Have Real Problems on 8 January 2008. The album peaked at No. 41 in Australia and was certified gold by the Australian Recording Industry Association. It charted at No. 26 on the US Billboard 200, becoming Sia's first album to chart in the United States.
In May 2009, Sia released TV Is My Parent on DVD, which includes a live concert at New York's Hiro Ballroom, four music videos and behind-the-scene footage. At the ARIA Music Awards of 2009, Sia won the Best Music DVD category for TV Is My Parent. She also received a nomination for Best Breakthrough Artist Album for Some People Have Real Problems.
In October 2013, Sia released "Elastic Heart" featuring The Weeknd and Diplo for the soundtrack of the American film The Hunger Games: Catching Fire (2013). Sia executive produced Brooke Candy's debut EP, Opulence, released in May 2014, and co-wrote 3 songs on the EP. In July 2014, Sia released her own sixth studio album, 1000 Forms of Fear. She again collaborated with Greg Kurstin. The album debuted at No. 1 in the US Billboard 200 with first-week sales of 52,000 copies. By October 2015, it was certified gold by the RIAA denoting 500,000 equivalent-album units sold in the United States. The record peaked at No. 1 in Australia and reached the top ten of charts in numerous European regions. It was certified silver by the British Phonographic Industry and gold by the Australian Recording Industry Association. By early 2016, the album had sold 1 million copies worldwide.
In June 2016, Sia gave a concert at Red Rocks Amphitheatre in Colorado, featuring Ziegler. From May to August, Sia performed in nearly a dozen festival and other concerts in America and European and Middle Eastern countries, including Portugal, Denmark, Sweden, Finland, Hungary, Romania, Poland, the United Kingdom, Russia, Lebanon and Israel. In September 2016, she released a single, "The Greatest", with vocals from American hip hop recording artist Kendrick Lamar. A video was released the same day featuring Ziegler - the dancer's fifth video collaboration with Sia and Heffington. The two performed the song with several other dancers, and also performed "Chandelier", live the next day at the Apple annual fall event, drawing media attention. The videos that Sia has posted to her YouTube channel have accumulated a total of more than 6 billion views, and the channel has more than 10 million subscribers.
In 2017, Sia moved from RCA to Atlantic Records. She released a new album, Everyday Is Christmas, on Atlantic and Monkey Puzzle on 17 November 2017. The album features original songs co-written and co-produced with Kurstin. She promoted it by releasing the single "Santa's Coming for Us" and by the track "Snowman", which she performed during the finale of the 13th season of The Voice and on The Ellen DeGeneres Show together with Ziegler. In November 2018, Sia released the deluxe edition of the album, containing three bonus tracks, as a Target exclusive.
In 2018, Sia collaborated with English musician Labrinth and American DJ/record producer Diplo, under the name LSD, to release four songs. In November 2018, these tracks were collectively released as an EP called Mountains on Spotify.
Sia, who is a vegan, participated in an advertisement for PETA Asia-Pacific, with her dog, Pantera, to encourage pet neutering. Sia has also joined other publicly known figures for the "Oscar's Law" campaign, in protest against large-scale pet breeding. Other advocates include singers Jon Stevens, Paul Dempsey, Rachael Leahcar and Missy Higgins. She is also a supporter of the Beagle Freedom Project, performing "I'm in Here" live at the Beagle Freedom Project Gala on 9 September 2013. For her 2016 Nostalgic for the Present Tour, Sia partnered with various rescue organizations to conduct a dog adoption fair at each of her concerts. Sia was nominated for a 2016 Libby Award for "Best Voice for Animals".- Mariel Molino is a dynamic actress with a diverse range of experience in both film and television, spanning across the US and Latin America. Her most recent work includes lead roles in Freeform's The Watchful Eye and the upcoming feature film The Shade. Mariel developed a passion for acting at a young age through theatre, and has studied at HB Studio in New York City and Anthony Meindl's Actor's Workshop in Los Angeles.
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T.K. Carter was raised just east of Los Angeles, California. He began his stand-up routine at age 12, and, by high school, appeared in Neil Simon's production of "The Odd Couple." He began his professional stand-up routine at the Comedy Store in Los Angeles and has also worked at the Improvisation Cafe and Ye Little Club. His first role was in an episode of Police Woman (1974), and starred in the Los Angeles Actors Theatre's version of "Sisters." He has since appeared in such films as Space Jam (1996), A Rage in Harlem (1991) and Ski Patrol (1990).- Actress
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Bridie Carter was born on December 18th in Melbourne, Australia and is the oldest of three children - she has two younger brothers.
Bridie has been nominated for the TV Week Logie Awards three times. In 2003 she was nominated for a Silver Logie For Most Popular Actress, this award is voted for by the public. In 2004 she was nominated for the Silver Logie for Most Outstanding Actress which is awarded from within the industry as well as scoring another nomination for Most Popular Actress.
In early May of 2004 Bridie married Michael Wilson. Their wedding was covered by Australian magazine Woman's Day and appeared in the May 17th issue. The couple reside in Byron Bay, Sydney.- Actress
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Krizia is a first generation Cuban American from Miami, Florida.
Her works spans across many mediums including television with a recurring role on Barry, FBI: International, and 911: Lonestar, voicing video games like Sims 4, League of Legends, and Fortnite, plus animated series such as Boss Baby, The Loud House, and Harley Quinn.
She is also a voice director for games such as Wylde Flowers, Fortnite, and Call of Duty and she founded Voiceover Camp - an online school for developing Voiceover skills.- Actor
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Debonair, dark-haired, exceedingly handsome Roger LaVerne Smith was born in South Gate, California to Dallas and Leone Smith on December 18, 1932. At age 6, his parents enrolled him at a professional school for singing, elocution and dancing lessons. By age 12, the family moved to Nogales, Arizona, a small town on the Mexican border where he appeared in high school theater productions, was made president of the school's acting club and became a star linebacker for his high school football team.
While studying at the University of Arizona in Tucson on a football scholarship, Roger entered and won several amateur talent prizes as a singer and guitarist which led to a TV appearance with Ted Mack and his Ted Mack & the Original Amateur Hour (1948) program. Stationed in Hawaii at a Naval Reserve, Roger had a chance meeting with film legend James Cagney. Cagney, impressed with the boy's clean-cut good looks and appeal, encouraged Roger to give Hollywood a try. Roger did so and it didn't take long for Columbia Pictures to snap him up 1957.
While there, young Roger gained experience on such TV anthologies as "Damon Runyon Theatre," "Celebrity Playhouse," "Ford Television Theatre" and "George Sanders Mystery Theatre" and made such films as No Time to Be Young (1957), Operation Mad Ball (1957) and Crash Landing (1958). He also played the older "Patrick Dennis" role in the madcap Rosalind Russell farce Auntie Mame (1958). Roger reconnected with Cagney around this time who not only hired him to play his son, "Lon Jr.", in the Lon Chaney biopic Man of a Thousand Faces (1957), but made him his co-star in the musical comedy-drama Never Steal Anything Small (1959).
In a successful move to the Warner Bros. studio, Roger won the role of wisecracking private detective "Jeff Spencer" in the hip TV series 77 Sunset Strip (1958). He also wrote several of the show's episodes and played the detective character in rollover episodes of "Surf Side Six" and "Hawaiian Eye." In 1962, the actor was hospitalized after falling down at home and losing consciousness. He was diagnosed two days later with a blood clot on the brain. Although he had recovered post-surgery), it forced him to leave the series temporarily and slowed down his career considerably to the point he almost quit.
Wed to budding Australian-born actress Victoria Shaw in 1956, they had three children. A Warner Bros. contractee, she appeared in an episode of his popular series. The marriage crumbled, however, and they divorced in 1965. He next met singer-actress Ann-Margret and they married in 1967. This marriage lasted 50 years, until his death.
Roger's health continued to to be a mysterious issue following his title role in the Warner Bros. short-lived TV series Mister Roberts (1965) and it forced an early retirement when he was diagnosed with myasthenia gravis, a degenerative muscle/nerve disorder. He would last star as the title detective in the low-budget A.C. Lyles production of Rogue's Gallery (1968). In the meantime, he appeared on talk shows with his wife and delved into producing and writing -- with The First Time (1969) and C.C. & Company (1970).
Instead, Roger remained in the background and focused instead on managing, producing and nurturing his wife's musical career. In the 1970s, he proved instrumental in her successful Vegas comeback in Vegas (he produced her stage shows). He also helped to break her "sex kitten" image with critical acclaimed films and produced several of her 1970's TV musical specials.
Roger died of complications from his long-term illness on June 4, 2017, at age 84, and was interred at Forest Lawn Memorial Park.- Actress
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Actress born in Medellin, Colombia and raised in Santa Marta where she remained until she finished high school. She then moves to Bogota to get her Visual Arts degree from Pontifical Javeriana University. She began working with performance, photography, video and drawing as her primary means of expression and exploration of the body and identity. Parallel to this she has always been involved with acting and singing.
She has participated in several productions on national television in Colombia and Mexico.
"Liveforever" the last film by renowned Colombian director Carlos Moreno was invited to participate in the Sundance film festival 2015. In the film she personifies Maria del Carmen, an iconic and main character of the Colombian novel with the same title by author Andres Caicedo.
She currently lives and works in Mexico City. She is an actress with great international projection.- Cinematographer
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George Stevens, a filmmaker known as a meticulous craftsman with a brilliant eye for composition and a sensitive touch with actors, is one of the great American filmmakers, ranking with John Ford, William Wyler and Howard Hawks as a creator of classic Hollywood cinema, bringing to the screen mytho-poetic worlds that were also mass entertainment. One of the most honored and respected directors in Hollywood history, Stevens enjoyed a great degree of independence from studios, producing most of his own films after coming into his own as a director in the late 1930s. Though his work ranged across all genres, including comedies, musicals and dramas, whatever he did carried the hallmark of his personal vision, which is predicated upon humanism.
Although the cinema is an industrial process that makes attributions of "authorship" difficult if not downright ridiculous (despite the contractual guarantees in Directors Guild of America-negotiated contracts), there is no doubt that George Stevens is in control of a George Stevens picture. Though he was unjustly derided by critics of the 1960s for not being an "auteur," an auteur he truly is, for a Stevens picture features meticulous attention to detail, the thorough exploitation of a scene's visual possibilities and ingenious and innovative editing that creates many layers of meanings. A Stevens picture contains compelling performances from actors whose interactions have a depth and intimacy rare in motion pictures. A Stevens picture typically is fully engaged with American society and is a chronicled photoplay of the pursuit of The American Dream.
George Stevens was nominated five times for an Academy Award as Best Director, winning twice, and six of the movies he produced and directed were nominated for Best Picture Oscars. In 1953 he was the recipient of the Irving Thalberg Memorial Award for maintaining a consistent level of high-quality production. He served as president of the Academy of Motion Picture Arts & Sciences from 1958 to 1959. Stevens won the Directors Guild of America Best Director Award three times as well as the D.W. Griffith Lifetime Achievement Award. He made five indisputable classics: Swing Time (1936), a Fred Astaire-Ginger Rogers musical; Gunga Din (1939), a rousing adventure film; Woman of the Year (1942), a battle-of-the-sexes comedy; A Place in the Sun (1951), a drama that broke new ground in the use of close-ups and editing; and Shane (1953), a distillation of every Western cliché that managed to both sum up and transcend the genre. His Penny Serenade (1941), The Talk of the Town (1942), The More the Merrier (1943), I Remember Mama (1948) and Giant (1956) all live on in the front rank of motion pictures.
George Cooper Stevens was born on December 18, 1904, in Oakland, California, to actor Landers Stevens and his wife, actress Georgie Cooper, who ran their own theatrical company in Oakland, Ye Liberty Playhouse. Cooper herself was the daughter of an actress, Georgia Woodthorpe (both ladies' Christian names offstage were Georgia, though their stage names were Georgie). Georgie Cooper appeared as Little Lord Fauntleroy as a child along with her mother at Los Angeles' Burbank Theater. George's parents' company performed in the San Francisco Bay area, and as individual performers they also toured the West Coast as vaudevillians on the Opheum circuit. Their theatrical repertoire included the classics, giving the young George the chance to forge an understanding of dramatic structure and what works with an audience. In 1922 Stevens' parents abandoned live theater and moved their family, which consisted of George and his older brother John Landers Stevens (later to be known as Jack Stevens), south to Glendale, California, to find work in the movie industry.
Both of Stevens' parents gained steady employment as movie actors. Landers appeared in Little Caesar (1931), The Public Enemy (1931) and Citizen Kane (1941) in small parts. His brother was Chicago Herald-American drama critic Ashton Stevens (1872-1951), who was hired by William Randolph Hearst for his San Francisco Examiner after Ashton had taught him how to play the banjo. An interviewer of movie stars and a notable man-about-town, Ashton mentored the young Orson Welles, who based the Jedediah Leland character in Citizen Kane (1941) on him. Georgie Cooper's sister Olive Cooper became a screenwriter after a short stint as an actress. Jack became a movie cameraman, as did their second son.
Stevens' movie adaptation of "I Remember Mama," the chronicle of a Norwegian immigrant family trying to assimilate in San Francisco circa 1910, could be a mirror on the Stevens family's own move to Los Angeles circa 1922. In "Mama", the members of the Hanson family feel like outsiders, a theme that resonates throughout Stevens' work. Acting was considered an insalubrious profession before the rise of Ronald Reagan's generation of actors into the halls of power, and being a member of an acting family necessarily marked one as an outsider in the first half of the 20th century. Young George had to drop out of high school to drive his father to his acting auditions, which would have further enhanced his sense of being an outsider. To compensate for his lack of formal education, Stevens closely studied theater, literature and the emerging medium of the motion picture.
Soon after arriving in Hollywood, the 17-year-old Stevens got a job at the Hal Roach Studios as an assistant cameraman; it was a matter of being in the right place at the right time. Of that period, when the cinema was young, Stevens reminisced, "There were no unions, so it was possible to become an assistant cameraman if you happened to find out just when they were starting a picture. There was no organization; if a cameraman didn't have an assistant, he didn't know where to find one."
As part of Hal Roach's company, Stevens learned the art of visual storytelling while the form was still being developed. Part of his visual education entailed the shooting of low-budget westerns, some of which featured Rex. Within two years Stevens became a director of photography and a writer of gags for Roach on the comedies of Stan Laurel and Oliver Hardy.
His first credited work as a cameraman at the Roach Studios was for the Stan Laurel short Roughest Africa (1923). Stevens was a terrific cameraman, most notably in Laurel & Hardy's comedies (both silent and talkies), and it was as a cameraman that his aesthetic began to develop. The cinema of George Stevens was rooted in humanism, and he focused on telling details and behavior that elucidated character and relationships. This aesthetic started developing on the Laurel & Hardy comedies, where he learned about the interplay of relationships between "the one who is looked at" and "the one doing the looking." Verisimilitude, always a hallmark of a Stevens picture, also was part of the Laurel and Hardy curricula; Oliver Hardy once said, "We did a lot of crazy things in our pictures, but we were always real."
From a lighting cameraman, Stevens advanced to a director of short subjects for Roach at Universal. Within a year of moving to RKO in 1933, he began directing comedy features. His break came in 1935 at RKO, when house diva Katharine Hepburn chose Stevens as the director of Alice Adams (1935). Based on a Booth Tarkington novel about a young woman from the lower-middle class who dares to dream big, the movie injected the theme of class aspiration and the frustrations of the pursuit of happiness while dreaming the American dream into Stevens' oeuvre. Before there was cinema of "outsiders" recognized in the late 1970s, there were Stevens' outsiders, fighting against their atomization and alienation through their not-always-successful interactions with other people.
Stevens created his first classic in 1936, when RKO assigned him to helm the sixth Astaire-Rogers musical, Swing Time (1936). Stevens' past as a lighting cameraman prepared him for the innovative visuals of this musical comedy. Through his control of the camera's field of vision, Stevens as a director creates an atmosphere that engenders emotional effects in his audience. In one scene Astaire opens a mirrored door that the scene's reflection in actuality is being shot on, and being keyed into the illusion emotionally introduces the audience into the picture, in sly counterpoint to Buster Keaton's walk into the screen in his _Sherlock, Jr. (1924)_ . Stevens' use of light in "Swing Time" is audacious. He freely introduces light into scenes, with the effect that it enlivens them and gives them a "light" touch, such as the final scene where "sunlight" breaks out over the painted backdrop. The film never drags and is a brilliant showcase for the dancing team. Rogers claimed it was her favorite of all her pictures with Astaire.
Stevens' next classic was the rip-roaring adventure yarn Gunga Din (1939), based on the Rudyard Kipling poem. Though no longer politically correct in the 21st century, the picture still works in terms of action and star power, as three British sergeants--Cary Grant, Victor McLaglen and Douglas Fairbanks Jr.--try to put down a rampage by a notorious death cult in 19th-century colonial India.
Having learned his craft in the improvisational milieu of silent pictures, Stevens would often wing it, shooting from an underdeveloped screenplay that was ever in flux, finding the film as he shot it and later edited it. With filmmaking becoming more and more expensive in the 1930s due to the studios' penchant for making movies on a vaster scale than they had previously, Stevens' methods led to anxiety for the bean-counters in RKO's headquarters. His improvisatory crafting of "Gunga Din" resulted in the film's shooting schedule almost doubling from 64 to 124 days, with its cost reaching a then-incredible $2 million (few sound films had grossed more than $5 million up to that point, and a picture needed to gross from two to 2-1/2 times its negative cost to break even).
Studio executives were driven to distraction by Stevens' methods, such as his taking nearly a year to edit the footage he shot for "Shane." His films typically were successful, though, and in the late 1930s he became his own producer, earning him greater latitude than that enjoyed by virtually any other filmmaker with the obvious exceptions of Cecil B. DeMille and Frank Capra. He made three significant comedies in the early 1940s: Woman of the Year (1942), the darker-in-tone The Talk of the Town (1942) (a film that touches on the subject of civil rights and the miscarriage of justice) and The More the Merrier (1943) before going off to war.
Joining the Army Signal Corps, Stevens headed up a combat motion picture unit from 1944 to 1946. In addition to filming the Normandy landings, his unit shot both the liberation of Paris and the liberation of the Nazi extermination camp Dachau, and his unit's footage was used both as evidence in the Nuremberg trials and in the de-Nazification program after the war. Stevens was awarded the Legion of Merit for his services. Many critics claim that the somber, deeply personal tone of the movies he made when he returned from World War II were the result of the horrors he saw during the war. Stevens' first wife, Yvonne, recalled that he "was a very sensitive man. He just never dreamed, I'm sure, what he was getting into when he enlisted." Stevens wrote a letter to Yvonne in 1945, telling her that "if it hadn't been for your letters . . . there would have been nothing to think cheerfully about, because you know that I find much [of] this difficult to believe in fundamentally."
The images of war and Dachau continued to haunt Stevens, but it also engendered in him the belief that motion pictures had to be socially meaningful to be of value. Along with fellow Signal Corps veterans Frank Capra and William Wyler, Stevens founded Liberty Films to produce his vision of the human condition. The major carryover from his prewar oeuvre to his postwar films is the affection the director has for his central characters, emblematic of his humanism.
Stevens' second postwar film, A Place in the Sun (1951), was his adaptation of Theodore Dreiser's "An American Tragedy," updated to contemporary America. Released three years after his family film I Remember Mama (1948), it features an outsider, George Eastman, trapped in the net of the American Dream, the pursuit of which dooms him. Sergei Eisenstein had written an adaptation for Paramount of "An American Tragedy" (the title a sly reversal of "The American Dream"), but Eisenstein's participation in the project was jettisoned when the studio came under attack by right-wing politicians and organizations for hiring a "Communist", and the U.S. government deported Eisenstein shortly afterward. His script was unceremoniously dumped, and Josef von Sternberg eventually made the picture, but his vision was so far from Dreiser's that the old literary lion sued the studio. The film was recut and proved to be both a critical and box-office failure.
Alfred Hitchcock maintained that it was far easier to make a good picture from a mediocre or bad drama or book than it was from a good work or a masterpiece. It remained for George Stevens to turn a literary masterpiece into a cinematic one--a unique trick in Hollywood. What was revolutionary about "A Place in the Sun," in terms of technique, is Stevens' use of close-ups. Charlton Heston has pointed out that no one had ever used close-ups the way Stevens had in the picture. He used them more frequently than was the norm circa 1950, and he used extreme close-ups that, when combined with his innovative, slow-dissolve editing, created its own atmosphere, its own world that brought the audience into George Eastman's world, even into his embrace with the girl of his dreams, and also into the rowboat on that fateful day that would forever change his life. The editing technique of slow-lapping dissolves slowed down time and elongated the tempo of a scene in a way never before seen on screen.
Stevens' mastery over the art of the motion picture was recognized with his first Academy Award for direction, beating out Elia Kazan for that director's own masterpiece, A Streetcar Named Desire (1951) and Stanley Donen and Gene Kelly for THEIR masterpiece, An American in Paris (1951), for the Best Picture Oscar winner that year (most observers had expected "Sun" or "Streetcar" to win, but they had split the vote and allowed "American" to nose them out at the finish line. MGM's publicity department acknowledged as much when it ran a post-Oscar ad featuring Leo the Lion with copy that began, "I was standing in the Sun waiting for a Streetcar when . . . ").
Stevens' theme of the outsider continued with his next classic, Shane (1953). The eponymous gunman is an outsider, but so is the Starrett family he has decided to defend, as are the "sodbusters", and even the range baron who is now outside his time, outside his community and outside human decency. Giant (1956), Stevens' sprawling three-hour epic based on Edna Ferber's novel about Texas, also features outsiders: sister Luz Benedict, hired-hand transformed into millionaire oilman Jett Rink, transplanted Tidewater belle Leslie Benedict, her two rebellious children and eventually her husband Bick Benedict, a near-stereotypical Texan who finally steps outside of his parochialism and is transformed into an outsider when he decides to fight, physically, against discrimination against Latinos as a point of honor. The Otto Frank family and their compatriots in hiding in The Diary of Anne Frank (1959), American cinema's first movie to deal with the Holocaust, are outsiders, while Christ in his The Greatest Story Ever Told (1965)--subtle, complex and unknowable--is the ultimate outsider. The Only Game in Town (1970)--Stevens' last film with Elizabeth Taylor, his female lead in "A Place in the Sun" and "Giant"--was about two outsiders, an aging chorus girl and a petty gambler.
Stevens' reputation suffered after the 1950s, and he didn't make another film until halfway into the 1960s. The film he did produce after that long hiatus was misunderstood and underappreciated when it was released. The Greatest Story Ever Told (1965), a picture about the ministry and passion of Christ, was one of the last epic films. It was maligned by critics and failed at the box office. It was on this picture that Stevens' improvisatory method began to take a toll on him. It took six years from the release of "Anne Frank," which had garnered Oscar nominations for Best Picture and Best Director, until the release of "Greatest Story." There had been a long gestation period for the film, and it was renowned as a difficult shoot, so much so that David Lean helped out a man he considered a master by shooting some ancillary scenes for the picture. The film has a look of vastness that many critics misunderstood as emptiness rather than as a visual correlative of the soul. Stevens' script is inspired by the three Synoptic Gospels, particular the Gospel According to St. John. John stresses the interior relation between the self and things beyond its knowledge. Though misunderstood by critics at the time of its release, the film has become more appreciated some 40 years later. Stevens is a master of the cinema, and is fully in command of the dissolves and emotive use of sound he used so effectively in "A Place in the Sun."
His last film, The Only Game in Town (1970), also was not a critical or box-office success, as Elizabeth Taylor's star had gone into steep decline as the 1970s dawned. Frank Sinatra had originally been slated to be her co-star, but Ol' Blue Eyes, notorious for preferring one-take directors, likely had second thoughts about being in a film directed by Stevens, who had a (well-deserved) reputation for multiple takes. His filmmaking method entailed shooting take after take of a scene during principal photography from every conceivable angle and from multiple focal points, so he'd have a plethora of choices in the editing room, which is where he made his films (unlike John Ford, famous for his lack of coverage, who had a reputation of "editing" in the camera, shooting only what he thought necessary for a film). Warren Beatty, typically underwhelming in films in which he wasn't in control, proved a poor substitute for Sinatra, and the film tanked big-time when it was released, further tarnishing Stevens' reputation.
In a money-dominated culture in which the ethos "What Have You Done For Me Lately?" is prominent, George Stevens was relegated to has-been status, and the fact that he had established himself as one of the greats of American cinema was ignored, then forgotten altogether in popular culture. Donald Richie's 1984 biography "George Stevens: An American Romantic" tags Stevens with the "R" word, but it is too simplistic a generalization for such a complicated artist. Stevens' films demand that the audience remain in the moment and absorb all the details on offer in order to fully understand the morality play he is telling. James Agee had been a great admirer of Stevens the director, but Agee died in the 1950s and the 1960s was a new age, an iconoclastic age, and George Stevens and the classical Hollywood cinema he was a master of were considered icons to be smashed. Film critic Andrew Sarris, who introduced the "auteur" theory to America, disrespected Stevens in his 1968 book "The American Cinema." Stevens was not an auteur, Sarris wrote, and his latter films were big and empty. He became the symbol of what the new, auteurist cinema was against.
The Cahiers du Cinema critics attacked Stevens by elevating Douglas Sirk. Sirk's Magnificent Obsession (1954), so the argument went, was a much better and more cogent exegesis of America than "Giant," which was "big and empty" as was the country they attacked (though they loved its films). The point of iconoclasm is to smash idols, no matter what the reason--and Stevens, the master craftsman, was an idol. However, to say "Giant" was empty is absurd. To imply that George Stevens did not understand America is equally absurd. "Giant" contains what is arguably the premier moment in America cinema of the immediate postwar years, and it is an "American" moment--the confrontation between patrician rancher Bick Benedict and diner owner Sarge (Robert J. Wilke). Many critics and cinema historians have commented on the scene, favorably, but many miss the full import of it.
The film has been built up to this climax. Benedict has shared the prejudices of his class and his race. All his life he has exploited the Mexicans whom he has lived with in a symbiotic relationship on HIS ranch, giving little thought to the injustice his class of overlords has wrought on Latinos, on poor whites, or on his own family. His wife, an Easterner, is appalled by the poverty and state of peonage of the Mexicans who work on the ranch and tries to do something about it. Her idealism is echoed in her son, who becomes a doctor, rejects his father's rancher heritage, and marries a Mexican-American woman, giving his father an Anglo/Mexican-American grandson.
While out on a ride with his wife, daughter, daughter-in-law and her child, they stop at a roadside diner. Sarge, the proprietor, initially balks at serving them because of the Latinos in their party. He backs down, but when more Latinos come into his diner, he moves to throw them out. Benedict decides to intervene in a display of noblesse oblige, and also out of family duty. Sarge is unimpressed by Benedict's pedigree, and a fight breaks out between the hardened veteran--recently returned from the war, we are meant to understand--and the now aged Benedict. Bick first holds his own and Sarge crashes into the jukebox, setting off the song "The Yellow Rose of Texas" while he recovers and then sets out to systematically demolish Mr. Bick Benedict, the overlord. As the song plays on in ironic counterpoint, shots of his distraught daughter and other family members are undercut with the cinematic crucifixion of Bick Benedict, the overlord, by the former Centurion. After Sarge has finished thrashing Benedict, he takes a sign off of the wall and throws it on Benedict's prostrate body: "The management reserves the right to refuse service to anyone". This is not only America of the 1950s, but America of the 21st century. For just as Sarge is defending racism, he is also defending his once-constitutional right to free association, as well as exerting his belief in Jeffersonian-Jacksonian democracy in thrashing a plutocrat. This is a type of yahooism that Bruce Catton, in his Pulitzer Prize-winning history of the Civil War, attributed to the rebellion. There had always been a very well developed strain of reckless, individualistic violence in America, frequently encouraged, ritualized and sanctified by the state. The diner scene in "Giant" could only have been created by a man with a thorough knowledge of what America and Americans were (and continue to be). Sarge will try to accommodate Benedict, who has stepped out of his role as racist plutocrat into that of paternalistic pater familias, just as the sons of the robber barons of the 19th century--who justified their economic depravities with the doctrine of social Darwinism--did in the 20th century, endowing foundations that tried to right many wrongs, including racism, but Sarge will only go so far. When he is stretched beyond his limit, when his giving in is then "pushed too far," he reacts, and reacts violently.
This scene sums up American democracy and the human condition in America perhaps better than any other. America is a violent society, a gladiator society, in which progress is measured in, if not gained by, violence. Yes, Sarge is standing up for racism and segregation (a huge topic after the 1954 Brown v. Board of Education Supreme Court ruling outlawing segregation), but he is also standing up for himself, and his beliefs, something he has recently fought for in World War II. The ironies are rich, just as the irony of American democracy, which excluded African-Americans and women and the native American tribes from the very first days of the U.S. Constitution, is rich. This is America, the scene in Sarge's diner says, and it is a critique only an American with a thorough knowledge of and sympathy for America could create. It is much more effective and philosophically true than the petty neo-Nazi caricatures of Lars von Trier's Dogville (2003), who are cowards. Characters in a George Stevens film may be reluctant, they may be hesitant, they may be conflicted, but they aren't cowardly.
Another ironic scene in "Giant" features Mexican children singing the National Anthem during the funeral of Angel, who in counterpoint to Bick's son, his contemporary in age, is of the land, to the manor born, so to speak, but lacking those rights because of the color of his skin. Angel had gone off to war, and he returns to the Texas in which he was born on a caisson, in a coffin, starkly silhouetted against the Texas sky as the Benedict mansion had been earlier in the film when Leslie had first come to this benighted land. Angel, who had experienced racial bigotry due to his birth into poverty on the Benedict ranch, had fought Adolf Hitler. He is the only hero in "Giant," and his death would be empty and meaningless without Bick Benedict's reluctant conversion to integration through fisticuffs.
The great turning points in American cinema typically have involved race. The biggest, most significant movies of the first 50 years of the American cinema death with race: Uncle Tom's Cabin (1903), Edwin S. Porter's major movie before his The Great Train Robbery (1903) and the first film to feature inter-titles; The Birth of a Nation (1915), D.W. Griffith's racist masterpiece--which was a filming of a notorious pro-Ku Klux Klan book called "The Clansman"--in which a non-sectarian America is formed in the linking of Southern and Northern whites to fight the African-American freedman; The Jazz Singer (1927), in which a Jewish cantor's son achieves assimilation by donning blackface and disenfranchising black folk by purloining their music, which he deracinates, while turning his back on his Jewish identity by marrying a Gentile; and Gone with the Wind (1939), the greatest Hollywood movie of all time--in which the Klan is never shown and the "N" word is never used, although the entire movie takes place in the immediate post-Civil War South--a sweeping, romantic masterpiece in which a reactionary, ultra-racist plutocracy is made out to be the flower of American chivalry and romance.
Stevens' "Giant" was a major film of its time, and remains a motion picture of the first rank, but it was not the cultural blockbuster these movies were. Yet it more than any other Hollywood film of its time, aside from Elia Kazan's rather whitebread Gentleman's Agreement (1947) and Pinky (1949), directly addresses the great American dilemma, race, and its implications, and not from the familiar racist, white supremacist point of view that had been part of American movies since the very beginning. Those attitudes had been rooted in the American psyche even before the days of The Perils of Pauline (1914) serials (simultaneously serialized in the white supremacist Hearst newspapers), in which many a sweet young thing was threatened with death or--even worse, the loss of her maidenhead--by a sinister person of color (always played by a Caucasian in yellow or brown face).
A 1934 "Fortune Magazine" story about the rosy financial prospects of the Technicolor Corp.'s new three-strip process contained a startling metaphor for a 21st-century reader: "Then - like the cowboy bursting into the cabin just as the heroine has thrown the last flowerpot at the Mexican - came the three-color process to the rescue." It was this endemic, accepted racism that Stevens challenged in "Giant," which is at the root of America's expansionist philosophy of manifest destiny, and which was at the root of much of the southern and western economies. Those who died in World War II had to have died for something, not just the continuation of the status quo. It was a direct and knowing challenge to the system by someone who thoroughly knew and thoroughly cared about America and Americans.
George Stevens died of a heart attack on March 8, 1975, in Lancaster, California. He would have been 100 years old in 2004, and in that year he was celebrated with screenings by The Academy of Motion Picture Arts and Sciences, London's British Film Institute, and the Museum of Modern Art in New York. His legacy lives on in the directorial work of fellow two-time Oscar-winning Best Director Clint Eastwood, particularly in Pale Rider (1985), which suffers from being too-close a "Shane" clone, and most memorably in his masterpiece, Unforgiven (1992).