[Editor’s note: The following interview was conducted before the SAG-AFTRA strike began on July 14, 2023.]
The following interview has been edited and condensed for clarity.
Juliette Binoche has made her career out of playing characters who are independent, searching, unsatisfied, restless. From playing Czech protest photographer Tereza in her breakout movie, the Philip Kaufman erotic classic “The Unbearable Lightness of Being,” to playing a composer’s wife left grieving and with his baggage in Krzysztof Kieślowski’s “Three Colors: Blue,” the Academy Award-winning French actress plays women pulling themselves through confusing situations, political intrigue, and perverse romantic entanglements. Often at once.
Her body of work eschews a pat introduction, but the Quad Cinema in New York has put together a syllabus of sorts with “Beautiful Binoche,” a series of films running from August 4-10 in the lead-up to next week’s release of her new film “Between Two Worlds”, about a famous author who goes undercover as a cleaning lady to investigate the exploitation of...
The following interview has been edited and condensed for clarity.
Juliette Binoche has made her career out of playing characters who are independent, searching, unsatisfied, restless. From playing Czech protest photographer Tereza in her breakout movie, the Philip Kaufman erotic classic “The Unbearable Lightness of Being,” to playing a composer’s wife left grieving and with his baggage in Krzysztof Kieślowski’s “Three Colors: Blue,” the Academy Award-winning French actress plays women pulling themselves through confusing situations, political intrigue, and perverse romantic entanglements. Often at once.
Her body of work eschews a pat introduction, but the Quad Cinema in New York has put together a syllabus of sorts with “Beautiful Binoche,” a series of films running from August 4-10 in the lead-up to next week’s release of her new film “Between Two Worlds”, about a famous author who goes undercover as a cleaning lady to investigate the exploitation of...
- 8/2/2023
- by Ryan Lattanzio
- Indiewire
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