“There is a lot of individuality to all of the episodes,” says “The Mandalorian” editor Andrew S. Eisen. Emmy voters took note of that individuality and rewarded the Disney+ series with three nominations for Single Camera Picture Editing for a Drama Series. Eisen cut “Chapter 2: The Child,” Dana E. Glauberman and additional editor Dylan Firshein are nominated for “Chapter 4: Sanctuary,” and Jeff Seibenick is nominated for “Chapter 8: Redemption.” All four nominated editors join for a rare interview together discussing the varied approaches they brought to the hit “Star Wars” series. Watch the exclusive video interview above.
See Ludwig Goransson interview: ‘The Mandalorian’
The group noted that it was easy to bring their own skills and style to the project, especially considering that there were multiple directors lending their vision to the piece as well. “It started with the script,” explains Seibenick, who adds that the overall story...
See Ludwig Goransson interview: ‘The Mandalorian’
The group noted that it was easy to bring their own skills and style to the project, especially considering that there were multiple directors lending their vision to the piece as well. “It started with the script,” explains Seibenick, who adds that the overall story...
- 8/22/2020
- by Sam Eckmann
- Gold Derby
Audiences may not realize it, but Rough House Pictures has been a pivotal force in American filmmaking over the past decade.
People know Danny McBride as the snarky, self-aggrandizing star of HBO’s “Eastbound and Down” and “Vice Principals,” shows he created with fellow North Carolina School of the Arts alumni Jody Hill and David Gordon Green. But while McBride’s is the most public face, all three men have become influential figures in the film industry.
Green and McBride are writing the Blumhouse reboot of “Halloween,” while Hill is finishing his third film, a comedy starring Josh Brolin. Green has oscillated from the quiet, Southern gothic tales of “George Washington” and “All the Real Girls” to boisterous comedies like “Pineapple Express.” Hill’s debut, “Foot Fist Way,” got the attention of Will Ferrell and Adam McKay, who launched Hill’s TV career and gave him the momentum to direct his first studio film,...
People know Danny McBride as the snarky, self-aggrandizing star of HBO’s “Eastbound and Down” and “Vice Principals,” shows he created with fellow North Carolina School of the Arts alumni Jody Hill and David Gordon Green. But while McBride’s is the most public face, all three men have become influential figures in the film industry.
Green and McBride are writing the Blumhouse reboot of “Halloween,” while Hill is finishing his third film, a comedy starring Josh Brolin. Green has oscillated from the quiet, Southern gothic tales of “George Washington” and “All the Real Girls” to boisterous comedies like “Pineapple Express.” Hill’s debut, “Foot Fist Way,” got the attention of Will Ferrell and Adam McKay, who launched Hill’s TV career and gave him the momentum to direct his first studio film,...
- 3/3/2017
- by Eric Kohn
- Indiewire
Take Me Home is, in the simplest form, a road movie. It tells the story of two strangers who find themselves at less than desirable points in their life, and take off on a cross-country road trip from New York to California.
Sam Jaegar, best known for his role on the television show Parenthood, is the writer, director, and (along with his wife Amanda Jaeger) star of the film. I recently got the chance to have a conversation with him about how he came to make this project, the perils of wearing many hats, and the beauty of filming the United States.
William Bitterman: First of all, thank you for taking the time to sit down with me today. It’s pretty cool, I realize you be very busy.
Sam Jaeger: Oh no, it’s my pleasure.
WB: And I guess I’ll just go ahead and let you know,...
Sam Jaegar, best known for his role on the television show Parenthood, is the writer, director, and (along with his wife Amanda Jaeger) star of the film. I recently got the chance to have a conversation with him about how he came to make this project, the perils of wearing many hats, and the beauty of filming the United States.
William Bitterman: First of all, thank you for taking the time to sit down with me today. It’s pretty cool, I realize you be very busy.
Sam Jaeger: Oh no, it’s my pleasure.
WB: And I guess I’ll just go ahead and let you know,...
- 10/9/2011
- by Wiliam Bitterman
- SoundOnSight
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.