Das „Der Pass“-Traumpaar Nicholas Ofczarek und Julia Jentsch spielt die beiden Hauptrollen in der neuen österreichischen Prime-Video-Serie „Drunter und Drüber“. Produzent ist Rundfilm.
Am Set von „Drunter und Drüber“ (Credit: Amazon Prime Video)
Die neue Prime-Video-Serie „Drunter und Drüber“ vereint mit Nicholas Ofczarek und Julia Jentsch wieder das Crime-Traumpaar aus dem Serien-Meisterstück „Der Pass“. Acht Episoden hat die morbid-skurrile österreichische Serie, deren Dreharbeiten gerade begonnen haben.
In „Drunter und Drüber“ erschlägt eine morsche Grabstatue den Friedhofsleiter – damit kann Heli Wondratschek (Nicholas Ofczarek) endlich das Ruder übernehmen und auf Friedhof Donnersbach für Ordnung sorgen. Aber der pedantische Vize hat die Rechnung ohne das Stadtamt gemacht. Den Chefposten erhält nicht er, sondern eine Vorgesetzte, die absolut keine Ahnung von Friedhof hat: Ursula Fink (Julia Jentsch). Chaos bricht aus.
Neben Ofczarek und Jentsch sind u.a. Ulrike C. Tscharre, Harald Windisch, Sarah Viktoria Frick, Johanna Orsini, Gerhard Greiner, Susanne Wuest in weiteren Rollen zu sehen.
Am Set von „Drunter und Drüber“ (Credit: Amazon Prime Video)
Die neue Prime-Video-Serie „Drunter und Drüber“ vereint mit Nicholas Ofczarek und Julia Jentsch wieder das Crime-Traumpaar aus dem Serien-Meisterstück „Der Pass“. Acht Episoden hat die morbid-skurrile österreichische Serie, deren Dreharbeiten gerade begonnen haben.
In „Drunter und Drüber“ erschlägt eine morsche Grabstatue den Friedhofsleiter – damit kann Heli Wondratschek (Nicholas Ofczarek) endlich das Ruder übernehmen und auf Friedhof Donnersbach für Ordnung sorgen. Aber der pedantische Vize hat die Rechnung ohne das Stadtamt gemacht. Den Chefposten erhält nicht er, sondern eine Vorgesetzte, die absolut keine Ahnung von Friedhof hat: Ursula Fink (Julia Jentsch). Chaos bricht aus.
Neben Ofczarek und Jentsch sind u.a. Ulrike C. Tscharre, Harald Windisch, Sarah Viktoria Frick, Johanna Orsini, Gerhard Greiner, Susanne Wuest in weiteren Rollen zu sehen.
- 5/28/2024
- by Michael Müller
- Spot - Media & Film
"By freeing yourselves, you are liberating the world." Sony Classics has debuted an official Us trailer for the German film Never Look Away, originally titled Werk Ohne Autor in German - which means Work Without Author, essentially "Anonymous". The 3-hour long film spans 3 eras in German history, following a young German painter who becomes an artist and spends decades attempting to find the real meaning in his work. Tom Schilling stars as Kurt Barnert, and Paula Beer plays his wife Ellie. The plot involves a doctor who worked for the Nazis hiding his past, and Kurt discovering who he is but deciding how to deal with this realization. Never Look Away also stars Sebastian Koch, Saskia Rosendahl, Oliver Masucci, Ulrike C. Tscharre, and Hanno Koffler. I saw this in Venice, and it's a wonderful film, very deeply inspiring and engaging despite its extensive running time. If you think of yourself an artist at all,...
- 11/14/2018
- by Alex Billington
- firstshowing.net
★★☆☆☆ Deceit and callousness abound in Sebastian Ko's psychological drama We Monsters (2015). It begins with an effective, open question which Marcus Seibert's screenplay then continues to re-pitch and re-frame throughout its runtime; if your child murdered someone, what would you do? It's an intriguing premise which is regrettably let down by fairly pedestrian treatment. Seibert never really manages to fully engage with the incidental - and more interesting - questions that he raises and as the narrative proceeds down its predictably dark path, it never quite settles on its tone meaning that neither its drama, nor its black-comedy, land the required punches.
There's a similar dichotomy to be found in Andreas Köhler's cinematography, which maintains a cool distance but is still littered with handheld tremors that seem to be reaching for an intimacy that the screenplay never affords. If one was being particularly generous, it could perhaps be...
There's a similar dichotomy to be found in Andreas Köhler's cinematography, which maintains a cool distance but is still littered with handheld tremors that seem to be reaching for an intimacy that the screenplay never affords. If one was being particularly generous, it could perhaps be...
- 9/10/2015
- by CineVue UK
- CineVue
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