Nearly 30 years since his death, multiple U.S. publishers, and nine-or-so translations, the moral arc of the universe might finally bend to give the flabbergastingly great French crime writer Jean-Patrick Manchette his due. Fret not if you’ve yet to discover him; I’ll let James Ellroy do (some of) the summary:
“Man-oh-man Manchette was a decades-long hurricane through the Parisian cultural scene. We must revere him now and rediscover him this very instant. Jean-Patrick Manchette was Le Homme.”
In-between his many novels––often concerning politically driven, ideologically furious men and women on a war path that leaves many, many bodies behind them, each written with encyclopedic attention to character, place, and what kind of weapon best destroys an enemy––Manchette was an inveterate cinephile who plied his trade in France’s film industry. On November 7, New York Review Books conclude their heroic run of translations with Skeletons in the Closet,...
“Man-oh-man Manchette was a decades-long hurricane through the Parisian cultural scene. We must revere him now and rediscover him this very instant. Jean-Patrick Manchette was Le Homme.”
In-between his many novels––often concerning politically driven, ideologically furious men and women on a war path that leaves many, many bodies behind them, each written with encyclopedic attention to character, place, and what kind of weapon best destroys an enemy––Manchette was an inveterate cinephile who plied his trade in France’s film industry. On November 7, New York Review Books conclude their heroic run of translations with Skeletons in the Closet,...
- 10/16/2023
- by Nick Newman
- The Film Stage
Indian auteur Anurag Kashyap is back in Cannes with thriller “Kennedy,” starring Rahul Bhat in the title role.
The film, which also stars Sunny Leone, will play in the Midnight Screenings strand of the festival. Several films directed by Kashyap have played at Cannes, including “Psycho Raman” (2016), “Ugly” (2013), “Bombay Talkies” (2013) and “Gangs of Wasseypur” (2012). In addition, several films produced by him have made it to the Croisette, including “Masaan” (2015), “The Lunchbox” (2013), “Monsoon Shootout” (2013), “The Congress” (2013) and “Udaan” (2010).
The plot of “Kennedy” is being kept under wraps at the moment. “Kennedy is a ghost in the system looking for redemption,” is how Kashyap describes the film to Variety.
The filmmaker says that the character of Kennedy has been an obsession with him for years and was born when fellow Indian filmmaker Sudhir Mishra hired him to write a cop story set in the 1980s. That film never got made but the character stayed with Kashyap.
The film, which also stars Sunny Leone, will play in the Midnight Screenings strand of the festival. Several films directed by Kashyap have played at Cannes, including “Psycho Raman” (2016), “Ugly” (2013), “Bombay Talkies” (2013) and “Gangs of Wasseypur” (2012). In addition, several films produced by him have made it to the Croisette, including “Masaan” (2015), “The Lunchbox” (2013), “Monsoon Shootout” (2013), “The Congress” (2013) and “Udaan” (2010).
The plot of “Kennedy” is being kept under wraps at the moment. “Kennedy is a ghost in the system looking for redemption,” is how Kashyap describes the film to Variety.
The filmmaker says that the character of Kennedy has been an obsession with him for years and was born when fellow Indian filmmaker Sudhir Mishra hired him to write a cop story set in the 1980s. That film never got made but the character stayed with Kashyap.
- 4/24/2023
- by Naman Ramachandran
- Variety Film + TV
Coming from the house of Zee Studios and Good Bad Films, ‘Kennedy’ is essentially a police noir film, by Anurag Kashyap. The film revolves around an insomniac ex-cop, long thought to be dead, but still operating for the corrupt system, and looking for redemption. The film stars Rahul Bhat and Sunny Leone in the lead roles and has been selected for a Midnight Screening at Cannes Film Festival 2023.
While announcing the film, Shariq Patel, Cbo, Zee Studios said, “It’s always a creatively enriching experience collaborating with Anurag Kashyap. With Kennedy, we are reaffirming our commitment to conveying Indian stories globally. We are thrilled that this film happens to be the only Indian film premiering at the 76th edition of Festival De Cannes.”
Director Anurag Kashyap also added, “It’s a film and genre I always wanted to explore. It’s more polar than noir, inspired by crime writing of...
While announcing the film, Shariq Patel, Cbo, Zee Studios said, “It’s always a creatively enriching experience collaborating with Anurag Kashyap. With Kennedy, we are reaffirming our commitment to conveying Indian stories globally. We are thrilled that this film happens to be the only Indian film premiering at the 76th edition of Festival De Cannes.”
Director Anurag Kashyap also added, “It’s a film and genre I always wanted to explore. It’s more polar than noir, inspired by crime writing of...
- 4/14/2023
- by Editorial Desk
- GlamSham
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSWe're saddened by the death of actor Robert Forster, whose prolific and eclectic career included an Oscar-nominated role in Quentin Tarantino's Jackie Brown and Gus Van Sant's Psycho, which is currently showing on Mubi in the United Kingdom. Hurray! At a recent screening of the 4k restoration of Crash at Montreal's Festival du Nouveau Cinema, David Cronenberg announced that he is currently set to write and direct his body horror novel, Consumed, as a mini-series. Recommended VIEWINGThe official U.S. trailer for Russian director Kantemir Balagov's Beanpole, which follows the strained friendship between two women in the aftermath of World War II. The film is having its exclusive online premiere on Mubi in the United Kingdom, from October 11 - November 9, 2019.A trailer for So Close to My Land, Jia Zhangke's documentary about Chinese novelists.
- 10/16/2019
- MUBI
Jean-Patrick ManchetteDepending on how one accounts for co-authored works, comic books, and the occasional raid on the bargain basements of the publishing industry—those literary stash houses that offer safe haven to titles such as Ice Criminals, Hunting Nazis in South America and the leanly pornish Aphrodite Hunt—the French crime writer Jean-Patrick Manchette put his name to something like eleven novels before his death in 1995, at the early age of 52. Though a legendary figure in certain circles in France, Manchette wasn’t widely known in the Anglophone world until 2002, when City Lights published both 3 to Kill and The Prone Gunman, the first of his novels to appear in English. Three more translations were fired off over the next decade and a half by New York Review Books, perhaps the most venerable publisher in North America. Nyrb, despite that high-brow status, is no shrinking violet when it comes to genre fiction,...
- 10/14/2019
- MUBI
Revered French actor Alain Delon, who starred in Luchino Visconti’s masterpiece “The Leopard,” will receive an honorary Palme d’Or at this year’s 72nd Cannes Film Festival.
In receiving the honor from Cannes, Delon will follow in the footsteps of Jeanne Moreau, Woody Allen, Bernardo Bertolucci, Jane Fonda, Clint Eastwood, Jean-Paul Belmondo, Manoel de Oliveira, Agnès Varda and Jean-Pierre Léaud.
Describing Delon as a “giant, a living legend, a global icon… [and even] a box office champion,” the festival said the honorary Palme d’Or will “pay tribute to [Delon’s] wonderful presence in the history of film.”
“Pierre Lescure and I are delighted that Alain Delon has accepted to be honored by the festival,” said Thierry Fremaux, Cannes’ artistic director. Fremaux added that Delon “hesitated for a long time, having long been reluctant to [accept] this Palme d’Or because he thought he should only come to Cannes to celebrate the directors he had been working with.
In receiving the honor from Cannes, Delon will follow in the footsteps of Jeanne Moreau, Woody Allen, Bernardo Bertolucci, Jane Fonda, Clint Eastwood, Jean-Paul Belmondo, Manoel de Oliveira, Agnès Varda and Jean-Pierre Léaud.
Describing Delon as a “giant, a living legend, a global icon… [and even] a box office champion,” the festival said the honorary Palme d’Or will “pay tribute to [Delon’s] wonderful presence in the history of film.”
“Pierre Lescure and I are delighted that Alain Delon has accepted to be honored by the festival,” said Thierry Fremaux, Cannes’ artistic director. Fremaux added that Delon “hesitated for a long time, having long been reluctant to [accept] this Palme d’Or because he thought he should only come to Cannes to celebrate the directors he had been working with.
- 4/17/2019
- by Elsa Keslassy
- Variety Film + TV
Howard A. Rodman’s upcoming book will be getting the big-screen treatment.
“The Great Eastern,” set to be published in early June by Melville House Books, has been acquired by Great Point Media — a London-based content and media company. Rodman, the former Writers Guild of America West president, will also write the screenplay for the film.
“Howard Rodman is a literary master whose long list of screenwriting credits speak for themselves. Great Point Media is thrilled to be bringing his vision onto the big screen,” said Great Point director Jim Reeve.
The adventure story follows two of literature’s iconic anti-heroes, Captain Nemo and Captain Ahab, as they battle through the latter half of the 19th century. After Nemo kidnaps real-life civil engineer Isambard Kingdom Brunel to build a submarine — one that would link the U.S. and England, two opposing colonial forces — the three men find themselves at battle with each other.
“The Great Eastern,” set to be published in early June by Melville House Books, has been acquired by Great Point Media — a London-based content and media company. Rodman, the former Writers Guild of America West president, will also write the screenplay for the film.
“Howard Rodman is a literary master whose long list of screenwriting credits speak for themselves. Great Point Media is thrilled to be bringing his vision onto the big screen,” said Great Point director Jim Reeve.
The adventure story follows two of literature’s iconic anti-heroes, Captain Nemo and Captain Ahab, as they battle through the latter half of the 19th century. After Nemo kidnaps real-life civil engineer Isambard Kingdom Brunel to build a submarine — one that would link the U.S. and England, two opposing colonial forces — the three men find themselves at battle with each other.
- 3/14/2019
- by Anna Tingley
- Variety Film + TV
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
A24 Films on Kanopy
With FilmStruck sadly heading into its early grave last night, one may be looking for more options for streaming. One of the best alternatives is Kanopy, which can be accessed for free with a library card in select areas. They’ve also just added a wealth of A24 films ranging from this year’s First Reformed and Lean on Pete all the way back to their first offerings like Enemy and Spring Breakers.
Where to Stream: Kanopy
De Palma (Noah Baumbach and Jake Paltrow)
Recently, Kent Jones’ Hitchcock /Truffaut — a documentary on the famous interview sessions between the two directors — boasted perhaps the most chaotic,...
A24 Films on Kanopy
With FilmStruck sadly heading into its early grave last night, one may be looking for more options for streaming. One of the best alternatives is Kanopy, which can be accessed for free with a library card in select areas. They’ve also just added a wealth of A24 films ranging from this year’s First Reformed and Lean on Pete all the way back to their first offerings like Enemy and Spring Breakers.
Where to Stream: Kanopy
De Palma (Noah Baumbach and Jake Paltrow)
Recently, Kent Jones’ Hitchcock /Truffaut — a documentary on the famous interview sessions between the two directors — boasted perhaps the most chaotic,...
- 11/30/2018
- by Jordan Raup
- The Film Stage
No one makes movies quite like French husband-and-wife team Hélène Cattet and Bruno Forzani. The directing duo first made a splash in 2009 with “Amer,” a postmodern homage to Italian giallo films that was followed up by another giallo homage, 2013’s “The Strange Color of Your Body’s Tears.” Both films are filled with a stunning blend of eye-popping and provocative visuals, a kaleidoscope of colors that evokes Dario Argento’s sumptuous technicolor nightmares, woven together with scores lifted from giallos from yesteryear. With this intoxicating cinematic formula, Cattet and Forzani quickly became must-watch genre filmmakers.
Rather than sticking with this successful formula, they branched out with their latest film, “Let the Corpses Tan,” putting their own spin on the western. “Let the Corpses Tan” takes place on a sun-soaked, isolated island hideaway, where a grizzled thug named Rhino (Stéphane Ferrara) and his gang plan to hide away with an eccentric artist,...
Rather than sticking with this successful formula, they branched out with their latest film, “Let the Corpses Tan,” putting their own spin on the western. “Let the Corpses Tan” takes place on a sun-soaked, isolated island hideaway, where a grizzled thug named Rhino (Stéphane Ferrara) and his gang plan to hide away with an eccentric artist,...
- 9/13/2018
- by Jamie Righetti
- Indiewire
This past Friday, Kino Lorber released Let the Corpses Tan, the latest movie from the filmmaking team of Hélène Cattet and Bruno Forzani in New York and Los Angeles, and this week, their tribute to ’70s Italian crime cinema expands to theaters across the Us, bringing together an eclectic gaggle of characters in a bullet-riddled ballet drenched in sun, sweat, and hallucinatory visions. Daily Dead recently had the opportunity to speak with both Forzani and Cattet about their decision to turn the Let the Corpses Tan novel (written by Jean-Patrick Manchette and Jean-Pierre Bastid) into a cinematic experience, their approach to this story, the immense difficulties of finding their filming location, and more.
Congrats on the film, you guys. What was it about the story in the original book that felt right to you about translating it for film?
Hélène Cattet: First, it was me who read the book, and when I read the book,...
Congrats on the film, you guys. What was it about the story in the original book that felt right to you about translating it for film?
Hélène Cattet: First, it was me who read the book, and when I read the book,...
- 9/4/2018
- by Heather Wixson
- DailyDead
Hélène Cattet and Bruno Forzani’s Let the Corpses Tan is a film about sensations, derived more so from the mechanics of filmmaking than from storytelling. Like their previous works, it exists as a standalone genre film in the classic European mold, even when divorced from its stylistic trappings, with sunshine and gunfire supplanting dark corridors and unsheathed daggers. In the last ten years, the reception of Cattet and Forzani has come to understand theirs as a tactile cinema: What happens onscreen is never quite as important as how it looks and sounds—or perhaps, how it ‘feels’—while it’s happening. While Corpses is certainly exploitation cinema formally in its emulation of European westerns and gangster films, it is also exploitation cinema by design in its manipulation and abstraction of photography and sound.As with their two previous features Amer (2009) and The Strange Color of Your Body’s Tears...
- 8/31/2018
- MUBI
French directing duo Hélène Cattet and Bruno Forzani burst onto the genre scene with their mesmerizing, impeccably crafted 2009 giallo film Amer. The married couple followed it up with the even more daring spiritual sequel The Strange Colour of Your Bodies Tears. Now, Cattet and Forzani are back and bringing their talent for precision filmmaking into other genres. In Let the Corpses Tan, based on the book Laissez bronzer les cadavres by Jean-Patrick Manchette and Jean-Pierre Bastid, thieves steal a pile of gold and getaway to a coastal village, the home of Luce, an enigmatic artist involved in a seedy, […]...
- 8/31/2018
- by Corey Atad
- Filmmaker Magazine-Director Interviews
French directing duo Hélène Cattet and Bruno Forzani burst onto the genre scene with their mesmerizing, impeccably crafted 2009 giallo film Amer. The married couple followed it up with the even more daring spiritual sequel The Strange Colour of Your Bodies Tears. Now, Cattet and Forzani are back and bringing their talent for precision filmmaking into other genres. In Let the Corpses Tan, based on the book Laissez bronzer les cadavres by Jean-Patrick Manchette and Jean-Pierre Bastid, thieves steal a pile of gold and getaway to a coastal village, the home of Luce, an enigmatic artist involved in a seedy, […]...
- 8/31/2018
- by Corey Atad
- Filmmaker Magazine - Blog
As the summer comes to a close, it seems as though most distributors–especially on the indie side–were holding onto their gems before the busy fall festival slate as a number of the year’s best films arrive this month. If we’re being honest, though, our most-anticipated film won’t actually get a theatrical release, but will instead arrive on The Criterion Collection with Terrence Malick’s extended edition of The Tree of Life. However for this feature, we’ll stick to those films one will be able to see in theaters, so without further adieu, here are the 15 films we recommend this month.
Matinees to See: Nico, 1988 (8/1), Christopher Robin (8/3), A Prayer Before Dawn (8/10), Buybust (8/10), Summer of ’84 (8/10), Crazy Rich Asians (8/15), Juliet, Naked (8/17), Memoir of War (8/17), Notes on an Appearance (8/17), We the Animals (8/17), The Wife (8/17), The Night is Short, Walk On Girl (8/21), What Keeps You Alive (8/24), Papillon (8/24), The Happytime Murders...
Matinees to See: Nico, 1988 (8/1), Christopher Robin (8/3), A Prayer Before Dawn (8/10), Buybust (8/10), Summer of ’84 (8/10), Crazy Rich Asians (8/15), Juliet, Naked (8/17), Memoir of War (8/17), Notes on an Appearance (8/17), We the Animals (8/17), The Wife (8/17), The Night is Short, Walk On Girl (8/21), What Keeps You Alive (8/24), Papillon (8/24), The Happytime Murders...
- 7/31/2018
- by Jordan Raup
- The Film Stage
Belgian filmmakers Hélène Cattet and Bruno Forzani trade in the crushed velvet and creeping shadows of their giallo-worshiping first two films for blistering sun, creaking leather and raining bullets in Let The Corpses Tan, a glorious homage to 1970s Italian crime films.
After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood.
Based on a classic pulp novel by Jean-Patrick Manchette and featuring music by Ennio Morricone, Let the Corpses Tan is a deliriously stylish, cinematic fever dream that will...
After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood.
Based on a classic pulp novel by Jean-Patrick Manchette and featuring music by Ennio Morricone, Let the Corpses Tan is a deliriously stylish, cinematic fever dream that will...
- 6/7/2018
- by Phil Wheat
- Nerdly
Let The Corpses Tan Trailer
Hélène Cattet and Bruno Forzan‘s Let The Corpses Tan / Laissez bronzer les cadavres (2017) movie trailer stars Elina Löwensohn, Stéphane Ferrara, Hervé Sogne, Bernie Bonvoisin, and Pierre Nisse. Let The Corpses Tan‘s plot synopsis: based on the novel by Jean-Patrick Manchette, “Belgian filmmakers Hélène Cattet and Bruno Forzani trade in [...]
Continue reading: Let The Corpses Tan Movie Trailer: A Quentin Tarantino-like Action Thriller; Score by Ennio Morricone
The post Let The Corpses Tan Movie Trailer: A Quentin Tarantino-like Action Thriller; Score by Ennio Morricone appeared first on FilmBook.
Hélène Cattet and Bruno Forzan‘s Let The Corpses Tan / Laissez bronzer les cadavres (2017) movie trailer stars Elina Löwensohn, Stéphane Ferrara, Hervé Sogne, Bernie Bonvoisin, and Pierre Nisse. Let The Corpses Tan‘s plot synopsis: based on the novel by Jean-Patrick Manchette, “Belgian filmmakers Hélène Cattet and Bruno Forzani trade in [...]
Continue reading: Let The Corpses Tan Movie Trailer: A Quentin Tarantino-like Action Thriller; Score by Ennio Morricone
The post Let The Corpses Tan Movie Trailer: A Quentin Tarantino-like Action Thriller; Score by Ennio Morricone appeared first on FilmBook.
- 6/6/2018
- by Rollo Tomasi
- Film-Book
Kino Lorber acquired North American rights to Hélène Cattet and Bruno Forzani’s stylish neo-Western Let The Corpses Tan out of last year’s Toronto’s Midnight Madness and will now start unrolling it in limited theaters on August 31st (NY at Quad Cinema & Alamo Drafthouse and La at the Landmark Nuart). Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let the […]...
- 5/31/2018
- by Brad Miska
- bloody-disgusting.com
I've got an awesome trailer for you to watch for a very cool looking new film coming out called Let The Corpses Tan. This is a gritty shoot 'em up French "neo-western" thriller that is an homage to 1970s Italian crime films. This is the synopsis that was released:
After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood.
The movie is based on a classic pulp novel by Jean-Patrick Manchette and also features music by Ennio Morricone. The film...
After stealing a truckload of gold bars, a gang of thieves absconds to the ruins of a remote village perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the hamlet erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood.
The movie is based on a classic pulp novel by Jean-Patrick Manchette and also features music by Ennio Morricone. The film...
- 5/30/2018
- by Joey Paur
- GeekTyrant
"I couldn't look away!" Kino Lorber has debuted an official Us trailer for the gritty, French "neo-western" thriller titled Let the Corpses Tan, or Laissez bronzer les cadavres. This premiered at the Locarno and Toronto Film Festivals last year, and is the latest feature from directors Hélène Cattet & Bruno Forzani. Here's the plot: A grizzled thug and his gang head to an island retreat with a haul of 250 kilograms of gold bullion to lay low; however, a bohemian writer, his muse, and a pair of gendarmes further complicate things, as allegiances are put to the test. The cast includes Elina Löwensohn, Stéphane Ferrara, Bernie Bonvoisin, Michelangelo Marchese, and Marc Barbé. The trailer does a better job at introducing this stylish film than any text, so dive in and give it a look. Based on a classic pulp novel by Jean-Patrick Manchette, and featuring music by the master Ennio Morricone. Here's...
- 5/30/2018
- by Alex Billington
- firstshowing.net
Kino Lorber has acquired North American rights to Hélène Cattet and Bruno Forzani’s stylish neo-Western Let The Corpses Tan which had a critically acclaimed unspooling at Toronto’s Midnight Madness section and Austin’s Fantastic Fest, writes Variety. Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let the Corpses Tan takes place during a Mediterranean summer: blue sea, blazing […]...
- 9/27/2017
- by Brad Miska
- bloody-disgusting.com
Writing-directing team Hélèn Cattet and Bruno Forzani burst onto the genre film scene in 2009 with the highly original Amer, a giallo-inspired experimental horror/thriller about different ages of one girl's life. Their second feature, The Strange Color of Your Body's Tears, went even further into mystery and strangeness in a more obscure story. Their third feature, Let the Corpses Tan, is something of an experiment for Cattet and Forzani, in that it comes from an original novel by Jean-Patrick Manchette. The result of the pair's high style with a complicated story, while (as always) beautiful to see and hear, is not entirely successful. On the gorgeous Italian coast, a criminal trio headed by Rhino has staged a dramatic robbery of an armed vehicle, killing four...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/23/2017
- Screen Anarchy
Hélène Cattet and Bruno Forzani, the duo behind the stunning Giallo inspired Amer as well as The Strange Color of Your Body’s Tears, will throw glitter and gold all over the Toronto International Film Festival with their Let the Corpses Tan (Laissez bronzer les cadavres!), which premieres tonight at the ongoing event. Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let […]...
- 9/13/2017
- by Brad Miska
- bloody-disgusting.com
It’s been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky enough) distributors releasing the first look at footage in an attempt to drum up interest and stand out of the pack of hundreds of others at the festival. Well, it seems to have done the trick as we’re posting a round-up today.
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
- 9/11/2017
- by Jordan Raup
- The Film Stage
The filmmaking duo Hélène Cattet and Bruno Forzani have gone about in some kind of relative obscurity since their first feature Amer in 2009. While that striking debut perhaps should’ve garnered them more attention, as well as the subsequent The Strange Colour of Your Body’s Tears, it feels safe to say they’re not out to get that crossover hit. If anything, they seem content kind of just doing the same thing over and over again.
To those not in the know, their whole deal is doing riffs on genre that cut out virtually all the connective tissue, leaving simply a procession of visual tropes. In the case of Let the Corpses Tan, there’s closeups on squinted eyes and gun barrels, aggressive whip pans and overbearing Morricone-esque music cues. Some will say they’re filmmakers made for those who find most Italian exploitation movies boring for the...
To those not in the know, their whole deal is doing riffs on genre that cut out virtually all the connective tissue, leaving simply a procession of visual tropes. In the case of Let the Corpses Tan, there’s closeups on squinted eyes and gun barrels, aggressive whip pans and overbearing Morricone-esque music cues. Some will say they’re filmmakers made for those who find most Italian exploitation movies boring for the...
- 9/10/2017
- by Ethan Vestby
- The Film Stage
A few weeks ago the Locarno Festival held its 70th edition. Among the festivities, Let The Corpses Tan -- the third film by Belgian duo Hélène Cattet and Bruno Forzani -- had its world premiere on the majestic Piazza Grande. We had the opportunity to sit with the filmmakers and while we chatted about their adaptation, their creative process and their references, we also learned some exclusive stuff about their next project. Spoiler: it may concern Japanese animation. So how did you come up adapting Jean-Patrick Manchette's Let The Corpses Tan? Hélène Cattet: I was the one who stumbled upon it. I was working at a library for about ten years, and at that time a collection with the full work of Manchette was published....
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/10/2017
- Screen Anarchy
Having plunged as deep as their knives could go into the long-dead corpse of the giallo genre in Amer and The Strange Color of Your Body’s Tears, Hélène Cattet and Bruno Forzani now forge a kind of hybrid of the spaghetti Westerns and Italian crime films of the late ’60s, stripping out nearly all story and keeping the sublime transfixion on material iconography and brute behaviour. Adapted from Jean-Patrick Manchette’s lean debut novel from 1971 (co-written by Jean-Pierre Bastid, who, like Manchette, was also immersed in genre cinema), Let the Corpses Tan opens with target practice shooting up neo-expressionist paintings, introducing the two groups (artists and gangsters) hiding atop a Corsican redoubt. After a whip-fast gold heist along the coast (executed by Cattet and Forzani with a fiercely staccato musical precision) attracts the local police, the mixed-class gang holes up in the sun-baked ruins to fight first against the law and,...
- 9/10/2017
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended Viewinga completely charming trailer for Greta Gerwig's directorial debut Lady Bird.Following his Palme d'Or winner The Square (read our review from Cannes), Ruben Östlund's Berlinale award-winning short Incident By a Bank (2009)—which was featured on Mubi in 2010—has been made free to watch on Vimeo. Another beguiling cinematic experience, it is a single-shot recreation of a bank robbery which took place in Stockholm.Richard Linklater teams up with what looks to be an incredible ensemble as seen in the trailer for his latest, Last Flag Flying, set to premiere at the New York Film Festival this fall.Frederick Wiseman continues his exploration of American institutions with Ex Libris, which delves into The New York Public Library.Takashi Miike is back with his 100th film, Blade of the Immortal. (Read our...
- 9/6/2017
- MUBI
Hélène Cattet and Bruno Forzani, the duo behind the stunning Giallo inspired Amer as well as The Strange Color of Your Body’s Tears, have thrown glitter and gold all over their new trailer for Let the Corpses Tan (Laissez bronzer les cadavres!), which looks like it contains an epic and bloody shootout. Adapted from Jean-Patrick Manchette and […]...
- 9/4/2017
- by Brad Miska
- bloody-disgusting.com
Let the Corpses TanThis year at the Locarno Festival I am looking for specific images, moments, techniques, qualities or scenes from films across the 70th edition's selection that grabbed me and have lingered past and beyond the next movie seen, whose characters, story and images have already begun to overwrite those that came just before.***A camera pans across a beachfront—simple enough, yet as it moves the expanding tumult of water seems to unspool unendingly, stretching and smearing and even more: it wraps around the screen, a sensorium beyond Cinerama and cyclorama akin to Ernie Gehr’s vertiginous coastal flyover-film, Glider (2001). And then another plane is added, a cascade of water from top to bottom, brewing a three dimensional cinematic hurricane in homage to—and in magical reconstruction of—the terrific storm that hit Galveston, Texas in 1900. Stereoscopic images of the storm’s aftermath is but one inspiration for...
- 8/11/2017
- MUBI
Hélène Cattet and Bruno Forzani, the duo behind the stunning giallo inspired Amer as well as The Strange Color of Your Body’s Tears, have shared their first art poster for Let the Corpses Tan (Laissez bronzer les cadavres!), courtesy of Bac Films, Anonymes Films and Tobina Film. Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let […]...
- 7/19/2017
- by Brad Miska
- bloody-disgusting.com
Adapted from Jean-Patrick Manchette and Jean-Pierre Bastid’s 1971 crime thriller, Let the Corpses Tan (Laissez Bronzer Les Cadavres) is the third feature from filmmaking duo Hélène Cattet and Bruno Forzani, who previously brought us Amer and The Strange Color of… Continue Reading →
The post Let the Corpses Tan Receives Stunning Poster appeared first on Dread Central.
The post Let the Corpses Tan Receives Stunning Poster appeared first on Dread Central.
- 7/19/2017
- by Jonathan Barkan
- DreadCentral.com
Fans of Belgian directing duo Bruno Forzani and Helene Cattet rejoice! The Amer and Strange Colour Of Your Body's Tears directors have wrapped production on their upcoming third feature Let The Corpses Tan (Laissez Bronzer Les Cadavres) and the first image has arrived online! After a pair of giallo influenced efforts this adaptation of Jean-Patrick Manchette and Jean-Pierre Bastid's cult novel veers into western territory, telling the tale of a group of thieves hiding out in remote territory following a gold heist. As you can tell from the image, things don't go so well. We will, of course, be watching closely for more on this one so expect more news in weeks to come! Check out the image below and remember you can click to...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/2/2016
- Screen Anarchy
Exclusive: Bac releases first image of third feature from cult genre film directors.
Bac Films International has picked up sales on French genre writer-director duo Hélène Cattet and Bruno Forzani’s upcoming feature.
Let The Corpses Tan is the third feature from the Brussels-based couple after their cult ‘giallo’-inspired hits The Strange Color Of Your Body’s Tears and Amer.
The new work is adapted from the debut novel of late 1970s French crime writer Jean-Patrick Manchette, Laissez Bronzer les Cadavres, which Manchette co-wrote with screenwriter Jean-Pierre Bastid.
Set against the blue seas and blazing sun of a perfect Mediterranean summer, the film revolves around Rhino and his gang of professional thieves.
They think they have found the perfect place to hide out and stash a haul of gold in a remote hamlet controlled by a female artist who moved there for inspiration.
But the arrival of surprise guests and two police officers compromise their plan. The...
Bac Films International has picked up sales on French genre writer-director duo Hélène Cattet and Bruno Forzani’s upcoming feature.
Let The Corpses Tan is the third feature from the Brussels-based couple after their cult ‘giallo’-inspired hits The Strange Color Of Your Body’s Tears and Amer.
The new work is adapted from the debut novel of late 1970s French crime writer Jean-Patrick Manchette, Laissez Bronzer les Cadavres, which Manchette co-wrote with screenwriter Jean-Pierre Bastid.
Set against the blue seas and blazing sun of a perfect Mediterranean summer, the film revolves around Rhino and his gang of professional thieves.
They think they have found the perfect place to hide out and stash a haul of gold in a remote hamlet controlled by a female artist who moved there for inspiration.
But the arrival of surprise guests and two police officers compromise their plan. The...
- 8/31/2016
- ScreenDaily
Laissez Bronzer Les Cadavres
Director: Bruno Forzani & Helene Cattet
Writers: Bruno Forzani & Helene Cattet
Last year, we had included this new project from ‘neo-giallists’ Bruno Forzani & Helene Cattet, the Belgian duo behind such loving fetish genre items such as Amer (2009) and The Strange Color of Your Body’s Tears (2013). They’re working on a film noir project, an adaptation of author Jean-Patrick Manchette’s 1971 novel, Laissez Bronzer Les Cadavres (translated as Let the Bodies Sunbathe). In early October this year, the duo received financial support from Wallimage, but there hasn’t been an update on the project since. Their last feature unexpectedly popped up in the Locarno line-up in 2013, so we’re choosing to assume they’re somewhere along in the process. However, it seems as if we can expect the film to be re-titled following the Wallimage announcement, where the project was simply listed as a film noir approached from a fetishist angle.
Director: Bruno Forzani & Helene Cattet
Writers: Bruno Forzani & Helene Cattet
Last year, we had included this new project from ‘neo-giallists’ Bruno Forzani & Helene Cattet, the Belgian duo behind such loving fetish genre items such as Amer (2009) and The Strange Color of Your Body’s Tears (2013). They’re working on a film noir project, an adaptation of author Jean-Patrick Manchette’s 1971 novel, Laissez Bronzer Les Cadavres (translated as Let the Bodies Sunbathe). In early October this year, the duo received financial support from Wallimage, but there hasn’t been an update on the project since. Their last feature unexpectedly popped up in the Locarno line-up in 2013, so we’re choosing to assume they’re somewhere along in the process. However, it seems as if we can expect the film to be re-titled following the Wallimage announcement, where the project was simply listed as a film noir approached from a fetishist angle.
- 1/15/2016
- by Nicholas Bell
- IONCINEMA.com
Title: The Gunman Director: Pierre Morel Starring: Sean Penn, Idris Elba, Ray Winstone, Mark Rylance, Jasmine Trinca, Javier Bardem. Jean-Patrick Manchette’s novel ‘La Position du tireur couché’ (The Prone Gunman), gets adapted for the silver screen by French cinematographer and film director Pierre Morel, known for ‘District 13,’ ‘From Paris With Love,’ and ‘Taken.’ The American action thriller, stars Sean Penn as an ex-soldier who carried out an assassination in the Democratic Republic of Congo and finds his past catching up with him eight years later. The cast also includes Javier Bardem, Italian actress Jasmine Trinca, Idris Elba, Ray Winstone and Mark Rylance. The film begins with utter promise: the [ Read More ]
The post The Gunman Movie Review appeared first on Shockya.com.
The post The Gunman Movie Review appeared first on Shockya.com.
- 5/14/2015
- by Chiara Spagnoli Gabardi
- ShockYa
Sean Penn is being hunted in a final television spot for The Gunman.
The geo-political thriller casts Penn as expert assassin Jim Terrier, whose desire to live a quiet life leads his employers to turn against him.
Jim's former superior Felix (Javier Bardem) sets off a massive operation across Europe to take down the spurned assassin at any cost.
The Gunman also features action movie favourites Idris Elba and Ray Winstone in supporting roles.
Director Pierre Morel (From Paris with Love) has adapted the movie from Jean-Patrick Manchette's novel The Prone Gunman.
The Gunman opens on Friday (March 20) in the UK and the Us.
The geo-political thriller casts Penn as expert assassin Jim Terrier, whose desire to live a quiet life leads his employers to turn against him.
Jim's former superior Felix (Javier Bardem) sets off a massive operation across Europe to take down the spurned assassin at any cost.
The Gunman also features action movie favourites Idris Elba and Ray Winstone in supporting roles.
Director Pierre Morel (From Paris with Love) has adapted the movie from Jean-Patrick Manchette's novel The Prone Gunman.
The Gunman opens on Friday (March 20) in the UK and the Us.
- 3/19/2015
- Digital Spy
The Gun Show: Morel’s Failed Fashioning of Penn Into Unlikely Action Star
If anything, it’s safe to say that The Gunman, the latest film from Luc Besson acolyte Pierre Morel, is hardly as silly as previous action films, such as 2010’s From Paris With Love and the first ‘chapter’ of the Taken (2008) trilogy, which lands the French helmer the distinction of revitalizing the career of Liam Neeson. On the surface, it looks like the director is priming Sean Penn for a similar autumnal invitation to action star status, but while the performer’s hermetic seriousness may downplay the film’s camp value, it also neutralizes any aspect of entertainment.
Not smartly written enough to be a truly intelligent thriller with either a political or activist inclined angle we’re used to seeing from Penn’s increasingly infrequent on-screen performances, the end result is a leathery prune of a film,...
If anything, it’s safe to say that The Gunman, the latest film from Luc Besson acolyte Pierre Morel, is hardly as silly as previous action films, such as 2010’s From Paris With Love and the first ‘chapter’ of the Taken (2008) trilogy, which lands the French helmer the distinction of revitalizing the career of Liam Neeson. On the surface, it looks like the director is priming Sean Penn for a similar autumnal invitation to action star status, but while the performer’s hermetic seriousness may downplay the film’s camp value, it also neutralizes any aspect of entertainment.
Not smartly written enough to be a truly intelligent thriller with either a political or activist inclined angle we’re used to seeing from Penn’s increasingly infrequent on-screen performances, the end result is a leathery prune of a film,...
- 3/19/2015
- by Nicholas Bell
- IONCINEMA.com
For actors of a certain age, the midlife crisis often sparks a desire for reinvention. Comedians who spent their career clowning around try their hand at Serious Drama, fading pretty boys make themselves uglier to play villains, and since Taken, we're seeing more award-winning actors suddenly developing a taste for action.
Pierre Morel deserves a lot of credit (or blame) for that trend. After helping Liam Neeson remake himself into a badass action hero, he's at it again with Sean Penn in The Gunman. Based on a French crime novel by Jean-Patrick Manchette, it tells the story of an ex-mercen... "private security agent" with Ptsd who is just trying to expiate his sins and live a decent life when the past comes back to haunt, or rather hunt him, gun in hand.
We had the pleasure to interrogate Morel himself about his magic formula for action movies à la française.
- 3/19/2015
- by Valérie Bourdeau
- Cineplex
Since modern movie making began Hollywood executives have always looked upon something successful and wondered "How can we do it again"? Whether it was the rash of formulaic teen comedies in the '90s that followed "Clueless" or the attempts to clone the Japanese horror trope of "The Ring" or countless other examples, movie studios and producers haven't been able to help themselves avoid ridiculous levels of copycat syndrome. All you need to do is cast a similar star, hire a director to mimic the first film's tone, find a way to make it just different enough to seem "original" and you've got an easy product to market to a global audience. The latest trend producers can't seem to get enough of? Rip offs of the Liam Neeson blockbuster "Taken" and that’s likely why someone decided to option Jean-Patrick Manchette's 1981 novel "The Prone Gunman” as a movie in the first place.
- 3/17/2015
- by Gregory Ellwood
- Hitfix
The Gunman Open Road Films Reviewed by: Tami Smith, Guest Reviewer for Shockya. Grade: B Director: Pierre Morel Screenwriter: Don MacPherson and Pete Travis. Based on The Prone Gunman, a Novel by Jean-Patrick Manchette Cast: Sean Penn, Jasmine Trinca, Javier Bardem, Ray Winstone, Mark Rylance, Peter Franzén, Idris Elba, Opens: March 20, 2015 Martin Terrier (Sean Penn) leads a double life. By mornings and evenings he is a humanitarian aid worker who “does good” in Congo, and has a great time palling around in the local bar with his co-workers and girlfriend Annie (Jasmine Trinca). By late night he is an “assassin-for-hire”, shooting any target on command without asking questions. [ Read More ]
The post The Gunman Movie Review appeared first on Shockya.com.
The post The Gunman Movie Review appeared first on Shockya.com.
- 3/16/2015
- by Harvey Karten
- ShockYa
The Gunman Open Road Films Reviewed by: Harvey Karten for Shockya. Databased on Rotten Tomatoes. Grade: C+ Director: Pierre Morel Screenwriter: Don MacPherson, Pete Travis, Sean Penn. Novel by Jean-Patrick Manchette Cast: Sean Penn, Idris Elba, Ray Winstone, Mark Rylance, Jasmine Trinca, Peter Franzén, Javier Bardem Screened at: Review 2, NYC, 3/5/15 Opens: March 20, 2015 If you choose to be a hit-man, you’re are selecting a risky profession. Not only can you be killed by the folks you’re gunning for. You’re even more likely to be done in by the very people who pay you for the simple reason that after the deed in done, who needs the only [ Read More ]
The post The Gunman Movie Review appeared first on Shockya.com.
The post The Gunman Movie Review appeared first on Shockya.com.
- 3/16/2015
- by Harvey Karten
- ShockYa
We see more of him in this short clip than we do in the trailer. And it's not much of a clip. Hopefully he's given more to do than light Sean Penn's cigarettes, and deliver speeches filled with epigrams (see my "Is Idris Elba a Hollywood Leading Man Yet?" post from a few months ago). The actor joins Sean Penn and Javier Bardem in director Pierre Morel's action thriller, "The Gunman," which is based on the novel, "The Prone Gunman," by Jean-Patrick Manchette. The story, which was adapted to script by Peter Travis, goes: "Martin Terrier is a hired killer who wants out of the game - so he can...
- 3/9/2015
- by Tambay A. Obenson
- ShadowAndAct
There have already been a couple of trailers for Sean Penn’s swerve into Liam-Neeson-in-Taken-style action thrillers with The Gunman, courtesy of the franchise’s own Pierre Morel. Here comes the third example ahead of the movie’s arrival in March.Penn plays Jim Terrier, a former special forces-type still haunted by the things he did when he was on active duty. And one particular mission is itching at his conscience, a job that was supposed to help people, but ended up more in tragedy than triumph.So when he decides to find out what really happened, he becomes the target of his former fellow shooters and bosses, with the likes of Mark Rylance, Idris Elba and Javier Bardem clouding the picture with different degrees of sinisterness. Ray Winstone, his old mucker, and his girlfriend Jasmine Trinca are probably going to regret getting involved.With a script by...
- 2/23/2015
- EmpireOnline
Following on from Sean Penn’s frankly bizarre Oscars comments last night, Open Road Films has dropped a new trailer for his upcoming action thriller, The Gunman. Was the decision to unleash the preview to perhaps capitalize on the actor’s oddball antics, or simply because it opens in theaters next month? Whatever the reason, an exciting new preview is now online for your viewing pleasure.
As previous teasers have pointed out – the film is directed by Taken‘s Pierre Morel. That admission appears to serve as a badge of merit, to prove that the director’s latest venture will be equally as badass. And by the looks of things, that statement is entirely accurate. Running at just over a minute, it’s a fast-paced tease with a booming score and plenty of explosions.
Starring Penn as James Terrier, a former military specialist plagued by Ptsd, the movie chronicles his...
As previous teasers have pointed out – the film is directed by Taken‘s Pierre Morel. That admission appears to serve as a badge of merit, to prove that the director’s latest venture will be equally as badass. And by the looks of things, that statement is entirely accurate. Running at just over a minute, it’s a fast-paced tease with a booming score and plenty of explosions.
Starring Penn as James Terrier, a former military specialist plagued by Ptsd, the movie chronicles his...
- 2/23/2015
- by Gem Seddon
- We Got This Covered
After handing out the award for Best Picture last night, Sean Penn is back today in the secondm quick trailer for The Gunman, the latest thriller from Taken director Pierre Morel. Penn just happens to be getting some flack today for saying "Who gave this son of a bitch his green card?" when he handed an Oscar to Alejandro Gonzalez Inarritu, but the filmmaker knew it was a harmless joke. However, Penn certainly isn't messing around in what could be a whole new phase to his career. However, not every aging actor can follow the same trajectory as Liam Neeson did, though it's sometimes entertaining to see them try. Watch? Here's the quick new trailer for Pierre Morel's The Gunman from YouTube: You can still watch the first Us trailer for The Gunman right here. The Gunman is directed by Pierre Morel (Taken, From Paris with Love, District B13...
- 2/23/2015
- by Ethan Anderton
- firstshowing.net
Open Road Films has posted a new trailer online for Pierre Morel's upcoming action thriller "The Gunman" starring Sean Penn, Javier Bardem, Ray Winstone, Jasmine Trinca, Idris Elba and Mark Rylance.
An adaptation of Jean-Patrick Manchette's 2002 novel "The Prone Gunman," pen plays an assassin trying to get out of the 'game', but his bosses won't let him leave so easily. A relentless game of cat and mouse soon take place across Europe. The film opens in cinemas on March 20th.
An adaptation of Jean-Patrick Manchette's 2002 novel "The Prone Gunman," pen plays an assassin trying to get out of the 'game', but his bosses won't let him leave so easily. A relentless game of cat and mouse soon take place across Europe. The film opens in cinemas on March 20th.
- 2/23/2015
- by Garth Franklin
- Dark Horizons
Based on Jean-Patrick Manchette’s novel 'The Prone Gunman,' The Gunman features Academy Award winner Sean Penn in his most action-oriented feature film role to date. In The Gunman Sean Penn stars as a former Special Forces soldier and military contractor suffering from Ptsd. He tries to reconnect with his long time love, but first must go on the run from London to Barcelona and across Europe in order to clear his name. Directed by Pierre Morel, The Gunman stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone, Mark Rylance, and Jasmine Trinca and is scheduled for theatrical release March 20th, 2015.
- 2/23/2015
- by Pietro Filipponi
- The Daily BLAM!
Sean Penn may have starred in several more dramatic pictures of late – The Tree of Life, Gangster Squad and The Secret Life of Walter Mitty, for instance — but for the actor’s next outing, the Academy award winner is set to go full Liam Nesson. That’s because Penn’s next venture will be headlining Pierre Morel’s The Gunman, which recently debuted an explosive new trailer.
We reference Liam Nesson’s foray into the action genre because Morel just so happens to be the director behind Taken, though going off of this latest clip, it appears as though The Gunman is venturing down a considerably different path. For the film, Penn will play the part of James Terrier, a former military ops specialist suffering from Ptsd who sets out to clear his name.
Perhaps what separates The Gunman from its generic action contemporaries is the movie’s eye-catching cast,...
We reference Liam Nesson’s foray into the action genre because Morel just so happens to be the director behind Taken, though going off of this latest clip, it appears as though The Gunman is venturing down a considerably different path. For the film, Penn will play the part of James Terrier, a former military ops specialist suffering from Ptsd who sets out to clear his name.
Perhaps what separates The Gunman from its generic action contemporaries is the movie’s eye-catching cast,...
- 1/20/2015
- by Michael Briers
- We Got This Covered
A new international trailer along with the official domestic poster for the new action thriller The Gunman from director Pierre Morel (Taken) and starring Sean Penn has been released. amz asin="0872864022" size="small"The film, based on Jean-Patrick Manchette's novel "The Prone Gunman", co-stars Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance and centers on a former special forces soldier and military contractor (Penn) suffering from Ptsd. He tries to reconnect with his long time love, but first must go on the run from London to Barcelona and across Europe in order to clear his name. The Gunman hits theaters on March 20, check out the trailer and poster below. sb id="1377011" height="360" width="640"...
- 1/20/2015
- by Brad Brevet
- Rope of Silicon
"We thought we were helping. It didn't work out that way." As American Sniper sweeps up the January box office competition (or lack thereof), another gunman is poised to hit the big screen this March with Sean Penn in The Gunman. Director Pierre Morel (Taken) is at the helm of the new thriller, and an international trailer has just surfaced to show off some more of the story follow Martin Terrier (Penn), a former Special Forces soldier and military contractor who works peacefully for a non-government group in the Congo. But suddenly, he's being hunted down by his own people as his violent past catches up with him. Here's the new international trailer for Pierre Morel's The Gunman from Studio Canal UK: You can still watch the first Us trailer for The Gunman right here. The Gunman is directed by Pierre Morel (Taken, From Paris with Love, District B13...
- 1/20/2015
- by Ethan Anderton
- firstshowing.net
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.