- Born
- Height5′ 11″ (1.80 m)
- George Chakiris made his film debut at the age of 12 singing in the chorus of Song of Love (1947). Following his graduation from high school, he supported his night-time dancing, singing and dramatic lessons with a daytime job clerking in a Los Angeles department store. Later he started his acting/dancing career appearing in musicals such as Gentlemen Prefer Blondes (1953)--he is one of the ballet dancers escorting Marilyn Monroe in "Diamonds Are A Girl's Best Friend"--White Christmas (1954), The Girl Rush (1955), There's No Business Like Show Business (1954), Brigadoon (1954), and Meet Me in Las Vegas (1956). In 1957, he made his debut as a dramatic actor in Under Fire (1957). In 1958 he traveled to New York hoping for a Broadway "break." Hearing that Jerome Robbins was casting the London company of "West Side Story", he auditioned and was awarded the co-starring role of Riff. He played the part for almost two years on the West End stage before acting, singing and dancing as Bernardo in the Robert Wise film version (West Side Story (1961)), a performance that earned him a Golden Globe and the Academy Award for Best Supporting Actor. Since then, he starred in a succession of films, including Diamond Head (1962) with Charlton Heston, Bebo's Girl (1964) with Claudia Cardinale, The Young Girls of Rochefort (1967) with Catherine Deneuve, Françoise Dorléac and Gene Kelly, The Big Cube (1968) with Lana Turner, Why Not Stay for Breakfast? (1979), Jekyll and Hyde... Together Again (1982), and Pale Blood (1990). He is one of the most traveled stars in motion pictures, having been to such locations as Hawaii, Japan, Mexico, Italy, England, Spain, and France. His nightclub career was launched to rave reviews at Caesar's Palace in Las Vegas and Harrah's Club in Lake Tahoe. In the 1970s and 1980s, his career focused on television and music. He appeared as guest star in several TV series such as Hawaii Five-O (1968) (Death is a Company Policy - 1972), Wonder Woman (1975) (Death in Disguise - 1978), CHiPs (1977) (Fox Trap - 1983), Scarecrow and Mrs. King (1983) (Lost and Found - 1984), Murder, She Wrote (1984) (Weave a Tangled Web - 1989), and he joined the cast of Dallas (1978) from 1985 to 1986. He has released several records: "George Chakiris," "Memories Are Made of These," "The Gershwin Song Book," "West Side Story's Dynamic...". Recently, he has appeared in several plays and stage musicals: after "The King and I" in the US in 1995, he performed in Britain the role of Rochester in "Jane Eyre".- IMDb Mini Biography By: K. Wiebe <senhue@mts.net>
- ParentsZoe AnastasidouStelianos Chakiris
- RelativesEvangeline Virginia Chakiris(Sibling)Catherine Chakiris(Sibling)Viola Mary Chakiris(Sibling)Aristotle (Harry) Chakiris(Sibling)James Steven Chakiris(Sibling)Athena Chakiris(Sibling)
- Silky yet explosive dance style
- Was one of the tuxedoed male dancers surrounding Marilyn Monroe for the 'Diamonds Are A Girl's Best Friend' number in Gentlemen Prefer Blondes (1953).
- Was one of the male dancers in White Christmas (1954). He particularly featured in the musical number "Love, You Didn't Do Right By Me" with Rosemary Clooney.
- Performed the role of Riff, leader of the Jets, in the London stage production of "West Side Story" before winning the role of Bernardo, leader of the rival Sharks gang, in the film version (West Side Story (1961)).
- In Novermberr of 2011 Grauman's Chinese Theatre, Los Angeles, CA, held a : Hand and Footprint ceremony celebrating the 50th anniversary of West Side Story (1961) with co-stars Rita Moreno and Russ Tamblyn.
- Often remembered as a "Latin Lover" type in Hollywood, but is actually the son of Greek immigrants.
- [about his Oscar-winning role in West Side Story (1961)] I wouldn't mind even if it's the ONLY thing people remember me for. It was a privilege just to be there and to contribute to something so wonderful. The last scene still gets me every time. It still brings tears to my eyes.
- Working with [Jerome] Robbins was the greatest experience I ever had, because it was Jerry who first showed me how a dancer could express himself in dancing rhythms and how an actor could intensify his dramatic performance with the graceful, expressive body movements of a dancer.
- [on his studio contract] If they didn't have specific work by the pay deadline, they'd stick you in anything. So I wasn't always used well.
- You do have to keep visible, but keeping visible with good material is very difficult.
- The parallel between acting and making jewelry is quite similar. There is discipline, patience, persistence and dedication in making both successful.
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