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- It's mid-twentieth century Florence. Wealthy Buoso Donati has just died in his bed, his extended family the only people around him at the time. Rumors abound within the family that he has left his entire estate to a nearby monastery, which if be the case would place him in an even worse view by his family than he already is, and place them all in a state of poverty. They are able to locate his will, which indeed confirms the rumors. Rino, Buoso's nephew who wanted some of that inheritance to be able to marry Lauretta - something that will not happen without that money - believes that Lauretta's father, Gianni Schicchi, may be able to help them with the issue of finding a loophole in the will to order for them to inherit Buoso's estate. Gianni, formerly a rural peasant, has only recently arrived in Florence and is trying to make a name for himself, and as such is someone that Rino's image conscious aunt, Zita, does not want in their lives in their current state. Gianni does believe there is a way for the family to inherit Buoso's estate, albeit in a less than legal way. Buoyed by this possibility, each of Buoso's family members not only want their part of the inheritance, but most specifically the most universally coveted items of the mule, the Florence house, and the mills in Signa, which each person tries to entice Gianni to give to him/her. Each of the family members will not only see if Gianni is good to his word of being able to change the will without the collective being caught in fraud, but if he/she will be the lucky recipient of those most coveted items.
- Set in 1820, the story of Ahab, captain of the ill-fated whaleship Pequod, and the crew he commands. Having lost one of his legs to the white whale called Moby Dick, Captain Ahab is obsessed with finding and destroying him at any cost. Only the ship's first mate, Starbuck, sees the deadly implications of Ahab's obsession.
- The Danish National Symphony Orchestra and the Danish National Concert Choir, led by conductor Sarah Hicks, perform selections from the films of Ennio Morricone and others.
- Human, All Too Human is a three-part 1999 documentary television series co-produced by the BBC and RM Arts.[1] It follows the lives of three prominent European philosophers: Friedrich Nietzsche, Martin Heidegger and Jean-Paul Sartre.[1] The theme revolves heavily around the school of philosophical thought known as Existentialism, although the term had not been coined at the time of Nietzsche's writing and Heidegger declaimed the label. The documentary is named after the 1878 book written by Nietzsche, titled Human, All Too Human: A Book for Free Spirits (in German: Menschliches, Allzumenschliches: Ein Buch für freie Geister).[2]
- Daniel Barenboim established the West-Eastern Divan Orchestra with the late Palestinian writer Edward Said in order to bring together young musicians from across the political divide in the Middle East. Their hope was that music would heal and help to bring understanding and tolerance of different beliefs and cultures.The award-winning documentary was produced and directed by Paul Smaczny. The Ramallah Concert was a live recording at the Place of Culture in Ramallah, 21 August 2005.
- The mother through the daughter's eyes - a family portrait blending intimate conversations, agreements and disagreements, and shred ties of sounds and blood. This intimate portrait of two musical giants by Martha Argerich's daughter Stéphanie has been filmed over two decades and around the world: Warsaw, where Martha Argerich won the Chopin competition first prize; Japan, which hosts a unique Argerich festival; London, where Stephen Kovacevich, Stéphanie's father, lives, works and enjoys intensively Indian food; Belgium, where Martha lives in a house filled with pianos and cats; Argentina, which she left at the age of twelve to study in Vienna, but still conceals valuable family treasures; Switzerland, where Stéphanie and her sister Lyda are currently living. Made up of documentary sequences focusing on the two characters of Martha and Stephen in their everyday lives, in rehearsal and in performance, the film will be largely given over to intimate, delicious anecdotes, and a few scenes in which the family is reunited. A film by Stéphanie Argerich.
- Ferrando and Guglielmo boast about the beauty and virtue of their girls, the sisters Fiordiligi and Dorabella. The cynical Don Alfonso proposes a wager. He will prove to them that the sisters are unfaithful, like all other women. Amused, the young men agree.
- A new full-length ballet choreographed by Ted Brandsen for Dutch National Ballet, to a new orchestral score by Tarik O'Regan.
- Music has transformed the lives of children in Venezuela's most impoverished areas.
- When Korean composer Unsuk Chin's opera was first performed by the Bavarian State Opera in Munich, it caused a sensation among music critics worldwide. Based on Lewis Carroll's famous and fascinatingly enigmatic novel Alice in Wonderland, it is a seductive, enchanting, sensuous opera set to a modern, ear-pleasing score - a triumph of creative fantasy. Unsuk Chin was born in Seoul in 1961, studied with György Ligeti in Hamburg and now lives in Berlin. She has an acute ear for instrumentation, orchestral colours and rhythmic imagery. Her compositions are modern in language but lyrical in their communicative power. Kent Nagano, a long-time supporter of Chin's music, expertly conducted the Bavarian State Opera and a team of wonderful singer-actors including international stars like Dietrich Henschel and Gwyneth Jones. The opera about Alice's search for her identity - "her reality in the appearance of the world" - as director Achim Freyer put it, switches from delicacy to cuteness to grotesquery and back again. The rather conventional Alice starts following her dreams, meeting a white rabbit that guides her through a wonderland. Alice views it all with amazement and learns - finally returning to the real world, richer for the experience. The phenomenal fairy-tale settings and production were in the hands of Achim Freyer, who created a firework of colour and form. The marvellous costumes and puppets were created by Nina Weitzner, who was named "Costume Designer of the Year" by the German music magazine Opernwelt for her imaginative designs. And in a survey of the magazine's opera critics, Unsuk Chin's opera, which closed Kent Nagano's first season at the Bavarian State Opera, was hailed as the "World Première of the Year". This live recording of the premiere in the Nationaltheater in Munich in June 2007 provides a feast of audiovisual entertainment.
- A genuine première and, over and above that, starring the biggest motion picture composer of the present day: Ennio Morricone. Morricone is well-known to moviegoers his soundtracks are invariably warmly melodic and superbly suited to the films they grace.
- For the first time ever the hidden archives of bandoneon player Astor Piazzolla are opened by his son. A cinematic portrait of the worldwide legendary composer who changed tango.
- The 'young Lord' is an ape, disguised as an English aristocrat and introduced into a smug early-nineteenth-century German community to teach it a few basic lessons about the difference between acceptable and unacceptable social behaviour.
- In a small street in Brussels there is an unusual concentration of pianists: first, the home of Martha Argerich; the other, that of the Time-Lechner, four generations of pianistic wonders. While just fourteen, Natasha Binder is the heir to a dynasty, his last great promise. In the diaries of her mother, who was also a prodigious child in the family videos, pianists in the house next door, Natasha seeks answers to a key question: what is it, in short, be a pianist?
- Not since Paganini had there been such a magician on the violin. Jascha Heifetz was the first truly modern virtuoso, a man about whom Itzhak Perlman said, 'When I spoke with him, I can't believe, I'm talking to God'. Heifetz was a legendary but mysterious figure whose story embodies the dual nature of artistic genius. The paradox of how a mortal man lives with immortal gifts - gifts he must honor, but which extract a life-long price. Is the man and the artist the same person? What is the price each pays? And who was the man behind the music?
- The wild and breathtaking scenery of Austria's Roman Quarry of St. Margarethen provides an ideal and unique backdrop for this live and colourful open-air performance of Georges Bizet's opera Carmen (1875). With over 400 participants, this opulent staging of Bizet's famous opera - one of the most popular works in the genre's history - proves a feast for all the senses. Austria's Opera Festival St. Margarethen, one of Europe's most important open-air festivals, is attended by about 220, 000 opera lovers every year. Conductor: Ernst Märzendorfer. Soloists: Nadia Krasteva, Russi Nikov, Alexandrs Antonenko. Choreography: Marieta Romero Opera.
- Her position at the side of her husband, Emperor Claudius, is not enough to satisfy the ambition of Agrippina, Empress of Rome. She schemes to elevate her son by her first marriage, Nero, to the throne. Then she will need only Nero to accomplish and acquire everything she dreams of.
- Samba, together with football and beautiful woman, is what springs to mind when we think of Brazil. We wish to transcend such cliches and take Samba at its word, for what it is. And that is the great discovery of this film: that Samba cannot be reduced simply to dance and lascivious hip movements. Samba is also word, language, text, lyrics or simply said a way of life and also a cry against discrimination of black people. The composer and singer Martinho da Vila is our charismatic Cicero, guiding us through the world of Samba, telling stories about his 45-year career, meet his Samba school in Rio de Janeiro, the Vila Isabel.
- The 250th anniversary of George Frideric Handel's death takes place on April 14th, 2009. This outstanding British-German performance in Handel's baptistery, the Market Church in Halle, represents the media highlight of the Handel Year.
- In 2018, Yannick Nézet-Séguin will end his tenure with the Rotterdam Philharmonic for which he will stay Honorary Conductor to become Music Director of the Metropolitan Opera, New York. Yannick has worked with many leading European orchestras and enjoys close collaborations with the Berliner Philharmoniker, the Wiener Philharmoniker the Chamber Orchestra of Europe and many notable orchestras and festivals. Learn more about this fascinating young conductor, who seems to be taking the world by storm in this ambitious, witty and intimate portrait.