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1-50 of 52
- Magda, a 7-yo bitch formerly used in dogfights, just had her first litter. Her loyalty towards Ian, her master, is upset by a raising and violent maternal instinct that endangers his woman and daughter. Taking his chance to get back into business, Ian channels her ferocity and forces her away from the pups, straight back to the fighting pit.
- Eight women, Arab and Jewish, take part in a video workshop hosted by Rona, young filmmaker. With each camera take, the group dynamic forces the women to challenge their beliefs as they get to know one other.
- 1960 marked the end of the colonial empires across the African continent. France disappeared from the map, leaving behind the CFA Franc, a colonial creation, which is the name of the currency that still circulates in almost all of its former territories south of the Sahara. How does it come, those countries, once they regained their freedom, never denounced this strange legacy? The film delves into a little-known story that started in the 19th century and continues to the present time.
- In Mauritania, a country seemingly bound by tradition and male dominance, three women speak freely about sex, love and money.
- Idrissa, civil servant, lives in the suburbs of Dakar, Senegal. Due to IMF budgetary restriction measures he loses his job. When his wages dry up, he is forced to live at the expense of his wife. He strives to regain his manly pride.
- A man returns to his home in the Colombian countryside after a long fishing night and discovers that paramilitary forces have killed his two sons and thrown their bodies into the river.
- An imaginary return of dictator Ceausescu after 20 years of capitalism in his country, Romania, where he finds a new society but also old habits in the country's businessmen.
- The Mercy of the jungle is a road movie that deals with wars in Congo through the eyes of two lost soldiers in the jungle by showcasing their struggle, weakness and hope.
- Invalids devastated by war in the Democratic Republic of the Congo make the trek to the capital to make their voices heard, to demand dignity and some kind of compensation.
- Virgil, 18 years old, is a flanker for the junior rugby team of Rieumes, France. After a game, the senior coach announced that he would play with his senior colleagues the following week. Both fascinated and terrified at the same time, does tries hard to fit in with his new team.
- Luisa, a 40-year-old singer, and her companion Julien, a guitarist and composer, have had a group together for many years. One day, her father - whom she has not seen since she was a teenager - comes to see her after a concert. The encounter, during which he tells her he is seriously ill, unsettles Luisa. She begins to look differently at the life she leads.
- In Nazi concentration camps, The Gulag and Japanese war camps, deportees wrote cooking recipes. Hundreds of those recipes were copied in small notebooks by starving human beings of all origins who took huge risks to write and keep them. Telling about these objects of survival, the film explores a phenomenon of incredible Resistance. Until now, no study or publication had ever been made on them.
- « Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.
- A village, a family, a little boy who likes to wear dresses, the return of the wolf and everyday life, ordinary, banal. These elements are used to tell of hidden desires.
- Rayna is a Bulgarian prostitute, working in Brussels' Red Light District. One night, she shares a mystical and sexual moment with an African client, who dies shortly after. That night that will haunt her.
- It all started with a Kung Fu movie.
- On January 31 1980, in Guatemala, while the civil war between the military dictatorship and the Marxist guerrillas drags on, 32 representatives of Indian peasant associations arrive from each corner of the country and occupy pacifically the Spain embassy to claim their rights. None of them come out of it alive. All are burned live by the military junta in power. Only the ambassador survives. In memory of that massacre, today, Why do humans burn? Takes a critical look at the present.
- "I come from a people, the Fang, where the dead never leave the living. But since we have become Christians, we are no longer able to hear them." Lost between the here-and-now and the beyond, Natyvel Pontalier's spiritual quest in Gabon takes her back to her family's roots.
- They have committed serious acts, offenses or crimes. The justice system however considered that they were not responsible when committing these acts.
- In a Brussels retirement home, a Belgian and a Congolese drink to their long lasting friendship. They argue over an old story - one of broken dreams and wasted lives.
- The Kivu in Democrat Republic of Congo, a lake in one of the most unstable region in the world, is portrayed by the stories of local fishermen. They live on, and thanks to the lake, they know all his secrets. They tell them, drifting with the flow on their dugout or during a late evening gathering along the lake's banks: two warring countries - Rwanda and DRC, the rumor of a killer fish, a gigantic reserve of methane about to blow up, or old woman's fabulous memories - So many stories about life and death, fishing and legacy, which form a tales' collection and reveals the secret identity of an amazing place.
- Oscar, eight, likes to wear dresses. "Sissy Boy" portrays a day in his childhood. Under the troubled and undecided gaze of his family, an obstinate boy affirms his uniqueness.
- "Mémoire de missionnaires" takes us back to the Belgian colonization of the Congo through the prism of evangelization. The last witnesses of this period tell us about the astonishing and little known fate of those men of the Church, exiled on the edge of the world to preach the gospel. Their testimony give us a different perspective on this period. Those witnesses show a part of the colonial history which is often commented and yet remains unknown. They give us a lucid and critical view on the Christianization of Africa.