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- Young and wild Fanchon lives in a forest with her eccentric grandmother who is suspected by the villagers of being a witch. The unkempt girl suffers from her grandmother's sorceress reputation. One day the girl rescues a boy from drowning and they fall in love, but Fanchon won't agree to marry him unless his father asks her. A year later the boy has fallen very ill, and it is only the presence of the enchanting Fanchon that helps to restore his health.
- A wealthy resident attempts to dispossess squatters who live near his home, which leads to a false accusation of murder.
- Snow White, a beautiful girl, is despised by a wicked queen who tries to destroy her. With the aid of dwarves in the woods, Snow White overcomes the queen.
- Though mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother.
- The story of a Japanese woman and the tragedy that ensues when she loves an American naval officer.
- A peasant girl sent to make a claim on her family's ancestral home in England's Wessex is seduced and left with child by its current owner.
- King Rudolf of Ruritania is saved from a coup attempt by the help of his lookalike cousin, who falls in love with the king's fiancee.
- A French sailor, imprisoned for years on false charges of conpiring against the king, escapes and exacts revenge on his accusers.
- Through the machinations of the Empress Poppaea and other women at court, Tigellinus, Nero's agent in the war against the Christians, convinces Nero to have Mercia arrested.
- Based on the 1913 play The Land of Promise by W. Somerset Maugham about Nora Marsh and her life which ends in a farm.
- Rich artist David King sends his infant daughter Molly to an orphanage, then years later regrets it and tries to find her. She's sent to slave at a boarding house,and the mistress of the orphanage passes her niece off as Molly.
- A girl with old-fashioned values becomes a modern sophisticate.
- The superintendent of the Knowlton Iron Works is in love with his employer's daughter, who has been reared in luxury, and is the idol of her father. To save this woman from the knowledge that her father is a thief, the loyal superintendent takes upon his own shoulders the guilt of her father's crime. After all the stress which the story develops, his sacrifice is learned and rewarded by the woman he loves, who decides to stand with him on the side of the oppressed workmen, to whose cause the superintendent has devoted his life's labor.
- Mary Pickford plays "Rags," a pretty but wild girl who defends her alcoholic father a disgraced bank cashier, no matter how he mistreats her.
- A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.
- Berresford Cruger, junior partner of the New York brokerage firm of Barbury, Brown and Cruger, is left a fortune of 60,000 pounds, by an English uncle, Carew, on the condition that he renounce his American citizenship, become a British subject, and marry an Englishwoman, the money otherwise being assigned to the Archaeological Society of England. Cruger patriotically refuses the fortune on these conditions, when his pretty English cousin, Beatrice Carew, who has been disinherited in favor of Cruger, because of a past romance with an American, suggests to him that they marry, and so keep the money in the family. Cruger's American chivalry, and a strong interest in his attractive cousin are aroused. At this critical moment the disappearance of Brown, with $80,000 which he had had in trust for a Miss Georgia Chapin, is discovered. Cruger and Barbury feel responsible for their partner's defalcation, which adds another incentive to Cruger's consent to a hasty marriage with Beatrice, who immediately returns to England, after both have agreed to leave each other absolutely free. With his newly acquired money Cruger secretly replaces the missing funds, and invests in the Opera House block of a Wyoming "boom" town, proceeding to forget all about it. Later, he and Barbury go to Nice, where Cruger again meets his cousin-wife. Here they fall seriously in love with each other, and many complications, pathetic and comic, ensue. The situation is further confused by the sudden reappearance of Brown, who, it transpires, is the missing ex-fiancé of Beatrice, believed by her to have been accidentally killed. Beatrice is now fully recovered from her love affair with Brown, but his former affection for her is revived when he learns that her fortune, after all, has not been lost. Brown's utter lack of character and manliness is evidenced by his efforts to part Cruger and Beatrice. Cruger realizes that Brown's design is to secure Beatrice's fortune by marrying her himself, and, in a dramatic scene, tells Brown that he had induced himself to marry Beatrice in order to restore Miss Chapin's stolen funds, and that he would consent to a divorce from Beatrice, if Brown would agree to return her portion of the estate in the event that be married her. Brown's ardor cools at this proposal, and he verifies Cruger's scant opinion of him by again disappearing. Beatrice misunderstands Cruger's motive, and condemns him as mercenary. Cruger can offer no defense and secretly bears the pang of Beatrice's innocent misjudgment. Beatrice leaves Cruger in anger and resentment. With a comic irony, the Archaeological Society at this juncture, which has sued to recover the money on the grounds that Cruger was not to share the behest with Beatrice, Carew's disinherited daughter, wins the action, and Cruger and Beatrice are forced to surrender their fortune and are left without funds or resources. With noble devotion, Cruger stints himself to send Beatrice money without her knowledge of the sacrifice, and is himself on the verge of starvation, when joyful word arrives that his Wyoming Opera House lot has really "boomed," and made him $50,000. Meanwhile, Georgia Chapin has learned of his unselfish replacement of her stolen funds, and his sacrifices for Beatrice, with which she loses no time in acquainting her. Awakened to a new realization of Cruger's real worth. Beatrice hastens to him to ask forgiveness, and is received with open arms by her hero, who has managed, through all his difficulties, to regain his American citizenship without losing wife or fortune.
- Carlotta grows up in a Turkish harem and upon turning 18 finds out that her foster father plans to sell her to an old Turk. An Englishman helps her escape to Britain, but he is arrested upon their arrival.
- Charles MacLance, a mischievous little boy sent to live with his cruel aunt, Mrs. MacMiche, takes his happiness from the make-believe world of fairies which he has created with Juliet, a little blind girl. When Charles' aristocratic grandfather dies, however, he is sent away to an expensive school, in preparation for his adult life as a lord. As he grows up, he forgets Juliet and his make-believe friends, and becomes engaged to a fashionable society girl, but the soul of his former self leaves him to rejoin the good fairies. Meanwhile, Mrs. MacMiche has come to believe in fairies, and in her new goodness, she asks Charles to come and live with her again. At first reluctant, Charles soon resurrects fond memories of the past. Juliet, whose sight has been restored, helps him to complete his change, and he asks her to marry him. In the end, the couple live happily with Mrs. MacMiche in their fantasy world.
- The statue of Niobe comes to life through the dream of a hen-pecked old man.
- Mr. Norton discovers his wife in the arms of his neighbor, Captain Roberts, a married man. His first maddened impulse is to kill his faithless wife, but on his way for the gun his little child runs to his arms to say good-night. The incident unnerves him and his wild determination is destroyed. He decides upon another course. He goes to Mrs. Roberts and tells her that he intends to ruin the Captain's home as her husband had ruined his, and that unless she consents to elope with him at ten o'clock that night he will shoot her husband on sight. Mrs. Roberts, in grief and despair, premises to elope in order to save her husband's life. That evening, when the Captain returns, she accuses him of his sin, and he makes an earnest and effective plea for forgiveness. Meantime the grim hour for her decision is past, and with the strength of woman's devotion, she determines to sacrifice her life for her husband, rather than stain his name. Donning his military cap and cape, she walks out on the veranda, just as Mr. Norton has accepted her absence to signify her refusal to elope. True to his threat, when he sees the figure on the veranda, he mistakes it for the Captain, and shoots. The Captain realizes the bitter fruits of his sin, but the wound is not fatal, and the courageous wife's nobility and bravery inspire an admiration in her husband's heart that completely resurrects the old love. Mercy is mightiest in the mightiest.
- Producer/director Albert Zugsmith's acid-therapy "comedy," complete with a tinted trip sequence "in hilarious LSD color." A suicidal film star named Honey Bunny is sent by her producer to a rest home run by an unhinged Dr. Horatio, who gives his patients LSD as a cure. The wacky patients include female impersonator Skippy Roper as an effeminate dress designer, a midget, a fat lady, and lots of actors, directors, and producers, including Zugsmith himself.
- "The Mummy and the Humming-Bird" recounts the tragedy of a neglected wife who seeks amusement in the company of an unscrupulous Italian novelist whose only object in making love to her is the hope of eventually accomplishing her downfall. The reawakening of the unsuspecting husband, the revenge of which a former victim of the wily schemer wreaks, and the saving of the innocent woman are fraught with thrills and dramatic suspense in abundance. It is the sort of production which can not but impress those who view it. (Hearst's Sunday American, ((Atlanta, Ga.)) 7 November 1915)
- Nanette raised in Canada has been peaceful despite the fact that her father is the leader of a band of whiskey bootleggers. Then, however, when Baptiste, a half-breed member of the gang, kills his wife, Constable Thomas O'Brien of the mounted police arrives not only to investigate the murder, but the gang's smuggling activities as well. Nanette and Thomas become friends and then fall in love, but because she is unaware of the precise nature of the crime that Baptiste committed, she helps him get away from the authorities. When she finds out that he is a murderer, however, she agrees to help Thomas capture him, first making sure that her father and the rest of the criminals will be safe from prosecution. After he catches Baptiste and prepares to take him to prison, Thomas promises to return to Nanette and marry her.
- Known as "Wildflower," Letty Roberts meets Arnold Boyd, a wealthy man who is weary of life in the city. Arnold thinks that Letty is merely a charming child, however, his playboy brother Gerald is attracted to her and charms her into eloping with him. Arnold catches up with the couple just after their wedding, and after a fight with Gerald, takes Letty away to the Boyd family home in New York. He introduces her as his own wife because, he says, he wants to save her reputation. Even Letty's parents do not know to which brother she is married. Letty's stay in the mansion opens her eyes to the world outside of her rural environment and eventually she realizes that while Arnold appears to be hard and uncaring, it is really he, not Gerald, whose feelings for her are the deepest. When she realizes Gerald's true character, Letty decides that she will be happier with Arnold.
- Marta is a beggar child, who is adopted by Sebastien, the wealthy landowner. Sebastien makes Marta his victim. He wishes to marry a wealthy woman, but at the same time retain his influence over Marta. He therefore arranges through Tomas, the hermit, to marry her to Manelich, a simple, untutored shepherd living in the mountains, a rough child of nature who kills wolves with his bare hands and knows naught of guile and deceit. The wedding is performed, Manelich being under the impression that Marta loves him, and being truly in love with her. Later he learns he has been tricked, while Marta, who had at first believed that Manelich had been bought with the master's gold to become her husband, finds her conclusion wrong, the honesty of his love compelling her own. Then come developments which make the drama one of the most passionate, intense, trenchant character studies ever created. Marta is a patient sufferer, a tragic figure indeed, as she bravely endures all the cruelty and indignities that are thrust upon her by the ruthless "master." We witness the poignancy of her grief, the restraint and the anguish of the oppressed woman, and her movements among the treacherous characters of her environment.